#there arent any song that makes me go other than mic drop | Explore Tumblr Posts and Blogs

helisol · 4 years

Note

Wait so.. link to this quodo fic you mentioned in your tags?? I’m intrigued :DD

its only an idea but i will HAPPILY ramble about it in detail under this read more because i never finish writing fics but i do love sharing my notes.

they get Pretty Extensive considering this clocked in at 2k words. so strap in.

tl;dr: karaoke night gone wild leads to garashir and quodo setting each other up for holodeck shenanigans

so basically quark has acquired a karaoke program. everyone on ds9 is going mad about it and it's keeping the holosuites booked out for weeks

the main squad decides to try it out and they just jam to a mix of human, klingon and bajoran music. but lets be real it's mostly human music because i have a mighty need to see captain benjamin sisko tear up the dancefloor to Earth Wind & Fire’s September. so sue me.

anyway everyone has to sing, even odo, even garak and they all have a blast. the only person who is notably absent is Quark because Quark has a bar to run and Quark can't indulge in mindless fun activities when he has money to make.

Unless… Odo challenges him and he has to prove that Odo is wrong.

so yeah quark checks on the gang to see how they like this “Hooman Kara-oke” and if he can sell them some drinks and everyone is like “hey you should sing. just one song. we won't even laugh about your bad ferengi singing! we promise!"

and quark is about to say "ferengi voices arent that bad. im still not gonna sing tho."

but odo is ahead of the game and insults his grating voice and how it could only be worse in song. and because this is quark he’s like “actually fuck you. now I WILL sing.”

so he snatches the mic from whoever was about to go next and fucking Crushes It.

while odo starts Looking Respectfully everyone else is just going "woooooo! go quark!" which makes quark just get even more into it

Takes His Jacket Off, Drops It On The Floor, Dances With The Microphone Stand. The Works. and he's also enjoying himself like "haha! suck it odo! i'm a good performer, it's how I make money!"

until he actually looks at Odo and Odo is Looking Back and then he’s like “wait what the fuck why is he looking at me” and Promptly Messes Up A Step And Falls Off The Stage-

so now quark has a twisted ankle and julian has to take him to the infirmary, which bums out quite literally Everyone and the gathering disperses, leaving only Garak and Odo.

garak as we know is but a simple tailor, but he’s Observant and his little lizard eyes did spy odo looking at quark and making the soup-version of heart eyes. we also know he is the gayest bicth on this station so of course he’s going to poke and prod at odo to see how he reacts.

garak waits until everyone is out of the room and asks odo if he can walk the dear constable home to the ol’ bucket. because odo looked a little melty during quark’s performance, y’know. it’d be bad if he turned into soup on the promenade.

odo denies this, of course, so garak is like “oh great then we can have a Chat :)”

and odo goes "wait no i hate talking” but then they’re in garaks shop and drinking kanar and garak is getting drunk off his lizard ass and talking about Julian because, again, he IS THAT BITCH!

meanwhile in the infirmary, Julian is trying to take care of quark’s ankle, but since he’s nosy and kinda Knows that quark wouldn’t just mess up his steps for no reason he asks about that.

and quark loudly goes “NONE OF YOUR BUSINESS JUST FIX MY DAMN ANKLE-”

which of course turns the nosyness up to 11 and has julian going 👀

"no i mean uh- i was distracted" "distracted? by what?" "nothing" "distracted by nothing?" "FIX. MY. ANKLE."

so julian sits him down on a biobed and gets whatever medical thingie fixes ankles in the 24th century. and while he does that he offers quark some wine to loosen the tongue about what made him slip.

anyway one thing leads to another and before you know it quark and julian are wine-drunk sitting on the infirmary floor and talking about garak. which suits quark just fine because it means he doesn’t have to admit he fell because odo was looking at him like he just revealed all the secrets of the universe along with his bare arms when he took off his jacket.

so we have two sets of gay idiots getting drunk in two locations and the next morning two sets of gay idiots have hangovers. yes odo gets a hangover. being soup does not exempt him from it.

julian and odo do the right, logical thing and take some meds to go to work and be productive and garak shows up in the bar to fight fire with fire and finds quark Already Doing That.

so they just sit next to each other, beating their hangovers with more alcohol, and they get to talking.

garak goes on about how he took odo home and pretty much only talked about julian all night and quark is like “wow what a coincidence, the doctor and i only talked about you all night.”

and it's all downhill from there because basically quark and garak just figured out that the garashir pining is Mutual.

"wait, julian was looking at me???" "yes." "AND I WAS LOOKING AT JULIAN-" "Yes."

and then they hash out this elaborate scheme to trap julian and garak in one of the Spy holosuite programs until they make out. this is garak and quark planning. how could they NOT make an elaborate scheme involving holosuites.

anyway i promised quodo so i will keep the ‘garashir makes out in the holosuite’ section a lil more brief

so within the next two days these two gay bitches whip up a new “The Adventures Of Agent Bashir” program, but quark has ‘adjusted’ the program a little so that it only ends when the main characters kiss. fun stuff.

garak and julian go through the program, havin a blast being spies, but at the end garak’s character gets “shot”, and they are so immersed in the story that julian is Actually Concerned and garak Actually Acts like he's in pain.

they kiss, the program ends, and garak- not actually shot- goes “haha gotcha, you wanted to kiss me before i died”

so they walk out the holosuite one hour after their time is already up with a lot of hickeys and untied bowties. hooray.

But That’s Not What We’re Here For.

after garak and julian come down from the high of getting together julian asks Just How and Why quark would agree to help with this. quark Never helps Unless he’s helping himself.

and they realised Quark Has Played Them Like Cheap Kazoos. he just wanted to take attention away from himself and the unanswered question of why he suddenly fell off the stage.

so they go "wait, if odo and quark were both lying and obscuring facts and being weird about this, doesn't that mean- ohhh"

and it boils down to them deciding to help those poor fuckers because they are apparently off even worse than they were in terms of mutual pining.

they also hash out an elaborate scheme. this time it involves odo’s never ending hard on for finding reasons to throw quark into jail.

since quark technically violated the holosuite rules by locking garak and julian in there garak goes over to odo to report the “Crime”

after some back and forth about Why In The World Garak, Friend And Tailor, would report a crime to odo that doesn’t affect anyone’s safety Odo heads to the bar to investigate the holosuites and if there really was criminal activity.

he doesn’t ask quark for permission, mostly because he’d never ask permission to snoop around in quark’s property but also because quark is actually not there at the moment. for Some Reason he’s being held up in the infirmary. Weird.

so odo is looking through the holosuite recordings of the last few days, and he runs through what garak said was the illegal activity of locking them in there and just goes "Ah, alright, i can throw him in a holding cell for that.” but then he sees a message left by garak.

it was apparently left there today so garak must have prepared this which means something is afoot. and the message just reads "the karaoke session was recorded and you might wanna check what Actually™ made quark trip :)"

to which odo reacts with "hmph. why should i care. maybe hes just messing with me and quark tripped over a cable." but Odo looks at it anyway. respectfully.

and he watches the whole performance up until the point where quark falls. Multiple Times. until he remembers that this is a criminal investigation and he finally looks at the part where he falls from quark’s perspective, which is the important one.

and he just. looks right at himself. looking at quark.

and holy shit. he looked at him like he was going to shove him against a wall, not to beat him up, but to make out with him. he straight up looked like he was going to mess him up but not with his fists.

so he stands right in front of quark and replays that moment to see quark’s reaction and analyse how he fell. and sure enough quark Saw Him and his knees gave out.

after that he really just wants to walk out and spend the next 30 hours as a houseplant to cleanse his mind of any quark-related thoughts but uh oh. when he opens the holosuite door Quark Is Right There.

and odo panics and just pulls him inside, accidentally re-initiating the spy program.

“But how did Quark happen to be there at just the right time?” i hear you ask well it was OUR MAN BASHIR

while garak was at odos place telling him to investigate quark’s wrongdoings, quark himself got called to the infirmary for a check-up on his twisted ankle.

and julian kept him there, examining his ankle over and over, until garak came in to Insinuate that Someone is snooping around in the holosuites.

so quark, yelling "NO COPS IN MY BAR", hurries over to the holosuites on his totally fine ankle and bada bing bada boom, here we are.

with two idiots stuck in a locked holosuite.

odo is like "QUARK WTF" meanwhile quark is like "ODO WTF"

"YOU LOCKED US IN A HOLOSUITE" "NO YOU LOCKED US IN A HOLOSUITE" ”well it was you who pulled me in here" "but it was you who designed it like this"

anyway to get out they have to go through the program somehow. quark and garak programmed this very carefully. unless they follow the general story, there’s no way out.

and at first quark says "listen, its okay, we just have to kiss" to which odo replies with that kinda look you’d get from someone if you told them to swallow a cactus whole, for fun.

"you heard me" "quark if this is a joke-" "its not. i made rom pull an all nighter to put in the new sensors." "you paid him for this???" "no." "right of course."

and after a very quick cheek kiss doesn’t end up doing the trick the two actually go through the program properly. except quark knows the script, cheats a little, takes shortcuts and totally doesnt impress odo by shooting a few hologram guards on the way.

so they get to the end, where they believe odo is supposed to get “shot”, but turns out they mixed up the roles and quark is the one who gets shot.

And Odo Doesn’t Know. The Safeties. Are. On.

so he tearfully goes "WAIT NO- QUARK!" and quark is like "odo...odo come closer..."

"yes, quark?"

"kiss me"

"quark please dont die i'll kiss you and we'll beam you straight to the infirmary and-" "ODO JUST KISS ME"

and then they kiss. the holosuite controls unlock and quark thinks ‘oh great, now we can leave-’ but odo doesnt stop kissing him

and he doesn’t Stop kissing him until quark actually speaks up and has to go "HEY IF THIS WERE REAL I’D BE DYING BY NOW-"

"what?" "the safeties are on. I didn’t get shot. you just had to kiss me to unlock the controls-"

and odo is like "QUARK"

and quark is like "ODO"

and then odo gets up and is very convinced that he Must Turn Into A Houseplant For A Ferengi Lifespan To Atone For His Sins.

but quark says “no, wait. can you do it again?”

"yelling at you?" "kissing me."

anyway odo finally gets to fulfill his fantasy of pushing quark against a wall and quark finally gets kissed by odo like hes dreamed of for like 15 years or however long ago it was that they were first on terok nor together during the cardassian occupation.

the end.

#quodo #ds9 #deep space nine #look if anyone reads this whole thing. please talk to me about it. this is my pepe silvia.#ALSO IF SOMEONE WANTS TO *WRITE THIS*#GO AHEAD

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shhh-no-ones-home · 4 years

Text

skeleton key slash x reader

+++++++++ i wanted something cute and fluffy but ive been in a mood lately so here ya go lol, its kinda cute and fluffy but starts a little disconnected and stand-offish

i edited this but if i missed anything sorry lol

Song: ill always be around by waterparks

tag list: @cynic-spirit @satans-arse @slashscowboyboots @smokeandmirrorz +++++++++

i sat against the wall of the dressing room and swirled the unopened bottle of beer against the tile floor in front of me. it made a mesmerizing sound as the glass scraped against the linoleum. it was the only thing really keeping my attention. it had been a rough couple of days and i wanted nothing more than to feel normal again.

i watched slash slide down the wall out of my peripherals, hearing him sigh as he hit the floor with his full weight. we sat in silence until i broke my trance, opening the bottle finally, i just stared down into it. slash cleared his throat but i didnt look at him.

"You okay?"

He asked, nudging my arm with his elbow. I took a quick swig of my beer, making a sour face at the taste.

"As okay as I usually am."

I sighed out.

"So not very?"

He asked, sending me a look. I looked over at him and shrugged.

"I'm sure things could be better but I'm living life one day at a time."

He shook his head.

"That's no way to live."

i sighed again, taking another drink.

"is it ever?"

he hummed.

"well no, but whats been up lately? you haven't really seemed like yourself."

i took another swig.

"havent i?"

i asked, raising a brow quickly. he frowned at me.

"none of us think so. the rest of the guys have noticed it too. you arent the same as you were a week ago."

i sighed, dropping my head back into the wall and looking to the ceiling.

"im lost."

he looked a little confused.

"youre lost?"

i looked over at him, watching his hair as it fell into his face.

"i dont know, my mood just tanked all of a sudden. i have no drive, i dont want to do anything. the only reason im here is because i have to be."

he tried to examine my face but i was on the whole expressionless.

"you couldve stayed on the bus, not that it wouldve helped, but you couldve."

i let out a short laugh, bringing the beer bottle to my lips.

"i thought getting out wouldve made an impact, ya know, keep myself busy to forget about it."

He nodded.

"it didnt."

I said and he sighed out, pinching the bridge of his nose. i looked back ahead of me, staring at the wall. we sat in silence for a bit until he shot up, drawing my attention and looking at him like he was crazy. he offered his hand to me.

"come on."

he said, more chipper now. i raised a brow.

"what?"

he shook his hand, wanting me to take it.

"come on, get up. we're going on an adventure."

i drew my brows before reluctantly taking his hand, setting my beer on the ground where i was just sat.

"where are we going?"

i asked as he pulled me out of the room and into the hall.

"It a surprise, but you have to come along to find out, thats why its an adventure."

i followed closely behind him, still unsure about the situation he was dragging me into. he walked comfortably down the hallway, looking from room to room as we went. i just watched him, trying to figure out what he was really after as we moved further into the venue. he nodded to the venue workers as we passed them, his grip on my hand getting tighter, making it known to them that we were attached. he relented as he ducked under pipelines and around mic stands. suddenly i was forced into someone.

"hey! watch where youre going!"

i heard as i looked up with wide eyes. in front of me was a large bald man with a stern gaze and i suddenly realized i was no longer tethered to slash. i looked to my suddenly empty hand in panic before looking back up the man.

"whats your deal?"

he asked, harshly. i looked around but the curly mess of hair was nowhere to be found. i breathed deeply.

"do you speak or are you just here to get in the way?"

the man said a bit louder. i jumped.

"no, i, i, uh-"

i stuttered out. he looked like he was waiting for an answer.

"you just gonna stand there looking stupid with your hand in the air or are you gonna move out of my way?"

he grunted out. then my hand got snatched away from me and i looked to slash with relief.

"sorry dude, i guess i lost my girl."

he apologized, pulling me to him. the man watched us as slash led us away from the man.

"keep her on a leash or something! i dont have time for road blocks!"

he called after us. slash waved his hand in the air.

"will do man."

he said before looking at me like 'yeah right' and making me giggle. slash looked around before ducking into an empty room.

"dude i thought id lost you there for a second. i saw one of the crew and went to squeeze your hand and i realized youre hand wasnt in mine anymore."

he let out a nervous laugh.

"it looks like i found you just in time though cause that dude looked like he meant business."

i nodded in agreement.

"yeah that was kinda scary."

we both laughed a little at the situation.

"but i found this place."

he said excitedly. i looked around, it was dimly lit but the furniture looked much better than the dressing rooms we were in. part of me wondered if it had been an office at one point but was now a storage room. i looked up as the light flickered overhead.

"spooky."

i said happily, raising my brows at him.

"well, im glad you like it cause i set this up for us."

i drew my brows as he took my hand again and led me around the bulky couch in the middle of the room. my mouth dropped at the layout of food, wine, and candles on the floor; all of it arranged on top of a black blanket.

"where did you get all of this?"

i asked, a bit shell-shocked. he half smiled at me, rubbing his arm.

"Well, i noticed youve been down for a bit and wanted to do something nice. i also figured we had a decent amount of time before the show starts so i went out and got this stuff earlier with a little help from duff and he helped me set it up. all i had left to get was you."

i could feel tears stinging my eyes. no one had really ever done anything this nice for me before and it made my heart ping. He really new what to do to make me feel better, he always did. i sent him a smile before pulling him in for a hug. he held me tightly to him, burying his face into my neck.

"thank you, slash, it means a lot."

i whispered against him. he pulled away and helped me sit.

"i wasnt sure exactly what you would like but we asked the lady at the shop down the street what she would want and thats just kinda what we got."

he said bashfully. i leaned over and kissed his cheek quickly.

"its great. really. it is."

i reassured as he started pouring two glasses of wine. he cleared his throat as he handed me one of the glasses.

"i, uh, also had a question for you while we're here."

he looked down at the blanket, and i almost thought i saw a small blush on his face but it was hard to tell in the low light.

"ask away."

i said raising the glass to him in cheers and taking a sip. i watched as he swirled the liquid around in his own glass.

"well, i was wondering, if maybe youd want to go on a date with me. like officially."

i smiled widely at him.

"id love that."

he gladly returned the smile.

"great! i mean i know weve kind of gone on a date before but it wasnt legit, and yes i kind of blame axl for ruining that one-"

i laughed a little bit, shaking my head.

"lets call it a trial run."

i said, making him laugh too.

"well then i already feel more comfortable."

he clinked his glass against mine in cheers.

"same here."

i took a sip before setting the glass down and resituating to sit with my legs crossed under me.

"now, lets see what that lady made you buy."

i joked, prompting him to move the little basket he had acquired closer to me.

"dont blame me if its terrible."

he said through a laugh. i sent him a warm smile.

"thanks for this slash, you really know how to make a girl feel better."

he nodded.

"no, i know how to make you feel better, and i wouldnt have it any other way."

it was my turn to blush, feeling the heat rise to my cheeks at his words.

"im glad you have the thing that opens the door to my emotions or else this tour would be much harder."

i noted, taking a small box out of the basket and setting it next to me. he snorted.

"like a skeleton key to your happy place."

he said. i nodded.

"exactly!"

he laughed a little bit before taking another sip of his wine.

"you have no idea how happy that makes me."

he said, leaning back in his spot. i leaned over, close to him.

"the feeling is mutual."

i said lowly, watching his eyes flicker to my lips.

"can i kiss you?"

he whispered out, looking back to my eyes. i nodded. his hand found its way to my face, caressing my cheek gently. like a slow motion film, he moved forward, it felt like every anticipation building inside me before our lips finally met. it was soft and warm and he tasted like the wine. when he pulled away i felt like my home had been ripped from me and i missed it immediately.

"cant wait for that date."

he laughed out and i couldnt help the amused look on my face.

"likewise."

#wattpad #x reader #261 #slash #saul hudson #gnr #imagines #one shots

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petitepistol · 4 years

Text

CHAIN OF SWEETNESS

5 THINGS YOU LOVE ABOUT YOUR CHARACTER.

this is hard because i have to separate elena from how she exists in canon from the elena i have built up for myself in my mind, so in the interest of brevity im choosing to focus on the canon aspects that deeply drew me to her to begin with and continue to feed my fascination and frustration with her to this day

ONE elena is a minor character. like, take her out of the story of the game and nobody would bat an eye. the writers dont really know what they are doing with her at any given moment, so she is this half formed mess of anachronistic traits. that can be really interesting and really challenging to try and flesh out, especially when you factor in how disconnected she is from even the characters closest to her and what those interpersonal dynamics must be like. even among the turks she is an outlier, new to the team and hellbent on diligently doing her job despite not having the same ghosts as the rest of them. before crisis tries to touch on that with her sister, but that just muddies the waters further providing conflicting motivations that they never really address. because, as stated initially, she is a minor character. and that means the exposition is something i have to do, not canon.

TWO despite being a minor character, from a mechanics standpoint she serves a purpose. her first appearance is there to give you an important lead on the big bad, her narrative purpose in the wutai subquest means you get both a party member and a forge fragile armistice with the turks. during the icicle portion if you get knocked out by her, she drops you off in gast’s house, which might mean the devs were using her to guide less skilled players into viewing missable but important lore. this extends to the compilation, where she is utilized off screen for the jenova head in a box debacle, and in before crisis to pad out the plot a little longer by getting kidnapped. from a game design perspective her existence is validated not by good writing but by being a deus ex machina and i have learned to love that as much as i hate it.

THREE she occupies a space where you can throw just about a billion tropes at her and it can work. people don’t usually realize this, but for such bit player you can do a lot with her. also if you wanna write snappy dialogue you can let this girl just say fucking anything. nothing is off limits coming out of her mouth, because there is so little to go off of and what data there is can be interpreted so broadly. that also means you can write her as downright sociopathic or as an unlikely altruist, leaning towards either of the extremes or staying dead center in the middle of the road. the only limitations are that of the perceptional biases of the writer.

FOUR that she is the highest level of the turks in game will never not make me ridiculously happy. i love that this so called clumsy rookie is the most difficult to take out in a fight with the rarest gear. if you wanna hear more about aspect that go here.

FIVE hnnnnng pretty girl who can kick my ass please step on me unga bunga

5 10 PEOPLE ON HERE YOU LOVE, AND WHY.

there are so many wonderful people i want to give accolades too that i often find it hard to do these kind of daisy chains, and even now im cheating by doubling the number. that still isnt enough, so to those who arent on this list i have to say i love you too but the powers that be and my own shyness turned off the mic before the speech ended

ONE forever amused by how both @makeupandmateria and @madamdirectcr are not only incredible to me as a player, but elena as a character. we are in love with this surprising supportive mean ladies coterie. swiftie plays an elegantly dubious scarlet to the hilt and manages to bring out the best in everyone. lottie brings an uncanny sensitivity to scarlet that makes you think while being so sweet and engaging outside of play.

TWO speaking of girls muses supporting other girl muses @heavenlyfighter and @cultivatxr are a dynamic duo and im lucky enough to be in talks with both of them. jessica plays a lovely tifa who has such a melancholy imbued to her strength while not only tolerating my flakiness but being so understanding, while phoe has had a perfect grasp on aerith for what feels like an epoch always letting that same vibrancy spill out into reality.

THREE so @animus-inspire and @urbdev-assistant are two peas of positivity in a pod and i adore them for it. one them plays an understated hero who has the capacity to do great good even when aligned with evil and the other has taken the adage about there being a great woman behind every great man and elevated an npc into a brilliant character. both are fantastic.

FOUR shout out to @missionheartcd and @rude-at-your-service for being not only the best coworkers elena could ever had but being consistently delightful out of character. not only do i want to play more with their characters, i also appreciate their support.

FIVE thank you to @warofthebeasts and @inanisvitae for putting up with my inexplicable affection for sephiroth. kevin is so patient with my persistent poking and prodding and you could not find a more passionate advocate for either character development or friendship than maria.

5 SONGS EITHER YOU OR YOUR MUSE REGARD AS A ‘GUILTY PLEASURE’ THAT ALWAYS MAKES YOU SMILE.

these are mostly mine but may or may not apply to elena from some twisted meta perspective also this was hard because i have no guilty pleasures my tastes is flawless (this definitely applies to elena as well unless we are talking about her taste in men which is terrible lmao sorry im just bullying tseng he is actually pretty cool)

ONE you cannot have this type of lists without ABBA represented and while this is almost a lesser known track of theirs, i have liked it since i heard it in childhood playing through the records my mom owned. the lyrical content is very shinra-core and while i dont think elena ever dated a middle aged fat cat for money as a teen im certain she considered it

TWO as a kid i didnt like the indomitable miss spears because i bought into regressive attitudes towards female sexuality while not recognizing she was being exploited by the industry, but i have grown. elena agrees with the sentiment of “you better work, bitch”

THREE im not ashamed of my love of god queen shiina ringo but at the time i first saw this video i was not prepared for the gratuitous badass lady nurse on sexy female patient malpractice action it featured and that was what made it a guilty pleasure

FOUR everybody loves george michael and that includes me. this piece from his wham! era is almost too peppy, but i am an absolutely a sucker for imagining brutal fight scenes with anachronistically cheerful songs playing over the carnage

FIVE rounding things off is an obligatory recent weeb jam. well half of this combo is american but you know what i mean. i love the combination of classic funk and whispery vocals echoing into an unrepentant cry of “fuck you motherfucker.” coupled with the blonde in the video intercut with the OL being joyfully liberated by her train ride? elena vibes

Tagged: @madamdirectcr @animus-inspire Tagging: you!

#ooc #whew lad im bad at these things because im so shy about tagging others but it was worth it

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hey-hamlet · 5 years

Text

BNHA AU Ideas : Choir Group

Also on AO3!

TL;DR: Sometimes a family is 2 adults and 2 kids. But sometimes a family is a choir full of hero hopefuls.

(aka, what if everyone knew eachother from a choir group? what soft musical stuff can i cram into this au?)

yagi does the allmight on the down-low

he had to leave broadway cause all for one ruined his organs

everyone in 1 a knows that yagi is all might but hes trying so hard to keep his secret so they just ignore it

izu wants to be a hero but hes scared of people so he joined a choir when he was smol

bakugou joined cause he wanted to beat izuku, they bonded a bit n its a more friendly rivalry

all of 1a was in the choir before ua, they are all shook that their class is just other choir kids

big three are the current choir leaders n izu was so proud they are the us big three too because he knew them when he was smol, baku n izu are the youngest in the top level

todoroki joined to spite his dad hes really good tho

mina lives for the dance group

iida is a baritone he sing low n hes a good boy, they are very proud of him cause hes one of the youngest in baritone, hes v proud too

ochako is an alto and I love her

monoma is a tenor n katsuki wants to kick him out of his section

tsuuyu is an alto too because i want someone to be a soprano but tsuuyu its too nice to be

jirou is a blessed alto

yaomomo is a soprano the poor girl

izuku is a soft alto boy! He had such a good upper range they thought hes be wasted in tenor

shinso is a soft tenor boy and has a singers crush on izuku

"oh my god hes just so fucking good he can dance too what the fuck guys. hes the only male alto im fucking shook he has the range of a god"

in their final year todo is the choral leader, bakugo is dance leader and izu is choir leader

villains are too scared to attack when they sing

aizawa was in the top level when izu joined

he was dance leader while in ua too because it was "only logical" he have a physical hobby (mic loved choir n aizawa loved seeing him that happy)

izu thought he was fucking amazing n thats why he wanted to join

n then he sees erazerhead n mic on tv when hes 8

yells to his mum "mama!!! thats zashi!! n shouta!! he had the dance solo when i joined" n inko doesnt know if izuku is right or not but she nods along and smiles anyway

first day of ua izu sees shouta n just gasps

"iTs HIm"

bakugo looks over

"oh my fuck it is isnt it"

aizawa is shook and confused

bakugo just sighs "its your fault deku is a fucking choir gay i hope you know that. you just had to be fucking competent didnt you"

all 1a student know each other from choir n they all have a big hug fest before the quirk test

"oH mY god its a soprano without a stick up her ass what are the chances" "jirou be nice to momo i know you hate sopranos but they have done nothing to you"

mineta exists in this au, as the only one not in choir. hes confused and then expelled the first day

aizawa is glad he was terrible because now he has his lil choir class, not that hed ever fucking admit it

1a harmonizes their bus songs and they learn all their choir repertoire on the bus trips around as aizawa conducts

durring the usj izu n tsuuyu hum together to stay calm

izuku n todoroki are actually singing together durring their big fight, everyone in the audience is shook

its just because they are trying not to cry

because izu n todo have the "its your power" convo before the fight cause they are already friends, so izu is just trying to make him feel better about the argument he had with his dad

todoroki feels a lil more comfy so he brings up his flames n izu weeps n gives him a hug before they keep fighting

they sing stronger than you jokingly at the end of their fight

izu wins but only justttt. him n todo hug n laugh as they leave the field. yagi cries a lil for his boys.

izu n baku’s fight n it ends in a draw because they blow eachother out of the ring n they are both salty as

they have a dance battle refed by aizawa later (baku wins, izuku gives him soul custody of the medal)

enji would have a stroke

yamada was singing along the whole time other the speaker. Aizawa muted him but he just used his quirk

tenya had lots of good friends n doesnt hunt down stain, he n 1a go to hatsume about leg braces for tensei

tenya teaches tensei his choir choreography so he can get used to his braces

the boys do run into stain but they were minding they own business

they singing while they fight to stay in time n stay brave

stain is very confused but hes bopping along

todo starts it cause it made him feel better during the sports festival cause izu is crying

"you guys are true heros im so sorry about this but i really need to kill native"

"thanks i guess? but we gon fucking boop to you drop bitch"

"ToDorOkI nO"

"iida hes trying to kill us we can call him a bitch"

stains huming the song they were singing as he carted away to fucking jail

"what a goddamn boop, they heros of music"

training camp is the same time as choir camp n 1a is shook n they are conflicted. aizawa gets training camp moved back a week

(the villains still attack but they tried to assault an empty camp first n thats funny)

the fight through the earth beasts is just 1a singing literally every song they know theyd finish a song, n theres a second wait while everyone races to think of something they all know before they scream out the title n start them all off

they sang bohemian rhapsody 5 times

1a arrives at traing camp like

"we just had fuck choir camp you dont scare us"

1a wasnt joking they arent phased by the summer camp. 1b is crying

bakugo gets kidnapped n just hums softly

shinso made it in after the festival because aizawa thought he was promising n it was another choir boy zawa has to protect them no hes not going soft zashi shut up

"bitch you villains have nothing on ms king fuck she had me shook"

the bakugo rescuse is the same but its more of 1a n no one was trying to talk them out of it very well

"its dangerous, dont get hurt" "we wont" "yeah ok"

they hold hands while they watch the allmight fight cause they are too scared to let go

then they run back onto the field to allmight after the fight n they hug n cry a lot

they go with yagi to the hospital n sing dumb songs together while he gets a checkup

izuku doesnt have to stop to wipe his nose, n bakugos voice doesnt shake n todoroki is pitch perfect of course (kiri and momo are ugly crying unabashedly. tenya is trying to find tissues)

bakugo totally doesnt hide his tears n growl that thy need a shitty nerd to lead them so they dont get to good

he yells at everyone cause he was scared but he can’t make himself be too mean cause they are his smol kids

mic smiles n mutters that aizawa has really gone soft on this class n aizawa just hides his face in mics shoulder n pretends he wasnt scared out of his mind for them

all of them grab his hand

izuku hugs bakugo saying they all need the future dance leader, after all no one else is as good as him

aizawa wants to be mad but hes proud that his kids didnt get hurt and were smart n improved so much

in the dorms they draw up a birthday list n anyone whos birthday has already been gets a new birthday

they wake them up at 6am you sing happy birthday n they birthday kid gets to pick the music on the bus n in the kitchen

bakugo n sato bake

iida, shinso n izuku are harmonizing while trying to eat breakfast but its bean 5 minutes n they havent eaten anything

bakugo shoves toast into izus mouth as he walks past to make himself some coffee

izuku sings around the toats

bakugo groans n sings over him

"i Just wanTed Coffee"

"BitcH we gOttA hArmoNiZe"

ochako, mina n tsuuyu are going over their dance infront of the couch, satou n tokoyami are gently sparring around bowls of oats and fruit

aizawa is humming as he cuts up some fruit for him and mic

sero sticks sheetmusic to the walls with his quirk so they can go over it as they do other stuff

shinso plays the goddamn switch piano as a backing track n bakugo is mad that hes impressed

yagi visits n tells them all hes so proud of them n listens to their sing their favourite songs with them n listens to izuku gush about new musicals almost as much as he talks about heroes

bakugo saltily adds on little bits of info

shinso n izuku dramatically reinact musicals together as they spar, (obedient servant is their fave beat eachother up song)

they get out musical soundtracks n people call dibs on the songs they want to fight to, aizawa mans the speakers and acts as the ref as bakugo n izuku fight to alexander Hamilton

ochako n todoroki fight to my shot cause it means a lot to both of them

the kids not fighting are singing the song on the sidelines. aizawa sings along too but he wont admit it

( he n izuku sing a lil duet for the room where it happens, mic claps n yagi cries)

no one fights for the last song cause everyone is busy singing n crying. - aizawa only cried cause he had dry eye ok nothing more

bakusquad always fights over the jefferson n layfette parts, they all wanna sing them solo

izuku starts with history has its eyes on you, looks at yagi n then starts to cry

yagi starts to cry too

he n yagi hug n leave training for a min to get icecream

izu grabs yagi n full cowl jumps to get icecream, makes yagi carry the icecream n jumps back

they eat icecream as 1a finishes up the musical sparring n they try not to cry some more

todoroki is still 100% conviced yagi is izus dad, hes just also conviced neither of them know it

yagi is very proud of his boy and very proud he didnt cough blood over his icecream

mic was his section leader when he was still in choir n zawa was the dance leader n they made the best duo

they were low on time due to hero training to they learnt their songs as they fought, w mic playing them through his phone as they beat up villains

they wouldnt let midnight practise with them because the fights finished too quickly so they didnt get a chance to sing

yagi wasnt in that particular choir, or any choir really but he loved to sing, would hum to victims to make them feel better and sung on tv for fans and charity

he starts teaching at the choir after the retires from hero work because he misses working and he really thinks the kids are delightful

yagi is a good choir dad n cries at all the concerts, n at the gigs, n when ever they do well really

they get nicknamed the hero course choir because so many ua students go/have gone

there are normal highschoolers of course but the ua students wont be outdone and are the best in the class

aizwa tells vlad they sing during sparring for breath support and stamina, and then decides thats actually a good reason n makes that the official reason, ignoring "it makes them smile" and "these kids have had enough intense fights"

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kayawagner · 5 years

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The Five Minute Bard: Resources to Create Sharp Concepts in No Time Flat

Image Courtesy of Pixabay “I’d like to teach the world to sing, but they’re all tone deaf.”

If your table is anything like mine, bards are primarily known for romancing their way out of combat encounters, only to have to then combat their way out of those romance encounters when plans inevitably go awry. There’s nothing wrong with that if your group enjoys following the exploits of your own personal pratfalling Mata Hari, but bards have a lot of potential to deepen gameplay in other ways. This article explores a few ways that bards can uniquely add to your game.

Musical Plot Lines

All over the world, since long before the advent of widespread literacy, song, poetry, and performance have been used to remember the history of nations and heroes; there’s no reason why in games such epics (and the rascals who know them well) can’t provide context for the rivalry between royal families, hints about the weaknesses of an ancient evil stirring after centuries of slumber, or even direct instructions as to how to make it through a trapped dungeon. Fantasy writers from J. R. R. Tolkien all the way to George R. R. Martin and N. K. Jemisin continue to use ancient stories, songs, and phrases in this way to flesh out the worlds of their novels (in particular, Jemisin’s Stone Lore could drive an entire campaign just by itself).

Songs are great for this purpose, as they can be scattered earlier in a campaign (or even a session) in the background, providing foreshadowing or clues for players without necessarily being obvious about doing so.

…[songs] can be scattered earlier in a campaign (or even a session) in the background, providing foreshadowing or clues for players without necessarily being obvious about doing so.

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For a non-fantasy example, Treasure Island by Robert Louis Stevenson did a great job with his “Dead Man’s Chest” song. The few lines from the novel were later expanded into a poem/song by Young E. Allison, and it’s well worth listening to the whole tune if you ever need to populate a sunken pirate ship with a bunch of undead with distinct and gruesome wounds.

As much fun as Treasure Island is though, my favorite source for musical inspiration will always be the Roud Folk Song Index. This catalog of English-language folk songs has tens of thousands of entries tailor-made for the fantasy gaming table, though many of the songs have topics and language that you may not want at your table. These songs have the advantage of usually being just obscure enough for your players to not already be familiar with them, but omnipresent enough to be vaguely familiar — songs as recent and popular as “The Streets of Laredo” and “Scarborough Fair” descend directly from entries in this index.

…songs as recent and popular as “The Streets of Laredo” and “Scarborough Fair” descend directly from entries in [the Roud Folk Song Index].

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If you want to jump in right away, my favorite songs from the early list are “Three Ravens/Twa Corbies,” “Two Sisters/The Wind and Rain,” “Cruel Lincoln,” “The Elfin Knight,” and “The Female Highwayman.” Any one of these songs can pretty much be dropped into a campaign unchanged to add a subplot or additional character, and it’s well worth diving into them — at the end of this article are a couple of resources to help you do so if you want.

Tactical Cacophony: the Music of Battle

In most if not all tabletop games, bards are simultaneously performers and magic wielders, capable of turning the tide of battle with either their music or their spells. This role is well-supported by old legends about bards, though like most low-level bards in modern games, apparently they spent much of their time insulting rats to death.

…like most low-level bards in modern games, apparently [mythological bards] spent much of their time insulting rats to death.

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For a more grounded approach, you can also consider bringing in more martial applications of music. Horns, fifes (single-tube pipes), drums, and bagpipe music are all well-known accompaniments to ancient battles, providing everything from marching cadence to tactical signaling. These real-world examples can be a great illustration of and justification for Bardic Inspiration and similar powers for those groups that prefer to have detailed or evocative descriptions of these powers in action.

More spectacularly, bards may have access to instruments that serve a secondary function as weapons (or vice-versa). Using real world examples, bards could be familiar with a shakuhachi or a musical bow. The shakuhachi is a nearly two-foot-long flute with a heavy, bulbous tip. Played as a form of meditation, by some accounts, this instrument could also be used as an effective bludgeoning weapon, making it easier to smuggle into areas where characters are expected to disarm.

Musical bows are either dedicated instruments or converted hunting bows that are also a stringed percussion instrument with the addition of a resonator.

Of course, if your DM is more whimsical (or forgiving), bards always have the option of a flamethrower guitar or a guitar shotgun (if your group allows the guitar shotgun, let me know if you’re looking for a player).

Extra Credit: Bringing Custom Music to the Table

Okay, to be clear, obsession with bards aside, I have all the musical and rhythmic talent of a harmonica in a clothes dryer. The last time I tried to sing in public, the guy running the karaoke turned off my mic.

…I have all the musical and rhythmic talent of a harmonica in a clothes dryer. The last time I tried to sing in public, the guy running the karaoke turned off my mic.

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Originally, I was going to try to learn how to play the ukulele and re-do “Twa Corbies” for this article, but apparently, you can only learn that instrument in an hour if you have some minuscule fraction of ability to begin with. I have never been so disappointed in Amanda Palmer (NSFW language in video).

If you (unlike me) know one end of a musical instrument from another, doing something cool and ambitious like writing alternate lyrics to something from the Roud Folk Song Index would probably be pretty awesome. But if you can already do that, you probably wouldn’t be reading something called “The Five Minute Bard,” so let’s move on, shall we?

For those of us who don’t already have a great deal of ability, but want to come up with fun little tunes for our gaming groups, there’s something called Common Meter or Ballad Meter “tune swapping.” Songs using common meter (and there are a lot of them) use the same rhythm and rhyme patterns, meaning they can easily be swapped out for one another. This can be a fun party trick (singing Emily Dickinson’s “Because I Could Not Stop for Death” to the tune of the “Gilligan’s Island” theme is a hoot no matter how you look at it), but it also means you have a library of tunes and lyrics you can swap out with one another without any of your players realizing it. Here is an interactive example. A small selection of songs or poems in ballad meter is below:

“Greensleeves”

“God Rest Ye Merry Gentlemen”

“I Just Can’t Wait to be King” from “The Lion King”

“The House of the Rising Sun”

“Oh, Susanna”

“Yankee Doodle”

“America the Beautiful”

“Amazing Grace”

“The Yellow Rose of Texas”

Pretty much any famous Emily Dickinson poem

The Pokemon Season 1 theme song

So with that in mind: a super quick-and-dirty (and entirely untested) method for creating music for your group:

Identify what you want to sing about.

Identify a tune you like, or a couple of them from the list above. Mash them together or hum them until you’re comfortable with the results.

Shamelessly raid the lyrics of the other songs in the list for turns of phrase you like, and shoehorn them in.

Where necessary, swap out words to hide the source of your song or create new rhymes. If you’re looking for a quick and dirty way to hide clumsy rhymes, be sure to use the word you’re trying to rhyme with as the second word, and the clumsy imperfect word as the first one. So if you’re trying to rhyme with “mockery,” but can’t think of anything to rhyme it with other than “crockery”, you would do something like “The battle raged among the crockery/until the villain lost through vicious mockery” (Thanks to Rachel F. for that hot tip).

Bask in the admiration of your gaming group. Or dodge thrown shoes, depending on your level of ability and the patience of your adventuring party.

Bards aren’t everyone’s favorite character class, but for those of us prone to a certain amount of mischief and scenery-chewing, they’re just too much fun to pass up. Hopefully some of these tools make it to your table, whether in the form of new tools for your bards to use, or in musically-themed adventures.

For those of you who play bards in your own games (or cringe at others who do), what do the bards in your home game bring to the table that no one else does? How do you make your games more musical?

Resources:

Every Folk Song: a podcast that promises to go through every song on the Roud Folk Song Index until the host gets tired of doing so — even though it only gets to song 11 (“The Baffled Knight”) it’s still a darn good podcast.

My personal Spotify playlist for the Roud Folk Song Index. This is a selection of my favorite versions of some of the first songs in the Roud Folk Song Index.

Learn to Play the Ukulele: Maybe you’ll do better than I did? Let me know your secret if you do.

Rhyming Dictionary: Because most of us can’t rhyme “the elves are attacking” without a little bit of Internet help.

The Five Minute Bard: Resources to Create Sharp Concepts in No Time Flat published first on https://supergalaxyrom.tumblr.com

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