#there's definitely songs on here that fit with both will and mike's pov but it just turned out it fit mike's more in the moment | Explore Tumblr Posts and Blogs

yenforfairytales · 3 years

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Consider - Sam Smith’s song “Diamonds” for Silverusso

Consider me OBSESSED. I hadn't heard this song before, but it's perfect!! Thank you! Silverusso Anthem until further notice lol. Here's a YouTube link!

(x)

I got carried away again...

Have it all

Rip our memories off the wall

All the special things I bought

They mean nothing to me any more

Is that not Terry Silver? He was clearly bored with his rich, executive life in KK3. But he came alive when he started scheming and met Daniel.

(x)

I mean, he started off with his target being Mr. Miyagi but quickly became hyper fixated on Daniel. There was a shift of focus.

I have a feeling that when we see Terry again(hopefully in s4), he'll once again only feel truly alive in his interactions/manipulation with Daniel, after decades of just bland existing. In a parallel to Kreese, who credits Johnny with bringing him back to life.

And with this part:

But to you

They were everything we were

They meant more than every word

Now I know just what you love me for

We could apply this to the fake persona Terry bought to befriend Daniel, how he found Daniel's weakness that way. But the shipper in me, likes to pretend that Terry and Daniel had more interactions after the '85 All Valley. That maybe Terry tried to be involved in Daniel's life somehow, either by trying to make amends or by messing with Daniel further, and Daniel shut that shit down and Terry realized he couldn't get any form of relationship back. Cue Terry ruining Miyagi's Little Trees and Daniel getting a restraining order! Any headcanon or theory fits lol.

I am crossing my fingers that Season 4 provides more insight or flashbacks 👀

It's hard to believe Terry just walked away like nothing after Daniel beat Mike. Like he literally walks offscreen with a shocked expression on his face at the end of the movie. But what about after??

We deserve to know lmao

Anyway

The first verse is Totally Terry.

And the second verse is 100% Daniel:

Shake it off

Shake the fear of feeling lost

Always me that pays the cost

I should never trust so easily

You lied to me

Then left with my heart 'round your chest

Like??? Are you kidding me! Basically, despite Terry completely using Daniel and betraying his trust, a bond was formed. And Terry took a piece of Daniel with him. It haunts Daniel that he cared about someone that never really existed. He has trusts issues to this day, and like he tells his daughter, he lives with the fear every day.

Daniel feels like it was all his fault though. That he brought it on himself. I think when he meets Terry again, they're going to fall into their old habits. Whether Daniel realizes it or not. Terry's going to exploit that deep down Daniel does care about him. Because Daniel will still be a tangle inside of guilt, admiration, and anger.

Although, it would be fun to see Daniel doing a little exploiting of his own. Because I think deep down Terry cares about Daniel as well. I could be reaching, but they're both schemers now and it would be fun to see them play a little cat and mouse. 😘

(x)

The bridge is both of their POV:

Take all the money you want from me

Hope you become what you want to be

Show me how little you care

How little you care, how little you care

You dream of glitter and gold

My heart's already been sold

Show you how little I care

How little I care, how little I care

Possibly both of them pretending not to care. This fits better with their s4 versions. While they try to hurt and outdo the other. These two characters are actually so similar, but that's another discussion.

I still think it'd be fun to see a flashback of Terry offering to pay Daniel's way through college, or the dealership, and an argument breaking out and it ending badly. Johnny has had several flashbacks of his younger self, whether with Sid or Kreese, and if this show continues to follow its theme of balance then we are due some flashbacks with a younger Daniel. 👀

It seems like Seasons 1-3 are Johnny's trauma and possibly Seasons 4-6 will be Daniel's...

And if anyone's wondering why I think Daniel got a restraining order against Silver, it's because Daniel has never seemed afraid that Terry would pop up somewhere. Even after he saw that Kreese was back in Season 2. Like when he went to the Cobra Kai dojo at night and had that little standoff with Kreese, it didn't look like Daniel thought it was a possibility that Terry was in the building or about to pop out and scare him.

Again, I'm probably reaching lol, the answer is probably much more simple in regards to the show and its writers. And anyway, even if there was a restraining order, I'm sure Terry had that removed with his connections almost immediately. And even if he left Daniel alone that doesn't mean he hasn't been keeping tabs on him🤣🤣

(x)

I digress!!! The chorus is bittersweet:

My diamonds leave with you

You're never gonna hear my heart break

Never gonna move in dark ways

Baby, you're so cruel

My diamonds leave with you

Material love won't fool me

When you're not here I can breathe

Think I always knew

My diamonds leave with you

To me it's like, "diamonds" being the superficial go ahead and leave I don't need you, but also "diamonds" being the take my heart with you and all that implies when it's toxic.

I can definitely see this song being used for gifsets and music videos. Especially after we get some prime silverusso scenes once s4 comes out 👀🙏

It really represents both eras. And I can't wait to see how much these characters and their dynamic have changed or stayed the same when they're in the same room again.

Thank you so much! I'm deep in those feelings now

#silverusso #daniel larusso #terry silver #headcanons welcome #cobra kai #karate kid iii #cobra kai season 4 #sam smith - diamonds #i can't wait for the crazy #bless u anon #asks

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deadcactuswalking · 3 years

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REVIEWING THE CHARTS: 30/01/2021 (Wellerman, Fredo, Sabrina Carpenter, Billie Eilish & ROSALÍA)

I’ve never been more thankful for a song being this big – “drivers license” by Olivia Rodrigo spends a third week at #1, blocking “WITHOUT YOU” by The Kid LAROI at #2. Thank God. Anyway, we’ve got 10 new arrivals so let’s cut the chit-chat and start REVIEWING THE CHARTS.

Rundown

Of course, after this brief rundown we always do. Thankfully, the site actually updated last week, so I can go through this as routinely as possible. For drop-outs, it’s a lot of recent new arrivals falling out either off the debut or a few weeks after – most of them being pretty crap – but we do have some notable drop-outs, like “Forever Young” by Becky Hill, “Plugged In Freestyle” by A92 and Fumez the Engineer, “pov” by Ariana Grande, “Love is a Compass” by Griff, “Tick Tock” by Clean Bandit and Mabel featuring 24kGoldn, “Lasting Lover” by Sigala and James Arthur, and finally, “Perfect” by Ed Sheeran. Now to move onto the chart proper, we do have some movement to discuss. Firstly, we have some fallers, those being “Dynamite” by BTS at #32, “positions” by Ariana Grande at #39, “Lemonade” by Internet Money and Gunna featuring Don Toliver and NAV at #41, “All I Want” by Olivia Rodrigo at #43 off of the return, “SO DONE” by The Kid LAROI at #46, “Best Friend” by Saweetie featuring Doja Cat at #47, “Midnight Sky” by Miley Cyrus at #48, “What You Know Bout Love” by the late Pop Smoke at #51, “Wellerman” by the Longest Johns practically being replaced at #52 (We’ll discuss this more later), “See Nobody” by Wes Nelson and Hardy Caprio at #53, “Notorious” by Bugzy Malone and Chip at #55, “Looking for Me” by Paul Woodford, Diplo and Kareen Lomax at #60, “Bad Boy” by the late Juice WRLD and Young Thug unfortunately purging to #62, “WAP” by Cardi B featuring Megan Thee Stallion at #67, “Pinging (6 Figures)” by Central Cee crashing off of the debut to #72 and “Diamonds” by Sam Smith at #74, joining our two returning entries – which are just older songs getting another brief pick-up at the bottom of the charts. Those are “Baby Shark” by Pinkfong and “Shallow” by Lady Gaga and Bradley Cooper at #75 and #73 respectively, by the way. Oh, and we also have “Martin & Gina” by Polo G at #65, but I honestly can’t see that song going anywhere – and I really like it. This doesn’t mean that we don’t have any gains, however, as finally, we can see some rising hits trying to fill in the cracks, like both of Rudimental’s debuts from last week: “Be the One” with MORGAN, TIKE and Digga D is up to #58, whilst the incredibly worse single “Regardless” with RAYE is cracking into the top 40 at #40. Sigh, well, we do have some more promising gains, like... “Heat Waves” by Glass Animals at #38? “Friday” by Riton, Nightcrawlers and Musafa & Hypeman at #37 off of the debut? Okay, 2021 might end up being pretty rough, huh? Thankfully, we have a plentiful amount of new arrivals to waive any of my fears, so let’s just start with those.

NEW ARRIVALS

#70 – “Overpriced” – M Huncho

Produced by Quincy Tellem

Oh, come on! Okay, so this is M Huncho, UK trao’s answer to the late MF DOOM, except without any of the lyrical complexity, storytelling abilities, genuine wit, charming sampling and production techniques, brilliant discography... he’s pretty much just a guy whose main gimmick is the mask, and it’s on this single cover too, seemingly in a museum. This song in particular is just one of these melodic trap cuts with wavy acoustic guitars blended with synths beyond recognition, topped off with odd bass mastering and a checked-out performance from M Huncho, who spends way too much time on his verses going “doo-doo-doo-doo-doo”, before the beat switches for a verse that fades out after like 20 seconds. What’s the point of any of this, honestly? It’s not awful – the bass does kind of knock – but I really don’t understand why this is here, or why M Huncho is a big name. It’s not even as good as AJ Tracey’s trap bangers and it’s not even as funny as D-Block Europe, which I’m surprised by, considering that he had his own stupid hit with “Pee Pee” around this time last year, and that song was actually good. Also, M Huncho, what do you think your fans get from you dissing them? If you’re going to brag about your “house by the lake” and then rap about how some unnamed individual “still lives at their mum’s in a council estate”, consider that a lot of your audience will still live with their parents in council housing or be surrounded by people who do. Someone who really came from poverty should know that this is classist and disrespectful to your own demographic. Yeah, this is worthless. Why’s this guy still charting? At least Young Adz knows how to write a hook.

#65 – “New Love” – Silk City and Ellie Goulding

Produced by Silk City and Picard Brothers

Okay, so we do have some energy on the chart – or at least half of the credited acts have. Silk City is a duo of producers, those being Diplo, a true weirdo in mainstream EDM who’s honestly kind of fascinating and oftentimes a fluke genius (especially in its work in Major Lazer and Jack U with Skrillex), and Mark Ronson, one of the greatest producers of the 21st century so far, probably most known for “Uptown Funk!”. These guys did have a hit together with Dua Lipa in 2018 in the form of “Electricity”, but it’s been a while and I’m interested to see how they work with the complete non-presence that is Ellie Goulding. It’s with some level of disappointment that I say that she’s not a non-presence here, as this is otherwise a pretty neat house tune with some excellent 90s keys and a deep-house groove I think is pretty fun. The strings in the pre-chorus are great and build-up to a fantastic chorus... or at least the instrumental is fantastic, because Goulding is a waste here, mixed way too high and honestly just faltering her vocals here. She sounds awkward through multi-tracking and even worse without it, as she clearly goes for a rough swagger that cannot work with her light, almost fairy-like voice she’s relied on much of her career. The intricacies of this production are really admirable, but Goulding was clearly an afterthought. With a real diva on vocals, or honestly just a sample of a soul or diva house track, this could be excellent. As it is, I’m bored. Next.

#63 – “Typhoons” – Royal Blood

Produced by Royal Blood

Oh, okay. Well, this is a pleasant surprise. Royal Blood are an English garage rock duo that rock pretty hard, and don’t go for anything else beyond that, which to me is a breath of fresh air, and, yeah, this is good. Is it as good as their debut? Of course not, their biggest hit “Figure it Out” is still incredible, and this one goes for a more synthesized 70s feel, even accentuated by disco keys in the pre-chorus. The riffs are still here though, as that main guitar line is pretty awesome. I see this as a mix of garage rock revival bands from the 2000s like the White Stripes, as well as some stoner-adjacent bands like Queens of the Stone Age, with a more classic hard-rock groove and Mike Kerr’s signature yelp, and it works for what it is, so I’m excited for that upcoming single. Nothing’s particularly impressive here, but I’ll definitely go for this over the rest of what we have charting, so I’m not complaining. This is good, you should check these guys out, even if they tend to be a bit derivative. That tense bridge with the looming background vocals and intensifying riff is genuinely epic, by the way, even if there isn’t much more of a pay-off behind just... the chorus again, which ends up rendering as flat as a result. Regardless, it’s a good break from the norm – which for a chart week like this, I’m especially glad is here.

#61 – “Your Love (9PM)” – ATB, Topic and A75

Produced by ATB, Topic and Rudi Dittmann

German DJ ATB was showing his girlfriend his new recording studio when he got carried away with a single guitar sound and made a song out of it, “9PM (Till I Come)”, named after the time the track was finished. Later on, he took the track and added some whispered vocals from Spanish model Yolanda Riviera. This happened in 1999, by the way, when this song was released to great success in Europe, leading to a hilariously dated album cover but still a UK #1. The song is honestly kind of bad, relying on a pretty typical house groove, ugly MIDI guitars and that seductive vocal loop. Regardless, since 90s nostalgia has come way too fast, Topic has remixed the track with A75, a collaboration we’ve seen before on “Breaking Me” from last year, which sucked. To be fair, the original song is pretty empty, so I’m interested to hear A75 add some vocals... and he just sounds pained over a deep-house rip of the original. The ugly MIDI melody stays, just now it’s drowned out and even more synthesized – this is the guitar sound you liked so much? I hope she left you. Let’s move on.

#59 – “My Head & My Heart” – Ava Max

Produced by Jonas Blue, Earwulf and Cirkut

Speaking of being bored, here’s pop singer Ava Max, with a new lead single from the deluxe edition of her debut studio album, Heaven & Hell. This one’s produced by Jonas Blue, which, alongside a redundant “Jonas Blue remix”, is probably why it’s charting. What’s sad is it’s not really very good, as the vocals are over-processed over fake hand-claps and clipping mixes that make those plastic synths sound even worse. Admittedly, I like the rubbery future bass-esque bass line here, but that’s really as far as my appreciation for this goes, as the writing is non-existent, and Ava Max is barely here. It’s honestly really similar to “New Love”, except this one’s not even as interesting as that track, going for an exhaustingly tired house-pop style that while she is a natural fit for, it does make the 2000s synth-pop she started with sound inspired in comparison. Oh, and the “Jonas Blue remix” is practically a glorified bass-boost that makes this sound even uglier, so, yeah, skip this.

#42 – “Apricots” – Bicep

Produced by Bicep

Bicep is a Northern Irish electronic duo from Belfast, and this is an instrumental from their most recent album, Isles, which clearly must have stood out enough for it to debut at #42. I can understand why too, as that sample from Hugh Tracey’s African music recordings, particularly the vocal sample used, is really infectious and interesting. I don’t think everything surrounding it is enough to really make it less annoying, as it running through nearly the entirety of a four-minute track makes this sample lose its lustre too quickly. It runs its course far before the song has the chance to build up into a house track, with that sample crushing everything that isn’t the percussion in the mix anyway. The keys are really cool, and I can’t fault the strings and ambiance that keeps the song building up for as long as it does. It also takes a sample from a Bulgarian folk choir, which they paralleled to the Celtic folk they grew up hearing, and honestly, this is just a cool blending of global music rather than an actually good song, ending with me respecting this more than actually enjoying it. The synths by the end sound fantastic as does the Bulgarian chanting, but it doesn’t really have a great climax or drop to make the build-up worth it, defaulting to a generic house groove by the end that fades out before it can have any real impact. So, yeah, this isn’t bad, but feels like a waste of some really great ideas. I guess I can say that “Northern Irish remix of an English ethnomusicologist’s recordings of African music that also samples a Bulgarian folk tune” isn’t quite as much of a developed idea as “Kazakh remix of an American rapper of Guyanese descent’s trap song in a Brazilian house style released on a Russian record label”.

#35 – “Lo Vas A Olvidar” – Billie Eilish and ROSALÍA

Produced by FINNEAS

It’s not often that songs in non-English languages chart in the UK. Whilst in the US, Latin music is such a force that it’ll launch hits for many Spanish-speaking artists, this isn’t the case in decidedly smaller Britain, where a still multicultural society tends to produce art that is always in English. To be fair, we don’t have a place like Puerto Rico, and the few songs I’ve talked about this year that have been in a different language... well, basically the one song I can remember off the top of my head, was in a Nigerian Creole language. So, why’s a Spanish song by Spanish artist ROSALÍA charting so high? Well, it’s also a Billie Eilish song, and it’s also from the HBO teen drama Euphoria. Yeah, a teen drama makes a lot of sense for Eilish to soundtrack. This has been teased since 2019, and is actually ROSALÍA’s first song to chart here in the UK, so is it any good? Well, yeah, actually, it is. Both Eilish and ROSALÍA have excellent whispery tones that complement FINNEAS’ muted, ambient production perfectly, and their harmonisation sounds great, with both singing in Spanish here for the most part. That chorus is pretty janky, though, and I don’t really see the point in the Auto-Tuned interludes, even if they both sound great playing off of each other with a lot of tuning in the outro. This is pretty minimal and dare I say awkward, kind of eerie, so I don’t see it sticking around, but as a longing break-up track, they both sell it well. Next.

#28 – “Skin” – Sabrina Carpenter

Produced by Ryan McMahon

Joshua Bassett’s response flopped immensely, meaning that now it’s Sabrina Carpenter’s time to shine, because if it’s anything she gets out of this Disney love triangle, it’s a hit song, and people clearly want to hear more from the women than they do from Josh. Telling. Now I’m not one to follow Disney teen drama because this is all a marketing gimmick. I mean, the songs dropped every Friday so anyone who can’t see through this is either blind or... a child, and considering the audience, that second one is more likely, which is fine. Popular music is, ultimately, in the hands of teenagers and record executives, and all of these break-up response diss track... things, tend to feed into both hands, whilst also giving these talented young actors a bigger break. This is Carpenter’s first charting hit in the UK, after all. The song is decidedly worse than “drivers license” though, and by a lot, as the mixing here isn’t even competent, as Carpenter’s voice clips through these ugly pianos, worsened by how her voice does not sound great here at all, as she struggles through that terrible chorus. She may say that this isn’t a response to Rodrigo, but given the lyrics and how quickly this rushed release was put out, are we really supposed to believe that? The percussion here is gross as well, drowned in bad reverb that makes this just sound grey and dull. The strings building up to a climax are barely there, and when they are, they sound like they’re elevating a really garbage performance from Carpenter, who can barely keep up. This is supposed to be a ballad yet it sounds so stiff and controlled, meaning that Carpenter trying to let loose on the vocals makes this awkward and painful. I’m sorry, but this is really bad, and I hope it doesn’t stick around. Thankfully, I don’t see that happening.

#20 – “Back to Basics” – Fredo

Produced by Dave

Lil Chocolate Frog’s got a new record out this week that I’ve yet to hear, and this is the lead single, produced by his long-time friend and collaborator, Dave – who’s awesome. I’ve typically been less kind to his mate Fredo but honestly, his ever so slightly off-kilter style has grown on me too, and this song is a pretty good introduction to that. It’s one verse over rattling trap hi-hats and a really eerie vocal sample, and Fredo flows casually and smoothly over the beat, in his typical careless, just barely there style, which works well over a pretty subtle beat like this. Fredo’s lyrics are pretty interesting here too, as amidst flexing and gun-play, he has some pretty funny lines, although far from Dave’s wordplay, rather relying on fun one-liners where he says he’s “kind of Christian”, doing revision on drug trafficking, will run for mayor, and because of how much of the gang violence is sadly amongst ethnic minorities, he himself is racially profiling his “opps”. One line near the end of the track actually made me laugh, when he says he counts up twenties while eating porridge. It’s not funny on paper, sure, but the delivery is gold. He shows more character here than he has since “Funky Friday”, also with Dave, so I’m pretty excited to hear this record, which Dave actually executively produced. It’s also got the late Pop Smoke on a track with Young Adz, so at least I’ll let out more of those laughs. This lead single is pretty good though, and I can see it going top 10 next week with the album boost.

#3 – “Wellerman – Sea Shanty” (220 KID x Billen Ted Remix) – Nathan Evans

Produced by Saltwaves, Billen Ted and 220 KID

Last week, the sea shanty “Wellerman” charted as a cover by the Longest Johns. It’s a fine acapella cover, and this version, by Nathan Evans, was originally similarly acapella, except for the tap of a table as percussion to keep time. This version got even more viral on British TikTok, and if I recall correctly, he quit his job to be signed by Polydor, which is pretty scummy on Polydor’s part. I mean, you know this guy won’t have any more hits. Regardless, this version debuted at #3 thanks to a remix by DJs 220 KID and Billen Ted, three English producers. According to their Spotify duo, Billen Ted used to be a death metal band of all things but then transitioned into writing for dance-pop tunes, and have worked with 220 KID, even if this is technically only their second single. This remix is actually pretty cool to be honest, as it takes the original track and adds some needed energy, mostly through this generic 90s house beat and some admittedly really nice pianos. It’s nothing special, and I would usually criticise something this generic, but the song’s not even two minutes and it’s a pretty inoffensive remix that genuinely adds to the original song through that brilliant flip of the original hook melody in the drop, so I can’t complain. This won’t last, but I’m not mad that it’s here.

Conclusion

I’m actually somewhat pleased with this chart week, which I wasn’t expecting initially, as you can probably tell from my above cynicism. Regardless, we’ve got some variety here (though I don’t see much of it sticking) and I’ll give Best of the Week to Royal Blood for “Typhoons”, with a tied Honourable Mention for “Back to Basics” by Fredo, and, God damn it, “Wellerman” by Nathan Evans and remixed by 220 KID and Billen Ted. Shut up, it’s fun! Worst of the Week will probably go to Sabrina Carpenter’s “Skin”, with a Dishonourable Mention for the complete lack of effort that is M Huncho’s “Overpriced”, just being mildly offensive if anything. Here’s our top 10:

For next week, I mean, a girl can hope for some Weezer, but it’s more likely that we’ll be met with a Fredo album bomb and some scattered efforts from that middling Lil Durk deluxe edition. For now though, you can follow me @cactusinthebank for more ramblings and thanks for reading. I’ll see you next week.

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mama-ghostie-61542 · 6 years

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Awakening Ch.1

Rated M for Mature

If ya recognize it, it ain't mine.

Chapter 1

Donnie’s POV

There she is, lying in bed, on her stomach, in nothing but her green cotton undies, her long, trim legs and perfectly sculpted back exposed to the cool air of her room. I can’t help this tightening in my groin or my racing heart as I glide my hands along the length of her. I start at her ankles and slowly drag my hands up her form, skimming over her perfect ass to her strong back and into her very short, dark hair. My nails graze her hips, earning me a throaty moan.

I want to rip her undies off and take her right now, but I know I need to wait. I move back down to her ankles and tease my way back up to her neck, nipping and gently scratching as I go. Gods, her skin feels so soft in my hands. I know she likes what I am doing because she is moaning my name. She smells like candy I just want to devour.

I whisper in her ear, nipping the delicate skin under the lobe, “Tell me, my Queen. Tell me.”

Shivers run up her spine and I feel like a god, that I can make her do that. I hear her moan, again, as she squirms to ease her own ache. She moves perfectly and I feel fire running through my veins. I want nothing more than to bury myself in her, to make my goddess scream my name.

“Donnie! Wake Up!”

My eyes shot open to my older brother, Raphael, standing over me. He smiles and says, “Master Splinter says meditation time is over; time for breakfast. Oh! And Leo blew up the toaster again.”

“Fuck! Again! That’s the third time this week! Leo,” I shout as I get up.

Suddenly, my big brother looks and sounds a little awkward when he says, “Hot dream, huh,” as he puts his large fists on his hips.

“Wha,” I start as I turn to him.

“Look down,” he chuckles and walks away.

I look down to see the definite bulge in my khaki work pants. “Aw, son-of-a-bitch!”

When I finally make it to breakfast, Mikey starts in about whom I was dreaming about. This drags me into a lecture from Leo; who, then, ropes me into a stern talking to from my father…about women and sex. It’s a discussion we have already had at least a dozen times. Usually I just sit there, respectfully silent, but for some reason, today I opened up.

“Dad, I have spent half my life dreaming of her. I was 14 the first time. The way sunlight lights up her blue green eyes, the gentle wave in her silky chestnut hair before she cut it off. The way the sun loves her skin, turning it a delectable caramel color. After a few years, I knew everything about her. From the way she takes her coffee to the way she smells after her shower; like lavender. I know where the scar on the back of her head is from (a fight with a cousin years ago); why she walks different at night than during the day. I watched the dew of creation under her skin while she carried her children. I know she fought like hell to keep her oldest son in for 10 months and then fought like hell to get him out. I know everything but where she is.

See, Dad, my brothers have it wrong. They think I am an insomniac, but it’s more that I can’t sleep without the despair settling in. Hell, half the time when I sleep I feel her. It’s also why I put off meditating as long as I can. I feel her strong, gentle hands on me, her sweet, soft, skin under my own, and her gentle breath panting on my neck as I pin her down. I am afraid to sleep because I know I will lose myself in her, even from this far. So, I force myself to stay awake. If I work myself into exhaustion, I can actually sleep without seeing her, and it gives me a few days where it doesn’t hurt quite as bad. I work so hard in my lab to keep from feeling the distance. A part of me is somewhat afraid to physically hold her, even though we both know it would be perfection.

Yesterday, she let me hear a song called The Distance by some Danish band she likes. I agreed it was kind of our situation. And she does have my name written all over her heart; well, an old name, to be fair. I feel her, her joys, her sorrows through whatever this is; when all she needs is me. When the only thing she wants is to know where I am and when I will find her; like I promised her I’d do.

There are dreams that suck. Don’t get me wrong, Dad, most of the dreams suck, but the two that are the most sucktastic are the fog and her dying. Promising her I would find her as she died in my arms. The fog keeps us from finding one another, but at the very end, I find her, and I just can’t reach her; something keeps me stuck right where I stand, while her feet are tied to the earth. There are just a few inches between our fingertips, but it feels like lightyears.

I can smell her sometimes, when the breeze is just right. I hear her voice, calling me a name I’d know anywhere, when no one is in the lab. I feel her reassuring touch when I get scared or frustrated. It’s normally in the exact same spot every time; a gentle caress on the back of my head. Dad, I think I am going crazy.”

My father just smiled, “You are not going crazy, my son. Some people are fated to be together. I believe this woman to be your fate. Do not lose hope, Don,” he said as he put his hand on my shell.

“It hurts, Dad,” I choked out as I removed my glasses to scrub at my eyes, attempting to relieve the misty dewiness that had suddenly pooled there.

“I know, my son. But she will arrive in the most unexpected of ways and times. Just remember that the Creator only puts things in your path that She believes you can handle. Do not lose faith. Now, I go to tea with the Daimyo.” And with that, he left.

For a moment, I prayed, once again, to every god I could think of, that they would see fit to send her to me or me to her as the soul deep pain alit again. I sat still for a minute to try to reel it all back in so my brothers didn’t know just how much pain I was in without my Ghost.

A few hours later, I was sitting with my brothers, trying to watch a movie when there was a bright light and the sound of someone falling off of something low to the concrete. As the light dissipated; there she was, lying there in an oversized t-shirt and plaid, flannel boxers. My goddess was here, and bleeding on the floor.

I saw Leo jump up at the same time I scrambled for her. He started asking questions faster than I could answer him. ”Where did she come from? Why is she here? Who is she? Don, what’s wrong with her?”

“Leo,” Raph growled. “Back off and let him check her out.”

After checking her breathing and her heart, I sat back, placing her glasses on the sofa table. “She is ok, just knocked out. I’d like to know how she got the black eyes. It’s just a bloody nose and her dentures. As for all your other questions, Leo; I don’t know, I don’t know, and MINE,” I snarled.

That made my brothers jump.

“Easy, Donnie,” Mikey said. “We just want to be sure she’s ok. So, this is her? She has dentures?”

I nodded and gathered her up in my arms. “Yes, Mike, this is my Wolf. She had to have them. There was some shoddy dental work done, along with starvation rations during key times, so she lost them all.” I said as I laid her on the couch on her stomach. I gently touched her cheek, only for her to instinctively relax and gently smile.

“She doesn’t look like much,” Leo said.

I smiled, “Looks can be deceiving, big brother; she’s got a core stronger than steel, and she is smart and clever as all get out.” My hand trailed through her short and soft dark hair, as I near willed her awake. My brothers went to the kitchen and I knelt down next to her, gently placing a kiss in her hairline. Then, I went into the kitchen to talk to Leo about the toaster.

About an hour later, she still hadn’t woken up yet and my brothers and I were all getting antsy.

“Why isn’t she awake yet,” Leo asked.

“Chill, Leo. I don’t understand why she isn’t awake yet but she could be exhausted. All her vital signs are normal. Other than the obvious, nothing’s wrong, Leo.”

A/N--Exactly whats on ffn. Don is 28.

#tmnt leonardo #tmnt raphael #tmnt donatello #tmnt michelangelo #tmnt 2016 #tmnt bayverse #tmnt 2k16

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