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skrivarmelodi · 3 years

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Now AOT is over...

So, I read the final chapter of Attack On Titan and there are a lot of thoughts and feelings. But overall I'm pleased with the whole story and the ending. I trusted Isayama and he didn't disappoint me.

There are certain things I'd like to go into detail about Levi, Ymir, Mikasa, Eren etc and certain moments during the story.

So if anyone cares here we go. (warning, this got long and contains spoilers for chapter 139 and obviouisly the whole story!)

First, Ymir Fritz, Eren, and Mikasa.

The more we got to know Ymir, the more we knew about her circumstances and how it all started, the more I asked myself, why she doesn’t simply stop all of the misery, if she can and, obviously, has the power to do so (chapter 122).

I thought, perhaps, because she loves King Fritz so much, after all, she sacrificed herself in order to protect him (which I didn’t like at all, because he was a shitty person). But then I wasn't sure if Isayama would use 'love' in such a way. He did and it's nothing new but it's something we can all understand. Love is good, but it can also be something bad, something toxic, and Ymir was most likely a slave of her own feelings because she didn't know better. Her life was miserable until she got the power to become a Titan and gave birth to the daughters of the king. But as you can see, at the beginning of chapter 122 she watches a couple getting married and that was what she wanted too. To be loved. This was the love she knew and the love she protected and believed that was true love (most likely) because she didn't know a different kind of love.

When Eren told her, that she can decide and asked her to give him the power he needs, it didn’t sit well with me. I guess because I never connected Eren to have any romantic feelings (though I guessed so much when it comes to Mikasa and he simply wanted to be cool or something). But AOT in itself doesn’t display love in the way we usually see, that became very clear to me with each new chapter. And love is not the first thing that comes to my mind when I think about AOT.

Now about Eren.

Oh boy, look at that. When Eren slowly became the villain I liked the idea but at the same time I was questioning it. It simply made no sense to me why he would want to kill everyone and yet care so deeply about his friends. Also, Isayama is not that sort of person to let his characters act out of character. Whatever the characters I agreed with it because that was how Isayama created them. That's why, when it came out that Eren was able to see the past, present, and future, I thought he probably saw a way to stop all of this and protect his friends. Isayama played us good, when Eren was rude towards Mikasa and Armin and then the rumbling came, but I constantly thought 'No, there must be more to it'. And yeah, Eren saw a possible future because everything was unclear to him and he grabbed that chance and took it.

Remember in the first season, when Eren, Levi, and Levi's squad were fighting against the female titan and that Eren has to decide what he should do and what not? That he has to accept the consequences? Yeah, Eren did that and he knew it was bad but it was the way he believed in and saw, even if it meant to kill 80% of humanity (what the...) and sacrifice his own life. I don't see Eren as a hero nor as a villain. But he definitely acted on his own free will and accepted the consequences.

Now about Mikasa.

Well, I'll be honest, I was never a fan of Mikasa. I didn't like how she was solely focused on Eren and didn't seem to have her own goals that were not connected to Eren. I simply didn't like that and Eren wasn't my favourite either, but I love their development. The moment I started to feel sorry for her was when Eren said he hated her. You see, I get it, I understand why Mikasa is the way she is and I'm simply no fan of this 'I do everything for you, fuck everyone else' especially not in a world like AOT, I also understand the Ackermann Bond (I ship Eruri after all). So I was really pissed at Eren to stomp on her feelings like that because, no matter how much I like or dislike a person, you don't treat them the way Eren did (also toward Armin). From that moment on, I enjoyed her development and when she cut off Eren's head I was sad and happy for her.

So, in many ways, Mikasa is like Ymir, or rather, Ymir is like Mikasa, but on a whole different level. Mikasa, who devoted herself to Eren, just like Ymir did to King Fritz, saw that what he was doing was wrong and she decided to stop him. She loves him still, of course, but she was able to do what Ymir couldn't and she did it for the greater good. Because there is more than Eren, there are more people who deserve to live. I did like that and also that her action was the eye-opener for Ymir. It doesn't change the way Mikasa feels about Eren, and that's okay, but she was willing to kill the person she loves more than anything because it was the right thing to do. Ymir simply couldn't do what Mikasa did because she didn't know better.

About Levi, Erwin's death, Armin saving humanity, Berthold wasn't supposed to die, and just some thoughts about AOT in general.

Now, I do ship Levi and Erwin together and I was sure Levi would die and meet Erwin in the afterlife and then Isayama would out them (haha). But I'm just happy that Levi survived and is now the adopted uncle of Gabi and Falco. He's my favorite character and a lot of things would have ended badly without him. For me, he and Erwin and their squad represented not only a strong force and saviours but also how you probably have to be in order to survive/handle a world like AOT.

So I was shocked, at first, when Levi saw Erwin and the others because I thought he would die, but when the tear ran down his cheek, I could feel how everything fell of his shoulders. Levi never cried, never had time to mourn his comrades because he understood the world they were living in and that he needed to keep on moving. I never considered him as someone cold because he clearly wasn't. But he also never cried and seeing that... finally. And I'm sure he cried some more after everything. I thought he would cry (he was close to though and perhaps did when he was alone) when Erwin died because that fucking broke him.

Their relationship fascinated me even before I started to ship them but it broke my fucking heart when Erwin died too.

And here we come to the part about Armin and Bertholg.

I was so pissed that Armin survived and even more when things just became worse. I thought, in AOT, you can't solve everything through talking. It worked during certain critical moments, yes, but it simply isn't the main key for everything when it comes to the world of AOT.

So, I never understood why Armin had to survive and not Erwin and it became more and more confusing for me as the story continued because Armin, clearly, is not Erwin and he doesn't have what Erwin has. I don't know if things would have been better with Erwin being in charge, but he would have definitely done something while Armin didn't know what to do. Sure, he is younger than Erwin, doesn't have the experience as Erwin does and in his core he is very different, and that's totally fine. Armin is fine the way he is, but during the story. I constantly found myself thinking: 'With Erwin and his mind, we wouldn't be in such a situation'. I once read somewhere that Levi and Erwin are too smart to be fooled by, for example, Yelena. I can't help but agree.

And today, when I read the final chapter and Eren said 'Berthold wasn't supposed to die on that day' and also, that he couldn't see the past and future as separated paths but everything at once I thought, that this is Isayama giving us his version but there are also many many other ways this story could go. Which is, for me, such a sweet and grateful message. We are free to choose our path (fanfiction/fanart etc) and to create a different story, but this AOT version is his version and how he imagined it, or rather, how Eren saw one possible happy end.

I'm still certain with Erwin around things would have been different, better even, but I understand Eren too. I guess, he didn't only choose Armin because he knew things would have a happy ending for his friends. He also choose Armin because of personal feelings. I wonder what would have happened if Berthold survived, was there also a happy end but without Armin? And perhaps without the rumbling? I think it's nice that Isayama did this and that he, basically, points at a different way but it's up to us.

Now, the rumbling is over and so is the power of the titans and in such a world, someone like Armin is the right person to be in. Now it's all about talking, having a proper conversation, creating relationships through words. Don't get me wrong, I'm sure Erwin would have been able to do that as well, but Armin is much more diplomatic than Erwin because he doesn't want to fight or kill, it's really the last option for him. Erwin on the other hand wouldn't hesitate, and someone like him was important for the world before the rumbling was over.

Now some general thoughts about AOT now that it's over.

Okay, so, I watched tons of Anime when I was a teenager and the best thing for me was Death Note. But after Death Note I found nothing that really interested me and a lot of weird stuff. I don't know, it simply wasn't for me. However, I continued reading my yaoi Mangas and even studied Japanese for a year. Then, I did hear about Attack on Titan but I was so used to shitty Anime that I thought it would be shitty too (the next best thing I found was Yuri on Ice). However, a friend of mine gave me the first season and I thought, well, why not. I was so wrong and through AOT I found my way back to Anime.

It's not just the story, not just the art-style I like, it's Isayama and his brain I enjoy so much. I'm a very logical person and I like it when stories and things make sense and are connected from the beginning till the end and when it never feels forced but natural, true, loyal to the characters and the world they created. I don't know how he does it but I'm so grateful for AOT and that he decided to share this amazing story with us (even though it was fucking painful and my poor Levi). It's really been a while for me to find a story that caught me like Death Note did many years ago.

So, ありがとう、Isayama-San!

But I'd love to know more about the Ackermans and Levi and perhaps we'll get a book like Answers etc later. That would be great.

#attack on titan #snk #shingeki no kyojin #eruri #Levi ackerman #Erwin Smith #ch139 spoilers #mikasa ackerman #eren jaeger

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multiedits · 4 years

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Don't swear at us if you don't like the result, it's not always easy, we can do something different for you if you want

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Characters:

Suguru Kamoshida (Persona)

Haiji Towa; Monaca Towa (Danganronpa)

Marty Armstrong (Lisa RPG)

Professor Pyg; Victor Zsasz; Arthur Fleck (DC)

Hisoka Morow; Illumi Zoldyck (Hunter x Hunter)

Jack (Underworld Office)

Jared (Doll Eye)

Belle; Beast; Gaston (Beauty and The Beast)

Nanami Kiryuu (Revolutionary Girl Utena)

William Afton; Michael Afton; Nightmare Freddy; Nightmare Chica; Nightmare Foxy; Nightmare Bonnie; Nightmare Fredbear; Plushtrap; Nightmare; Nightmare Balloon Boy; Nightmare Mangle (Five Night's at Freddy's)

Kakashi Hatake; Jiraya (Naruto)

All "Wonder Killers"; Shuichiro Sawaki; Frill; Dot; Hyphen; Kirara (Wonder Egg Priority)

Black Hanekawa (Monogatari)

Moonfish (Boku no Hero Academia)

Alessi; Funny Valentine; Sports Maxx (JoJo's Bizzare)

Kevin Thompson (Daria)

Prince Phillip; Aurora (Sleeping Beauty)

Ariel; King Triton; Prince Eric (The Little Mermaid)

Prince Florian (Snow White and the Seven Dwarves)

Tate Langdon (American Horror Story)

Archie Andrews (Riverdale)

Marty McFly (Back to the Future)

Margaret Robinson; Hobo; Jealousy; Kenneth; Lucy Simian; Mr. Yoshida; Alison Sandra Gator (The Amazing World of Gumball)

Mr. Labrador (Peppa Pig)

Felix Kranken (The Walten Files)

Lynera Skalbi (Hiveswap)

Daki (Kimetsu no Yaiba)

Selever; Garcello; Sky; Tabi (Non-canon! Friday Night Funkin)

Real People's / YouTuber's etc. (Characters from Movies/Series it's okay)

Sources:

Simpsons

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Vivziepop Media's

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Porkchop and Flatscreen

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Attack on Titan

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Love Letter

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Citrus

Yandere Simulator

Crimson Gray

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(All here okay if it's platonic or other)

King Dedede x Anyone (Kirby)

Poison Ivy x Males; Harley Quinn x Joker or Batman; Streaky x Anyone; Someone from Red Lanterns corps x Anyone; B'Dg x Anyone (DC)

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Jasper x Lapis Lazuli; Steven Universe x Spinel; Emerald x Someone from "Off Colors" team; Yellow Diamond x someone who's not Blue Diamond; Blue Diamond x someone who's not Yellow Diamond; Fluorite x Anyone; Fusions x Fusions with same characters (Steven Universe)

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Tails the Fox x Rouge the Bat or Wave the Swallow; Dr. Eggman x Anyone; Scourge the Hedgehog x Anyone; Metal Sonic x Anyone who's not Robot (Sonic the Hedgehog)

SpongeBob x Anyone Who's not Patrick (SpongeBob SquarePants)

Lemon Demon x Anyone; Ships with Skid and Pump; The Mom x Anyone who's not The Dad; The Dad x Anyone who's not The Mom; Boyfriend x Anyone who's not Pico or Girlfriend (Friday Night Funkin)

Bakugo Katsuki x Izuku Midoriya, Ochako, Camie; Eijirou Kirishima x Females (Boku no Hero Academia)

Boss x River or Eugene (Underworld Office)

Yoshi x Anyone; Bowser x Anyone; Donkey Kong x Anyone (Super Mario)

Bill Cipher x Anyone; Dipper x Wendy; Mabel x Pacifica or Wendy; Stan x Anyone; Ford x Anyone (Gravity Falls)

Zim x Dib or Tak or GiR; GiR x Anyone; Dib x Zim or Tak; Tak x Zim; MiMi x Anyone; 2k x Palindrome; Zib x Anyone (Invader Zim)

Inosuke x Zenitsu; Zenitsu x Nezuko (Kimetsu no Yaiba)

Gregg x Anyone who's not Angus; Angus x Anyone who's not Gregg (Night in the Woods)

Kaoru Kurita x Anyone who's not Momoe Sawaki (Wonder Egg Priority)

Kristoph Gavin x Anyone; Alita Tiala x Anyone; Miles Edgeworth x Females (Ace Attorney)

Oscar x Lola (Shark Tale)

White Choco Cookie x Males (Cookie Run)

Jamie Russo x Anyone (The Amazing World of Gumball)

Alberto x Giulia (Luca)

Any ships from FNaF

Any ships from Bunnicula

Canon Lesbians x Males; Canon Gays x Females

Ships with Childs

Crossover Ships

Pedo/Incest/Zoophilia/Abuse/Selfcest ships (themes related to good self-esteem, just self-love like "how beautiful I am" - thats okay)

Aesthetics:

Stonercore (And all others with Dr*gs, Alco, Cig**ettes, but if Character have Cig**ettes on all images it's okay and we will tag it like: "tw: cig**ettes")

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Flags of Real Countries, Islands, States etc.

Real Spiders and Scorpions

Abuse family, friendship, love (rivalry and enmity it's okay)

Sexualities who's never will be valid (like TikToksexual; Petsexual; G*resexual; etc.)

Old/Pink Lesbian Flag; Sunset Lesbian Flag with 7 Stripes

DD/LG; Fetishism; 18+; S*x; etc.

Misgendering Characters

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charminglatina · 5 years

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Riverdale Couples and Ships as Romantic Tropes (Part II). 🌹

Here is Part II of the list!

#11. Bughead (Jughead Jones & Betty Cooper; ROMANTIC TROPE: CHILDHOOD FRIENDS ROMANCE)

Childhood Friend Romance

Childhood Friend Romance is a part of romantic plots, when characters develop romantic feelings for someone who they spent their childhood years with. Often the pair will see each other as Just Friends (and may even deny accusations that they might have a different type of relationship); then, when puberty hits or when they meet again after being apart for some time, they will realize that the other is all grown up. If the pair goes through a Puppy Love phase from the very beginning, a Childhood Marriage Promise may be involved. Resistance to see a childhood friend as a potential romantic partner is known as the "Westermarck effect", a theory that claims that people who grew up together before the age of 6 are likely to become hardwired to think about each other Like Brother and Sister, with a Stupid Sexy Friend squicked reaction to the notion of romance. (Other studies question this on the basis that though few of the people they examined had major romantic relationships with childhood friends, many had crushes and romantic feelings that just didn't make it.) Subtrope of Childhood Friends. See also Patient Childhood Love Interest, a subtrope common in Harem Series. Compare also with High-School Sweethearts. Often benefits from First Girl Wins.

#10. Veggie (Reggie Mantle & Veronica Lodge; ROMANTIC TROPE: SLAP-SLAP-KISS)

Slap-Slap-Kiss

"[Punches Hiccup on the arm] That was for kidnapping me. [Kisses him on the cheek] That was for everything else."— Astrid, How to Train Your Dragon

This trope is nothing but universal in romantic stories. It frequently brings to a close the Will They or Won't They? phase of a Romance Arc. When a male and female character spend a lot of time bickering, it is all but inevitable that sooner or later he will interrupt her in mid-rant by suddenly grabbing her and kissing her. (Less frequently, she grabs and kisses him.) The kissed one rarely resists, and usually responds wholeheartedly. Usually this is triggered by their hostilities reaching a climax that results in an exchange of slaps, followed by a moment where both stare at each other in combined confusion and shock, after which they dive into the kiss. Either way, the kiss prompts both to realize that they've been in love all this time — the rationale being that they wouldn't argue so much if they didn't give a damn about each other. Normally results in some kind of permanent change in their relationship. The concept is related to the theory that hate is not necessarily the opposite of love so much as its twisted twin; its opposite would be apathy. Ergo, lots of contained emotion towards a person might be translated into lust given the proper catalyst. Pulled off successfully, it can be... quite satisfying. Otherwise, not so much. This trope is a major factor in Foe Yay shipping, since such arguments between those characters in the actual shows are often similar to examples of this trope (or even get Why Don't You Marry It? reactions). It should be noted that in Real Life it's not exactly a sign of a healthy relationship, with the exception of a little roleplay between consenting adults. Note that this trope is mostly Exactly What It Says on the Tin. If there is no kiss, that's Belligerent Sexual Tension. Dating back at least to William Shakespeare's Much Ado About Nothing. Compare "Shut Up" Kiss, Love at First Punch, Belligerent Sexual Tension, "Take That!" Kiss, Vitriolic Best Buds, and Destructo-Nookie. Often considered in similar terms to Foe Yay. Tsunderes are often involved on at least one end. Kiss-Kiss-Slap is this in reverse (kissing, then fighting).

#09. Jarchie (Archie Andrews & Jughead Jones; ROMANTIC TROPE: HO YAY)

HoYay

Homoeroticism, yay! Those moments of plot, dialogue, acting, etc., that fans delight in interpreting as homoerotic. It probably originates from the old days, when the homosexuality taboo was serious enough that every gay pairing was considered a Crack Pairing, so when authors wrote same-sex characters as very intimate with each other, audiences largely accepted that they are just very good friends, and moved on, or when authors wrote outright references to homosexuality, most just laughed at the sheer absurdity of the thought. With the gradual dissolution of homophobic moral codes, more and more writers have been able to publish and share their work uncensored, changing media forever. Nowadays, Yaoi Fans and Yuri Fans willingly interpret any interaction as potentially gay, for characters without canonical orientations and even for those specifically stated by their creators to be straight (in which case the author may be very annoyed by the fans' insistence otherwise). Cultural differences also have their say here. The level of accepted physical intimacy between close friends and adult relatives is hardly constant across various eras and nationalities, so, for example, the hugs and kisses which seemed mundane for an antiquated reader may appear blatantly erotic in the eyes of a contemporary one. In particular, the concept of Romantic Two-Girl Friendship — and Romantic Two-Guy Friendship — highly intimate yet platonic, only began falling out of use in the latter half of the 19th century. When this is done intentionally, it's Homoerotic Subtext, or possibly Implied Love Interest or Ship Tease. In the related trope called Foe Yay, even rivals or mortal enemies can get this treatment by fans and writers alike, especially if they have a more friendly past together, or one is inordinately obsessed with the other. In Fan Fic, this is the direct cause of many a Slash Fic.

#08. Choni (Cheryl Blossom & Toni Topaz; ROMANTIC TROPE: OPPOSITES ATTRACT)

Opposites Attract

"Strange extremes meet in love's pathway."—The Scarlet Pimpernel

Strong relationships, in both TV and real life, thrive on how each member compensates for the other’s weaknesses with their own strengths, and vice versa. A Motor Mouth just isn’t as funny if he doesn’t have the Straight Man to torment. Similarly, only when a sweet, shy person is paired up with an equally jerkish one is their kindness and shyness made all the more noticeable. It is all but guaranteed that the characters’ differences will cause more friction than harmony between them. That’s what gives the Odd Couple its fuel for Slap-Slap-Kiss, Will They or Won't They?, and Aww, Look! They Really Do Love Each Other situations. Bickering and mushiness in one package. What’s not to like? The Odd Friendship also has elements of this, but tends to focus on how the differences make them see each other, and maybe the world, through new eyes. Perhaps the serious one is Not So Above It All, or the Shrinking Violet has an inner strength they never knew they had. A Moe Couplet also does something similar to this, focusing on how each half of the couplet brings out the other's endearing or nurturing traits. Opposites attract has become so widespread in buddy cop shows, in the form of Serious White Guy meets Loud Black Guy, that it branched off into its own subtrope. About the biggest challenge in creating a day-and-night dynamic is to keep the attract and repel cases relatively balanced. When the pendulum swings too far toward the repel side and the characters seem more interested in torturing each other than helping out, it’s no longer cute to watch; it’s just masochistic. The key (both in fiction and in Real Life) is to watch the pair's goals. If they want the same thing but use completely different methods to achieve it, it's this trope. If they want different things entirely, it's a divorce waiting to happen. If you add a third-party mediator for balance, you get a Power Trio. Contrast Birds of a Feather. Compare Too Much Alike.

#07. Cheronica (Cheryl Blossom & Veronica Lodge; ROMANTIC TROPE: VILLAINOUS CRUSH)

Villainous Crush

"Just fear me. Love me. Do as I say, and I shall be your slave."— Jareth the Goblin King to Sarah, Labyrinth

This trope applies whenever a villainous character has romantic and/or sexual feelings for a heroic one. If this crush takes a turn for the perverse (and most such crushes tend towards this), this can lead to tropes like I Have You Now, My Pretty, Forceful Kiss, Bathe Her and Bring Her to Me, And Now You Must Marry Me, Scarpia Ultimatum, and Go-Go Enslavement where the villain tries to force their desires upon the character, although none of those require a Villainous Crush. Additionally, the villain may become a Stalker with a Crush. If the crush itself is a motivating factor in their Start of Darkness, then it's Love Makes You Evil. This trope isn't always negative, though. This trope can conversely be a very humanising trait for an Anti-Villain. The heroic character may become a Morality Pet, and can be fairly certain that their villainous admirer will never harm them or allow harm to come to them, barring certain exceptions. They may even step in to protect them from other villains who have fewer compunctions. Taken all the way, it may become Love Redeems. If the feelings are mutual or an actual relationship develops, then it's Dating Catwoman instead. When this is purely subtextual, see Foe Romance Subtext. The specific variant when the Evil Empress captures the hero to seduce him is Villainesses Want Heroes. Not to be confused with Foe Yay, which are purely audience reactions.

#06. Archosie (Archie Andrews & Josie McCoy; ROMANTIC TROPE: BIRDS OF A FEATHER)

Birds Of A Feather

Grace: My mum always said opposites attract. Rich: That's magnets. We're people.—Skins

Relationships, particularly romantic ones, tend to thrive when the people involved are similar. People are simply more likely to get along if they share common interests, values, beliefs, and goals. Thus people with similar personalities will often flow together easily, whether romantically or not. The dynamic of this pair differs widely from Opposites Attract pair. Their personalities can often be interchangeable and both of them can have a same role if they are a part of a group. However, their common obstacle is having a harder time to compensate for each other's weaknesses. Be warned, writers: while often Truth in Television, this trope can sometimes be seen to create a poorly written Love Interest who just happens to be a Gender Flip of the main character. When the commonalities are much fewer but still create a bond, see Commonality Connection. Contrast Too Much Alike.

#05. Beronica (Veronica Lodge & Betty Cooper; ROMANTIC TROPE: ROMANTIC TWO-GIRL FRIENDSHIP)

Romantic Two-Girl Friendship

"It was perfectly acceptable at Baker & Inglis to get a crush on a fellow classmate. At a girls school a certain amount of emotional energy, normally expended on boys, gets redirected into friendships."—Middlesex

At the beginning of adolescence, there is a time when friendship is emphasized, usually junior high/middle school. These friendships can have very strong emotional bonds, and, when two girls develop a close bond, it will almost appear to be a romance. They hold hands. Getting together to do something is a "date." Fights are treated as a "break-up." They're willing to sleep next to each other in the same bed (and maybe even cuddle). They're also sometimes capable of moving and speaking in perfect unison. They may not actually be in a romantic relationship, but it is emphasized in such a way that if they were, you'd assume it'd look this way. In the Western world, this was far more common up until the late 1800s, and applied to both men and women, even into adulthood. It was referred to as "romantic friendship." This practice waned at the turn of the 20th century as adults, particularly men, did not want to be mistaken as homosexual. Note Generally, it still only occurs between young girls, where it is more socially acceptable and not indicative of sexual orientation. In Japan, this is known as "Class S" and is far more common than in the West. Due to the influence of Western female literature,Note the Japanese developed a belief that young girls are expected to have friendships with each other that emulate boyfriend–girlfriend relationships. This is considered a temporary but wonderful part of adolescence, which they can later "graduate" from to "real" relationships with boys. To remain in a "Class S" relationship past middle school is seen as a sign of immaturity, although it is expected that these friendships will continue into adulthood without the romantic elements. The possibility of one or more of the girls involved in a "Class S" relationship being truly invested in the other romantically is usually ignored. If the romance starts to become too passionate, parents may try to intervene to separate the girls. This should never become physical that way; it would "corrupt" the Incorruptible Pure Pureness, which is then traded in for marriage. If the girls do cross the line into sex (or even passionate kissing), they are no longer this trope, instead becoming Schoolgirl Lesbians, and are treated differently. Compare Heterosexual Life-Partners, where it just doesn't seem as romantic but remains a tremendously important personal bond, above and beyond a genuine romantic relationship. Also compare Experimented in College.

#04. Varchie (Archie Andrews & Veronica Lodge; ROMANTIC TROPE: UPTOWN GIRL)

Uptown Girl

"She's a rich girl, she don't try to hide it, Diamonds on the soles of her shoes. He's a poor boy, empty as a pocket, Empty as a pocket with nothing to lose."—Paul Simon, "Diamonds on the Soles of Her Shoes"

You know the story. It's a love story. Our lovers are from different worlds — one wealthy, one not. The poor girl has fallen in love with the Gentleman Snarker, or the Unlucky Everydude secretly courts the daughter of the richest man in town. And she loves him too. Maybe it was Love at First Sight. Maybe she has a habit of slipping out to the seedier side of town for a night of fun. Maybe they've been friends their whole lives and the difference in status never really mattered. Will their love be enough to let them be happy together?

In any case, this is usually played out in one of three ways:

The poor guy and rich girl mutually fall in love, and neither one cares about their differences in wealth. People around them, however, do, and conspire to interfere with True Love.

The poor guy falls for the rich girl, even though he knows that she's out of his league. Undaunted, our hero engages in some Zany Scheme to get her to notice him or be impressed by him. This usually ends with the girl revealing that she doesn't care if he's rich or poor, and that she loves him for who he is.

The poor guy and the rich girl fall for one another, but he doesn't know she's rich at first. When he finds out, he's either intimidated by her wealth once he finds out, or else doesn't think he's good enough for her. As before, she doesn't care about such things, and has to convince him that he's the one she wants.

When the rich girl wants nothing to do with the poor guy, but slowly warms up to him, it's a different trope entirely. Note that the roles aren't locked by gender: a working-class girl who loves a rich boy also fits this trope, as do two lovers of the same gender. A relationship variant of the Odd Couple and quite often overlaps with Nobody Thinks It Will Work. Also often leads to cases of I Can't Believe a Guy Like You Would Notice Me, either with severe case of insecurity (like the third type above), or simply the poor guy being constantly feeling lucky and appreciative that someone so rich could fall for him. If it's not just the fact that she comes from money, but that he feels like she's above him, she's a Peerless Love Interest. Compare with All Girls Want Bad Boys, which often follows the same socioeconomic groups (or the inverse, if the girl is The Ingenue and the boy is an Gentleman Snarker or Spoiled Brat). Can overlap with Single Woman Seeks Good Man as it is the guy's personality that wins her heart (as is the case mentioned above). Not to be confused with the Brittany Murphy film Uptown Girls, which doesn't use this trope. Not to be confused with City Mouse either. This is transitioning into Dead Horse Trope territory, since interclass marriage is no longer shocking, and the expectation that men should be the breadwinner in the family is much weaker today than it used to be. On the other hand, it may become an Undead Horse Trope with the emergence of culture wars and new waves of social stratification. For the non-romantic variant, see Interclass Friendship. For the version endemic to India, see Type Caste, although that trope is not restricted solely to marriage and relationships.

#03. Falice (FP Jones & Alice Cooper; ROMANTIC TROPE: UNRESOLVED SEXUAL TENSION AKA UST)

Unresolved Sexual Tension (UST)

"To repress one's feelings only makes them stronger."— Yu Shu Lien, Crouching Tiger, Hidden Dragon

Two people are obviously attracted to each other, but some element of the story is keeping them apart. This tension is frequently referred to as UST in fandom, where it is pronounced "oost" or Yu-Ess-Tee. Also known as "Long Unresolved Sexual Tension". Belligerent Sexual Tension is a way to keep the UST by having the couple fight each other too much to actually get together. They Do is when it gets resolved (Literally Falling in Love might help). Shipping Bed Death and Strangled by the Red String are when it gets resolved badly. Compare All Love Is Unrequited, Will They or Won't They?, Just Friends, Moment Killer (a staple of a UST relationship), Maybe Ever After (a more uncertain version), Cannot Spit It Out. Contrast Official Couple, when the couple is already together, and Friends with Benefits, where the primarybond in the relationship is sex.

#02. Barchie (Archie Andrews & Betty Cooper; ROMANTIC TROPE: WILL THEY OR WON’T THEY?)

Will They Or Won’t They?

"Pam is very attractive, no question. If I didn't have an award show to host, I could easily see having two or three seasons of will-they-won't-they sexual tension that ultimately goes nowhere."—Conan O'Brien, Emmy 2006 opening skit, after crashing, The Office (US)

Two characters, often combative but with obvious Unresolved Sexual Tension, resist going into a full blown relationship for a rather long time. Usually the two characters will be presented so that "they will" is the conclusion to root for; only rarely is the question of whether the writers think they should in any real doubt. Actually ending the dance is a tricky business. It is difficult for shows to recover from the loss of a major source of dramatic tension represented by an unrequited relationship. Many shows Jump the Shark or suffer Shipping Bed Death when the two characters finally get together. A common problem is that the show suddenly becomes about the relationship rather than remaining true to its original premise. Sometimes an attempt is made to introduce a new source of dramatic tension, but it is frequently cheesy and lame. To avoid this, many shows choose to answer the question and end the show nearly simultaneously via a Last Minute Hookup. Of course, the opposite can also occur. Shows can go out of their way to avoid resolving the relationship, making ever-more-desperate narrative leaps. In longer-running shows, they may even have the characters hook up for a little while, only to split up over and over again, until by the time they finally let the characters get actually, technically married, the show has lost its viewership anyway. Belligerent Sexual Tension is often a victim of this. Sometimes a Love Epiphany can be used to have a character realize his/her feelings, but still not resolve the question, just add a new dynamic to it. A fundamental Shipping-inducement strategy. See also Almost Kiss, Held Gaze, Relationship Upgrade, Moment Killer, Everyone Can See It. When a series ends without even a hint of resolution to will-they-or-won't-they, it's No Romantic Resolution. If it's more ambiguous, it's Maybe Ever After. Contrast Friends with Benefits, where they definitelydo it, but without the emotional baggage. Compare Just Friends and They Do. Contrast Platonic Life-Partners and Ship Sinking — they won't. See Just Eat Gilligan if it's a major plot point. See also Break-Up/Make-Up Scenario when they separate for some dramatic reason, spend a time apart, then reconcile (usually with a kiss, which breaks the Will They Or Won't They)

#01. Jeronica (Jughead Jones & Veronica Lodge; ROMANTIC TROPE: BELLIGERENT SEXUAL TENSION AKA BST)

Belligerent Sexual Tension (BST)

"Wonderful girl! Either I'm gonna kill her, or I'm beginning to like her!"— Han Solo about Princess Leia Organa, A New Hope

There's a couple, usually a sometimes sweet, sometimes grouchy female (Tsundere) paired with a secretly-kind jerk (Jerk With A Heart Of Gold), who are not able to admit their feelings. At the top of their lungs. Despite the conflict, there is an attraction. This is usually obvious to everyone around except the couple. Confront them with the obvious, they'll deny deny deny. Sometimes they will progress to admitting their friendship but insist they are Just Friends. Eventually, they can admit their feelings to practically anyone except their loved one. It ends up where both characters dance around admitting their feelings as if the words "I love you" are some sort of death curse, much to the frustration of the audience and the other characters. Older Than Steam, since this is used in Much Ado About Nothing, and has varying degrees of popularity at different times. If there is a Love Epiphany with one of these characters, expect it to change nothing, at least in the short term. This can even be true in established long-term relationships; see Like an Old Married Couple. If the whole relationship is defined by the belligerence, it can become The Masochism Tango. If a pair of outright enemies has this sort of attraction, it's a case of Foe Romance Subtext and when it ultimately goes from subtext to text, then it's Dating Catwoman. See also Slap-Slap-Kiss, No Accounting for Taste, Well, Excuse Me, Princess! and Defrosting Ice Queen. If we're lucky, at the end we may get to see a moment of Aww, Look! They Really Do Love Each Other. Expect this couple to be either extremely popular or completely hated by the fandom. For the platonic version, compare Vitriolic Best Buds and With Friends Like These.... Not to be confused with Hate at First Sight, although it may overlap.

#barchie #jeronica #bughead #varchie #veggie #archosie #choni #beronica #jarchie #falice #cheronica #riverdale #gifs aren't mine

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