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#they have communicated they will continue to communicate about things
seolpsy · 3 days
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ZEROBASEONE # THEIR LOVE LANGUAGES !
notes: sooo sleepy writing this but hope u guys enjoy :)) i’m obsessed w gyuvin like it’s not even funny…
word count: 644
warnings: none
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% KIM JIWOONG !
words of affirmation
even though jiwoong doesn’t talk much, it doesn’t stop him from telling you how much he values you. he’ll continuously remind you of his gratefulness and love towards you. aside from this, jiwoong likes to drop sneaky flirts, causally saying things like “you look so good” or “i love that outfit on you” out of the blue.
% ZHANG HAO !
physical touch
hao likes subtle physical touch with you. he’s not the type to kiss you in public, but he’s constantly intertwining your fingers or wrapping an arm around your waist. when you guys are sitting next to each other, your knees tend to touch and hao puts his hand on your knee to show his affection. when these moments happen, it’s just you two and no one else.
% SUNG HANBIN !
acts of service
hanbin is your boyfriend and mother in one. he’s always taking care of things before you even have time to worry about them. he’s dreamy in the sense that he loves to make you breakfast in bed simply because he wants to and he gives you his jacket when he sees that you’re cold. being with hanbin is the epitome of “to be loved is to be seen.”
% SEOK MATTHEW !
quality time
you guys aren’t great at showing your feelings but time with one another is top tier. adventures with you and matt are so much fun. you guys never focus on the outside world, only the bubble you two are in. matt loves to spend every moment focusing on you (he doesn’t even check his phone once when he’s with you). you guys love to talk from night to day.
% KIM TAERAE !
quality time
if there’s one thing that taerae loves most in this world, it’s spending time with you. it doesn’t matter if it’s shopping, singing, or just laying in bed with you, he adores it. taerae uses all of his free time, hanging out with you. if he has schedules, he wishes for them to go by quickly so he can see you again. time with you is never unimportant to taerae.
% SHEN RICKY !
gift-giving
ricky’s awkward when it comes to expressing his feelings so he loves to buy you gifts instead. he’s willing to spend any amount of money on you because seeing you happy makes him happy. ricky likes surprising you with gifts, he believes you deserve one always. every gift is thought out (if it reminds him of you or he thinks you’ll like it, he’ll buy it!) and filled with the love and care of his heart.
% KIM GYUVIN !
physical touch
are we surprised that gyuvin can never take his hands off of you? he’s always up in your face, begging you to hug him, kiss him, love him! when you two are apart, he craves your touch so badly. he’s always whining to his members about how much he misses your sweet scent or the warmth of your embrace. you guys are stuck together like glue.
% PARK GUNWOOK !
words of affirmation
there’s never a moment when gunwook doesn’t tell you how much he appreciates and loves you. unlike others, he doesn’t shy away and communicates his feelings for you directly. along with the reassurance of his love for you, he compliments you 24/7, constantly hyping you up. gunwook will always find a way to make you feel loved with his words.
% HAN YUJIN !
acts of service
yujin isn’t much of a touchy or talkative guy so he likes to show his love through his actions. he buys your favorite pastries to share or listens to you after a stressful day. he enjoys helping you complete house chores, not thinking of it as an inconvenience but as a way to help you out. if there’s something to do, yujin has done it before you can even notice.
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drdemonprince · 2 days
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I've noticed a pattern in anticapitalist books I read (specifically I'm talking abt Mark Fisher here, in Capitalist Realism). They do this great anticapitalist analysis etc and then go on to critique their students? and sometimes it's a bit ableist? it's like all the critical thought goes out of the window and they cannot understand the situation because for once suddenly they are in the authoritative position. It always gives me this "I don't understand these kids, back in my day-" vibe, and I see this with lecturers at university too. like Mark Fisher maybe we can think outside the box about your student who "needs" headphones to focus in class "even though no music is playing". and maybe it's not to do with the "Matrix"(????) I'm well aware this was written in 2008 but it's weird that I see this pattern continue today. Not to mention Mark Fisher took part in some ableist studies, and was a guy with questionable intentions on occasion.
it's like you Just said that reducing labour is good why are you calling your students lazy, that's so unprofessional and privileged. I wonder of coincidence that he is anti-meds when his right wing, pro-eugenics, accelerationist friend was addicted to amphetamines.
Or even just the amount of people who have written books about laziness and anticapitalism (excluding you) and just saying the most contradictory shit ever?? or not following their own ideology???
Anyway, I wonder if, when writing Laziness Does Not Exist, you came across any of this and were equally as baffled.
Materialism is just *so* true that high-status academics don't have a vested class interest in seeing their student struggles as legitimate or in recognizing the struggles of disabled people in general. For many edgy academic leftists having the correct opinions is just a way to flex one's intellectual status, not a lived experience they give a shit about. I'm not shitting Fisher in particular in saying this, it's more that it's a really widespread problem in the culture of these kinds of (very white, very academic, very cishet) leftists communities. You see the same kind of thing among some of the Chapo stan types, too, you don't have to be specifically an academic to do it -- lots of people throwing around the r-slur and flexing on how much they have read and doing fuck all for the oppressed people around them. I tend to find it especially common among people who inherited leftism from their (often academic) parents? Whereas leftist communities populated by Black & brown anarchists and working class people tend to fare a lot better in this particular respect.
Note that I'm not saying a person's identities are a guarantee of them being any more radical -- there's lots of liberals lurking in our midsts of all identities for instance -- more that someone's orientation toward power tells you a lot. and unfortunately there is an approach to leftism that puts a lot of stock in either institutional power via the academy, or in a kind of soft power of intellectual authoritativeness that tends to punish anyone who is supposedly less well read, less intelligent, lazy, needs disability accommodations, has trauma triggers, or what have you.
The simple answer is that power and privilege obscures other people's challenges from you, and the desire to preserve one's power (be it actually institutional academic authority or just the status of the person who supposedly knows the most in the room) leads to a lot of oppressive behavior. a lot of these guys that you're talking about believe in communism sincerely but they don't have humility, they believe themselves to be superior to most everyone else. and they tend to be white guys from wealthy families who either do not have any disabilities of their own, or they have the undiagnosed intj mastermind rational flavor of autism that makes you feel incredibly alienated from others but interpret that alienation as a sign of your intellectual superiority. (i had this type but i got better. a little)
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soaringwide · 2 days
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Pick a Card: Month Ahead #01
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This was written for May 2024 but with the intention to be timeless, so even if you find it later there might be a message for your next month.
We'll look into your energy coming into the month, but also what will be the theme/area of focus and what you'll need to pay attention to, as well as the surprises that might come your way.
It's my first time doing a pick a card like this so we'll see how it turns out! I love doing those privately though.
As always, be mindful that this is a general reading meant for multiple people so it might not be 100% fitting for your situation, and that it's based on the energy you hold at the moment of selecting a pile that draws you to one of them.
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PILE 1
Cards: Page of Cups, Queen of Wands, 9 of Cups, Ace of Swords, the Emperor, Strength, 5 of Cups, the Moon, Queen of Cups, 5 of Wands rx, Ace of Pentacles, 4 of Cups, Page of Wands
For your energy coming into the month, I see you being in a state of being in tune with your heart, opening up to the possible rise of a new romantic connection. I get the sense that you're cautiously optimistic about it, because while you feel confident within yourself and in a happy place, you're also aware that it's too early to tell. But you're not letting that deter you and you're fully embracing your own power, feeling good about yourself and where you're at while looking ahead hopefully and waiting for an opportunity to move forward. I think for you the process of the month ahead has already started a bit before the start of the new month and you're continuing the process.
When it comes to the theme of the month, I see the importance of putting your emotional fulfillment at the forefront and being actively working towards it. There is a need to bring clarity about the situation, clarity that will bring you contentment and tie loose ends. You will be determined to work through that with willpower and determination by taking the lead and stop wasting time around. I think you are seeing the path forward for this connection and you're determined to go for it and not let it escape. You got four cards here and they all represent a different element, which I interpret as the fact that harmony within and for yourself will be a big theme as well. Between your feelings, your thoughts and your actions, everything will be grounded in your authentic self.
I think these past few months have not always been great for you and you're determined to leave that behind and enter the new chapter of your life. You've learned all you had to about your old ways and now you're ready for a change. So for the goal you'll have in mind, you will be focused on not falling back into the same patterns of thoughts and behaviors and keep moving forward with determination and a sense that you can't go back to what you once where.
The challenge that will arise will come from your own psyche. I get the sense that you still have unresolved issues within yourself that may cloud this great picture, so you will have to be extra careful about not letting your fears and doubts making you spiral down and do or say something that doesn't align with your truth. You might go through times where you feel irritable or anxious and you may take that as a proof that things are going to shit again and you might want to run away, but it's an illusion. It just means that you still have some inner clutter to sort out. Be careful about not shutting yourself off from others as a reaction to your inner pain.
When it comes to a surprise coming your way, it seems there will be an event that will create a shift from a confusing and chaotic situation to one of open communication of feelings, laying out a more positive base for the future. I'm getting the sense that this is what the theme of the month was referring to, and while you seek it, you don't really know how it will unfold so it will still be a surprise when it happens. When this even happens, be as open and honest as possible in order to clear out any possible miscommunication, be kind and listen to what the other person has to say with empathy and love at heart.
What you'll have gained by the end of the month will be a stable and solid start towards the future. Things are blossoming but you'll have learned that there's no point rushing into anything and that things come when the time is right. You'll be set to build on that for the months to come. Maybe the start of a new commitment although things are in their very early stage.
As a final advice, it is important not to shut yourself off from your emotions and not to stay stuck in your old ways of remaining passive. Stay open and assertive, go after what you want and I get the strong message that you need to communicate openly about everything that isn't clear in this connection. Don't just wait around for things to fall onto your lap. Be passionate and enthusiastic and again be clear about your intentions. Also, you're learning something new and important so be gentle with yourself if you don't get everything perfectly from the get go, what matters is to do your best.
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PILE 2
Cards: King of Wands, Queen of Cups, the Lovers rx, 8 of Cups rx, Queen of Pentacles, Ace of Swords, Memento Mori, 10 of Swords, King of Pentacles, Queen of Wands, 2 of Wands, The Chariot, Knight of Pentacles, 6 of Pentacles, 3 of Cups rx, 7 of Cups
For the general vibe of this pile, it feels a bit overwhelming like there is so much to pay attention to that you are somewhat disconnected from yourself as a result, because your feelings are so confusing that you get lost in them. There are A LOT of court cards, which may mean that there is a situation that brings the intervention of a lot of different people, perhaps it will be busy at work, or something involving family, creating a very messy situation where everyone has something to say and you can't hear yourself anymore. Really there is so much external influences here that I had a hard time picking up on YOU until the end of the reading.
For the energy you have coming into the month, I really think you are in a committed relationship with someone (and if not it's not your pile), but there is a big disharmony here. It seems one of you is on the way out of the relationship (represented by the King of Wands), and the fact that the Queen of Wands shows as a challenge later in the reading, I'm getting that this person already has someone in mind. It seems you are longing for the way the relationship used to be and it feels over, but you are having difficulties moving on right now. It's also possible you're just longing for the idea of Love altogether and wishing you could drop everything you have right now to run towards it. There is a choice to be made but right now at the end of the month, you are not making a move one way or another.
The theme of the month to come for you pile 2 makes a lot of sense considering what I already wrote. You will have to focus on your own clarity and get grounded in yourself, trying to find stillness in the chaos that surrounds you in order to get the answers you need, based on your own guidance. I'm also getting that you feel resistant to change and the call of life, and that you may feel a bit dead inside and numb as a result. There is a need to find excitement for the miracle of life again which has been lost due to your complex situation. ''The meaning is in the Middle'' is what's written on the card and writing down in case it speaks to anyone.
For what you'll consciously focus on this month, I'm getting just like...trying not to break down completely and at the same time keeping up with your demanding job and practical life issues. Perhaps this impending breakup is causing financial stress and you don't know how things will turn out. So your goal will be navigating that in order to stay on top of things both mentally and professionally/financially.
Okay this is where it finally clicks because I was confused whether you where the one with the third party of the one who is perhaps cheated on. With the King of Pentacles longingly looking at the Queen of Wands (the third party I mentioned before - don't take gender into account though) standing next to him, I'm getting that YOU are wondering how to welcome this new passionate connection into your busy life and how to make it fit from a practical standpoint with your current relationship. The Queen seems to be both a challenge and an opportunity, I don't necessarily get that this Queen is a bad omen, it's just a difficult situation that require a choice on your part.
For the unexpected thing that will happen this month, I'm not getting a particular event but rather, how it will change the course of what you're doing. This surprise will force you to weight your options and start pursuing what you desire, getting out of that rut you are in. There will be progress moving forward as I don't think you'll be left indecisive for too long. There is a sense of urgency here, whether it's perceived or true, you will feel it deeply and it will push you into actions. You will be surprised by how determined you suddenly feel after the indecision of the past.
What will be gained after the month ends is a newfound stability as you'll have regained your footing. From that point in the spread it's like things have cleared up a bit and there's open space. There is a new beginning on the horizon but unlike the urgency that led you to that point, there is now the need to take things slow and build strong foundations.
The advice you got was that, well, it's time to choose what you want to do with this third party. You can't keep holding things like that without making a choice. You might also need to distance yourself from bad influences around you like friends or family and again focus on yourself. The second advice is about restoring some type of balance between giving and taking. It seems someone has or will give you something and you'll have to give something in return so that not to break the flow of the relationship.
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PILE 3
Cards: 4 of Swords rx, 8 of Pentacles, 4 of pentacles, 3 of Pentacles rx, 7 of Pentacles, 9 of Pentacles, 5 of Wands, 9 of Wands, Justice, 4 of Wands, King of Cups, the Moon, 9 of Swords, Temperance, 6 of Swords, the Fool
For your energy coming into the month, I see that you might have been feeling burnt out for a while now due to over-exhausting yourself with work or your studies, something you've put a lot of care and energy into in any case. You feel stagnant and somewhat demotivated and the whole thing is weighting on you. It's like you've put so much effort into working on this issue that you feel totally depleted emotionally. However, you can't seem to let go a bit in order to get things flowing again and you remain stuck, fearing everything is going to go to waste if you relax a bit.
The theme of this month will be to find your support system and reach out for help in order to get you to find new solutions to your issue. Not everything can be done alone. Furthermore, not every project can be rushed through all the time, sometimes you have to let it rest for a bit and let it grow under the surface of the soil. You will find great benefit from focusing on your own enjoyment and pleasure for a change in order to find a new perspective on your situation.
Despite that, it seems your mind will still be set on proving yourself this month. It's like, you feel burnt out and stagnant, and instead of getting the cue that you need to slow down a bit, you look at others and wonder why you can't hustle like them. Basically you're sensing there is an issue but you're trying to solve it in a toxic way by comparing yourself to others and feeling threatened by their success, triggering your self esteem issues.
The challenged you will have to face have to do with accepting to restore the balance in your life and take a break to have a bit of fun. Sounds like a false problem but it seems it's quite difficult for you to do at the moment because you're so focused on your tasks. It's a critical point though because if you don't cut off the toxic behaviors that are burying you into the ground, you will face the repercussions of your own non-action further down the line. You might have a hard time socializing because your heart is not there and you might feel left out, even though it would do you good to get a change of scenery and get out of your cave for a while.
For the unexpected thing that will happen this month, this will have to do with some type of emotional reconnection that will lead to more balance. It's very possible that it'll be uncomfortable at first as all the negative feelings you've been pushing under the rug all this time are resurfacing, but if you manage to stay afloat you will find a greater sense of mastery over them. I'm not getting anything precise as to what's gonna happen, but it will have to do with you being forced to take the blindfolds off and finally pay attention to your mental health. This might be the inner crisis you need to get back in a better shape.
What will have been gained by the end of the month has to do with leaving behind this way of doing and thinking you were holding onto at the beginning of the month. You will finally be able to get moving again, even if it will feel somewhat bitter and hard to do, remember it's for the better because you could not keep going on like you did.
The advice for you to help you navigate things is to not take everything so seriously all the time. Don't focus too much on what's not working or what you could do better or even on what you can't control, but try to find hope and the sense that a new beginning is at hand if only you open yourself up to it. Whoever is sending you this advice really encourages you to enjoy the little things and find your youthful spirit again. Things won't stay bleak forever so the best thing you can do is let yourself move along the stream.
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lynnsadventur · 1 day
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You finally finished your senior year of cheerleading. All the hard work you put in is starting to overtake you emotionally as you walk through the hallway towards the locker room for the last time. It's a bittersweet feeling.
Your eyes are a bit misty, and even though you've made this walk hundreds of times, the eerily quiet halls of the vacant school undistracting, you end up in the boys locker room. By the time you reach what should be your locker you realize what you did.
You turn around to try and leave but coming in the door are the three football coaches. A little buzzed from their celebratory end of season drinks...
*******************
*Shit, shit shit!*
I scramble quickly into the adjacent shower room to avoid the approaching football coaches. I silently chastise myself as I hear the laughing coaches enter the locker room.
*I made it four years!* I think to myself, with my back pressed against the community shower wall. *Four years without making a fool out of myself, now here I am, trapped in the boys locker room! How could I have been so stupid?*
*Maybe they'll leave. Just come in to drop things off, then they'll head home ... Vanessa, what were you thinking?*
Click! The sound of beer cans opening echo through the locker room as the coaches cheer to another successful season. They weren't leaving anytime soon, and there was no way out past them.
I silently stand there, wishing that my absurd situation would just go away. The coaches start talking about the last game, their favorite players, prospects for the next season, and their least favorite players. Time seemed to go on forever, as they reminisced about their former days of football glory.
"Hey Tim," one of the other coaches called out. "Tell George about that chick you fucked, back in our Senior year of varsity."
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I could hear him laugh loudly, clear his throat, and answer with a deep voice. "Who, Teresa? Come on, Steve. Alright, alright. Oh man, you won't believe this. So, it's homecoming, right? We're down 13 in the end of the second. Not the best for homecoming game, right? Well, half time rolls around and the homecoming procession is going to start in an hour. A lot of the candidates for queen were cheerleaders, so they had to be given some time to change into their dresses, all that. So, I head back to the locker room, figuring I'd freshen up, get my head back in the game. The other players stuck around the field. So, I get in there, and find, none other but Teresa, standing at the mirror!"
The coaches laugh, and George, the one who apparently was hearing this for the first time, says "What the fuck? What was she doing in there?"
"Well, see, apparently all the mirrors were taken in the ladies room. She figured that since all of the guys were out on the field, so she had it all to herself. So, here I am, football stud, standing alone in the locker room with the hottest girl in school, can you guess what happened?"
Steve starts to laugh as Tim pounds his fist rhythmically into his hand. "Mmmm, mmmm, mmmm, mmmmm! Fuck yeah, bitch!" George joins the laughter as Tim mimics the girl's voice. "Yeah, T, give me that big black cock!"
I peek my head around to see Tim scooting along the benches, humping the air as if he was fucking the girl all over the place, as the other two coaches' chuckling erupts into roaring throes of laughter. My eyes get wide as I slip back behind the wall.
"Man," Tim adds as he opened another beer. "She went on to win homecoming queen, but me? Man, I was literally floating on that field! Won that game with MVP, and that night is when I got scouted by Stanford. So, I have Teresa's tight and white pussy to thank for my football successes!"
The three men continue laughing as a couple of beers are opened again. I silently sigh, roll my head back, and squeeze my eyes shut, as if I could just wish myself out of this room. I knew guys could be nasty, but I was surprised to hear the coaches raunchiness.
"Fuckin' cheerleaders, man." Steve interjects. "Have you seen the ones we got this year? The varsity? Holy fuck!"
George laughs and chimes in. "Yeah, man, girls today are something else. Maybe it's the outfits, but they just look ... fucking hot!"
"I know! And they're nasty as hell! You listen to the team in the locker room, and what some of those 'young, innocent girls' be doin'? They'd be putting that girl Teresa to shame!" Tim resumes his impression of fucking, while pretending to spank the air over and over again.
"Well, let's play a little game. Marry, fuck, kill. Cheerleading varsity squad." My eyes widen. My heart begins to race. I've already heard too much, and the coaches had no intention of leaving any time soon. *How am I going to get out of this?*
Steve goes first. "Okay. First, kill. Brittany." The men all simultaneously groan. "She's fat, ugly, and a bitch. I mean, you gotta choice on at least one of those things, damn!" The men laugh in agreement. "Ok, now for fuck. Part of me wants to say Megan, you know, word in the locker room is she gives great head, and her body is alright, but ... fuuuuuck, have you seen that blonde one? Vanessa?"
I let out a sharp gasp and hold my breath. I don't think they heard me.
"Yeah man, that girl is ... she's the whole fucking package. Full tits, nice ass, she's super lean, and God! She's got a nice camel toe. You guys seen it during those jumps? Those shorts under her skirt fit nice and snug over that juicy pussy!"
I cover my crotch with one hand and open my mouth in indignation. I hide behind the wall, silently, listening intently to their conversation.
"You know, word is she's still a virgin." George replies. "I know, that's why I'd fuck her! What if she's no good? I know Megan can give good head, so I'll just marry her. Great blowjobs for life! If Vanessa turned out to be a freak, I'd keep her as a side chick."
I can't believe what I was hearing. It wasn't quite true, but close enough. I had one guy, fairly small, who popped my cherry in sophomore year. It was over in a few seconds, and we broke up soon after when he moved away. No one since then.
George speaks up. "Okay, kill?" They all speak in unison. "Brittany."
George chuckles. "Yup, who else. Marry? That Asian chick. She's got a tight little body, great for tossing around. Plus, I love some good Chinese food."
Tim chuckles and retorts, "She's Japanese man."
"Alright fine, I'll buy her a fucking Chinese cookbook, are you happy?" They all laugh gregariously. "And fuck? That girl Vanessa. Man, she is hot! She's got a porn star's body. I love that short blonde hair, just long enough to grab but short enough to see her shoulders ... and I bet you that bitch has some pent up sexual tension in her. I'd like to fuck that out of her!"
"Alright, Tim, you're up." He sighs and thinks about it for a moment. "Okay, blowjob girl, what's her name? Megan? Okay. So, I marry Megan, right? Stay married for a while, keep getting that nasty head for a year or two. Then I fuck Vanessa." The other two groan at hearing the same choice for all three.
"Hold on, hold on now. I'm not done. So, I fuck Vanessa, right? Then, after I show Vanessa the ropes, I kill my wife, ehhh, what her name again? Blow job girl. Then I fucking marry Vanessa!"
They all erupt into loud laughter as Tim continues while laughing, "No way I can just fuck that tight white ass once! Fuck man, and those titties on that girl? She looks like a God damn model!"
I stand there, in the darkness of the showers, wide eyed with my mouth hanging open. I couldn't believe what I was hearing! Three grown men, objectifying my body. So many feelings were rushing through me; indignation, dread at being discovered, fear of losing my reputation ... and something else. I felt ... vibrant. My nipples felt swollen. My pussy felt an ache, a sort of unfamiliar yearning, that I couldn't quite explain.
The guys continue to talk, and I feel a chill as the sun disappears from the locker room window past the men. I was only wearing my cheerleading outfit; a top that ended above my belly button, and a skirt that ended just below the athletic booty shorts the coaches were leering about earlier. I slip off my tennis shoes to tiptoe around the shower room, see if I could devise another way out. I sneak further onwards along the wall -
The motion activated lights that had previously not detected me blasted on with a blinding florescent whiteness. I gasp loudly and reach for the wall as I inadvertently grab the shower handle ... which then turns on and blasts me with ice cold water! I scream loudly in shock.
"AHHHHHH! Oh God, no!" I slip on the slick floor and fall ungraciously onto my back, still under the jet of cold water. I lie there, gasping and sputtering as the shockingly frigid water blasts my face.
"What the fuck is that?!" One of the coaches yells out. I hear them all jump up to investigate as I whimper, mortified, sprawled out on the ground.
Steve pops his head into the shower room and whispers, "oh fuck." Tim and George appear at the entrance as well. "Hey, that's Vanessa, fuck." They murmur to each other. Tim steps up.
"Hey, are you okay?!" He calls out. He turns off the water as I pant, still in shock from the icy blast and the bright lights.
Steve crouches down next to me. "What in the hell are you doing here?! This is the -"
"Men's locker room, I know." I retort, with a fair amount of attitude in my tone. I slowly try to get up and slip back down onto my butt. Tim chuckles a bit and helps me up by the shoulders.
"How long have you been in here?" George asks, a hint of concern on his face. I shoot him a venomous scowl and reply, "Long enough." The other coaches exchange glances as I pick up my shoes. "I heard you, talking about looking up my skirt, being gross about my body, just ..." I sigh as I start for the door.
"Look, I just want to go. I just want to forget about everything I just heard and - woah!" I slip backwards again, this time Tim catches my fall, his strong arms wrapped around me.
"Nuh - uh, no way." Tim replies as he spins me around to face him. "We caught you sneaking around, off hours, in the men's locker room. There's a lot of expensive equipment in here ... pads, helmets; what, were you stealing?" The other coaches gives Tim a quizzical look, and he waves them off.
Indignantly, I push his arms off of me. "No! Why would I do that?! What could I possibly gain from some old smelly equipment?"
Steve chimes in, obviously understanding the angle Tim was working. "I don't know, you tell us. Were you looking for some old smelly equipment? Maybe some jock straps to smell. Sounds perverted, what if the student body found out about your ... fetish?" Steve smiled with a devilish grin. I stare at him incredulously.
George stood by the entrance to the shower, arms folded. He was looking at me, as if I was a piece of meat. I glance down at myself, and see my wet uniform plastered to my skin, showing more of my stomach and thighs than usual. I return his gaze.
"How old are you, Vanessa?" George asks, an ominous air about him. I nervously stroke a strand of hair and put it behind my ears. "Ermm... eighteen." I should've lied, but I didn't.
The men chuckle, as I glance around, shifting my feet nervously. "Oh yeah?" George says, pulling out his keys from his pocket. "When did you turn eighteen?"
I glare at him. "Day before yesterday." George looks at the other coaches, and with a knowing smirk, flips his keys in the air and starts to whistle cheerfully as he went to the entrance of the locker room. I hear the key enter the lock and click. That click seemed to echo through the locker room louder than anything else.
Tim steps closer behind me, much closer than what was comfortable. "You know, Vanessa, you might be in a lot of trouble." I feel his hand graze the back of my thigh, just below my cheek. I shudder, and begin to cry.
"There, there," Steve says as he approaches me from the front. "We can work this out. You don't have to cry. Here, let's help you relax, then we'll talk it over. Hey, George?"
"Already on it!" He calls out as he comes around the corner with a bottle of Jameson in hand. He pours some into a small Dixie cup and passes it to Steve.
He turns to me and offers the drink. I've never had whiskey before. In fact, I have never been drunk. The most I've had was a sip of champagne at a wedding, but other than that, nothing. Steve sensed my hesitation. "It will help you relax, V. Can i call you V? Take this and we'll come up with a solution to our predicament.
I stare at him, nostrils flared and my fists balled up. I see right through his charade. I yelp when Tim reaches down and roughly grabs a handful of my ass. "Drink it." He states with a serious tone.
He continues to squeeze my ass as I shakily reach for the cup. I swirl the contents nervously as Steve nods. I first take a sip and sputter and cough. "Ugghhh, woah! It's awful!" "That's because you have to down it, V! Try it again."
I take the cup and swill it back. It burns as it goes down my throat. Steve tops it off as I stare at him incredulously. "Just one more, Vanessa." I drink it all at once and throw down the Dixie cup, still glaring into Steve's eyes.
Tim releases his grip on my cheek and chuckles. George rejoins the group as the three grown men stand facing me, arms crossed. I try to match their intimidation, but start to shiver uncontrollably from the wetness of my clothes.
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Tim speaks up. "Where do you want to go to college, Vanessa?" I look at him, confused at the question. I start to feel a strange buzz in my head. "Uhm, I don't know. I'd like a UC ... but, that's expensive."
"What about cheer? You want to keep doing that?" Tim asks, pacing back and forth.
"Well, yeah. But it's hard to get in the better schools. Our cheer team doesn't place that high."
They laugh. "Girl, you have everything it takes to be a good cheerleader. You're gorgeous, you're athletic, you really have what it takes. And I have connections. Tell me, what do you think about Stanford?"
I gulp nervously. Stanford was my dream school, but I didn't have the money, grades, or cheer team status to get in. "I uhh ... I really like it."
Tim purses his lips and nods knowingly. "It's a good school. What if I told you, I could get you in? Full ride. Right into the cheer squad?"
My mouth opens. That sounded ... amazing! But I couldn't buy it. I continue to stare at him wordlessly.
"Because you see, my coach, back in my football days, is now the dean of the athletic department. And, he owes me a favor. I could call in that favor, guarantee your full ride scholarship ... but, the thing is, you've got to earn it."
I bite my lip, and draw my finger along it in thought. My lip felt funny, almost numb and tingly. In fact, my whole body felt that way. I couldn't think clearly. "My head, I ... feel funny."
The three men chuckle as they approach me. "She's a lightweight! Have you ever drank before?" Steve asks.
I shake my head no. George looks around and says, "wow, you really are a good girl."
Tim, who was standing directly in front of me, takes my chin in his fingers. "So, how about it, V? Want to earn that scholarship?" I weakly nod yes, a tear dripping down my face, mixing with the water droplets from the shower. "What do I have to do?"
George turns on the adjacent shower head. "First things first, Vanessa. You're cold. Get out of those wet clothes and take a nice hot shower."
I nod gratefully as Steve passes me a towel. I hook it on and walk to the shower. The water is already nice and warm. I turn around, halfway expecting to have some privacy. Then I realize; they want to watch me shower.
"Are ... are you going to watch me?" I ask sheepishly. The three of them laugh and tom says, "Yeah. Yeah, we're going to watch you."
*okay, this is not so bad* I think to myself. *i just strip down for them, they watch me take a shower, and they let me go.* The scholarship crosses my mind. I sincerely doubt it exists, but what other choice do I have? There was only one way out of this.
The three men confer with each other. I saw them gesturing to me, whispering under their breath. I stand there, arms crossed on my chest, shivering. I think about the three men just watching me as I shower. Leering at my butt, probably my breasts too. I want to get this over with.
"So, should I, like, start or something?" They turn to me, and George breaks from the group, nods to the other coaches, and stands by my shower head. "Be our guest!" He retorts.
I turn to face the other two men and bite my lip. I trace my thumbs along the waistband of my skirt and start to pull down.
"Nope." George says. He pulls me under the warm water. "You're already wet, undress under the water."
I stumble slightly, a little woozy from the whiskey. I resume pulling down my skirt, careful to leave my booty shorts on. As it slides over my hips, I let it fall down, and bracing against the wall, I kick it off with one foot.
"Good," says Tim. "Now, turn around, place your hands on the wall, look back at us, and shake your ass."
I do as he says. Standing straight up, I turn around and gently shake it. George laughs and very suddenly blasts the cold water from the shower. I jump and squeal!
"AHHH! Cold! Why?" I shiver under the water as he warms it back up.
"Like Tim said, you've got to earn this." Steve says. "Arch your back. Bend at the waist. Stick your ass out and sway it back and forth. Put on a show! I know you do it in the mirror at home." He winks at me.
He wasn't wrong. I know I'm beautiful. Even though I'm popular, I'm very shy with the guys. I'm much more conservative than most girls my age ... old fashioned, even. I always believed in the dream of finding a soul mate, and getting married. Every time I danced seductively in my mirror, I imagined doing it for him ... not these creeps.
I do as he says. I close my eyes as I sway back and forth. I gyrate my hips around in a circle, spread my legs then dip down low until my butt touches my ankles, before coming back up again. The men stare wordlessly at me as I continue to dance.
I feel so different. My buzz from the whiskey makes everything so hazy. I turn back around, and slowly remove my cheerleading top. All I'm wearing is my sports bra and booty shorts. I keep dancing, swaying back and forth. I try to imagine how a stripper would move.
*Is that all I am to them? Just a stripper?*
They continue to stare at me, and I reach up and grab at my sports bra. Turning red, I pull it off over my head, and let it fall to the ground.
The guys' mouth hung open. Tim whispers, "holy shit!" Greg comes around and stares at me. "Best. Rack. I've seen."
I blush and look down. He wasn't wrong. I knew I had amazing breasts. I was fortunate enough to develop early, and I developed perfect, shapely, full c cup breasts that caught many an eye. My nipples are small and perky, and I feel a rush of pride in the midst of my shame.
I look back up. The three man are staring at me expectantly. I continue my seductive dance as I run my hands up and down my wet body. Swaying my hips back and forth, I take my breasts into my hands and play with my nipples. They are perky and hard, and I let out a soft gasp as I surprise myself with the sensation. I continue with my show, crouching low again, lowering my hands over my abs. My knees are spread apart, pointing to the sides of me. I see their eyes drift down to the imprint of my pussy. They chuckle and start talking amongst one another.bite my lip nervously as I watch them conferring with one another. Tim looks at me and motions me over.
"Come here." I get up and timidly take a step backwards, towards the wall. I yelp as George blasts some more icy water on me and I fall to my knees. I sputter and shiver as the water cascades over my face. George slowly turns it off, as I kneel there, arms crossed under my chest, I notice that I am displaying my breasts even more fully than before by cradling them in my arms.
George comes up behind me and lifts me up under my arms. As I stumble to my feet and regain balance, I feel him slip his hands further in front of me. I gasp as he aggressively squeezes my breasts and pulls me into him from behind.
"Ahh, no! What are you doing?!" I cry out as he squeezes them together roughly. He laughs as I clasp my hands in protest over his. As I pull at his hands, he quickly reaches up and slaps me in the face! Not hard, but it was enough to stop me in my tracks. I stand there in dazed amazement, nursing my slightly red cheek as he continues his barrage on my breasts.
"Mmmmfph! Ow! You're hurting me!" I squirm under his rough embrace as George pinches my nipples, rolling them in between his fingers. Thankfully, Tim calls out to George in a deep voice.
"Bring her here, man." Tim motions us over as George walks us to him. As George releases me, I look back and glare at him coldly, before a shudder runs through my body. Tim, standing in front of me, begins tracing his hands over the outline of my naked torso. First, he starts at my neck. There is a mixture of force and gentleness as he caresses my neck, gently wrapping his thumbs around. I whimper as he squeezes gently. Tim was much more intimidating than George, and i look away, tears in my eyes. Just as quickly, he releases my neck and rubs his hands down my shoulders. His strong hands push down, massaging my them. My eyes drift shut slightly as I let out a shaky sigh.
He runs his fingers along my spine, massaging my back muscles as he continues his journey of exploration lower. Almost enraptured, I lean back and softly place a hand on his chest, as he traces the small of my back. I close my eyes and -
"Whoa- uhhhm ... what are you doing?" Tim slips his fingers down under my waistband, his index finger following the line of my crack. I stutter shakily as I feel it press in between my cheeks. "I'm ... err, I - not ... not, I just - oh!" He presses more firmly, intruding further between my ass crack. I tense up. Sensing my hesitation, his hand slides to the side, squeezing my bare ass cheek underneath my shorts. "Ha-oh ... ahhhhh ..." I moan as he massages my cheek.
He slips his hand out and takes a step back. I stand there for a moment, shaking. I've been humiliated and groped by these men, and as Tim and George joined Steve at the bench along the wall, I breathe a sigh of relief. *They're done with me. The got what they wanted.* I turn back to the shower and take the towel, clasping it around me to hide my naked chest. I bend down to pick up my sports bra.
"Where do you think you are going?" Steve calls out. I turn back around and stammer, "I-I ... I thought you were, like, done, with me." The three of them chuckle, and Tim steps up and pulls the towel off. I instinctively cover up. "Put your hands at your sides." Steve orders. I do it, shifting nervously from side to side.
Tim, Steve, and Greg sit on the bench as I stand before them. "You know how to make out, right?" Tim asks, taking the bottle of Jameson. I nod. He takes a swig and doesn't swallow, and motions me over to him.
I step in front of him, and he pulls me in aggressively for a kiss. I moan as our lips meet. His strong arms wrap around me as I straddle him, knees on the bench. He pushes some of the whiskey into my mouth, which i swallowed. I felt his tongue exploring my mouth, and I let out an involuntary moan. My breathing quickens as his hands move from my back to my ass. He squeezes me like before, this time with both hands. It surprisingly feels good.
"Ohhhhhh ..." my voice trails off as Tim leans me back and sucks on one of my nipples. As soon as his tongue dances over it, I yelp. "AHHH! Ooohhhh, mmmmm."
It feels good. Really good. I've never felt like this before. Tim moved to my other nipple and sent a similar jolt through me. I find myself caressing his shaved head as I bask in the moment.
Just as quickly as it began, Tim let my nipple pop out of his mouth and he passed me to Steve.
I stood in front of him, waiting for direction. Steve was physically fit, like Tim, but a little bit more on the lean side. He turns me around and lowers my still clothed ass onto his lap. He reaches around and pulls me into him by holding my breasts. He cups each with his hand and whispers in my ear, "dance for me."
I've never done a lap dance before, but I try my best. I dance like I did under the water. He obviously wants a little more contact, and he pulls me fully onto his lap. I straddle my legs around his, and bracing myself with my arms on the bench, I lean forward and grind on his lap.
I can hear him panting as I gyrate my hips on him. I also feel a growing bulge as I continue to dance. I let out a slight gasp and pause as I glance back to him. He smiles knowingly and smacks my ass, eliciting a yelp from me. I worry that these men wanted more than groping.
George stands in front of me, whiskey in hand. "Here. Another sip." He feeds me the bottle and I try to take a small swig, but he keeps tilting it towards me. I take a solid two gulps before George pulls back. "Can't have you getting sick on us! How do you feel?"
I look up groggily into his face. "I, uhmmm, I feel ... mmmmstrange ..."
George squats down in front of me and looks me in the eye. He is slightly older than the other two, and not in as good of shape. He grabs me by the hair and kisses me deeply, almost desperately. I feel his tongue swirling around my mouth.
In the meantime, I'm still grinding on Steve. I can feel his groping hands pulling at my breasts as his bulge gets harder. I feel so violated.
George pulls back, and I feel Steve gently push me off of him to my knees. As George stands up, I can see a bulge in his pants as well.
"Tell me Vanessa," he asks. Have you ever seen a dick before?" My eyes close as I fully realize the direction the night was headed. Reluctantly, I nod. "Probably a boys penis, am I right?" I nod again. "So, what, how big do you think it was? Show me with your hands."
I think back to my one and only sexual experience. I knew from stories that he was smaller than average. I placed my hands about 3, maybe 4 inches apart and displayed my measurement to him.
"So, did you fuck him?" Groggily, I nod my head, then frown and shake it. "I uhhmm ... he entered me, and he uhmmm, he ..."
"He what? Say it." George became more stern.
"I, uh, I don't know how to put ..."
"Fucking say it!" He says forcefully, yanking on my hair a bit as I kneel in front of him.
"AHH!" I cry out, a tear dripping down my face. "Well?" He asks. I look up at him, defeated. My mouth hangs open, as I work up the courage to say the words.
"He popped my ... cherry."
"Oh, he did, did he? With what?"
"He popped my cherry with his dick." My lip quivers in embarrassment as I look down.
"How long did he last?"
"Uhmm, not long. He didn't even fully enter me -"
"That's not what I asked." George says, clicking his tongue in disappointment.
"Fifteen, maybe twenty seconds?"
Greg pulls back a bit and laughs. "That's it? And you haven't had anyone else?"
I lower my eyes further and shake my head back and forth. George shrugs and looks back at the other guys. "Virginal enough for me."
"So ... did you suck him off?" George asks, pulling at my hair enough for my to lift my eyes.
"Umm, what?"
"Blowjob. Did you give him a blowjob?"
I pause and answer. "Well, no ... not him."
George chuckles and looks at me inquiringly, tugging at my hair as if expecting an explanation.
"I mean, I've practiced before. You know, on, uhh, fruit and stuff. Carrots, uhmmm, my toothbrush ..." my voice trails off as I see George holding back laughter. He looks at the other guys, who were well behind my view, and they all chuckled.
"What did I tell you?" George reports. "Pent up sexual tension." With that, George begins to pull on his zipper. I stare wordlessly, in a state of shock and resignation, as he pulls his pants down and his dick springs free. Wide eyed, I stare at this grown man's dick swinging in front of my face. It wasn't much longer than my first partner's dick. In fact, it was pretty comparable. He had maybe an inch longer, perhaps just shy of five inches. It looked different. There was curly pubic hair, and a number of veins running up and down it. The head was a purple hue, and a drop of clear fluid was collecting at the tip.
"Well, what do you think?" George swings his member back and forth close to my face. A drop of the fluid swings off and lands on my shoulder.
I look up at him quizzically. He strokes his throbbing dick once, squeezing out some more fluid and smearing it on my forehead. I could smell his salty, masculine scent.
"What are you going to do right now?" Even in the whiskey induced fog, I know his game. And I have to play along. I resign to my fate, as I take my finger, swipe off some of the fluid on his cock, and taste it with my tongue.
"I'm going to suck your hard cock."
A gleeful cheer comes from the two behind me. "There she is!" Exclaims Tim, as him and Steve exchange a high five.
George takes the base of his dick and guides it to my lips. I close my eyes tightly as my mouth makes contact with the tip. I slowly slide forward as his head fully parts my lips. He leans back his head and moans.
It tastes salty. I tilt my head back and pull backwards, running my tongue on the underside of his dick. I feel a shudder as it runs along the edge of the head.
*Okay, the head is the most sensitive. I'll focus on that.*
I twirl my tongue around him, while slightly bobbing my head. I thought of how sexy I looked when I blew a banana in the mirror. I run my tongue between his foreskin, and tease the head all around its edge. He jumps and moans with pleasure.
*He likes that. Keep doing that.*
I continue my pace as I feel his dick swell in my mouth. George begins to slightly thrust forward, and I could feel him going deeper in my mouth.
"Mmmmmph ... mmmmm ... mmmmmphhh." I moan, with a mouthful of dick. I feel so violated, so vulnerable ... but, a part of me, well, I can't say I enjoy this, but ... I'm intrigued. I place my hands gently on his thighs as he begins to thrust forward with a rhythm. I feel his shaft sliding in my mouth as the ridges of his head rubs toward the back. I frown a bit and pull my head off of him a little bit, yet he responds by forcefully pulling my head deeper!
"Wheeehh! - *cough* " my throat makes a gagging sound as his head presses firmly against the back of my throat. I make a wretching sound as I cough and sputter, thick spit shooting out of the side of my mouth. I angle my forehead against his body to try to get relief, but he begins to thrust into me!
"Gluh - gluh - gluh - gluh" my throat makes a sound each time he pulls back, and he cuts it off every time he pushes forward. Tears are running down my face from the intensity of a dick in my throat. I slap his thighs desperately, trying to get him to stop. He finally relents, allowing me to fall back to the bench. I gasp for air and wipe my face, as I look at him, wide eyed, with an expression of betrayal. I cough and sputter a few times, a thick line of spit coming from my nose.
"Now jack it off." George states, placing his legs on either side of me. I reach up with one hand and hesitantly grab his dick, my own spit draping around my forearm. I'm still panting for breath, as he continues to advance closer to my face while my hand strokes him. I cringe as he thrusts, trying to increase my rhythm, and his sloppy dick pushes out through my fist and pokes my face. "Suck it again." George growls. Reluctantly, I slide my lips over his head once more, this time keeping my hand on his shaft. He continues to pump harder into me, but this time, I keep him from going too deep. Thankfully, he seems satisfied with my hand in front of my mouth, stroking him completely.
George then removes himself from my mouth, stepping back and grinning as he grasps his wet dick. I wipe my chin as Steve speaks up.
"Alright, my turn" calls out Steve, who was still seated on the bench, now next to me. I look over and gasp. He has removed all of his clothing, and was reclined on the bench. Resting against his fit abs was a long and straight dick, pulsing and twitching every second. I stare at it in amazement. Steve smiles and says "you like it?"
The truth was, I kind of did. He was longer than George, maybe above 6 inches. But it was more than that. His dick was very ... attractive. It appeared to be well trimmed, and it was very sleek and smooth. He had nice, shapely balls draping down beneath his appealing member. He motions me over, and I stand up - only to freeze in my tracks.
Tim was also naked. His muscles rippled as he moved around. He watched my reaction as I stared, wide eyed with my mouth open. Between his legs, was an incredibly large penis. Maybe 9 inches in length, and thick. Very thick! It curved to the left a bit, and bounced with every pulse. It wasn't a pretty cock; not like Steve's, but it was definitely intimidating. He watched me, like a tiger knowingly watching its prey.
"Hey, Vanessa." Steve pulls me forward. Guiding me in front of him, he scoots forward and starts to suck on my breasts. "Ohhh ... ahhh." I moan as he pops one nipple out and sucks on the other. He seems gentle, much more than George. Even more so than Tim. Tim felt so strong, yet there was a gentlemanly, if not manipulative, way that Steve had to his movements.
I feel his hands run down my sides as he hooks onto my waistband and tugs at my shorts. I whimper with fear and pull away, but Steven is insistent. He stands up and forcefully yanks them down, just to my mid thigh level. He steps back as each guy cranes his neck to look at my exposed bald pussy. Steven lets out a low whistle, and chuckles in excitement while shaking his head in disbelief.
"What?" I ask, turning red in the face. I look down and gasp in surprise: strands of clear, thick pussy juice are dripping from my vagina, all the way down to my shorts. I reach down and scoop some out, and investigate the fluid by rubbing it in my fingers. It's slippery to the touch.
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"Now ... THAT is the wettest pussy I've ever seen." Steve watches as I play with the fluid that is now draping down my fingers with embarrassed wonder.
"Taste it." I look at him in disbelief. He continues to watch me, and I slowly slide my finger in my mouth, wide eyed and embarrassed. I taste ... strange. Not like George's dick. It's a musky, yet sweet taste.
Steve leans forward, and without much warning, swipes a finger through my pussy lips. I jump and let out a dismayed yelp. He removes his finger nonchalantly and tastes my juices for himself. I hold back tears as he smiles. "Tastes great," he states, as he leans forward and reaches out to me again. I wince as his hand slides between my legs, his middle finger gently parting my pussy lips. I softly grasp at his wrist, but lack the courage to pull him away. Here I was, alone with three older men, having my innocence stolen from me. My shorts remain on my hips, allowing me to only spread them slightly apart as he continues to slide his finger along my pussy.
"You know," Steve says. "I've had my eyes on you for a while." I grimace and whimper as I feel his finger prod a little deeper between the pulsing lips of my pussy. "You're the prize of the school. Good thing we got to you first. You know, I bet you wandered into the locker room looking for a man."
"No ... I ..." I breathe in sharply as I feel his finger slide in slowly into my pussy. I tighten my grip on his arm.
"I bet you were even playing with yourself while you were eavesdropping on us, weren't you?" I gasp as I feel his thumb gently press and rub my clitoris.
"No! I - unnnghh!" I let out a guttural and unlady-like grunt and bear down as his stimulating thumb sends shudders through my body.
"Yeah you were. Admit it. You came in here looking for some dick." I push his arm back and pull my hips backward. "No! I didn't -"
In response, he reaches around and clasps my ass tightly, his fingers reaching into my crack and clutching me closely. His other hand is still resting against my pussy, my juices dropping down to his elbow and onto my partially removed shorts.
"If you don't agree with me, I'll just have to have George come back here and take over for me." I glance sideways at George with disdain. He wickedly imitates his clamped fist pushing up and forcing through the fingers of his other clenched hand, laughing as my eyes widened.
I quickly look back and Steve and shake my head. "Well then?"I feel his index finger join his middle, waiting at the entrance to my pussy.
"I ... came in here, looking for dick."
"Oh," he retorts. "Did you find some?"
"Yes." I shudder as his fingers wiggle and my entrance. "Whose?"
"Yours. And his. And ... his." I gulp as I stare once more at Tim's big member.
"That's right, Vanessa. So, do you like having your pussy fingered?" I softly nod my head. "Tell me what you like about it." He slides back into me, this time with two fingers. I gasp and squeeze his wrist once more, this time inviting him in.
"It ... mmmmm ... it feels good."
"Tell me more detail." Steve states in a warning tone.
"I like it ... I like it when you rub my ... clit." Steve resumes rubbing it with his thumb as I release his arm and clutch desperately to his shoulders. He begins to curl his fingers deep inside of me - and I lean further forward, my hands on the wall as I start moaning uncontrollably.
"Mmmmm! Ohhhhhh, oh, uhh, uuuuuhgnn!" Steve's pace quickens as he continues fingering me. "You like that?"
"Yes! Yes, oooh, it feels good."
"Should I stop?" Steve asks mockingly.
I start bucking my hips with his rhythm. I feel ashamed, but the unexperienced pleasures washing through my body are irresistible. I spread my knees wider, feeling my booty shorts around my thighs pull tightly against me. My legs begin to shake and quiver. My head lulls back and forth as my eyes flutter.
"Are you going to come for me, Vanessa?" I am almost horizontally leaning on Steve's shoulder, my breasts brushing his back to the rhythm of his arm. He reaches around with his free hand and pulls my waist against him. He continues to press on a sweet spot inside of me, previously unreached. My feet slide out further behind me, and I am unable to stop moaning.
Steve increases his pace to a furious rhythm. I can hear his fingers sloshing in my pussy as an indescribable feeling edges closer to me. "Ugh! Uhhhh ... Eh!! Mmmm! Ahhhh!" I feel wave after wave of what felt like the rush of a thousand shivers crash through me. My hands slide down the wall and I desperately grasp at the edges of the bench as Steve's fingers intuitively thrust to the throes of my very first orgasm!
"OOOOOH! MMMMPH! Huh ... huuuhhhh ... mmmm ..." I relax my tense body and slump down as Steve guides me past the bench and onto the floor. He gets up, bends over and wipes his wet hand on my backside.
"Get up. Come here. Lose the shorts and lie down."
Still panting heavily, I roll gingerly onto my back. Steve is standing over me, his impressive dick jutting straight out from his body. He reaches down his hand and grabs mine, pulling me up to my feet. I stagger unsteadily, my knees still weak and quivering.Lie down. I'm going to fuck you now." I blink with a sense of bewilderment. This couldn't be happening!
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I nervously rub my arm and bite my lip. I don't know what to do! I'm scared, intimidated by these older men taking advantage of me. But yet, i feel this yearning desire in me. Whenever I look at Steve's dick, I feel a strange ache inside of me that I can't quite describe. Slowly, I lower my shorts past my knees, as they noisily slap on the ground. I stand before these men, completely naked.
"Turn around; slowly. Show off for us." I oblige the request, and I slowly turn around and bend over, at the waist, with my back arched. I look to my right: George stands at the entrance to the showers, slowly stroking his dick. To my left, I see Tim. His dick is now fully erect, laying on his chest. It goes well past his belly button.
I turn back to Steve. He motions me over and guides me to lay on my back. I lay down, my head closer to Tim's side of the bench, though I can't see him. Steven straddles the bench and positions himself between my legs.
I take in a deep breath. I shudder when I feel his smooth head slide up and down my sensitive, throbbing pussy. "Ooooooohhh ..." I moan as unique and intense pleasures wash over me. he brushes his dick like a paint brush, up and down my slit. It's almost too much sensation so soon after an orgasm ... my first one at that. Almost.
"Mmmmmmmm - OHH!" I gasp as I feel the head slide in. It doesn't hurt ... but an intense shiver crawls up my spine. Steve holds up my legs like a 'V' and slowly but steadily advances his shaft into me.
"Haaah ... aaaaAAAaah ... OOOH, MY GO- MMMMMPH!" I cry out as he slowly slides into me, inch by inch. The wetness of my pussy allows him to enter with ease, but the fullness! The tightness!
I grunt loudly as I feel his body press against mine, his dick reaching the untouched places in my pussy. I grit my teeth as he holds it there, then begins to gently thrust into me.
"GRRRRAHH! OH! AHHH! Oh ... oh ..." I feel more used to his dick, as his rate increases. "Huh ... mmmm ... mmm-OH! ... mmm, yeah, ugh, mmm, mmmhmmm..." I wrap my legs around Steve as he continues thrusting. I ... think I like this. No, I really like this ... but ... this is so wrong!
"WOOOAHH-AH-AH-AH!" Steve rubs his fingers on my clitoris, and all thoughts of regret leave my foggy mind. "Oh, yeah! This feels, OH, this is ... GAAAAAHHHHH!"
Steve increases his rhythm, and I can hear the slapping sounds of our bodies colliding. I feel his balls smacking against my asshole, as he leans back and pumps into me, finger on my clit.
"SHIIIIIIT! SOMETHINGS -AHHHH!" I feel a rush deep within me as wave after wave of pleasure crash over me once more. My mouth is wide open - but I can't breathe. I can't scream. My whole body tenses up as Steve grunts and pumps my pussy with his dick. As I continue to convulse, Steve starts grunting and moaning, and he thrusts mightily into me, scooting me forward on the bench each time.
As my second orgasm subsides, I realize that Steve is about to cum inside me. "Wait! No no no no NOOOOO!" It's too late. I prop myself up with my elbows and try to swing my leg over. I end up with my legs together on one side as he blows his load inside of my pussy. Tim comes from behind me and holds me down.
"Oh, no ... you came in my pussy!" I whine as Steve, panting and spent, continues to thrust his dick into me. He flips my legs back to the 'V' position and slowly slides it in and out of me. Tim is holding my shoulders, and he pushes down to make me flat on my back again.
Tim advances on the bench, and as I stare up on the ceiling, I see his massive cock fill my field of view. He keeps going, until his balls are directly over my mouth. His cock leaves a streak of precum from my neck to my chest.
"Here's what you're going to do. Your going to lick my balls, and press together your titties so I can fuck them. Repeat it."
I feel the impressive weight of his dick lying on my chest. Weakly, I mumble, "I'm going to lick your balls ... and press together my, uhm, breasts." I still feel Steve slowly humping me.
"Your what?"
"My ... my titties."
"And why are you going to do that?"
I place my palms on either side of my breasts and hold his massive member in between with my fingertips. I feel some reluctance and inhibition give way as I loudly say, "So you can fuck my perfect, sexy, 18 year old titties!" With that, I stick my tongue out and let it graze Tim's balls as he pumps his dick in between my breasts.
Steve, finally spent, slides out and sits back on the bench. Tim reaches down and scoops my wetness, along with cum, into his hand, and he spreads it on my chest. Soon after, i feel another dick at my pussy entrance. George has taken Steve's place.
George didn't have what Steve had. His dick was smaller, his thrusts were less sensual, and he paid no mind to pleasuring me. As Tim continues to slide is long cock in between my breasts, George speaks up. "What am I doing, Vanessa?"
I stop licking Tim's balls for a moment and say "Having sex with me."
George laughs and spanks me. "Dirtier."
"You're ... fucking me."
"Yeah? I'm fucking you where?" He slaps my ass once more.
"You're fucking my pussy!"
"Mmmhmmm, yes I am. What else can you call it?"
I rack my brain for any dirty words I can remember. "My ... snatch. You're fucking my snatch."
"Yeah, good. What else you got, bitch?"
I inhale deeply, and lick Tim's bouncing balls. "My, cunt. No ... no your cunt. My cunt ... it's yours." I begin to understand what George was looking for. He's a true chauvinist. The way he pounded my face, the way he fucks, the way he talks to me. I have to cater to that, maybe make him finish sooner. I already resign myself to the fact that he will probably cum in me too.
"Pound that cunt. Pound it hard!" I pant as he increases his pace, all the while with Tim in between my breasts. "Take it! Make it yours! Make it ... your hole. Your fuckhole!"
"Yeah!" George begins to thrust in me faster. It feels intense, but not enough to keep me from focusing. I tilt my head out from underneath Tim and look at him. "You like these titties? Huh? You like fucking my perfect little body? Yeah?"
With a final push, George cries out and pulls out of me, to my surprise. He jacks himself off for a moment before blowing his load on my pussy. I feel the warm spurts drape across my pussy lips, as it oozes down past my lips and into my asscheeks.
"Look at our girl!" Exclaims Tim. "She's turning into a freak! Vanessa, get up."
I pause for a moment. George and Steven have already fucked me. Tim was obviously expecting something as well. But he was too big!
I sit up. "Wait, now, let me, uhm, give you a handjob?" I turn around and scoot backwards, away from Tim. "Look, it's just not possible, right? You can't really expect to fit that ... cock ... inside of me. C-can you?"
He continues to follow me. My eyes widen. "No, no, no, please don't ... I don't think I could handle you ... haven't I done enough?" He stand up fully, his dick swinging freely. "You're done when we say you're done."
My lip quivers as I hold back tears. I slide to the edge of the bench, fear in my eyes. Tim grabs a towel, reaches out, and wipes off the cum from my pussy. Looking at it, he then smears the juices on my face. I gasp and look at him incredulously.
That upset me. I lash out and try to kick him. He just laughs and grabs my ankles. The other men grab my arms as I squirmed, and in unison, they quickly flip me over.
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"Oof!" I whimper as I land on the hard bench. George stays at my head and keeps me low to the surface. Tim brings my knees together and up underneath me. He pushes down on my upper back, so my ass is jutting out straight in the air. I feel so exposed and open.
"Well, look at that!" Tim exclaims. I try to turn around and see what he was doing, but I couldn't. I hear him slowly spit and feel a drop of saliva running down my ass.
I start to whimper. Tim straddles the bench and leans forward. He uses his two hands to spread my asscheeks some more. I yelp loudly when I feel his tongue lick squarely on my asshole!
"AHHH! WHAT ARE YOU DOING?" I squirm against the men holding me, but I can't break free. I feel his tongue lick and prod at my virgin asshole. "Oh, no, no no no please stop ..." I cry out, embarrassed. He responds with another lick. I jump slightly. "Ohhhhhhh, please stop." He licks again. I twitch in response.
Tim continues this for several minutes. I started out whimpering, but as time went on, that whimpering turned into moaning. I started to enjoy the unique sensations.
*This feels so ... wrong. But, it does feel kind of good. Mmmmmmm*
"Mmmmmmmmmmmmm, yeah." I freeze for a moment as I realize that just came out of my mouth. I blush with embarrassment as I hide my face in the bench. "No, no, noooo ..." my voice trails off into silent sobs.
"Looks like she like this!" states Tim. "Tell us, do you like that?" I shake my head, ashamed. He slaps my ass hard and curtly says, "Don't lie."
I nod my head sheepishly. "Yes. Yes, I like it when you ... uhm, lick my asshole. It ... it feels nice."
Tim nods. "I think she's ready." I cringe at what that could mean. I know he wouldn't try to put it there ... right?
I shudder when I feel the weight of his cock at my entrance. To my momentary relief, he was at my pussy. For a second I thought he was going to try to put it in my ass-
"WHOOOOAAAAAAAHHHHH!!" Any feelings of relief disappear as he presses his dick into me. I reach down and feel his shaft, and I trace the outline of my stretched pussy. He didn't get much more than the head in!
"Whooo ... whoooo ... whooo" I breathe through pursed lips. "It's so, it's so big - OOOOOOHHHH!" I cry out as he rams more into me. He positions himself a little higher, planting a leg down on the bench as he leans in further.
"OH GOD! YOU'RE DICK IS SO FUCKING HUGE! I CANT! I CANT TAKE ANY MORE! I-"
*GASP!*
I let out a deep, throaty gasp as he slides a finger into my asshole. George lets go of me and I raise my head, now on all fours. I can't breathe. I can't move. My mouth hangs open, and my eyes are squinted shut.
*GASP!*
Tim is fucking my pussy with a regular rhythm. I still can't bring myself to breathe, the sensations are too much! I manage to lift up a hand from the bench and slam it back down. Again. And again.
*GASP!*
"OOO - OOHH- ... AGGHHHH!" I manage to croak out as Tim stretches my pussy and finger fucks my ass. Finding my voice again, I start to make a long and constant wail. His dick was hurting me. His finger overwhelmed me. I look and see Steve and George to the left of me, both jacking off to the sight.
Tims barrage quickens, and I collapse fully onto the bench. Tim cries out and removes his dick from my pussy, as well as his finger. I could hear him jacking off onto me, and after a moment I felt load after load spurt over me, from my ass to my hair, and everywhere in between.
My pussy throbbed from the beating. I reach for the bottle of whiskey, and take a long swig. I cough a bit, but soon feel a heavy haze drift over me. Everything became blurry, and I just couldn't focus. I just laid there.
"Look at that!" George exclaims. "She wants more!"
The guys weren't done with me. As I lay down on the bench, Steve comes behind me and lets my legs fall to the floor. I just lie there, limp. I hear him spit and then feel a throbbing penis pressing against my asshole. With the whiskey and my exhaustion, I can't resist. I cringe at the discomfort as he slides his dick into me, inch by inch.
"Mmmmfph! Oooohhhhh ... my ass ... ohhhhh ..." I weakly cry out. I lay there, in a fog, as he fucks my hole, for, how long? Minutes? I reach back and grasp at his dick. He's only pushed in half of it?!
Steve props himself up over me. His cock, still in my ass, is pointing down. He reaches around my hips, locks his arms, and pulls upwards. I feel my hips lift off the bench as he sinks his dick fully into me!
"OH GOD, my ass!" He continues to lift me up until he is holding my full weight. I lean back against him and balance against the wall. Tim steps in front and watches, as I am fully exposed to him. With his fingers kept together like a salute, he tabs my pussy sloppily back and forth, eliciting screams from my lips.
Steve then sits down and keeps his cock in my asshole. He lays back as I sprawl against him, unable to get up. I watch as my tits bounce back and forth as he pounds my poor hole. I cry out again as I feel my pussy get invaded. Tim enters between my legs once more and I cry out loudly as he stretches me. I feel so full!
Everything is going so hazy ... I think I had too much to drink. Or maybe not enough. I can hear my screams, but they almost don't register as mine. I look down. I see my pussy being pummeled, and I feel my asshole being stretched. But it doesn't hurt as much.
My hand starts massaging my clitoris. "Ohhhhh ... oooooh ... ahhhhhh... oooooooooooohhhh!"
My moans sound like - moans of pleasure? My other hand goes to my left nipple. I play with it. I love the tingling feeling it gives me. Steve thrusts into me. I feel so ... good? No, good is definitely not the right word. But ... I feel something. Something intense.
Tim continues to fuck my pussy as I rub my clit. "Ohhhhhh, yeah. Mmmmmm ... mmmhhhmmmm. Oh! Ooohh! OOOF!" I feel so used, but, I don't want it to stop. I start grinding my hips up and down, feeling the movement of the cocks deep inside me.
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George stands at my head and pulls my hair. I have just enough time to prepare as he slides his dick into my throat, pressing against me and thrusting.
"Gluh-gluh-gluh-gluh." I continue to masturbate as I feel George tense up. He presses into me as I choke on his load. Cum drips out of the side of my mouth as he finishes in me.
I feel a wave of sensation forming deep within me. I moan more frequently as the feelings grow stronger.
"MMMM! MMMMHHMMMM! I'm goin' to ... cum soon, I ..." my voice trails off as I continue to rub my clit. Tim cries out and pulls out of me, blowing his load on my stomach and chest. He then slides two, maybe three fingers into my pussy. Pushing on my pelvis, he thrashes them up and down in my pussy.
"IM ... ITS HAPPENING, OH FUCK! OOOOHHH, FUCK! AHHHHHHHHHH!!" An intense, indescribable wave of sensation washed over me. Pussy juice gushes out of me and onto the bench. I shake violently as my convulsive orgasm wracks my whole body. I could feel Steve blow his load in my ass as he joins me in the throes of orgasm.
Then I black out.
***
I wake up. The very first thing I notice is my splitting headache. "Owwww." I hold my head in my hands and squint my eyes open. Something had dried over my left eyelid and kept it shut. I rub my right eye and groggily look around.
"What, where ... was that real?" I notice that I am still in the men's locker room. I sit up fully and wince at the soreness of my ass.
Shakily, I stand to my feet. "Hello?" There's no answer. I stumble to the nearest mirror and look at myself. I was fully naked, and I had dried cum everywhere. My hair was matted, and a thick glob had dried over my left eye. I turn on the sink and wash my face.
I step back and examine myself more fully. Cum had dried on my breasts, my stomach, my back, and my ass. I turn around and notice distinct hand marks where I was spanked. I lean forward and spread my cheeks. My asshole looks stretched and loose. I whimper and delicately lift my leg onto the sink to examine my pussy. It is red and puffy, and feels stretched out. I can see into both holes.
I return to the locker room. All signs of the men's presence was gone ... save a camcorder on a tripod in the center of the room. I didn't remember that there!
There is a note attached. It reads:
Vanessa,
We got the whole night on tape. G set it up when he locked the door. I'm sending in your 'highlight footage' to the dean at Stanford. Trust me, he's already eager to provide you a full ride ... with a few ... conditions. He'll be in contact with you.
As for us, this never happened. The tape stays with me; if you rat us out, we'll leak it. I did leave some pictures on there for you to see. We had some more fun when you were out.
You were a phenomenal fuck!
T
I turn on the camcorder and scroll through the history. There's a few images. The first one is a picture of the whisky bottle neck stuck in my pussy. It appears that they had poured the rest on my body.
I scroll next. Steve was pumping his cock between my ass cheeks, smearing cum in my crack. I'm lying there, slumped across the bench.
I feel a sense of disgust at the next picture. George is sitting on the bench, and he had positioned me upside down so that my legs were draped on his shoulders. Only my shoulders were on the ground, and my arms were sprawled to my side as my face appears contorted in pain. One of his arms was wrapped around my waist, and he had worked in all five of his other fingers into my pussy, with the base of the thumb slightly visible. I shakily reach down and ease four of my own fingers into me. I wonder if I will ever be as tight as I was before last night.
I reach back and tenderly caress my ass at the sight of the last one. Somehow, Tim managed to shove his dick into my asshole! The entirety of his shaft is buried in me as he pulls my arms backwards in doggystyle. I appear to be awake, as I am standing on my own, but I can't remember it at all.
I shut the camcorder off and look for my clothes ... they're all gone. I'm too tired to be upset. I look around and find an large, old, dusty jersey. I slip it on, and the neck almost slips over my shoulders. I drape it around me and head for the door. It is unlocked. I peek out into the hallway. No one seemed to be around. The first rays of morning light were shining down. I walk out, heading for my car.
I smile as I feel a little cum leak out of me and drip on the floor. "College, here I come!"
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in1-nutshell · 1 day
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Bot Buddy being Rodimus's older sister and having a crush on Swerve
SFW, Platonic, Familial, Hinted Romance, Cybertronain reader
Buddy is a near carbon copy of Rodimus.
Key word ‘almost’.
Instead of sporting the red and oranges being her main color on her frame, Buddy has more blue tones with some yellow around.
That is where all similarities end.
Buddy being related to Ultra Magnus makes more sense than her being related to Rodimus.
“Hey Buddy! Watch this!”--Rodimus
Rodimus on the top of a tall shelf.
“Rodimus No!”—Buddy and Magnus
Buddy and Magnus look at each other in surprise.
“… I hate when you two do that.”--Rodimus
“Don’t care, get down here before you break something or hurt yourself.”--Buddy
“But—”--Rodimus
“Rodimus.”--Magnus
“…”--Rodimus
She was in fact close to him though.
Being a part of the Elite Guard for most of the war can do that.
The other part was stationed around communications and message relay for the Guard or the Wreckers.
That was where she first met Swerve.
It was purely by accident.
Swerve had been given the wrong number and connected her instead.
“Hello? How may I help you?”--Buddy
“You’re not Blurr. Who are you?”--Swerve
“You have the help line for the Wrecker’s and Elite Guard, do you require any assistance?”--Buddy
“Oh, no not really. I thought I had Blurr’s number. You know Blurr?”--Swerve
“Yes, I am familiar with the racer.”--Buddy
“Isn’t he the best! We were going to hatch a plan to build and run a bar when the war ended.”--Swerve
“Really? Blurr agreed to that?”--Buddy
“Absolutely! He even gave me his number, but I must have punched in the wrong digits and contacted you instead. Not that you haven’t been nice and all!”--Swerve
Buddy laughing a little bit.
“Its all right… umm… what is your designation?”--Buddy
“The names Swerve! And who might I be speaking with if you don’t mind?”--Swerve
“I’m Buddy—”--Buddy
“You’re THE Buddy!? Wow! This is just my day! I’ve heard so much about you and your work with the Elite Guard, The Wrecker’s…”--Swerve
Buddy gets a bit more comfortable on her end ready to continue this pleasant conversation with Swerve.
It was a slow day anyways… it felt nice.
That started a slow friendship between the two.
The chats had to happen on scheduled days since Swerve had a habit of talking too much and Buddy didn’t like to stop him.
Buddy refused to talk to Hot Rod about this.
Swerve was her friend.
Finally, someone that hadn’t been friends with Hot Rod before knowing her.
She was going to protect her friend’s identity as long as she could.
But of course, Hot Rod had a feeling his sister was hiding something from him and was going to get to the bottom of it.
Hot Rod dramatically draping his frame on Buddy’s berth.
“Why won’t you tell me!”—Hot Rod
Buddy rolling her optics.
“I’m not telling you squat Roddy.”--Buddy
Hot Rod suddenly sitting up.
“What if its… someone?”—Hot Rod
Buddy frame stiffens a bit.
“It is someone!”—Hot Rod
Hot Rod flopping on her back and starts popping her side annoyingly.
“Who’s the lucky bot who’s got my stuck up of a sister like this?”—Hot Rod
Buddy grabs his digit and slightly bends it backwards.
“Hey! OWW!”-Hot Rod
“Keep it up and I’ll bend more than your digit Hot Rod. Got that?”--Buddy
Buddy lets go of his digit and crosses her arms glaring at him.
“Fine, fine, I wont start talking about your secret—”—Hot Rod
Buddy judo flips her brother to the floor.
Hot Rod was over the moon hearing that there might be someone out there for his stuck-up sis.
Maybe it would help loosen her up.
Primus knows she needs to stop stressing so much.
Buddy just wishes that Hot Rod would drop the subject… but is secretly pleased to hear that he is happy that she found someone she likes.
…then came Rodimus Prime.
Buddy felt their sibling bond significantly weakened thanks to the matrix bonding.
Rodimus didn’t seem to notice but Buddy did.
But she refused to acknowledge it to him.
He was a Prime now, he had other things to worry about than her.
Just pushing through trying to get her work done.
Timeskip to the Lost Light…
Buddy was not aware that Swerve was on the ship until she got wind of the bar.
She walked in and zeroed in on the minibot.
Buddy walking over to the bar where Swerve had his back to her.
“Welcome to Swerve’s you see anything you like?”--Swerve
Buddy smiles a bit.
“Hmm… I don’t know you recommend anything Swerve?”--Buddy
Swerve stops cleaning the glass in his servo and turns around, wide eyed.
Buddy smiles a bit more seeing Swerve’s own face light up.
“Buddy!”--Swerve
Swerve reaches over the bar to hug his friend.
Several bots at the bar stop seeing the small bartender hugging one of the most strict bots on bourd.
“… 20 shanix that Buddy tells Swerve off.”--Skids
“Deal.”--Chromedome
“Domey--”--Rewind
“Wrong. 50 and she throws him out.”--Whirl
“She wouldn’t do that… right?”--Tailgate
Buddy hugs Swerve back while silent chaos ensues behind them.
So many bots thought that Swerve was going to die that day.
Rodimus had so many com pings within that hour.
He brushes the pings off like a rumor.
Especially when he hears about something potentially happening between Buddy and Swerve.
… That changes when Rodimus starts to notice Buddy hanging out more and more at Swerve’s.
This was the first flag to be raised.
Buddy doesn’t ‘do’ crowded bars.
But he brushes it off as Buddy finally letting loose.
Rodimus is talking with Drift when he notices Buddy at the bar.
“Isn’t it nice seeing Buddy happy?”--Drift
“Hmm? Yeah… but it’s a bit weird seeing her out here.”--Rodimus
Drift raises an optic.
“She doesn’t like big, crowded places, it’s ‘Too loud and too much engex being spilled all over’.”--Rodimus
Drift looking at Buddy happily talking with Swerve at the counter.
“Maybe she’s here for someone?”--Drift
Rodimus downing the rest of his drink laughing at the end.
“Ha! That’ll be the day.”--Rodimus
One time a rather rude bot had come to the bar and demanded to know why he was cut off from the drinks.
All while he was slowly tipping to the side.
Buddy tried to de-escalate the situation.
“Listen, we are all civilized bots here. Lets just get you back to your habsuite or the med bay if—”--Buddy
The bot looks at Buddy and spits in their face.
“Can it! Your nothing more of a has been-washout-guards-bot who is only good for a pretty paperweight!”—Random Bot
Buddy wipes the spit infused engex from her optics, glares at the bot harshly, about to unleash the Pits when she gets interrupted.
“HEY!”--Swerve
Swerve stands on the bar counter gaining some height, his servos shaking at his sides.
“Don’t you EVER talk to her like that! Now. Get. Out. Of. MY! BAR!”—Swerve
Buddy feels her spark skip a pulse looking at the mini bartender.
The bot tries to take a swing at him, but Buddy grabs the fist in her’s.
Buddy’s optics blazing in fury.
“You heard the minibot.”--Buddy
Buddy kicks the bot in the back of the knee and throws the frame across her shoulder.
Marching outside and kicking the bot several feet away from the entrance.
“Get. Out.”—Buddy
“… She gonna be my Amica.”--Whirl
“Whirl, not the time.”--Cyclonus
“Well, I can’t be her Conjunx. Swerve has that covered; this is the next best thing.”--Whirl
“Swerve does not—”--Tailgate
Whirl points at Swerve still standing on the counter with a lovesick smile on his face.
“…Maybe your right.”--Tailgate
“Tailgate, Whirl no.”--Cyclonus
“Hold on Cyclonus, they might have a point.”--Rewind
“Rewind—”--Chromedome
Cylcnous puts a servo on Chromedome’s shoulder shaking his helm.
Chromedome sighs giving in as Whirl, Tailgate, and Rewind scheming in silence.
Buddy managed to cuff the bot and send him to Magnus.
The bot never came back to Swerve’s.
Swerve has heart shaped optics behind his visor.
You’d have to be blind not to see his clear ‘admiration’ for the former member of the Elite Guard.
But he is convinced that all of this will pass.
It’s not like Buddy would actually have feelings for him.
Meanwhile Buddy has started creating Swerve/Love playlists in secret.
A secret that she is taking with her until she goes offline.
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sen-ya · 2 days
Text
Life After Master Post
Summary: Two years ago, a viral outbreak rose the dead. Considering how his life had gone up to this point, surgeon Trafalgar Law figured this might as well happen too. When a supply run into the nearby city gets intercepted by a seemingly reckless and impulsive former patient, the dependable routine Law had settled into in this new life shatters. He finds himself exposed — his body out in the infected landscape, his conscious clawing to define what he believes is right, his heart begrudgingly deciding to find a new home on his sleeve. Maybe there’s more than a virus roaming the new world that can bring a dead man back to life.
Content Warnings: Canon typical violence, zombies/body horror (but lbr I am not good at making scary things look scary)
Relationships: Luffy x Law
Page Count: [2 posted]
Latest Update: [4/28/24] HULLO. It’s happeninnng. I’ve spent the last few weeks working on this comic, and I gotta make this post so I can start queuing pages & link this in them! This is the most like….legit? Comic endeavor I’ve undertaken perhaps….ever. I’m very nervous about committing to how long it will need to be lol. This story is dear to my heart — zombie content is kind of my very favorite. I’ve always found it to be a great backdrop for exploring themes like grief, coping with change, community, and learning to live again. It’ll be a long haul but I hope you’ll ride it out with me!! Tomorrow I’ll be posting the first two pages. After that a page will post every Monday/Wednesday/Friday. As of this post I’ve completed over 20 pages so that I have a good lead on what’s posting and continuing to write, so I’m hopeful that’s a cadence I’ll be able to maintain. I’ll update this post weekly to include the most recent pages the way I do with my main comics master post. All pages will be tagged 'Life After' and I'll tag any pages with zombies in them with 'zombie' for blacklisting etc.
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gogandmagog · 3 days
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Guys! Yesterday I had a book-shaped piece of mail, and inside of it was my copy of Children and Childhoods in L.M. Montgomery: Continuing Conversations being returned, from another very dear user here! I bring this up only because some-months-ago I promised to copy out a particular article from this book, for yet another user here, who was interested! Interested because it’s on the the subject of a Fan Favourite thing... fan fiction. And better still because some of our (basically famous) mutuals here are mentioned by name! If you’ve ever wondered if the Montgomery scholarship is reading your fan fiction... the answer is yes, they are! They totally are. More than that, they also have some thoughts to share… as well as recommendations of their faves too! This article even covers the F/F and M/M fan fiction presented by fans in LMM’s universe, and I’m personally super excited to be able to begin reading these works, as soon as I can find them all. I’ve done my best to link what I could immediately find, but some of the mentioned stories were unavailable... potentially due to changes in usernames? (That said... if anyone knows of the works indicated here, that I haven’t provided a link for, please do share!)   This article, by the way, was written recently... in 2020! It’s very current, and it covers a few stories that were still being actively updated during the pandemic. The focus of this article is less so on canon (or really just the Anne/Gilbert pairing), though, and seems to prefer demonstrating the versatility of mixing relationships (Anne and Emily, for one!) and the wider more general universe-building aspects (the entanglements of future generations/Anne’s grandchildren) that fans have been expounding on for nothing less than decades. 
Okay, here we go! xx
Continuing Stories: L.M. Montgomery and Fanfiction in the Digital Era by Balaka Basu
Fanfiction – the recreational (re)writing of texts – is a literary genre of rapidly growing significance. Abigail Derecho in her brief history of fanfiction identifies it as “a genre that has a long history of appealing to women and minorities, minorities, individuals on the cultural margins who used archontic writing as a means to express not only their narrative creativity, but their criticisms of social and political inequities as well.”
Insightfully defined by Francesca Coppa and Mary Ellen Curtin as “speculative fiction about character,” fanfiction can be even more precisely understood as fantasies about the diegetic positioning of characters in the context of various settings, communities, relationships both textual and paratextual, and eventually all manner of cultural mythologies.
Kristina Busse and Karen Hellekson describe the production of fanfiction as “part collaboration and part response to not only the source text, but also the cultural context within and outside the fannish community in which it is produced.”
They point out that the shift in the method of dissemination of fanfiction from newsletters and zines to internet archives means that “ever-younger fans who previously would not have had access to the fannish culture except through their parents can now enter the fan space effortlessly; financial resources have become less of a concern because access to a computer is the only prerequisite; and national boundaries and time zones have ceased to limit fannish interaction.”
The nature of fanfiction allows participants to cross-generational and socio-economic boundaries in an ongoing exchange of responses to a source text with which they share a fascination, developing new texts that in turn elicit their own responses. While the creation of fanfiction is evidence of an affective, loving, communal relationship with the source text, this genre of writing is still dismissed in many quarters as overly emotional, purely erotic, and even perverse, a type of amateur and immature engagement with popular texts that produces writing necessarily divorced from literary significance. Produced in staggeringly vast quantities by subcultures with complex vocabularies and traditions that can intimidate the casual reader, fanfiction is perceived by many to be more of a cultural practice than a literary genre, variously denigrated for its pornographic potential and its lack of originality. However, close examination reveals that fan writers are able to create a critical dialogue with the originating author in acts of communal storytelling that incorporate allusions and reference points to which other dedicated fan readers and writers may respond.
In this chapter, after examining how L.M. Montgomery and her writer heroine Emily themselves engage in practices now associated with fanfiction, I survey four forms of fanfiction that remove Montgomery’s novels from her seemingly idyllic and timeless island settings, contextualizing her characters and plots within history and other genres: the sequel set during the Second World War, the modern AU (alternate universe), the gap-filler, and the slash fic, all of which allow the young readers who grow up with her novels to engage in dialogue with the stories they love, a type of literary conversation that Montgomery herself models within her texts. Emily’s reading, which is active rather than passive, resembles twenty-first-century fans’ ownership of the texts they love, provoking creative responses. For instance, after reading works by Lord Tennyson, Elizabeth Barrett Browning, and Matthew Arnold, Emily writes, “Teddy lent me 3 books of poetry. One of them was Tennyson and I have learned The Bugle Song off by heart so I will always have it. One was Mrs. Browning. She is lovely. I would like to meet her. I suppose I will when I die but that may be a long time away. The other was just one poem called Sohrab and Rustum. After I went to bed I cried over it. Aunt Elizabeth said ‘what are you sniffling about?’ I wasn’t sniffling – I was weeping sore … I couldn’t go to sleep until I had thought out a different end for it – a happy one.”
The reactions Emily catalogues are those of the fan; they are viscerally felt in the body and attempt to dissolve the boundary between author and reader, producer and consumer. She inscribes Tennyson within her heart in order to possess the poem she loves; she creates a relationship between Barrett Browning and herself; and, most significantly, she interjects her own desired happy ending into Arnold’s tragic narrative, a corrective desire that is at the core of many works of fanfiction. Emily’s diaries and her story reflect Montgomery’s own experiences from childhood to adulthood as reader, writer, and reader-turned-writer discussed in the introduction to this volume. Depicting Emily as a voracious reader and a life-writer like herself, Montgomery places the child Emily’s voice in conversation with that of the narrator through Emily’s letters to her dead father in Emily of New Moon and through her diary entries in Emily Climbs and Emily’s Quest, creating a form of joint authorship that is referenced explicitly in “Salad Days,” the second chapter of Emily Climbs: “book is not going to be wholly, or even mainly, made up of extracts from Emily’s diary; but, by way of linking up matters unimportant enough for a chapter in themselves, and yet necessary for a proper understanding of her personality and environment, I am going to include some more of them. Besides, when one has material ready to hand, why not use it?”
The narrator’s willingness to use the “material” that is “ready to hand” reflects Montgomery’s and Emily’s practices, and also validates other writers’ use of the material Montgomery places at their disposal. As with many fans, Emily’s reading frequently makes itself felt within her writing.
Like Montgomery, Emily learns her trade through mimicry, from her first poem in blank verse inspired by James Thomson’s Seasons to her unwitting imitation of Kipling that is pointed out by her teacher, Mr Carpenter, in his review of her work. Like Sara Stanley of The Story Girl, whose compelling and fascinating stories are rarely if ever original, Emily is a fan of the oral traditions of her community, incorporating and building upon them in her own writing, transforming and recreating, for instance, the story of “The Woman Who Spanked the King” in Emily Climbs.
The retelling and versioning that Emily practises signal her immense admiration for the source texts she adapts, just as the creation of fanfiction does for Montgomery’s readership and fans. The possibilities inherent in versioning and adaptation are illustrated in Emily’s Quest. When Montgomery depicts Emily undertaking the reworking of someone else’s narrative, she is adapting an episode from her own experience while working for The Echo in Halifax, which she records in her journal. Montgomery, like Emily, was asked to create an ending for a serialized story, “A Royal Betrothal,” after compositors had misplaced the original text.
Like Emily, she claims that her “knowledge of royal love affairs [was] limited,” and that she was unaccustomed “to write with flippant levity of kings and queens.” Nevertheless, Montgomery manages to create a conclusion that passes muster, since “as yet nobody has guessed where the ‘seam’ comes in.” She is, however, curious about the original author’s reaction to her unauthorized adaptation, and while she never discovers this in real life, she does imagine it in her fiction when she introduces Mark Greaves, who is horrified by Emily’s new ending for the story but enchanted by its author. Neither Montgomery nor Emily engages in this sort of writing from a place of fandom; they have no previous attachment to “A Royal Betrothal,” and both are writing professionally. Nevertheless, the ability to solve the puzzle of the story and the weaving of their work into an already extant text are the very project of fanfiction: ludic narrative composition that recalls the way children play make-believe with the narratives they love, reworking and extending them. It is telling that Montgomery uses the metaphor of the “seam” to describe this particular craft. Jane Dawkins, writing about her fanfiction, which is inspired by Jane Austen, describes her fan novel Letters from Pemberley as “an old-fashioned patchwork quilt, where in place of the scraps of fabric reminding one of the favorite frocks or shirts whence they came, there is a line or a phrase or a sentence from one of [the original] books or letters stitched alongside the lesser scraps of my own manufacture.”
Montgomery’s final book, framed by the two world wars, is just such a patchwork sequel, albeit providing only brief glimpses of the characters that readers met as children and who have now grown older. When a version of the book was published in 1974 as The Road to Yesterday, these glimpses, lacking the interstitial materials, became even briefer, mirroring the more forced insertion of beloved characters that the two earlier collections, Chronicles of Avonlea and Further Chronicles of Avonlea, display. Only two of Anne’s grandchildren – Gilbert Ford and Walter Blythe – are obliquely referred to, in the story “A Commonplace Woman,” where an unpleasant young doctor reflects on both of them as potential rivals for the affection of a beautiful girl he himself hopes to pursue.
However, the full novel, The Blythes Are Quoted, published in 2009 and comprised of short stories about the people in Glen St Mary and over the harbour, is interspersed with poetry by both a young Walter and an adult Anne. The poems are cut with tiny slices of dialogue that suggest the continuing lives of fans’ favourite characters and how they might have developed. In “‘Dragged at Anne’s Chariot Wheels’: L.M. Montgomery and the Sequels to Anne of Green Gables,” Carole Gerson notes the mixture of feelings from pleasure to frustration that Montgomery records in her journals as she prepares to write her first sequel.
While Montgomery wrote the first installments of her various series out of inspiration, she was certainly aware of what her market desired from subsequent installments. She often regretted the necessity of marrying off her characters, but was aware that her fans demanded this conventional outcome for the characters they had come to love; these traditionally romantic endings, when not offered by Montgomery herself at the instigation of her publishers, are regularly deployed by contemporary fanfiction authors building on the source texts.
Indeed, long before the original structure of The Blythes Are Quoted was revealed to readers in Benjamin Lefebvre’s afterword, fanfiction writers were spinning off lengthy narratives that included a third generation of young Blythes, Fords, and Merediths dealing with the onslaught of the Second World War. While earlier installments in the Anne series – such as Anne of Green Gables and Anne’s House of Dreams – depict the deaths of Matthew, Anne and Gilbert’s first daughter (Joyce), and Captain Jim, Walter’s death in Rilla of Ingleside is somehow more striking. Unlike Matthew and Captain Jim, he has not yet had time to grow old; unlike Joyce, readers have had opportunities to get to know him as a child in Rainbow Valley and as he grows into young adulthood in Rilla of Ingleside. His death is unnatural and, therefore, all the more horrifying. These two aspects of Rilla of Ingleside – the evocation of history by a nostalgic fictional world that is still tied to real time and the use of high drama, tragedy, and romance – provide fanfiction authors with a model they can use to appeal to the emotions of those readers who are immersed in the next generation of Montgomery characters.
The Second World War, then, provides an entry point into the series for fanfiction authors, who can deploy real history coupled with beloved characters to create a tale that feels absolutely authentic. One example of this is a short story, “The Pen and the Sword,” written in 2007 by MarnaNightingale. Here, mimicking the style of Dorothy L. Sayers’s The Wimsey Papers (a series of Spectator articles published between 1939 and 1940, which interestingly also continue the story of First World War–era characters during the Second World War), MarnaNightingale employs epistolary excerpts and newspaper articles to tell the story of a family going through the horrors of war for a second time. Grounding her fragmented story – like The Blythes Are Quoted, a mixture of genres – in the accounts of novelist Mollie Panter-Downes (1939) and war correspondents Ernie Pyle (1940) and Ross Munro of the Canadian Press (1941), whose articles are attributed to Kenneth Ford, she offers a story that, like Rilla of Ingleside, is anchored to the historical moment, while also nostalgically focusing on the character development that comes from Gilbert Ford’s death, Rilla’s and Faith’s reactions to the war, and the lives of their children. Here war also serves as an opportunity for new experiences, particularly for women and children: Rilla takes a factory job as a machinist, liking it better than working in Carter Flagg’s store; one of Anne’s grandchildren, Susan, plans to be a doctor; and Faith, who worked as a Voluntary Aid Detachment nurse in the First World War, mentions how she can sympathize. As well, the daily tidbits that flavour the pages of Rilla of Ingleside are there: one article, attributed to Anne, includes the recipe for Susan Baker’s war bread, reminding readers of the problems of wartime rationing, even in the Americas. Real life events – like the Canadian forces trying (and failing) to make a beachhead at Dieppe – arouse the passions of the reader. Unlike Austen – who also famously wrote of three or four families in a country town, but kept the Napoleonic wars firmly in the shadows – Montgomery brings the passions and high drama of the world stage into the sleepy villages of Prince Edward Island, which inspire fanfiction spinoffs.
The long novel Cecilia of Red Apple Farm, by a fan author who posts under the pseudonym ruby gillis, also directly reworks passages and scenes from the whole range of Anne books, set in the late-nineteenth century, to The Blythes Are Quoted, set in the early years of the Second World War, to highlight the similarity between her new generation of characters and their ancestors. Cecilia is the daughter of Una Meredith and Shirley Blythe (characters often married off in fanfiction). Like MarnaNightingale, ruby gillis provides period flavouring in the styles of dresses and behaviour and in references to 1940s popular films and songs. Simultaneously, this setting offers new opportunities to her female character: Cecilia wants to be a doctor, and rather than staying in Canada, she joins up to be a nurse in England. She has a series of romances – one with Sid Gardiner (before he marries May Binnie), and one with her cousin Blythe Meredith, who is this generation’s poet – before finally ending up with Marshall Douglas (the son of Mary Vance). Just as Anne initially refuses Gilbert Blythe in favour of Roy Gardner’s resemblance to her ideal man in Anne of the Island, ruby gillis’s Cecilia is fooled by the allure of Sid and Blythe as Roy Gardner–like romantic heroes into believing that she does not truly love her fun, practical, “Gilbert-esque” friend. Published in 2004, Cecilia of Red Apple Farm further illustrates the opportunities presented by reusing and reworking a body of texts through its incorporation of Montgomery’s poem “I Wish You” as the work of Blythe Meredith. Montgomery includes this poem and attributes it to Anne in The Blythes Are Quoted, although ruby gillis could not have known this when writing. The repetition of names and circumstances might seem derivative, but for readers who have read and reread the original books so many times, the extension of the story world is prized, even if – perhaps even because of – its callbacks to the original text. Due to the tendency of fans to fixate on “the good bits” in a reread, these parts can be taken for the whole.
Austen fanfiction demonstrates this aptly. Indeed, Helen Fielding’s second Bridget Jones novel, Bridget Jones and the Edge of Reason (1999), illustrates just such a reading of Pride and Prejudice: she shows Bridget, a fan, watching the scene from the 1995 mini-series in which Darcy, dripping in a wet see-through shirt, exits the lake, and then rewinding and rewatching the scene multiple times. How many times might a similar fan reread Walter’s letter from Courcelette? This repeated reviewing of selected portions can replace the amplitude of the original novel. With this delimited focus, narrative is no longer seen as a progression, but as a single moment of pleasure, sustained as long as possible. Reading the Second World War as a repetitive sequel to the First World War further highlights this possibility.
Even Montgomery seems to do so, as demonstrated in The Blythes Are Quoted, with its new generation of characters confusingly named after the old: Walter, Jem, Rilla, Di, Anne, and Gilbert. A variation on Marah Gubar’s kinship model, this kind of continuation highlights the blurred boundaries between child and adult characters who are literally related to one another and whose adventures mimic one another.
In a third example of fanfiction set during the Second World War, Weeping May Tarry, a long novel by ElouiseBates, Meggie, the heroine, is Shirley’s daughter (and also, surprisingly, Paul Irving’s granddaughter). In this story, which like Cecilia of Red Apple Farm is an installment of a longer series, Meggie is sent off to a conservatory of music to study singing, aptly combining the traditions of the nostalgic boarding-school novel with “Girl’s Own” wartime fiction. Following the tradition of Magic for Marigold, which explicitly suggests in its second chapter that the Murrays of Blair Water and the Lesleys of Cloud of Spruce exist in the same universe, @e-louise-bates (like many other fanfiction authors, including ruby gillis) suggests that all of Montgomery’s characters exist in a single universe: Meggie partners briefly with the grandson of Sara Stanley (The Story Girl and The Golden Road) and is close friends with Jane Stuart (Jane of Lantern Hill).
Going even further, @e-louise-bates introduces the grandchildren of the What Katy Did series as friends for Meggie and includes Betsy from Dorothy Canfield Fisher’s Understood Betsy as Bruce Meredith’s wife, creating a world where all the characters of early-twentieth-century girls’ fiction seem to have truly lived, where their descendants must cope with victory gardens and dances with soldiers at the Exhibition Grounds, and where kisses are much more commonplace than they once were.
These particular continuers of Montgomery are also desirous of membership in the community of her fans, seeing their literary endeavours as productive of approval from a fellow readership. Likewise, the novels are notable for their sociality – they seem to offer the reader not only a fantasy friendship with the characters themselves but also the very real society of fellow readers of the works. Thus, these fan authors attempt to diversify their stories so that they represent contemporary beliefs regarding multiculturalism; ruby gillis, for instance, introduces into the family by way of marriage a French girl who has had to flee the Nazis due to being Jewish, a situation Montgomery and her contemporaries might have had some difficulty accepting, considering early-twentieth-century attitudes toward interreligious marriage and Montgomery’s othering of the German-Jewish peddler who sells Anne green hair dye.
The Second World War thus offers writers of Montgomery fanfiction the loom on which to weave new, more diverse stories, even as The Blythes Are Quoted, which also traces the characters’ reactions to this new war, demonstrates how these readers-turned-writers followed Montgomery’s own trajectory, not knowing that they were doing so. On the subject of fanfiction, young-adult author Patricia C. Wrede writes: “The thing that fascinates me about fanfiction, though, is the way that it models the decision tree that writers go through (whether consciously or unconsciously) to get to their final product. For those of us who do this part mostly unconsciously, it can be interesting and instructing to see the multitude of alternate paths that a story could have taken, all laid out more-or-less neatly in different authors’ fanfics [… taking a slightly different fork in the road] resulting in the plot veering in a completely new direction. Friends become enemies; enemies become friends; goals and objectives and results shift and change.” Within these pieces of fanfiction, then, fan writers are able to follow these decision trees with subsequent generations of characters as well.
Another avenue of access occurs when fan authors transpose historical narratives into the contemporary moment. Perhaps the best-known example of this modern alternate universe [AU] conversion is the television program Sherlock, which takes Arthur Conan Doyle’s Victorian detective into the twenty-first century. While new cultural contexts appear, the essence of character is meant to be retained. Just as Sherlock uses text messages and blogs to substitute for telegraphs and handwritten journals, fans of Montgomery reimagine the relationships between her characters as if they were taking place online.
For instance, “Work in Progress” (2012) by verity postulates a friendship between Montgomery’s most famous heroines, Anne and Emily. In this piece of fanfiction, Emily circumvents Aunt Elizabeth’s injunction against fiction during her time at Shrewsbury High by becoming a blogger who is restricted to the “truth.” The story’s online summary, a part of which reads “Anne rolls her eyes. ‘Is your aunt really going to know if you cheat on your nonfiction with some hot prose on the side?’” shows how the story preserves the character qualities that Montgomery laid out, complete with references to the Murray pride and Anne’s orphanhood. Mr Carpenter’s admonitions are spelled out at the beginning of the story:
“Emily Byrd Starr has a sticky note on her desktop. It reads:
ITALICS
CAPITALS
!!!!!
“just”
“really”
CTRL+F!
It is almost like having Mr Carpenter in the room with her.”
Verity creates humour through the juxtaposition of contemporary social media and allusions to Montgomery’s source text. Another story by verity detailing Rilla’s romance with Ken Ford and her friendship with Una Meredith, “Rilla of Toronto,” takes place mainly through instant messages. In this story, Rilla reflects on her life from eighteen to twenty-five, tracing a continuum from her child self to her new adulthood, underscored by verity’s translation of Montgomery’s work into contemporary millennial language.
A third type of fanfiction narrative, the gap-filler, focuses on and expands the implications of the source texts. Moira Walley-Beckett’s Netflix/CBC series Anne with an “E,” as Laura Robinson shows in chapter 12 of this volume, is somewhat fanfictional in and of itself: as Robinson points out, the show fills gaps by bringing to the fore the darker currents that have always been beneath the seemingly untroubled waters of Anne of Green Gables, including Anne’s potential post-traumatic stress disorder from the disturbing life she led before coming to Green Gables. This kind of versioning and adaptation tacitly permits fan authors to feel that their versions are just as valid as those produced by professionals. Gap-fillers frequently expand on romantic pairings and in fandom are often referred to by portmanteaux of characters’ names that perpetuate some inside joke or work as puns. “Shirbert” – a moniker for Anne and Gilbert – is the latter, and demonstrates how fans posting on sites like Archive of Our Own (Ao3), Fanfiction.net, and Wattpad (this last generally populated by younger fans) develop their own language to identify their stories within the community for which they write.
One such story, “You caught me staring, but I caught you staring back,” by Anuka, clearly inspired more by the television series than the novels, begins with an author’s note that reads, “I decided to write some fluff for these two, because I need more Shirbert moments, and season 2 is so far away. I added gifs to make it more vivid.” Here, the romance between Anne and Gilbert as depicted by Montgomery and Walley-Beckett is not sufficient for the reader-turned-writer. Anuka wants the gaps in the narrative to be more fully explored than they are on either page or screen and to be made more “vivid” by the inclusion of images that help make the story come alive.
Similarly, “Rilla Blythe’s Wedding: A Not Entirely Comprehensive Account” by Scylla also fills a gap: Rilla and Ken’s wedding day, a scene that Montgomery leaves to the reader’s imagination at the end of Rilla of Ingleside. Modelled upon other accounts of weddings within Montgomery’s fiction, the story also suggests that accounts of Walter’s death have been gravely exaggerated, as he makes a stunning appearance at his sister’s wedding. In order to align her work with Montgomery’s novel, Scylla ensures that Little Dog Monday’s awareness of Walter’s death remains, but makes it only a technicality, writing, “His heart had stopped for a full ten seconds – long enough for his Captain to feel for his empty pulse and for Dog Monday to be jolted with the fullness of his death. Little dogs, after all, can only have tender dogs’ hearts. Grief to Dog Monday was an all-consuming thing, and when Walter’s heart began to beat once more, he was deaf to its spark of joy.” After meeting with his eldest sister, Joyce, in heaven – which is, as he had always hoped, Rainbow Valley, Walter is returned to life so that he may write of peace as well as war (as he did when he was a boy), marry Una, and repair the broken hearts of readers who did not want to lose him.
While heterosexual pairings are the most prevalent in Montgomery fandom, there is room for queer imaginings as well.
This very popular genre of fanfiction, known as “slash,” is generally defined as stories that centre on samesex romances between characters, particularly between men. Montgomery slash fiction usually stars Walter Blythe.
One slash story, “but i don’t know who you are” by @freyafrida, imagines a bisexual Walter. Told in an enduringly popular sub-genre of fanfiction often referred to as Five Things Plus One (which involves a series of thematically linked but not necessarily chronological scenes), the story is summarized by @freyafrida as “Five people Walter thought he wanted, and one person he didn’t notice until it was too late.”
This last person is original to Montgomery’s text: Una, whose apparently unreturned attraction to Walter is woven through Rilla of Ingleside. The other five potential partners are all alluded to as Walter’s close friends, beginning in childhood with Alice Parker from Anne of Ingleside and Pat Brewster from The Blythes Are Quoted and then carrying on through adolescence and young adulthood with Faith Meredith, Ken Ford, and finally Paul Irving from Anne of Avonlea. While his feelings for Faith and Ken are clearly unrequited, Alice, Pat, and Paul all express their own desire for Walter. The inclusion of the famous poet and Walter’s “model” uncle, Paul Irving, in particular, particular, illustrates how traits of sensitivity and aesthetic appreciation that challenge traditional ideas about masculinity are frequently interpreted as queer by fan readers and writers.
In another slash fiction, cero_ate’s “The Moving Finger Writes, and Having Writ Moves On,” Walter discovers his homosexuality while fighting in Europe:
He wrote half truths and lies once more, when he wrote his Rilla that he could not form poems of the depths of the war. For who could write his sister of the phallic love he had found? He had found his reason in a tow-headed American boy. He meant so much more to Walter than mere friendship could explain. He wanted to write, as sweethearts write, of the tempest of joy in the darkest night. But how would they understand? How would they even try to understand he sought not the Dark Lady of Shakespeare but the youth, fair and Wilde? When he was presented with Una’s faithful heart, he spurned it. When his tow-headed darling presented his own, Walter took it, greedy for him. His grecian style love, the boy who’s [sic] eyes danced, even in the darkest of days. He would do anything to keep him safe. But he could not present him to his family, for their scorn or pity. War had broken him, but made him as well.
While male/male pairings are generally the most popular stories in fandoms, Montgomery’s novels, peopled as they are by communities of girls and women, require that readers who want to queer the text must explore what is called femslash (that is, slash fiction featuring two female characters).
Such relationships have been explored within the academic setting. For instance, Laura Robinson remarks in “Bosom Friends: Lesbian Desire and the Anne Books,” that the relationship between Anne and Diana uses “the language that readers associate with adult romantic love rather than girlhood affections,” even as it is expressed through the heterosexual paradigm of marriage.
One fanfiction author, ArcticLava21, makes it clear that such fan written stories are not speculation but instead address key issues of representation. The author’s note to ArcticLava21’s short Anne/Diana story, “Nature,” reads, “Hello everybody! Hope your [sic] having a wonderful day. Before anyone yells at me for ‘sexualizing platonic friendships’ please note that this is for all those queer kids who grew up pretending. Pretending that he ended up with him instead of her, or desperately wanted representation. Are we good? <3 Enjoy yourselves lovely people.” The intended audience of the story, “queer kids who grew up,” again establishes the transgenerational kinship between Montgomery’s child and adult fans.
All fan fiction, shared on the Internet, exist in dialogue not just with Montgomery’s fiction but with the author herself, and between the fans who read the novels as children and adolescents and the adults that these readers become.
Whether fan writers extend the narrative or fill gaps, transpose chronology or to queer the text, these pieces of fanfiction allow fans not only to insert themselves into the narrative, but also simultaneously to revivify the original novels, published a century ago. In performing interventions to the text, Montgomery’s young fans grow up to reply to the discussions that she began long ago in the pages of her journals and stories, ensuring that all three – author, reader, and text – are continually reborn into a conversation that will never end.
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d-criss-news · 23 hours
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Glee star Darren Criss says he is 'culturally queer' thanks to San Francisco upbringing
When Darren Criss broke out on Glee, he instantly became a "teenage dream" for viewers — especially for LGBTQ+ audiences, who were able to see themselves represented in a new way in television.
Criss himself identities as a straight, cisgender man, but he says that his upbringing in San Francisco, Calif., helped him understand the importance of his character, Blaine, and his character's relationship with Kurt (Chris Colfer).
When asked at the Chicago Comic & Entertainment Expo (C2E2), what it was like portraying the groundbreaking relationship on television, Criss replied, "It was f---ing awesome.... Nowadays, we just call it a relationship on TV. But to contextualize it, a gay relationship on mainstream Fox, that's a pretty cool thing to be a part of," he said, adding emphasis when naming the network.
"I have been so culturally queer my whole life," he continued while appearing on a panel over the weekend. "Not because I'm trying — you know, actually, I was gonna say not because I'm trying to be cool but I'm gonna erase that, because I am trying to be cool. The things in my life that I have tried to emulate, learn from and be inspired by are 100 percent queer as f---."
"It was in queer communities that I've found people that I idolize, that I want to learn something from," he said. "And I'd say that's a gross generalization, that's a lot of things and a lot of people. But I grew up in San Francisco in the '90s. I watched men die. There was an awareness of the gay experience that was not a foreign concept to me. So, it was a narrative that I cared deeply about."
Criss also clarified that he didn't feel any ownership or entitlement over the role, but instead, felt a sense of responsibility once he was cast. "[I wasn't] like, 'I'm the man for the job,'" he explained. "They hired me...They said, 'You're the guy,' and I said, 'Okay, I'm the guy, I will do my best. I will do my best to talk about it in the way I believe and a way that I'm passionate about.'"
Criss portrayed Blaine Anderson for five of Glee's six seasons. He was introduced as an openly gay student at Dalton Academy and a member of a cappella group the Warblers in season 2. He recurred throughout the season. In season 3, Criss was upgraded to a series regular and Blaine transferred to William McKinley High School, home of Kurt and the New Directions. When the series ended, Blaine and Kurt were happily married after many ups and downs.
For Criss, Glee's legacy of portraying a relationship on television that so many people hadn't seen before was the most meaningful part of his experience. "In many ways, I'm glad it was me because it was a thing I really liked showing," he reflected. "It meant a great deal to me and it meant a great deal to other people. Because when people say they were affected by that show or that relationship, it's not because of me, it's because of that relationship on TV and the risks that people took to put that on TV."
"It took the people watching it to have the aptitude for seeing beyond what was maybe given to them in other avenues of culture. People of all ages, all spectrums of awareness say, 'I didn't grow up with a show like that and it was a really meaningful thing for me to see,' and I go I didn't grow up with a show like that and that would've been very meaningful for me too. Regardless of the fact that I'm a straight kid. That has value. For anyone who's been an underdog, we all know, in any shape or form — sexual, religious, biological — it has value because there's going to be a lot of people who see that and say, 'Okay, I can now understand this in a context that maybe I wasn't able to before.'
"It was a f-ing privilege," he concluded, "and I love talking about it and I'm so grateful I got to do it."
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laylajeffany · 5 hours
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Crying at the Texas Roadhouse | Wenclair One-Shot for @cruciokilljoy
Rating: G WC: 4,500 Summary: Enid’s feelings are hurt and Wednesday tries to resolve them, requiring her to find her soft spot (in public) when Enid starts sobbing in the middle of a chain restaurant in Jericho. Enid's POV, established relationship, unrelated to any of my multi-chapter work TW: Esther Sinclair being herself
@cruciokilljoy You were probably looking for more physical hurt/comfort but both my multi-chap fics have explored that pretty throughly and I am tired of writing the girls in physical pain so I put them through emotional pain instead. Certainly not based on actual, recent conversations with my own hateful mother not at all ☠️
“You were crying.”
Duh.
“Like, an hour ago,” Enid clarified, looking at Wednesday as she stepped into their room with her jacket draped over her arm, sleeves rolled up, hands filthy. She could only imagine what her girlfriend had gotten into (literally, looking at the caked-on mud on her Oxfords that ran up to her stocking-covered knees). “I hardly think that’s the most pressing thing we need to talk about. Why are you covered in dirt?”
“Mud wrestling,” Wednesday replied dryly.
“Not enough on you for that.” Enid rolled her eyes and crossed her sweater-covered arms. She almost didn’t want to know but would certainly rather discuss Wednesday's potentially illegal antics than herself after the challenging evening that she’d already had.
She wasn’t in the mood for bickering, either way - so maybe quiet time would be best.
“Why were you upset?” Clearly, she wasn't going to drop it with her own deflection. Wednesday draped her jacket over the side of her desk chair and toed off her muddy shoes, forcing her to lose the small boost of lift they gave her, putting her squarely two inches beneath Enid. She stood directly in front of her, a kiss away – bearing into Enid with her eyes and forcing truth out of her.
Knowing her lower lip trembled a little, hating her tells and trying to frown the feelings away, Enid looked at her own feet. There was no use lying to Wednesday about an actually serious subject when the evidence was still in the bloodshot veins of her eyes. “My mother called. It was…it’s just always upsetting,” She glanced back up with a forced, sad smile. Wednesday’s eyes lost their intensity from curiosity, but gained something that was largely new for her – sympathy.
How Enid hated it. Deciding to dangle a tantalizing offer in front of her, she forced her pitch to remain neutral as she stated, “I don’t want to dwell on it. Can we skip the part where I rehash how my mom is a miserable person and…just go to dinner? You could edit my lycan paper after, I could use the help…”
Wednesday’s stare continued to be gentle and Enid was about ready to march out of the room if she didn’t quit. She couldn’t stand that. “Stop, please? Wednesday, honestly. I don’t want to talk about it. And I don’t want you to pacify me this evening. My mother always manages to upset me. And even if I stand up to her on the phone, I sometimes need to cry it out after. It’s like…” Deciding to use a weapon analogy, Enid expressed, “Like a fuse. She lit it, I detonated on her, and now there’s some debris to clean up, but I’m actually fine. I want to move on.”
Obviously a little put out by the way her jaw shifted just slightly, Wednesday disappeared wordlessly, returning from the community washroom down the hall with clean hands and sans her stockings, which Enid assumed she’d tossed rather than get any more flak from the on-site laundry service about soiling other people’s clothing.
She disappeared into her closet, coming out in a pair of wide-legged pants and an oversized black sweatshirt that fell nearly to her knees. If Enid could hide her emotions, she supposed she couldn’t comment on Wednesday hiding her body.
To her surprise, Wednesday actually let her not speak about her feelings and folded a hand into hers as she waved to Thing, nonverbally communicating that she wanted to be alone with Enid. Thing had been quite helpful to the whole affair – had heard her mother’s hurtful words, passed her tissues after she finished crying into her pillow, patted her back sweetly…
Wednesday led her to the foyer but didn’t turn to the right to take them to the cafeteria. Enid blinked a few times when Wednesday tugged her right out the front door and down the front steps. Confused, and really not in the mood to go investigating anything, particularly to discover whatever had Wednesday so dirty, Enid whined a little, “Can’t we just eat?”
“It’s Monday,” Her voice was just a touch darker than it had been in their room. “Nevermore’s infamous attempt at cowering to the vegetarians is tonight, and I don’t think their imitation beef is going to help you feel any better. We’re heading into town – I’m getting you a steak.” Well, that certainly perked her up just a little bit. “Withdrawing red meat once a week in an effort to be more environmentally friendly when ten percent of the student campus requires it as part of their metabolic diet is cruel, performative activism and we don’t need to be part of it. It makes as much sense as banning plastic straws. You don’t create systems change by following trends. Meatless Monday is going to meet my full-meat fist one of these days. But tonight, we’re going to crush peanut shells underfoot at a chain restaurant instead.”
More than okay with getting that salty coating in between the grooves of her furry, pink boots, Enid pulled Wednesday to her in a hug when they arrived to the edge of the forest trail that would take them into Jericho. Wednesday sucked in a breath of surprise at being forced into her hold but returned it after just a second of processing what was happening to her. “I don’t mean to take my bad mood out on you,” Enid apologized.
“I do it to you all the time,” Wednesday mumbled into her shoulder, sighing as she hooked her arms around her middle, hanging on just as tightly. “Usually for far-less valid reasons.” She pulled away to put her palms on Enid’s shoulders and met her eyes without that sympathy…instead…
Wednesday’s brown gaze in the setting sun was highly empathetic and made Enid drop half the tension in her shoulders. “I might also be a little hangry,” She confessed as her stomach roared suddenly between them.
There was a flirtation of a smirk on Wednesday’s lips at the noise and she said nothing, merely took her hand again, leading them boldly through the woods for a twenty-minute walk into town.
Enid swore she felt better just at the sight of the neon lights outlining the state of Texas with a cowboy hat perched on top of it when the restaurant was in view. Inside promised at least a feeling of satisfaction for the wolf within her, and that could often soften the meltdown of her personhood, too.
“Two, please,” Wednesday politely replied when the hostess, a too-cool Jericho High student with rapidly growing roots sticking out of her bleach blonde hair snapped her gum and looked irritated to have to ask how many were in their party.
Holding back her own growl of irritation, Enid would admit, she was relatively surprised by how well-behaved Wednesday could be in spaces like public restaurants. She often claimed that staff were simply victims of the State or something about labor rights, and generally tipped far more than Enid would’ve thought that they had earned.
Enid watched a basket of rolls be taken into a waitress’ hands and swallowed the saliva that threatened to slip out of her lips, thinking Wednesday was about to drop her hand as she often did in public – but not that day. She must’ve sensed some of her mother’s conversation had been about, willing to take on any bigot that might’ve had something to say about the two of them in a relationship. Vermont might’ve been one of the more progressive states in the country, but – certainly, so was California, and her mother had a whole lot to say from there that evening…
Once they were seated, Enid took a roll without waiting even a beat for the young woman who would be taking care of them to go through her required spiel, while Wednesday simply gave a curt nod at her before giving all of her attention to Enid as she went to return with water. (Enid could hardly wait for the day she could down one of those massive margaritas in the advertisements all over the establishment.)
She was halfway through with her first roll when Wednesday’s harsh stare asked the question before she needed to confirm, “You missed lunch with that extra dance practice today.”
“I’m sorry,” Enid said, just about ready to own up to anything – even things she hadn’t done, in an effort to just keep everyone from blowing up at her anymore that day. She really couldn’t handle Wednesday being frustrated with her, too -  
“Next time, tell me,” Wednesday ordered, her voice clipped; Enid stared hard at the rings on the wooden, lacquered tabletop, willing her next round of sadness to stay internal. “I’ll bring you something to class. Don’t apologize to me.”
About to say ‘sorry’ again, Enid just bit her lip, seeing the tears that were threatening to well up in her gaze. She tried to blink them away, and was grateful when the waitress asked if they needed more time with the menu when she brought their water over. Enid just shook her head, while Wednesday started, then said her name in a very gentle tone – and all the up and down of soft and hard was really –
“Um, the twelve-ounce New York strip, please – rare.”
“You know that means pink, possibly bloo-”
Wednesday was quick to defend her. “She knows what her body requires.”
Enid let out a shuddered breath, quietly asking for her sides before the waitress left. Wednesday reached across the table and took both of Enid’s hands, clearly needing to understand more about what was making her act so small and miserable. “Tell me what your mother said.”
“I don’t want to think about it,” Enid argued, feeling her tone rising as hysteria was pouring out of each vein, flooding her body.
“You obviously already are. It’s weighing on you. Release the burden, and you’ll feel relief.”
As the first tear fell, Wednesday’s face contorted from intensity and certainty to overwhelmed and near helplessness as she obviously hadn't thought through the fact that Enid was going to cry in public. She squeezed Enid’s hands, but the gesture only caused the second one to dribble, then the third, and the fourth, and Enid brought her sweater up over her face to keep from letting out an audible sob in the restaurant.
Thankfully, Wednesday had some sort of awareness about what to do – they’d been dating for months and friends for so long, she’d seen her fair share of Enid’s breakdowns and generally knew what did and didn’t help. When the preventative measures clearly weren’t working that Monday, she stood up and rounded to the space beside her, putting an arm around her and letting Enid fold herself into her chest. The unexpected display of affection was actually bringing out even more of her release. God – that hug to soothe her emotions into was exactly what Enid needed, and the fact that Wednesday had it in her to be soft enough around her to let her break down, in a half-full restaurant, into her arms? She loved her more than anything, and Enid knew that, she just wished, maybe – well, Wednesday was probably right. She did just need to talk about it to work through it.
When she met the black strings of her hoodie, Enid knew she let out a cry of a sniffly sound. It was embarrassing, devastating, really, to be having a full breakdown at the Texas Roadhouse. But Wednesday had been determined to try and make her feel better that evening and was going to have to finish what she started, even if that meant snuggling her in a vinyl-covered booth while the waitress awkwardly put their salads down on the same side of the table a few minutes after the crying began.
Wednesday unrolled one of the fabric napkins, shaking out a knife and the forks. For a brief, split-second, Enid thought she really might eat one-handed while she continued to snivel all over her chest, but Wednesday instead used the square to dab Enid’s cheeks, soaking up the tears that hadn’t been absorbed into her sweatshirt. She adjusted her hold on her girlfriend and looked at her with something new –
Sincerity.
Almost blubbering again, Enid just nodded, knowing it would do well to admit what Esther had said to her on the phone. “My…mother – she was …on her weekly rampage, about…everything. Nevermore, administration refusing to split us up – you not receiving any consequences from last semester…the usual. Then…it shifted,” She sniffed. “She brought up my late blooming, how I’d been so privileged to have been even have parents who cared enough to offer to send me to lycanthropy conversion camp…”
Wednesday’s hand curled on her upper thigh at that.
“And when she wasn’t getting a rise out of me for that, she dug deeper – the normal line of inane ramblings of how she couldn’t believe after all that time, ‘that Addams girl’ was what got me to shift for the first time…and, when I reminded her, ‘that Addams girl’ is Wednesday, my girlfriend, she…she…just said, ‘we don’t talk about that,’ and started bitching about the value of a Nevermore education not matching up to the price tag, not that it mattered – since none of her pack were scoring above a 3.5 on the ‘mediocre’ grading system, moved on to my scar tissue and wanting me to come home to have a consultation with a plastic surgeon for a revision procedure, and I said that wasn’t going to happen and hung up on her. Then I cried.”
Watching Wednesday respond to the entirety of the call was like discovering something new hidden in a sensory tube every other second. While she was short for words, Wednesday’s eyes always spoke volumes about what she would say if she dared to put her thoughts out verbally. Mr. Addams had described her tongue as that of a viper to Enid more than once when telling stories about her, so she was pretty sure it was often for the best that Wednesday focused on taking in all the information before reacting. She knew that Wednesday tended to get into it with administrators and authority, but at least with Enid – she was far more even-tempered in how she responded to hearing words she didn’t like.
Enid let out a long breath and picked up one of the forks that Wednesday had shaken out of the napkin, needing to channel her energy into anything but crying again. She speared leafy greens onto the tines, trying not to visualize doing the same to any of her mother’s more vulnerable body parts, for that matter – wondering which Wednesday would fantasize about ripping out first in her defense.
“I’m sorry, Enid,” Wednesday spoke through a near whisper of a tone.
Hearing those words come out of Wednesday was like hearing foreign language that she needed to interpret. Her fork fell out of her hand. Not wanting to startle her anymore, Enid brought her longing, hopeful sort of gaze to Wednesday’s. “Why are you apologizing now?”
Wednesday drew her hands into her lap, staring straight ahead. It took her some time to form her response, likely, if Enid had to guess, because of the emotion that was pooling in her own eyes. She knew her damn well enough that she wouldn’t shed anything close to a tear in public, but Wednesday was very much on the edge. It didn’t make sense – she’d done nothing wrong, aside from maybe push her into talking about it when Enid knew what that would unleash, but even then – it’s not like she had been the one to say all those hurtful things…
“I suppose I am not apologizing with my sorry. But I am sorry that I contributed to enough of your mother’s ire that she took it out on you. I’m sorry that she continues to refuse to acknowledge that you are in a non-traditional relationship, let alone demonstrate any sort of positive feeling about it. I’m sorry that she continues to bring up painful events of the past, and attempt to shame you for them, or think you should have been grateful for her wanting to send you to an abusive situation. I’m sorry that she thinks your grades aren’t good enough – you’ve got a 3.87 right now, which is Magna cum laude and I’m really proud of you for working diligently at increasing your grade point average. I’m sorry that she thinks you need plastic surgery. If you wanted to, that would be your choice. But I love your scars, and I think they’re beautiful.”
Enid could barely breathe. She wasn’t sure if Wednesday had ever said so many words consecutively, let alone that indicated her true feelings on any subject matter…that she was harboring so many about her, in particular. Trying not to let herself curl up into the faux-wooden logs that made up the side wall of their booth, Enid finally found the ability to expand her lungs and release the last of the tension she’d been harboring. “I don’t want you to feel sorry for me.”
“It’s not in pity,” Wednesday clarified. “It’s not. It’s…perhaps a feeling that I don’t have a schema for.” She gave a rare blink as she seemed to be trying to find the emotional vocabulary within her to better explain herself, staring at Enid, who was pretty sure she was going to need an inhaler by the end of dinner at the rate Wednesday was taking her breath away. Finally, she gave a nearly-invisible shrug as she further clarified, “I just know, that I love you. And I despise that anyone would attempt to make you feel small, or anything else negative, especially someone who is also supposed to love you unconditionally. And I am sorry, that you were forced to endure that. All your life. So…I’m sorry, and I hope to make it up to you.”
Tilting her head, sniffing just a little, finding the shiest hint of a smile, Enid promised in a watery whisper, “You are. Right now. You…knew that I needed to take care of myself, and that school wasn’t going to cut it, and you brought me to the Texas Roadhouse,” She let out a small bubble of a laugh. “Here, I’ll get what I need to sustain me, but while we’re waiting,” She paused, reaching over for one of Wednesday’s clasped hands, forcing them apart so they could squeeze one another’s. “You’re giving me the opportunity to release what doesn’t. Thank you, Wednesday.”
There was a new wave on Wednesday’s features – a distinct mark of relief in her gaze as she swept it, unblinking onto Enid again. “It is hardly my forte to make someone who was sad return to baseline, let alone anything akin to happiness…”
“You’ve done a pretty remarkable job for me,” Enid assured her when the waitress brought out their main courses, looking a little awkward as she put them near their still-full salad plates.
“Uh…anything else I can bring you girls?”
“A total end to the heteronormative, compulsory, traditional society we continue to find ourselves existing in,” Wednesday said without hesitating.
The waitress blinked.
Enid shook her head. “I think we’ve got anything we need, right here.”
The woman left with wide, confused eyes and Enid sighed, cutting into her steak without thinking twice, watching the red ooze out onto her plate. The sight grossed her out, but she knew it would do her body good.
Sure enough – halfway into the steak, she was feeling remarkably better already. “Try to finish it,” Wednesday prompted her. “The full moon is on Thursday, you should be nearly doubling your caloric intake.”
Kissing her cheek, earning the slightest twinge of red to her cheeks, Enid thanked her and followed through, polishing off the meat, picking at her vegetables while Wednesday ate with a distinct sort of raised-higher-class slowness that she usually did.
After finishing and watching Wednesday tip the waitress almost double what the bill had been, Enid took her hand and made it her turn to lead them – the yellow glow of a Dollar General sign across the street tempting her. “I feel like properly finishing up my breakdown by making a frivolous, five-dollar purchase.”
Wednesday’s eyes rolled but she didn’t fight her. Mid 2000s soft-pop radio was playing as they stepped into the nearly desolate discount store, one that Enid liked because of the deadstock that featured some of her favorite comfort characters from her childhood. Knowing exactly what she wanted, she led Wednesday through precariously stacked makeshift aisles of cardboard boxes filled with inventory that would be put out by the one employee working there over the course of several weeks. She hummed along to the music, singing along softly with Colbie Caillat, feeling a little bubbly herself as Wednesday refrained from spewing out comments on late-stage capitalism or some such true, but nonsensical arguing that would accomplish nothing between them. “Here they are,” She said, gesturing to a host of children’s coloring books. Wondering if Wednesday's limited access to traditional children's media would kick in, Enid playfully wondered, “Anybody look familiar to you?”
“Even someone who spent a significant portion of her childhood exploring the caves below the house like myself can recognize the ultimate example of corporate greed, the mouse that is Mickey.”
“Yikes,” Enid commented, “I’ll steer clear of the Disney characters.” Mentally retracting her statement to herself about Wednesday being able to hold back full-punch societal comments, she smirked, spotting what she wanted pretty much right away, taking a pink, Strawberry Shortcake book into her hold. “Will you color with me?”
“I cannot promise that I won’t be giving the fruitcake a makeover. And a knife.”
Giggling, then singing along a little more as she took Wednesday’s hand and wove her through the maze of mess before checking out – spending a whopping two dollars and twelve cents to achieve the final release in neurotransmitters that would complete her night.
After a walk back to Ophelia Hall that included a great production of sneaking back into the campus as they’d left without permission, Enid and Wednesday both found themselves in their pajamas and ready for bed before Enid took her art supplies out from a basket, revealing about three hundred colored pencils in different shades.
Wednesday flipped through the coloring book with a touch of a nose wrinkle, staring at the smiley, fruit-themed girls. She was going out of her way, clearly setting every intention of getting through the moment to make her girlfriend happy as she'd claimed. Finally letting out a real, whole laugh, Enid earned her perplexed stare. “You did it,” She promised. Wednesday waited and Enid winked. “You didn’t just reset me to factory settings, but you made me happy. I promise. You totally do not have to color with me. You can read or edit papers or whatever else is going to make you happy, too. So long as you’re not out solving mysteries, but here with me.”
There was a beat of relief as Wednesday took out a book she’d been reading through, curling up beside Enid, who took some creative liberties as Wednesday would have, forcing a picture of Lemon Meringue, the pigtailed character, and Strawberry Shortcake to look as close to herself and Wednesday as possible, even adding a little knife into Lemon’s hand. Wednesday let Enid pick the music, but she went with one of her playlists of cello covers as a compromise for both of them.
When she finished and flashed the coloring sheet to her girlfriend, Wednesday almost smiled, amusement evident in her eyes as she took a knife out of her pajama pocket (naturally – everyone needed a bedtime knife), evenly slicing it out of the book. She tacked it up on Enid’s bulletin board before putting all the coloring supplies away while Enid watched. Finally, she turned off all the lights except the strand of twinkling ones she’d magically learned to tolerate once they started dating.
She brought Enid to the floor-bed they’d made with a roll-away mattress that was more comfortable than cramming into either of their twin beds, lying on her back as usual, and inviting Enid to curl up with her with silence, just vague gestures – a pat of her own chest, a small nod…
“Wednesday, I love you. Thank you, for making me feel one hundred percent better. I feel even better than before my mom called,” Enid said softly, nuzzling into her.
Wednesday’s fingers instinctively wove into her hair. “I’m tempted to block her number on your phone so she can’t get a hold of you. I can’t promise that if I’m in the room the next time she calls, I won’t make her feel something about herself that is more than true.”
“Good,” Enid encouraged with a contented huff. “She deserves that.”
“You didn’t deserve what she said or attempted to do to you in the past. And I hope that…her comments about…us, don’t make you second guess things. I am always here – to repair and comfort what she has hurt or damaged, as long as you want me to.”
Enid squeezed her affectionately. “You are excellent at comforting my hurts.”
There was a small breath of alleviation she felt from Wednesday. Wanting her to really understand that, she added, “You went out of your way for me tonight. You could’ve just given me a hug, taken me down to the dining hall, and come up to edit my paper. But you didn’t. You knew what very specific things would make me physically feel better, then opened yourself up emotionally for me, too. You’re the best. I love you.”
Wednesday clutched her tightly with one palm wrapped around her back, the other gently tracing the skin near Enid’s scars. Her words felt a little surprising when she added, “I would like to apologize for forcing you to talk about what happened before you were ready. I’m sure you would have liked to not cry in public at the Texas Roadhouse.”
“I think it’s a perfectly lovely public place to have a breakdown,” Enid said with a giggle at her own expense.
Wednesday said nothing other than a quiet, “I love you. Go to sleep.”
Closing her eyes so she could follow the direction, Enid sighed very contently, reflecting on the evening as she drifted off to have the chance to start over in a new day.
Layla is working through prompts and determined to write the Black Menagerie epilogue for the weekend - stay tuned for more ✌🏼
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lostfirefly · 1 day
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Now hush little baby, don't you cry, everything's gonna be alright
The idea for the fic came to me completely by accident. A friend who has a child talked about how she spends time with him. And I have no idea how to communicate with children. English is not my native language, errors may occur. As always, feel free to share your thoughts :)
Buggy and F/Reader - Masterlist is here.
Description: You and Buggy have a little daughter. The ship is moored and you go to rest, leaving Buggy with the child.
Warnings: Fun (I have no experience with kids, sorry if there are discrepancies), Buggy is practically hysterical.
Words: 1815
Taglist: @gingernut1314, @operationroots
The title is taken from “Mockingbird” by Eminem.
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“Y/N, it’s screaming again!” Buggy growled into his pillow. 
“That's not it, Buggy, it's your daughter.” You muttered into his chest.
“This is your baby, velvet cake.” He buried his face in your hair.
“It’s as much mine as it is yours, Buggy.” You stroked his arm. “We made her together. Remember that night? At the end of sex you yelled that you would become king of the pirates.” 
“It was good!” He reluctantly got out of bed and walked towards the crib that was located not far from your shared bed. 
Inside the crib lay a little girl with Y/E/C and blue hair. Every time Buggy looked at his daughter, he was glad inside himself that she had not inherited his nose. 
“What should I do with her?” He asked loudly. 
“First of all, don't scream. Second of all, rock her first.”
“I'm not very good with children. Can I wait until she turns 18 and then start raising her?” Buggy looked at you as you stretched in bed. “How did I even end up with children?” He scratched his head and took the child into his arms. “So, what is next?” 
“Just rock her. Like this.” You took the pillow in your hands and showed how it should be done. 
“OK.” Buggy swung his daughter one way, then the other, then swung her one way again and the other again. "Seems to work, velvet cake! She cries less.” 
“You see, you're doing great, my love.” You got out of bed, put on your slippers and, shuffling along the floor, approached them both. "You'll learn everything in time, Buggy. Hello, my Lily Gold." You waved to your daughter. 
“It’s easy for you to say - you’ll learn.” Buggy chuckled and rolled his eyes dramatically. “You’re a woman, you know how to do it. It’s in your nature.” 
“Hell, no!” You shook your head. “It just somehow happened that I had to take one under my wing to raise one.” You pecked him on the cheek. “Big.” Smack on his lips. “Capricious.” Smack on his nose. “Child. So, I’ll go wash up and make us breakfast. I also need to go to the store on the island and buy something.” 
“What? Did something happen?” Buggy became noticeably nervous. “Are you feeling unwell? Is there something wrong with the baby?”   
“No, no!” You softened your voice, trying to calm him down. “Don't get me wrong, I love you both, but I want to get some rest. I have a spa appoitnment.” 
While you were making breakfast, Buggy sat next to you, holding your daughter in his arms. He was loudly clattering plates and mugs and yelling at anyone who came into the kitchen and spoke loudly (so it seemed to him, even though everyone was whispering). Buggy and your daughter at breakfast certainly made you smile, but at the same time it was a disaster. They were both constantly dropping things, getting messy in their food, and they both started whining if something didn't go their way. You would just roll your eyes, convincing yourself that he was the love of your life, the love you sometimes wanted to strangle. You got up from your chair, wiped their faces, and continued drinking your morning coffee.
You went to your room, Buggy and Lily followed you. He constantly asked how soon you would return, what he should do and how to get along with children in general. 
“Learn, daddy! You are the culprit of this creature.” You adjusted his bandana and looked into his scared eyes. “For the record, I have no regrets. I love our family. You and our daughter. But since this will be a copy of you, I need to gain strength. That's it, I'm off. Bye, my love. Bye, Lily! I'll be back in three hours.”
“THREE HOURS???” Buggy's eyes widened, but he looked at your slightly tired face, exhaled and kissed your forehead. “Fine.”
“Bye, my captain. I love you!" You pecked him on the lips and left. 
Buggy sat down on the bed, holding Lily in his arms. Fortunately, she was no longer a newborn baby, because that period was a nightmare for you. The baby was screaming all the time, Buggy was screaming all the time. 
“So. What should I do with you?” Buggy took his daughter and turned her over in his hands. She laughed happily and tried to grab his nose. “No, Lily! Not the nose! We don't touch daddy's nose.” He muttered and looked around. “Oh! You're a child. You must love toys, right?”
Buggy grabbed Lily in his arms, walked with her to the toys and put her on the floor. “Who do you want to play, me sweet candy? Pony? Lamb? Pig?" He sorted through the toys and showed them one by one. 
The girl looked at her father with batted eyes and grabbed his nose again. 
“Fuck! Lily Gold! You can't touch daddy's nose!” Buggy leaned back a little. 
“Honk!” Lily said and pointed to her nose. “Dad. Nose. Honk.” 
Buggy looked at his daughter doomedly. “Do you want dad to make a honk with his nose? Maybe you’ll choose the lamb?” 
She shook her head, made a face and crossed her arms.
He rolled his eyes, growled and said a dissatisfied “okay”, squeezing his nose so that it made a sound. “You like your mother, love to do this with me. Well, Lily. What else do you want to do?”
Buggy tilted his head and looked at his daughter. “Thank God you don't have my nose." He took her in his arms and said in a whisper. “But daddy will always protect you. You and your mom. I never let someone hurt you, my biggest treasure." Buggy kissed his daughter on the top of the head. 
Lily got off his feet, took the ball and handed it to him.
“Lily Gold, daddy doesn't know how to make balloon dogs.” Buggy shrugged.  
She immediately made a face again and began to scream, and cry. 
Buggy rolled his eyes and hissed through his teeth . “Mother fuc~. Okay, I'll do it, just stop yelling!" He took the balloon, somehow inflated it and made something that vaguely resembled a dog. He gave it into his daughter's hands, and the balloon immediately burst. And Lily yelled even louder. 
“Fu-u-ck! What does your mother do at such moments?” Buggy grabbed his head. 
At that moment, one of the freaks knocked on the cabin. “Captain?!”
“WHAT?!” Buggy barked and went to the door.
“We are almost replenished, and we know where the Straw Hat's are going.” The freak gave him papers.
“I don't give a fuck about the Straw Hat right now.” He threw the papers back in the man's face. “I'm sitting with the daughter while Y/N is away.” 
“Excuse me, Captian, you're not sitting with your daughter.” The freak shook his head. 
“What? What are you talking about! Here s~.” Buggy pointed his finger at the place where he was sitting a couple of minutes ago. 
“Where? Where's she? Where's the baby?” He grabbed the freak by the clothes and started shaking him. “Where is my daughter?” 
“I don't know, Capta-a-in!!” The freak's head was bobbing like a bobblehead. 
“Oh, fuck!! Oh, fuck!! Y/N will kill me. She will kill me!” Buggy grabbed his head and began to rush around the room. “Get out of the way!” He threw the freak aside and ran out of the cabin. 
Buggy practically ran around the ship, calling his daughter's name in a whisper. He was afraid that you might appear earlier. He turned the corner and saw blue hair flash. 
“Gotcha!” Buggy hugged Lily tighter and picked her up. “How did you manage to escape? For year and a half, you are a very fast girl! Don't scare dad like that again, okay?”
“Richie! Richie!” Lily grabbed Buggy by the hair and began to pull.
“Ouch! No-o-o! We're not going to Richie, Lily! He's probably sleeping.” Buggy carried the girl back to the cabin and sat her on the bed. “I don’t know what to do with you. Do you want to draw? Let’s draw!” He took out pencils and sheets of paper and gave them to her. 
“Richie!” Lily threw everything on the floor. 
“OK.” He scratched his head and looked around, “Do you want to play balll? Let's play ball!” He gave Lily a small yellow ball. “See? Are you happy? Please, my sweet candy, show daddy your happy face!”
“Richie!!” Lily threw the ball in Buggy's face. 
“Damn!” He rubbed his forehead. “What should I do with you?!” Buggy grabbed his head and was ready to scream. “I know! Let daddy show you some chop chop tricks!” He separated his hand and gave it into his daughter's hands. “You see how dad can do it? Cool? Please, say it’s cool!!” Buggy was on the verge of hysterics. 
“RICHIE!!!” Lily stomped her foot and threw her hand at Buggy's face. 
“Fuck!” He attached his hand back. “Okay. Do you want to see Richie? Let's go to see Richie. Maybe he'll finally eat daddy.” Buggy muttered under his breath, took Lily in his arms and walked down the ship. 
They entered the room where the lion was sitting, and Buggy put the girl on the floor. Lily looked at him and smiled. 
“What? Why are you smiling? Finally satisfied, little s~?” He crossed his arms.
“Richie-e-e!” Lily happily ran towards the lion and began to try to climb onto him. 
Buggy smiled and approached his daughter. He helped her climb up the lion and watched carefully to make sure she didn't fall. “That’s my girl! I'm so pr~” 
“What are you doing here?” Buggy heard your voice behind him. “I came to the cabin, and your freaks told me that you were with Richie.” You walked up to Buggy and kissed him on the cheek. “How are you?”
“We’re great. It’s easy to sit with kids. I don't understand why you're complaining.”
“Liar.” You hugged him and placed your head on his shoulder.
“Has it been three hours already?” Buggy wrapped his arm around your waist. 
“No. Just an hour. It turns out that I have a spa appointment for tomorrow. So you’ll have to sit with Lily tomorrow. By the way, I bought you a gift. Whiskey!” You pulled the bottle out from behind your back. “I also thought that maybe we could leave Lily to someone from the crew today and spend some time together? What do you think?” You snuggled closer to him and winked. 
“I like this idea. And you know what I was thinking of, my velvet cake?” Buggy looked at you with the corner of his eye, glancing at Lily.
“About what, my beloved Captain?” You asked softly and ran your fingers along his neck.
“Let’s have another child?!”
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nunalastor · 14 hours
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Hi! Continuation of "Findling Charlie" (Snow White + Tangled AU)
Lucifer was on a mission. No thoughts in his head, just anger and confusion guiding his movements.
In his full demonic form, his horns, tail and wings visible, infernal fire surrounding him, he crossed each floor of his palace until he reached the basement, and once there, with tunnel vision, he only focused on a black door.
An understanding was reached a long time ago. Roo could do whatever she wanted in and out of hell, except spy on the royal family. Each of the eyes that she spread throughout hell had to be closed in the presence of him or Lilith. She couldn't interact with them unless they allowed it.
In order for them to allow an interaction, there had to be a means of communication, and that was why Lucifer created that room.
He entered quickly, closing the door and leaving himself completely in darkness. Knowing exactly where to aim, he launched a fireball. A red eye appearing in the darkness in front of him. Little by little, hundreds of red eyes appeared around the room, seeming to want to get their bearings until all eyes focused on Lucifer.
He didn't care, he had his gaze fixed on what was now his reflection, because on the wall in front of the door, under the first eye that appeared, there was a mirror.
Lucifer's reflection is distorted, fades, and in its place appears a woman.
"Well, this is new. Long time no see Lulu"
"I KNOW WHAT YOU DID BITCH, COME HERE SO WE CAN FIX IT ONCE"
He can see how she just raises an eyebrow, she's having fun.
"I think you'll have to be more specific, honey. I've done a lot of things since we last talked. Now tell me, what are you blaming me for this time?"
"DON'T PRETEND YOU DON'T KNOW WHAT I'M TALKING ABOUT, YOU TOOK MY DAUGHTER AWAY. I'M NOT INTERESTED IN THE REASON, I JUST WANT TO BREAK YOUR DAMN NECK."
Roo is no longer smiling, but she doesn't seem scared either. She is confused. Lucifer's anger subsides a little while his own confusion increases, fear starting to freeze his heart.
"I don't know what you're talking about, you two gave her to me."
"...what?..."
"Oh! Wait..." the smile, amusement returns to her face, a laugh fighting to escape "...you didn't know?"
"What are you talking about?!"
"Oh! This is beautiful!...wait a moment sweetness, I think it's time for you to see through MY eyes."
And Lucifer can't look away. He sees how the mirror seems to split, all the eyes in the room showing their own angle, until only one image is seen divided in two. The eye on the door and the eye on the mirror, facing each other.
He can see Roo on the left side of the mirror, and on the right side he can see his reflection. A reflection that changes, until it shows Lilith, with a black basket in her hands. And his daughter's little hands trying to reach her mother from inside the basket.
"WHAT IS THIS?!"
"Shhh, calm down darling," the voice echoes in his mind "you'll love what's to come."
He watches, carefully, as Roo and Lilith talk, as Lilith indicates that they had a daughter, but it was a mistake, they regretted it when it was too late.
"Typical of you, right? Making decisions, doing something, and regretting it later, especially when you have to deal with the consequences."
Lucifer sees Roo laugh, and demand something in return. She is not going to do something for Lilith, especially if she has to receive something from one of them.
"I think the last time it didn't go so well."
They reach an agreement, Roo takes Charlie, does whatever she wants with her, and in exchange Roo will be able to have more presence in hell, go wherever Lilith goes. Roo makes a necklace appear, a black diamond, a hidden mirror. Lilith adds that, if Lucifer is with her in the same room, Roo's gaze cancels out, and Roo accepts it, not that she wanted to see them together anyway.
Lucifer sees how the exchange is made, he sees Lilith approach the mirror. He sees how Lilith brings the basket, with her daughter, to the mirror. He watches as the basket is absorbed, moving away from Lilith and appearing in Roo's hands. He sees Lilith putting on the black diamond necklace.
"And no one is going to question where the princess went? I would hate for people to blame me again for things I did because I didn't know what would come next."
"No one knows she exists. I told you, we regret it. We never announced that we were expecting her and we never introduced her"
That's not what happened. It was assumed that they hadn't announced it because they didn't want anyone to try to take advantage of Lilith in her state. And they WERE going to introduce Charlie, but they wanted to wait until she was a month old. It was Lilith's idea...it was Lilith's plan.
The images in the mirror fade, and for a moment he can see his reflection. He didn't realize when he fell to his knees, when tears began to fall from his eyes. After a blink, Roo appears in the mirror again, but he is no longer looking at her.
"...how could she do this to me?..."
"Well dear, I'm sure Adam said the same thing."
Lucifer launches a fireball again, severing the connection, but Roo's laughter echoes in his mind as the eyes around him begin to disappear until he is left alone, in the darkness, in silence.
---
Roo couldn't stop laughing, she hadn't had so much fun in years.
Her pet certainly always seems to know how to please her. She saw the paper in Lucifer's hands, she knows where he got it from. And she knows that her beloved pet had ulterior motives, but she will let it go this time. The gift he gave her with his actions deserves a reward.
Seeing Lucifer, on his knees, crying like the whiny brat he always was, was the best thing that had happened to her in centuries.
Through the black and red chain that she makes appear in her hands, she sends her beloved deer a pulse of energy, a caress, so that he knows that she is pleased.
And through a diamond-shaped mirror, she sends a message to a very high place.
"HE KNOWS, BITCH"
She wonders how much hotter hell will burn and if the flames will reach heaven. She just loves to see the world burn.
👀
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sageandred · 3 days
Text
Some minor things I'm thinking about/predictions for season 3~
-some more (pretty unedited) things I think could happen + predictions I don't necessarily hope to happen; + talking out some frustrations I personally had (if u don't want to read anything partially negative)
Missy & Amerie friendship. It would be good to expand to some less visited friendships. We got a hint of Amerie & Missy once again and I could see them talking even more nxt szn.
Sasha and Quinni are going to be working together nxt szn, and I can already see how the writers might try to rekindle something, but I don't want that, obviously. I could see them making Sasha develop feelings again only for Quinni to turn her down or it could be an opportunity for Sasha to actually apologize after some reflection as they continue to go their separate ways romantically.
Ant has to find out Harper also made the map, right? (that's the direction it's heading in??)
I don't care either way, but if Rowan wasn't just a 1 season and done type of character, I could see them trying to explore a mental health storyline, and separate from that make him more likeable/building friendships with anyone but Amerie.
Critiques of the Season/What I Hope Going Forward
They really missed some opportunities with Harper. It's totally valid for 2 childhood besties to grow apart in some ways and come back with an even greater and more mature connection. Instead, they just had Darren and Quinni adopt her into the group when I wish they would've spent a season of her developing her own friendships and building up her relationships that will be beneficial going forward.
which brings me to my points: I want Harper and Amerie to spend some time apart next season. I don't want it to be dramatic and I don't want them to have a fallout. They can actually be friends without being attached at the hip, but I don't want the s1 trio to be disrupted when I think that relationship is very special (sorry if this sounds harsh), and feels more organic than Harper's outside of the one that's developing with Cash.
Speaking of relationships: Ant & Harper feels underdeveloped to me. They could be a great couple. I wish they spent more time this season giving them individual arcs, but I think next season they kind of need to go through something dramatic to have the kind of break-through I'm wanting from their characters. They're kind of boring to me rn (I'm so sorry Harthony fans). They could end up together or not; I'm just not sold on their story yet.
New couples-I like the development stage of new couples/couples you don't expect. Give Quinni a gf, ofc. Switch up some of the dynamics. Relationships can be a means to another end, and it doesn't have to = the previous being bad. I don't want a love triangle, though; let them grow without the drama.
They could show the journey of Missy dealing with a toxic man, or they could show Spider/Missy grow together (I really don't care); I just want development for both of them individually and their own separate arcs regardless (especially Missy-he did have his own large arc this season). I actually think it would be cool to show the slow effects of how things add up and trauma causing some unhealthy behaviors with Spider (it doesn't have to make him bad; he's like 18 and anyone could grow from a failed high school relationship/become a really great person, but I just don't feel awe when I see their scenes...personally).
I didn't add this point with them on my other post, but I kind of want Darren and Cash to each have new romances/flings. I know there is love there, but I think they need to find themselves independent of one another. Their relationship very much feels like they grew up together and prematurely decided they belong together what with Cash's long secret crush (which is fine, but..); it is absolutely cute, though their incompatibility and continuous communication problems need to be explored/they need to mature.
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boringmarinn · 2 days
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Why do you ship Sans x Frisk? As a person who ships them myself, what do you see in them, like about them? Personality traits, situations, tropes etc, anything that comes to mind, what makes you enjoy them and continue to breathe life to them?
Omg ok sooo... When I realized I was already shipping Sans and Frisk, maybe because I love the trope of the funny ironic character who has secrets and the silent protagonist who have a lot of will and power. I also have a soft spot for monster x human interactions, relationships and seeing several AUs with the two of them was what made me like it even more.
I think I liked them visually because the sprites in the game are so cute and the same size and the colors match and so on. I also see Sans more as a teenager and Frisk as well so i almost always draw and write them close. Frisk have a lot of secrets that Sans knows about and vice versa, and both have this drama about fate, about powers that can destroy, judgment and guilt, responsibility and determination i found super interesting.
I absolute love the concept of Frisk being a "more than a simple human" thing, a deity, some powerful force that can be either benevolent or dangerous when in contrast with Sans that's "just a normal boss monster" or something like that. I'm in love with Frisk being a god what just wants to live a normal life, having a normal family and a happy life and find this wish coming true with their monster family, and they find love with that one monster who has kept his eye socket on them all this time, seeing the sweetness and love that they share.
I also love the angst in the forbidden love thing, like, monster and human love being a taboo...
Frisk It's a character that ended up growing in my hand while I was drawing and creating, so to speak. I didn't want to let Frisk become that cliché of cute and lovable, so she/they transformed a little too quickly hehe. Today It's very different and that adorable cover is just a disguise for the real Frisk. Which isn't a terrible evil being either, it's just harder to comprehend and morally gray. They're determined still, to being a better person and changing the order of things and changing fate.
Sans I don't even know where and how to start because he has been my main and if not my most intense and prolonged hyperfocus. I have a lot of fun writing and drawing it in many different ways, with my favorite being this ironic, calm and funny little guy, but who carries a huge weight on his shoulders for the people he loves, a guy who worries too much about simple things and is a bit anxious and uncertain about the future.
Soo... Well i think that's a lot of reasons people like them two. They're two little guys, they go around the time and space, (like sans can teleport in space and frisk teleports in time thats so cool aaaa) them both like papyrus and toriel very much, they two are poker faced deadpan funny faces
I find them fun and even more fun is seeing other talented artists in the community doing their own interpretations of them in such unique ways. I love seeing fans making content for fans and how the characters change drastically in each person's hands, it's beautiful
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hiemaldesirae · 2 days
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LOOL YES!! That's what you get Alastor!! Cursed cat!Alastor adores Vox and would never hurt him. Honestly it'd be hilarious if Vox does an interview that night and the entire hotel (plus Lucifer) catches it and Cursed cat!Alastor is on Vox's shoulders just purring away and happily nuzzling Vox's screen and being happily petted and Alastor is gripping his fixed staff, grinding his fangs, jealousy leaking from him.
Charlie is pleased: "Alastor, I knew you could find that cat a good home! Thank you! =D"
Everyone else is fucking shocked. They know Alastor threw that cat at the Vees for entertainment and hell raising purposes (and in Husk's case, a way to try and get Vox to come back to him. Most of Alastor's schemes involving the Vees always, always revolve about getting Vox back.)
The interview is about a new product of Voxtech, but at the end of it, they ask about Vox's new pet and Vox just puffs up, proud as can be:
Vox: "This little demon just charged into the lobby, brutally attacking my staff! 2 or 3 died, I think 4 or 5 were maimed so I of course had to keep him! Isn't that right, Venom? (Cause Vox thought he had rabies....and he foams at the mouth when he attacks...so...and the V theme.) Isn't he precious?"
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*sir is fine, for future reference. but YEAH, alastor would definitely be seething with rage- like whole fucking cartoon ass face too, he's NOT having the time of his life rn. why the FUCK was vox petting that hellspawn???? that should've been HIM ???????????
also venom is a perfect name for that little shit, honestly, though ill be fr i can only think of the. You know. Venom.
anyway whatever here's another writing snip. (vv short because i have morning classes tmw and im going to freak if im late again) you guys are greedy asf but whatever ill provide like any good father would
"Oh, dear... and he *kept* it, is that right?" Rosie gasps as she watches Alastor grip his hair tightly, head cradled in his hands. She giggles as she continues teasing the poor demon, "My, Alastor, isn't he quite the catch? Compassionate and caring to boot, not to mention that he seems to be *quite* popular among the denizens of Hell!"
"Rosie, my dear, please. Stop talking. For the love of God, stop talking," Alastor's ears flatten more as he begs his friend, Rosie merely laughing softly in delight as she watches.
"You can hardly blame me for being curious, Alastor! I mean, you always refused to take your sweet little picture box to Cannibal Town when the two of you were still talking... why, I had to learn of your dalliance through Mimzy! And, not to devalue my beloved's qualities, of course, but she's *hardly* the greatest source of information one can find-- I married her out of love, not for her communication skills."
"That *thing* probably has rabies," Alastor spits out, looking as if he'd just swallowed a particularly bitter pill. "I don't *understand* what he sees in it!"
"Well, it does look quite like you," Rosie points out leisurely. She takes a sip out of her teacup before continuing, "Perhaps he's treating it as a substitute for you? You know, in the way that some would treat their plushs like pets, he's treating his pet as... well, you."
Alastor narrows his eyes at her. "Vox *knows* that if he wanted to talk to me, he could easily just go over and tune into our shared frequencies. He's *replacing* me with it, Rosie, I just know it!"
"Hm... well, in that case, why don't you just go and make it clear to him that you aren't replacable?" Rosie taps the edge of her cup with a knowing glint in her abyssal black eyes, holding her good friend's gaze steadily. "You've never shyed away from confrontation before, have you, Alastor? Why be hesitant now?"
Alastor licked his lips, staring down in his lap before he picked up his own teacup and downed the liquid inside like a shot.
"Thank you for hosting me today, Rosie. I think... I've reached a conclusion."
A knowing smirk crosses the Cannibal Overlord's face. "Of course you have. I expect to be formally introduced to your lovely little muse soon, you understand?"
"Yes, my fair lady," Alastor rolls his eyes with amusement. "But you had better not try and take a bite of him."
"Who, little old me? I'd never, dear!"
"You had better not," Alastor frowns. Though his tone is joking, his expression falls flat.
Elsewhere, in the Entertainment District, Vox sneezes into Venom's fur as he cradles the fluffball of red fur. The freaky kitten turns to look up at him with a questioning look, but he only ruffles Venom's ears apologetically.
"Sorry, Ven. I don't know what came over me just now- oh, look at this! Should we get you this collar, or that one...?"
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jjaydazo · 2 days
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Why do you ship Sans x Frisk? As a person who ships them myself, what do you see in them, like about them? Personality traits, situations, tropes etc, anything that comes to mind, what makes you enjoy them and continue to breathe life to them?
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when I first shipped them, I didn't know I could ship Frisk with Sans.
As I said before, when I first saw undertale, I didn't count Frisk as a character before. I thought they were just a self-insert because you can name them whatever. and hardly say anything whenever.
there were time i see some frisk x asriel or frisk x monster kid, but frans won me over. so much pretty art and fun comics.
Frisk is a misunderstood character. Everyone and a lot of the fandoms mistaken their character. "Frisk is a Blank character" - I think Frisk is a character that players will see themselves in. But Frisk isn't entirely Blank, they literally have a name.
one of the things that always interests me about Frisk is when Asriel asks Frisk why they went to Mt.Ebott
There so much to Frisk's character that I am fond of because it's like they're quietly their own person. And to pair someone like Sans is just a fun dynamic to be seen.
The au's themselves are just used for me to draw them in different ways and explore their personalities. I've grown fond to the community and it helped from my hard times before.
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scarlet--wiccan · 13 hours
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Obviously it’s not wrong to think MCU Wanda is worse than the cartoons, but it reminded me how grateful I was that the MCU made her an Avenger who falls for Vision & finds out she was a real witch, after years of cartoons reducing her to Magneto’s daughter (and leaving her out of Avengers: EMH). It’s the most comic accurate version (which doesn’t mean much; her Romani heritage was a minor aspect of past comics but that can’t “prove” the MCU was right to ignore it, though Elizabeth Olsen was right to turn down the Romani Halloween costume in WandaVision and wear the classic outfit which predates that retcon l).
Please know that I am so, so serious when I say this, but you would have to be either illiterate or lying to think that the M C U adaptation of Wanda, Pietro, or Vision are in any way faithful to the source material.
Nothing about their origins, their trajectories, or their roles as Avengers resemble the comics they're allegedly based on, at least not the Earth-616 continuity. Wanda, in my mind, is the most egregious example! The movies are wildly off-base with how they depict her powers, the Darkhold, her relationship with Agatha and her identity as a witch-- even the nature and history of witchcraft itself-- and I think that, in many ways, Wanda//Vision and MoM are actually more cruel to Wanda and broach some of the most sensitive topics surrounding her character in incredibly poor faith.
Also, if you think that Wanda's Romani identity and background are a "minor" part of her character, I'm sorry, you are being ignorant and lowkey racist. No, it doesn't get brought up every time she's on page, but her entire origin story is predicated on the fact that she grew up in an extremely vulnerable, marginalized community where she experienced racial violence and discrimination. Her birth parents being Jewish and Roma Holocaust survivors is vital representation of a part of history that is often distorted or erased. And the thing that a lot of people seem to miss about Wanda is that, whether the writers intended it or not, her Romani identity is reflected in everything she embodies and experiences, and it is intellectually irresponsible to not recognize that. Her ties to witchcraft, experiences with immigration and assimilation, traumatic experiences with motherhood, and proximity to metaphorical minorities (mutants) and her role in stories about metaphorical genocide have to be interpreted and criticized within the racial context that this character occupies.
Don't message me again.
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