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#the nameless boy
77ebe · 10 months
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i dont know where i was going with this but i had the nameless boy in mind when drawing this
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tonariofjananda · 2 months
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FNAE WIP/Sketch Dump!
I haven’t posted in a while but I have been drawing! I’m thinking that if I post some of these, I might be more inclined to want to draw or finish some of these lol. Check under the cut for the sake of not making a horribly long post lol
My First FNAE Sketches:
The experimental pages where I was still figuring out how to draw everyone. I just look at these pages and giggle at how much I struggled with March and Gugu’s mask lol. I loved to draw Fushi the most though (still do, I need to draw them more…)
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(I also just realized I haven’t drawn Parona in a while. I should remedy that lol)
Misc. First Time Drawings:
Figuring out how to draw all versions of Tonari; A Baron Springroll for fun while I messed around with Watercolors; From a random Messar doodle to a full art page (my hopes is to have Zeno sign that for me some day) I have some Kai and Hairo art around there but I couldn’t find it.. huh; And my first time drawing Eko… this continues to be my favorite drawing of her that I’ve done lol, despite how sad she is ;w;
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I was really starting to hit my groove with the characters here! I hated them at the time but I feel so warm seeing how nice Watercolor Bon is and how cool Messar looks! And how sad Eko looks ∠( . ; 」∠)_
Oh there’s a picture limit:
Here take a silly Fushi for now! I sent this on discord once but never posted it bc it was kinda spoilery
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Translation: Fushi pulled a power-up out of his ass and revived everyone (including Kahaku) “Come back to life motherfuckers, I’m shredded as fuck!!!” (Based on Jojo art by tanuki.boy99 on Instagram!)
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bestbonnist · 24 days
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Chapter 175
175.1 | 175.2
I love the chapter title. “A Perfect Plan.” Yeah, Fushi, lying to your friends (again) is a brilliant idea. That worked so well for you the last time you tried it.
This feels like a good time to go over Fushi’s tendency to lie in the present era, because now it’s continuing over into the wish era and at this point I would go as far as to call it an essential part of their character.
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Chapter 125 "Secret Base"
It starts with Mizuha, and Fushi’s decision to omit the truth about what happened to Izumi for her peace of mind. During their conversation the night after Mizuha kills her mom, they have a pretty telling exchange about lies and their deeper meaning. Fushi reveals that they think lying to someone means that someone’s important to you. They don’t say why they think so, but I’m going out on a limb and assuming it’s how they justify the decisions Bon made in Renril.
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Chapter 105 "Setting Sun"
Immediately after Fushi tells Mizuha what they think of lies, they then proceed to lie to her, setting up that she’s important to Fushi and laying the groundwork for their eventual conflict. Mizuha doesn’t go into why she thinks lying is bad, but in the case of her relationship with her mom, she was so upset at Izumi stealing her hair-tie and lying about it because it was an act of self-preservation. Sure, Izumi wouldn’t have lied if she didn’t love Mizuha, but her lie was—from Mizuha’s perspective—100% selfish. Fushi is already inclined to take Izumi’s side, because they’re doing the same thing she is. After all, they’re concerned about Mizuha because she’s Kahaku’s reincarnation.
Fushi continues to lie not just to Mizuha, but to their other friends. They don’t tell them about the knockers returning because they want their friends to remain blissfully ignorant of what’s really going on. They tell Yuuki that it’s because they promised their friends a peaceful world, and they don’t want to let them down.
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Chapter 131 "Alongside Peace"
Ideally, Fushi would like to take on everything by themselves and spare everyone else the pain. Connecting all of this back to the events of the chapter which I am supposed to be discussing, Fushi lies with the intention to "protect." Reality doesn’t go away if they don’t tell their friends about it—it’s still going to hit them eventually—but given the option Fushi will always choose to pretend everything’s fine for just a little longer.
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Chapter 175 "A Perfect Plan"
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Chapter 1 "The Final One" (panels in achronological order)
The composition of some of the panels in this chapter are a callback to the scene where the nameless boy thinks the rustling of his fishing line means a human tripped it. He and Fushi both expect to see someone on the other side of the door, although they’re hoping for different things—the nameless boy hopes that someone will be there, Fushi hopes that no one will—and they both switch back to a happy denial when the moment is gone.
Like Fushi, the nameless boy is a liar. He kept up the appearance that everything was fine, and carried on imaginary conversations with Johann because admitting the truth would completely break him. In a way, he was lying out of necessity. But the only person he was lying to was himself.
In the same way, when Fushi lies to the people around them, they’re trying to paint over the truth with an idealized version of reality. They’re lying to themselves just as much as they’re lying to others.
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Chapter 172 "Utopia"
Earlier in the wish era, when one of the lacking dies in front of them, what Fushi says when reassuring him reveals more about what they would find comforting in this situation. Similarly, when Fushi lies to their friends about what’s going on with the knockers or Mizuha’s clones, they’re projecting what they wish happened over what actually happened. Fushi doesn’t want to say that the clones are dead, because theoretically they could have stopped the massacre. They especially don’t want to disappoint the doll. Hence the lie that they choose to go with, about all of 32’s friends remembering her.
In terms of whether Fushi’s lying is selfish or not, well. That’s not a distinction that matters in any way. Fushi is doing what’s best for themselves, but they only go through with it because they genuinely believe that’s it’s the best for the people they’re lying to as well. They’re just… not always right about that.
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Chapter 175 "A Perfect Plan"
Moving on to the second half of the chapter—which I don’t have nearly as much to say about—this is our introduction to how Fushi uses Yuuki’s form now that he’s acquired it. Immediately I wonder what would happen if Fushi lost Yuuki’s form. It’s clear just from what we saw in this chapter that their memories of Yuuki have become a core part of Fushi’s decision-making process. “What would Yuuki want?” The wish era is the world that Yuuki built, of course Fushi is unwilling to disrupt it even thought they're familiar with its flaws. Maybe that'll change if they lose his form—or if they realize that this world isn't what Yuuki would have wanted.
It seems like most of Fushi’s friends don’t approve of their insistence on pacifism. Tonari and Messar are just tired of it, Bon and Hylo don’t really understand. It’s sort of ironic, since Fushi wanted to create a peaceful world for their friends to live in, that most of them don’t value peace all that much. What they value more is their life with Fushi. A peaceful world has been Fushi’s dream since Takunaha, and they believe everyone else wants it as much as they do. Kind of like the way they lie assuming everyone wants that kind of treatment. Just tied it all together, bam.
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aretmaw · 11 months
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The Nameless Boy
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diamondjester · 1 year
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To someone else’s Paradise?
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pppompy · 1 year
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lingbida · 1 year
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— “In the world that which I am alone, you were there…”
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kohakudragon · 2 years
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To Your Eternity fan art! This is one of my favorite anime! I’ve had this unfinished drawing in my WIP folder for almost a year now so I decided to finally color it.
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starsinitswake · 2 years
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“I knew you’d never forget about me”
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ethereal-maniac · 2 months
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Sunshine Ghoulette on the far right on her tip toes so she can hold Mountain’s hand is so cute to me 🥹
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saintmisu · 6 months
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happy (late) halloween 🎃
(swissdew for 200 followers thank you all sm! 💕)
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bestbonnist · 1 year
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Chapter 166.2
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The doll is laying back in a chair like the nameless boy during its first appearance.
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The person with the blindfold also first appears in a chair. The all-white lighting of this scene and the way they struggle forward are also reminiscent of when Fushi first used the nameless boy's body and struggled to move in it.
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And then the poses in these panels also mirror each other. Just a guess, but this person is probably the reason the doll is so determined to become human, just like the nameless boy was for Fushi.
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I'm never going to shut up about how Fushi spent the last two arcs feeling like they weren't allowed to be happy unless they were constantly helping others and now no one can be happy unless the people around them decide that they've helped enough to earn a good rating. Everything is so much worse now. With all my love to Mizuha and Yuuki, they fucked up big time.
I really like that we're looking at what lies outside of the star system along with the people inside it. The star system is presented like it's fair because it gives everyone an even chance. You don't get human rights unless you have stars, and how much of a human you are is dictated by how many stars you have, nothing else. Every human gets an equal opportunity to earn stars once they turn eight. But then characters like the doll and Kanitarou don't have a hope in high heaven of being human, because they were never part of the system.
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Just spinning my gears here, this is all hypothetical but if human beings are being mass produced and tailored to each customer's specifications like we saw in Chapter 166.1, then they're no more "real" than Kanitarou and the doll are. Toys are made up of wires, not flesh and blood, but human society only functions with the chips inside each person's body. Both rely on technology to live. People can even end up looking less and less human as well, if they get a low rating. They might eventually end up looking like a toy, given that the ramen store owner and others assumed the doll was just a person who had one star. The qualifications for being human are very specific and very arbitrary, aren't they.
On a side tangent, it struck me that the powers ordinary humans possess are more like the Beholder's than like Fushi's. The ability to make things that weren't already preexisting, the ability to give vessels life, the ability to replicate tiny details like grains of sand and such, even the ability to stretch lifespans indefinitely. Together, humans and knockers have reached a new height where anything is possible, and it's terrible. It's true that if Fushi had taken on the Beholder's abilities, they might have been able to present this from happening, but it's because they were unwilling to exert control over others like Kaibara Cybernetics does that they decided not to. You can't be a good person while holding onto that kind of power. For Fushi, they wouldn't have been able to be a person at all.
Which begs the question, what kind of state are the five star people working at Kaibara Cybernetics in? Just food for thought.
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Kanitarou and the doll have the start of an interesting character dynamic. Kanitarou is polite and logical where the doll is brutish and intuitive, but by the end of the chapter it's apparent that he's just as hard-headed as it is. I think it's interesting that he insists becoming human is a pipe dream but despite that, still has a strong sense of justice for toys and wants them all to be treated well. A little sad how he basically repeats what the boy who was torturing him said, that he and the doll are just programs. It's not any less hurtful if he says it nicely.
Overall, he seems very kind, and his attentiveness to the doll seems to bring out her kindness as well. They're goofy, I hope they become friends and stick together.
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novaiisk · 8 months
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Getting back into the swing of things with a simple mountain ghoul design 🏔️
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floating-goblin-art · 1 month
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some warmups
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kabukiaku · 8 months
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so uh....yeah. 🧍‍♀️
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zomb13queen · 6 months
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