I want to talk about the significance of which characters defeats the different antagonists in the Wolf 359 finale: Kepler kills Rachel (and vice versa), Jacobi kills Riemann, Minkowski kills Cutter with the help of Lovelace, and Hera and Eiffel wipe Pryce's memories. As I'll argue below, none of those combinations are incidental.

Jacobi and Kepler each get to dispatch an adversary, but, since they've only recently and - perhaps reluctantly - aligned with our protagonists in their aims, they each deal with more minor antagonists. Rachel and Riemann are ultimately following orders rather than giving them, so their defeat - while important - doesn't have the same emotional weight as that of Pryce or Cutter. This is also why the confrontations with Riemann and Rachel each conclude significantly before the confrontations with Pryce and Cutter. (Cont. below cut)

I'd argue that Riemann is the least developed character in the show (of those that are voiced and appear in more than one episode). He's nothing more than a Goddard henchman, and that's deliberate. Jacobi’s investment in this fight is practical, rather than emotional. There's no personal antagonism between the two of them. And this works for Jacobi as a character - his job has always been to “make very big things blow up” and he's only recently started properly putting his own independent thought into who he wants to be blowing up. So Jacobi and Riemann face off against each other in a locked room, with a fistfight and then an explosion.

In contrast, Kepler and Rachel do have personal antagonism between them. It's clear that they have a history of professional dislike. In Kepler's backstory episode, Rachel clearly takes a great deal of glee in mocking Kepler about “Operation Gigantic, Humiliating Screw Up”, and Kepler certainly doesn't seem pleased to see Rachel when the Sol arrives at the Hephaestus in Ep55. Although there are obviously other motivations involved, their petty interpersonal hatred gives an interesting extra significance to them killing each other.

Another way to frame it is that Kepler and Rachel are two people at a similar middle-of-the-hierarchy level who've both been faced with a degree of undeniable evil even beyond what they've previously encountered from (and enacted on behalf of) their employer, and had to decide what they are willing to go along with. Their mutual killing of each other is the result of a conflict between two contrasting potential decisions in that situation. 

It's also notable that while the minor antagonists are each defeated by a single character on their own, the major villains could not have been defeated in this way. The two most significant confrontations in the finale each involve a pair of characters who care deeply about each other standing together against someone who has personally hurt them. 

After killing Cutter, Minkowski acknowledges she “couldn't... have done it... without you, Captain”. Similarly, the way Eiffel and Hera defeat Pryce required both Eiffel's sacrifice (it is important that wiping the mindspace is his idea) and Hera's abilities (it takes a lot of mental and emotional strength for her to enact that plan). The ethos of the show all comes back to that quote from Eiffel in Ep25 that needing help from others “is called being a part of a crew. You ever meet anyone that could get things done all on their lonesome?”

It's important that Hera confronts Pryce - she gets the chance to stand in defiance against a person who has caused her so much pain. Hera gets to assert herself as her own person against the first person not to treat her as one. While I certainly don't think anyone should feel responsible for confronting those who have personally hurt them in real life, it would have been narratively unsatisfying for Pryce to have been defeated without Hera playing a central role. That confrontation is necessary for catharsis and resolution of Hera's character arc. But it's important that Hera doesn't have to do it alone. It's important that she does it with Eiffel, the person she is closest to, by her side. And what's more, in that mindspace, he's by her side in a more literal direct way than he has ever has been before.

Terrifying as Pryce is, it's Cutter who has been our 'big bad' throughout the whole series, the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. And so it's apt that he's defeated by Minkowski, the Commander, with the help of Lovelace. Our two protagonists who have at points been defined by their leadership positions defeat the villain who has been defined by his leadership over them. Our two Commanders defeat the person above them in the chain of Command. 

If Minkowski has a personal nemesis, it's Cutter (as I argued in my Minkowski harpoon essay). Now that Hilbert's gone, the same could probably be said of Lovelace. He's the one who recruited them (and their respective crews, assuming that he was involved in the recruitment of the other members of Lovelace's crew as well) into the hellscape that is the Hephaestus. He's the one basically all of their pain and turmoil ultimately comes back to.

Minkowski & Lovelace's confrontation against Cutter, and Hera & Eiffel's confrontation against Pryce, are both about the harm that's been done to them as individuals. And about the harm done or threatened to their loved ones (including the friend they each stand beside in this particular confrontation). And about their principles and themes around control, autonomy, personal agency, and identity. And about the desire to protect people in general on a larger, global or even galactic, scale.

And all of those resonances work particularly well because of the specific choices made about which protagonists should face off against which antagonists, in order to provide the most effective culmination of the character arcs that have been built over 61 episodes.

to me, that's cinema.

One of the best things about Shadow and Bone is that it hits every single YA stereotype and still slaps. Chosen One? Yep. Unknown power? Yep. Orphan? Obviously. Not Like Other Girls? Of course. Childhood best friend with sexual tension? Yesss. Love triangle? We've got two of them. One love interest with brown hair and one that's blonde? You know it. Found Family? Tick Miscommunication? Yep Complicated society? Of course Concrete structure that mc doesn't quite fit into? Why wouldn't you.

We have it all, and it works SO well

PET PEEVE: When people use "song" to refer to music that is anything but a song

Still image of the first frame of my animatic

They're very smoll

me: what if i started writing for ncity again

me: opens my ncity folder

me: ....right. that's... well...

Color-picking the trans flag colors from a picot my cat

You used to have a masterlist for all of your fics???

i used to have a tumblr post that was a masterlist but then I started writing/posting at such a consistent pace that it was hard to keep updating it and, by the time I finally went to update the list, I had posted like 15 fics and I just didn't want to do it anymore lol.

and then i had a masterlist page on my blog but tumblr updated their html coding rules or whatever the fuck and now I can't edit it soo

and by this point I've probably posted, like... 50 new fics so even if I could edit it, I just don't have the emotional or physical energy to <3

it’s a competition actually: who will look the saddest, the most heartbroken and sad while glaring at rhaenyra and laenor enjoying their wedding day

you'll find a little remedy (the world will sing along)

TW: discussion of past sexual assault.

The article about her was coming out tomorrow, and Chris knew she needed to tell the team what happened to her first.

Read here

Post 3x14 "Animus"

If you are a Jojo fan and also happens to own twitter, please check out https://twitter.com/TDDK_Art

Their fan animations are god tier and do yourself a favor and grace your eyes upon them.

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

Tumblr: No NSFW! You know how it is we banned it because of the bots in 2018!

Also tumblr:

heads up: this games charity bundle was finally approved on itch.io! it opens this friday, april 12th, and will run for a week. all proceeds will go to the Palestinian Children's Relief Fund.

you can check out the bundle on itch.io and follow @vgforpalestine on twitter for more updates!

—

EDIT: as of april 20th, 2024 this bundle is now live!!

more of that "kaufmo didn't get abstracted" AU

Parallels - Good Omens Seasons One & Two - Part One

Links to [ Part Two ] [ Part Three ] [ Part Four ]