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abigailnussbaum · 3 years

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Legends of Tomorrow, Season 5

I was going to write weekly reviews of this season, and then with one thing and another ended up dropping it in the spring (hey, remember when there was so much weekly TV that you couldn’t keep up with all your shows? Wonder how long it’ll be before that happens again). I caught up with the entire season this weekend, and honestly, that feels like a better standpoint from which to write about it - I think if I’d stuck with weekly reviews, I would have ended up saying the same thing week after week.

A couple of years ago, Emily VanDerWerff suggested that there is a standard lifecycle for high-concept, large ensemble, off-the-wall genre shows:

Season 1: still figuring this whole thing out

Season 2: now we’re cooking with oil

Season 3: we can do anything!

Season 4: whoops, no, we’ve gotten a bit over our skis here

Season 5: ???

Legends, I think, encapsulates this progression to a T. The show’s second and third seasons were some of the best and most exciting genre storytelling on television, but last year was a bit of a mess. That’s not entirely the writers’ fault - Nick Zano’s limited availability due to family obligations forced them to beef up the Time Bureau’s role in the season, and their desire to keep Maisie Richardson-Sellers on board even after Amaya’s story had wrapped up led them to create a character, Charlie, who had no real reason for being on the Waverider. But a lot of it was self-inflicted. The cast was too unwieldy, the Time Bureau story seemed designed to expose the thin spots in the show’s self-presentation as irreverent but fundamentally compassionate (it certainly didn’t help that the decision to rewrite Nate Sr. into a good guy was made almost at the last minute, requiring the entirely unconvincing argument that forcing magical creatures to perform in a circus act is somehow morally superior to forcing them to be secret agents), and some of the character choices felt entirely parachuted in (Zari/Nate, anyone?).

Season five, therefore, had a lot of clean up work to do, while also demonstrating that the Legends formula had more life in it than just those two transcendent early seasons. And while this is undeniably a more successful, more enjoyable season than the one preceding it (which also does a great deal to address some of the show’s structural issues, chiefly the overlarge cast), I also can’t help but notice that instead of finding new places for the show to go, what the fifth season delivers instead is a hodgepodge of story elements from seasons two and three. So we’ve got a mystical object that can rewrite reality (The Loom of Fate vs. season two′s The Spear of Destiny); a token hunt across time and space in which the Legends face off against the estranged relatives of one of their members (the totems in season three vs. the search for the pieces of the loom, Amaya’s evil granddaughter vs. Charlie’s evil sisters); a late season loss that forces our characters into a nightmarish alternate reality in which they don’t even remember who they are (the Legion of Evil rewriting the Legends’ lives to make them ordinary and unsatisfying vs. being stuck in TV shows in a world run by the Fates); which comes about because of a betrayal by a member of the team (Charlie in season five, Mick in season two) whose eventual return to the fold enables to Legends to win in the end. There’s even an abandoned, abused girl who has turned evil, and has to be won back to the side of good through the offer of true companionship and understanding (Nora Darhk vs. Astra Logue).

This isn’t exactly a bad thing - a lot of these storytelling beats cut to the very core of what Legends is and what makes it work, so it’s not necessarily wrong for the show to repeat them. And even if the basic structure is the same, Legends just keeps getting more adventurous in how it delivers that structure. I’ve already written about how well done the season’s mockumentary episode was, and the same can be said for the 80s slasher movie riff, the Mr. Rogers parody, and of course, “The One Where We’re Trapped on TV”. Like the multiple universe episode in season four, these are things the show couldn’t have done when it was just a few seasons old, and they’re proof that whatever other issues it has, Legends is constantly pushing the envelope in terms of the kind of tropes and genres it can graft onto a superhero template. That said, there’s a very real possibility that this is all the show will ever be - a standard story template, enlivened by increasingly gonzo riffs on existing tropes.

Some more thoughts on where the season worked and where it didn’t below.

THE GOOD:

I really hated the decision to make Nora a fairy godmother in season four, not least because it felt like yet another way of infantilizing her (it certainly didn’t help that it was a choice she was forced into, and that she spent the remainder of the season catering to the every whim of Gary, a character I still have very mixed feelings towards). But season five really reclaims that choice. Having Nora embrace the fairy godmother life as a way of both helping children and working through her own issues makes a lot of sense, and the character feels happier and more confident than we’ve ever seen her (certainly a step up from how gloomy she was last season). I even like the wardrobe change - once the fairy godmother dress was ditched except for specific occasions, having Nora dress all in teal is a nice touch, and certainly an improvement over her rather boring season four wardrobe. I still think Legends missed a lot in how it handled Nora last season (I will never stop being annoyed that she and Sara didn’t develop a deeper friendship, given how similar their life trajectories have been), but this was a good way of righting the ship, even in a very limited timeframe.

I already mentioned this in the episode review, but watching the rest of the season really cemented my admiration for how quickly the show embeds Behrad into the crew, and makes it feel as if he’s always been there. That’s all the more impressive given that Behrad doesn’t really get an arc in season five. Most of that storytelling energy goes to establish Zari 2.0, and Behrad is, of course, absent for much of the latter half of the season. And yet he feels almost instantly like a fully-rounded character who is integral to the show, so much so that you’re heartbroken by his death (and convinced that it will be rolled back, even though Zari could easily take over his superpower). That’s really excellent work by both the writers and Shayan Sobhian.

I was a bit nervous when Zari 2.0 was introduced, because replacing a heroic, cool-girl-coded, nobly self-sacrificing character with a version of herself who is extremely femme-coded and obsessed with things like fashion and social media is the sort of move that is ripe for easy misogynistic point-scoring in the guise of feminism - of course the Zari who is good with machines and eats donuts is superior to the one who has a perfume line and spends hours in the bathroom every morning! But the show very quickly established that Zari, though certainly not without her flaws, is awesome in any guise, and it did so without trying to change her into “our” Zari, eventually even establishing that they are two completely different people, each with a right to exist (though not simultaneously, unfortunately). I get why the show didn’t keep both Zaris around - it would be asking a lot of Tala Ashe to play two characters, much of the time against herself, not to mention a production nightmare - but I appreciate that it didn’t decide that Zari 2.0 was the lesser version. (Also a nice touch: Behrad, though obviously fond of Zari 1.0, doesn’t think of her as “his” sister, even though to us she’s the “real” version of the character.)

Similarly, I wasn’t quite sure what to expect when Ava moved to the Waverider full time - obviously, it would be an improvement on her playing a tinpot fascist at the Time Bureau while the show pretended that this wouldn’t really bother Sara, but at the same time Sara and Ava are both so similar in their functions and abilities that I worried they’d step on each other’s shoes. Instead, the show leaned into their differences and made the season about Ava finding her place as captain of the Waverider, a role she fills in very different ways than Sara while still doing a good job at it. It also allowed her to expand her point of view a little - bonding with Zari 2.0, or reaching out to Astra, both things that would have been outside of her comfort zone in the past. Obviously, this is setup for Ava taking over as captain in season six now that Sara has been abducted (though I hope not for very long - Legends isn’t Legends without Sara), but good on the show for taking the time to bring Ava to a point where she’s ready for this, and in a different way from Sara.

And speaking of looking ahead, the show takes the wise step of thinning out its cast. Personally, I would have kept Ray, Nora, and Mona and written off Constantine and Nate (and possibly also Gary), but either way, it’s good that the writers realized their cast was getting unwieldy. I was concerned, for example, that the show figuring out what to do with Charlie and giving her an elaborate backstory was a sign that she would stay on, but instead she leaves once that story is resolved. And I think that in an earlier season, Astra would have been positioned to stay on the Waverider after the end of the season, but instead she’s clearly a one-off character, who goes off to live her own life once the show has brought her story to a satisfying conclusion. (This also, however, means that Legends has written off two black women in a single season, not to mention Mona, and in fact has only one WOC main character remaining; I hope that’s something season six addresses.)

THE BAD:

I realize that I am very much in the minority on this, but I’m sorry: John Constantine does not belong on Legends of Tomorrow, and certainly not as a main character. Season five feels, in fact, like a perfect demonstration of this simple truth. The early parts of the season feel like two different shows, the Legends show and the Constantine show, that happen to have some points of intersection and shared characters. And even once those storylines converge, it’s notable how John’s quest for the Loom of Fate very quickly becomes Astra’s quest for it, and then Charlie’s, and how they both feel more grounded in that story and more affected by it than he was. What it comes down to, once again, is that John Constantine is a character who can’t change, and putting him on a show that is all about change and growth can’t help but feel unsatisfying for both the character and the show. Season five tries to suggest that change is possible for him - he finally comes clean with Astra and make a real apology to her; he admits that his pursuit of magic has cost him relationships and a chance at happiness; he reaches out to his friends when he thinks his life is about to end; he even quits smoking. But the character just doesn’t have that much give in it. To be John Constantine, he has to be the cynical, arrogant, self-destructive fuck-up we’ve always known. On a show like Legends of Tomorrow, that can work in small doses, but not as the main character that Constantine has been positioned as.

Though I’m glad that the show figured out something to do with Charlie before writing her off, the similarities between her story and Mick’s can’t help but shed a light on how poorly thought out this character has been, and how much her season five story is parachuted in. When Mick betrays the team at the end of season two, it’s barely a season after they’d put him off the ship for being perennially untrustworthy, leading to him becoming their nemesis. They only take him back out of pity for the decades of torture he suffered, and sympathy for the loss of his only friend, Captain Cold. His betrayal is a direct outcome of those cracks in the relationship - he does it because he wants to live in a world where he hasn’t been hurt or hurt others, and where his friend is still alive. When he changes his mind at the end of the season, it’s a culmination of two seasons of character growth, the realization that holding on to the pain in his life is worth it if it means he gets to keep the friendships he formed on the Waverider, and to continue to grow as a person - as expressed by his choice to put Snart back in his timeline, where he will become a better person (and eventually inspire Mick to do the same) but will also die. Charlie’s very similar storyline just doesn’t have this kind of depth. Neither her heel turn nor her face turn feel particularly earned, and a lot of that has to do with the fact that it took the writers so long to figure out who this character even was.

For a season of Legends, this was an awfully heteronormative stretch of episodes. Sure, Sara and Ava are still center stage, and that’s fantastic. But every other romantic relationship in the season, and there are quite a few of them, is a straight one. You might blame this on the fact that season five is a housecleaning season, wrapping up dangling storylines like Ray/Nora or Nate/Zari. But even the new characters like Behrad or Lita express only opposite-sex attraction (I guess Astra never demonstrates a preference). I mean, if you give John Constantine two different love interests in a single season and they’re both women, surely something has gone terribly wrong?

And speaking of John Constantine’s love interests, is putting him together with Zari meant to make the old her’s romance with Nate look organic and true to the characters in comparison? Because I can’t think of another reason for it. Do not want.

THE UGLY:

Words cannot express how much I hate the Damien Darhk episode. Not all of it, obviously - the Mr. Rogers riff, as I said, is pretty good (and pays off handsomely later in the season), and pretty much all the Ray/Nora stuff, especially the moment where she realizes she’s not going to lie to her father about the man she loves and the life she’s chosen, are golden. But it is simply mind-boggling that after two seasons in which Nora was firmly established as the survivor of a lifetime of abuse, Legends takes an entire hour to not only rehabilitate Damien, but pretend that he was always a loving father who just made some mistakes. For crying out loud, the man fed his daughter to a demon in order to gain power for himself. It was always an interesting wrinkle in his character that he clearly saw himself as a loving, protective parent, and was even capable of some level of self-sacrifice on Nora’s behalf, but I had assumed that the show realized this was at least partly a self-serving lie. To discover that we’re actually meant to think that one act of sacrifice cancels out a lifetime of abuse is nauseating. I wanted Nora to stand up to her father, but as a victim calling out her abuser, not a loving daughter trying to renegotiate a relationship with an overprotective parent. It certainly doesn’t help that the episode features inexplicably popular wedding story tropes, such as the groom asking the bride’s father for permission to marry her, or the father trying to keep the couple from physical intimacy before the wedding, which are gross in any context but especially so here. I suppose in the end it’s all worth it to be rid of Damien once and for all, but I was squirming with discomfort and rage throughout the entire episode.

#legends of tomorrow

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snellyboi · 4 years

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Psst, hey, you! Want a Steven Universe hot take?

Words: Too damn many Summary: It’s a Steven Universe hot take about hurting connie, and how it ties into the show, the original Steven Universe, the lack of filler, and Steak Dinners. Warnings: Longe boi, a bit of a text wall but I do use paragraphs so it’s not awful I guess? A lot of talks about filler and stuff at the beginning.

ALSO I SHOULD POINT OUT this isn’t, like, some sort of SU critical circa 2017 post. I have qualms with the show, which are discussed, but overall, I think it’s pretty good stuff. Please be aware of that. I’m not gonna say it’s the worst thing on the planet because it’s not.

UNDER THE CUT:

Before we get into the meat of the conversation, I need to tell you where I’m coming from.

I have...strange feelings about Steven Universe.

It came out when I was starting High School, when I was bingeing cartoons like nobody’s business because peer pressure for years had made me repulse them. I didn’t care much about the deeper meanings of the show at the time, if I wanted to do deeper meanings I could go back and watch ATLA or those Rebecca Sugar episodes of Adventure Time, or OTGW. This was a bunch of magic space rocks fighting other magic space rocks! I was SO down!

Near the middle, though, and closer to the end, I guess I got a little...bored with it? I dunno what it was; well, I do now, but at the time I had no clue. it just seemed...a little over the top. I guess I had signed up for something like early Adventure Time, or the early parts of any given ATLA season. It became more of a drama than anything else, like a hundred Zuko and Iroh moments rolled into one, emotional punch after emotional punch.

This isn’t the most sound assessment, no, and current me would be...a little annoyed at best if a show started doing this today. Sure, one could make the argument that I sound super hypocritical in retrospect, as I’m a huge fan of She-Ra and Infinity Train, but for every ‘Mermysteries’ in She-Ra there’s a ‘Roll With It’, and Infinity Train’s seasons are 5 nights long, perfect for punch after punch, but on Steven Universe? For every ‘Mirror Gem’, there was a...’Gem Harvest’. Which, sure, it was alright, but c’mon, calling an episode where we meet an entirely new character, even if only for a moment, filler, is a bit of a stretch. Filler is like ‘Always BMO Closing’ or something. And that hits the bone of the weird part here, does Steven Universe even have filler?

The whole 'no true filler’ idea is one of those things that sounds great on a show, but falls flat, because when people complain about filler, it’s complaining about bad filler, not the presence of it in general. If I get a steak and fries, and the fries are bad, I’m not complaining because they’re fries, I’m complaining because they’re bad fries. She-Ra is a good porterhouse with great fries. Infinity Train and OTGW are filet mignon with lobster tail, not really filler, but perfect in a way. Near the end, and really, for me, all the way through, Steven Universe felt more like a strip steak with no sides, just a little bit of A1.

Isn’t this post about Connie, SUF, and how that all works?

Yes, it is. We’re getting there.

Steven Universe Future has been all emotional roller coasters the whole way through, seemingly. I’ll be honest, I’m not as into it as I was into Steven Universe, for a few reasons. Mostly, it expands on that no filler problem, big time. Nothing feels like it can be out of place, there’s even an episode titled the ‘Very Special Episode’, a slang term used in TV to talk about stuff like stranger danger specials, or the Golden Girls tackling the issue of gay marriage, etc. With the tense build of Steven’s mental health issues, I honestly wouldn’t have it any other way. Whether I like it or not, it’s doing what it needs to do, and I’ll acknowledge that it does exactly what it sets out to accomplish.

So in Steven Universe, the main conflict is Steven and his past, and trying to convince people that no matter who someone is, they can be redeemed. It’s not a space war epic like I thought it would be (I used to be angry about that, but, just like the show said, people change, and now I have different qualms with it) but it does really well with that. So what is the conflict in SUF?

Steven has lost his raison d’etre.

He’s going through that most existential of crises; “I’m at the top of the mountain, now what?”

NOW WE FINALLY GET TO THE HOT TAKE!

The reason I brought up any of what I just did is to link it back to this heinous, outright stupid idea that Steven would just, like, I dunno, choke slam Connie or whatever you sick monsters wanna see.

All of this No Filler, Everything is important stuff told us a lot about the characters. After all, it’s hard not to have character development in a show environment like that. Steven was shown as someone who genuinely cared, a lot, about everyone around him. He almost over-empathizes, to the point where he’s able to see the good in a bunch of arguably fascist space rocks voiced by former broadway divas. As much as I dislike the show for only ever being weighty and never having any ‘true filler’ or whatever, the reason it did that makes stylistic sense; Steven has no filler in his life. He’s way too empathetic. He cried when he found out that Snakes don’t have arms, for christ’s sake!

As annoying as it felt watching it, it’s an unfortunate reality that some people are forced to live their lives that way, empathizing with anyone and everyone they meet, and it hurts, and when you fix all the problems people had, but they suddenly leave?

That fucking hurts. And that’s how I think we ended up here.

That’s also why I think he’s not gonna hit Connie. At least, not purposefully.

Steven has pretty openly expressed feelings for Connie before, and while we haven’t seen a romance line yet, it’s pretty obvious it’s slated to at some point.

Now, if Steven can empathize with Space Stalin™, he can empathize with a girl he’s had a crush on for years at this point for going away to seek higher education. Sure, these pink outbursts are getting to him, as recent leaks may have shown, but I doubt that hurting Connie would crop up. It goes against a lot of the show’s themes of community and healing. But most of all?

It’s just crappy writing.

The show has had its fair share of clunkers in my opinion, as every show longer than 2 seasons is bound to have. Remember that episode where Nanefua runs for mayor? Or how about the one with Lars and the Off Color gems where they’re there for a grand total, of, like...the opening?

None of those were terrible episodes though, just...forgettable. It’s not as if Steven just pulls out a chain gun and starts blasting in one of them. That would be stupid, and garbage, and a copout to generate ratings. Punching Connie would be like killing Brian on Family Guy; no weight, just shock. Flash in the pan. A bomb going off with no warning, no suspense. A jump scare.

And that’s why I talked about the whole No Filler thing, and how it annoys me to no end, but how it’s necessary and worth while!

No one would ever have spent this whole time building up Steven as an over empathizer with an Atlas personality just to have him punch someone whose been his love interest since 2013.

We would never spend an entire show cycle building someone up as caring too much about the people around him for his fatal flaw to be punching his girlfriend. The no filler thing was a noble, brave idea, that in my opinion fell over. But damn, did it do great things for the characters on the show, even if it sacrificed pacing.

It should come as no surprise by now that the no filler thing, to me, is a bit of a stretch. Of course there was filler; sure, lore gets expanded, but when it’s not expanded well it just feels like the writers aren’t quite sure what to do (hmm, maybe they’d be better at filler if they’d written some beforehand...).

But it portrayed the lead amazingly well, giving us a world through his eyes, and set up an amazing story about someone who cared too much about a world that was starting to care less and less about him. Setting us up for an amazing show, whether I want to watch it that often, or not.

Let’s face it, it may not be my favorite meal, but sometimes you just can’t beat a strip steak with a little bit of A1.

#steven universe #suf #steven universe future #connie maheswaran

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postpunkpontypandyphantomthief · 5 years

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9th Comedy Monologue

“Hey comrades”

“How are you now that summer is upon us?”

*listens to the responses*

So a lot has happened, Endgame happened and the BAFTA’s happened and lots of other stuff happened

The BAFTA’s were disappointing and some jokes lasted too long….like the joke I’m telling right now

Endgame though, cue to the part where I skip spoiling the film for people who still haven’t seen it

There was a scene where Ant-man….lost a taco

*melodramatically tries to look sad*

I know, very emotional scene, it looked like a such a good taco luckily Hulk shared his instead

Thor though, boi I have something to say about Thor,

Thor should be nominated for Queer Eye,

That is all

apparently, the guy that did Gangnam Style, PSY was inspired by Queen to start performing

speaking of music stars I learnt that Bowie once got struck in the eye with a lollipop during a Norway gig

“Ouch” but despite that, he continued on extending the gig

Legend, he also did a radio theatre concert, the year before my birthday and way before that Labyrinth was released, then again goblins are getting quite popular again

I am goblin kin

iconic, so...

Way back in 2011 I made my first youtube channel and I made my own series of youtube stories with my dolls think a cheesy sitcom version of Toy Story about a place called DreamLand which was an "afterlife/home for fictional characters".

It was about the adventures of Pauline Super Mario's first girlfriend before Peach, and how she lives in DreamLand with the girls she adopted, however, I was a beginner when it came to writing and comedy so it was similar in tone to Disney teen sitcoms

the characters were Lexa, Merlin, Avery, Ava, Scarina, Snow Bow, Mako, Emily, Lucky, Felica, Emma and Marshmellow, I had a sad backstory for most of them but most of them also already had established names so only a few were original characters mainly it was just Pauline, Lexa, Merlin, Avery, Scarina and some others, but in the story versions there was Ava, Snow Bow and a couple more

I wanted it to be a big production with lots of sets but I couldn't afford all the "props" I wanted at the time (I was also a bit of a brat who would make Christmas lists that were like 4 pages long so I grew out of it)

I also paraded DreamLand like it was the best thing since sliced bread and it wasn't, the production was not good and I used an iPod to record and the camera was almost always shaky

I also had a multiverse movie thing planned that would involve the Mario characters but that couldn't happen, back then I focused more on the stories, backstories and props rather than the character development, personalities and camera movement

on one hand, it taught me early skills about story writing and short film making but boi a lot of the dialogue was cringy, and the characters weren't made with much personality.

this was also when my "American sounding voice" had started to show and I was still a young teenager who at times had a very high voice

I felt a bit ashamed of having made the series until I watched one of Charlie Brooker's programmes and after learning that other producers and directors have done similar small scale productions with their toys and action figures as kids that's made me feel less bad about that

It was a multiverse small scale youtube series that referenced Nintendo, Bratz and My Little Pony with characters that mixed between being Original and being reinterpretations of already established characters

And the dialogue for this series, My Goodness it was cringy

I would mispronounce genre as Jenner and….the first episode involved a talking toothbrush, not just any talking toothbrush, a Fred figglehorn toothbrush, the kid who did youtube videos of him screaming in a chipmunk voice, No wonder I’d get into the young ones later in life with its cutaway gags and surreal themes

Or in the scene that references Clockwork Orange the character, Scarina is being held captive by the character Yasmina who says “I went to medical school but I'm not a doctor” how my 12-year-old self came up with that I’ll never know

My early youtube influences were quite mixed I’d watch film and video game critique channels, makeup gurus and animators

In fact, one of them actually unexpectedly noticed me on twitter a month ago

It was another post I made about asking my viewers about what famous people they think I resemble or look like

And the youtuber said One of those guys from the vintage TV show “The Young Ones”

That made my day

The former youtuber was Mike Mozart, he was a reviewer of vintage and notoriously bad toys, he also was one of the first people to get involved in spreading awareness of the copyright controversies going on at the time, he’s also a part-time graffiti artist, one of my idols

Another youtuber who has recently noticed me was Blaire White

She made a post about the current beauty guru drama

I'm sorry but all these Beauty Influencers have the easiest job. All y'all had to do was blend some eyeshadow and collect your millions but you choose to cause WW3 instead.

I responded it's not world war 3 it's world war tea

She simply laughed in her response, the last I recall “world war tea” being said was when people were commenting on an old Tumblr post that advertised a large jug of Tea next to several McNuggets

..in other news Tommy Robinson and other twits have got milkshake spilt on them...

the year is 2019

World War Tea is upon us

makeup gurus causing a dumpster fire

while comrades fight fascists and Nazis with eggshells and milkshakes

keep the milkshakes coming bois

And Burger King thinks they can join in on the fun…

*pauses folding my hands*

They don’t want to wave a red flag they just want your money, and if you think that’s bad over in the us,they’re also making mental health a theme in some of their new meals, the hashtag feel your way campaign…

Ugh, absolutely soulless

Like what’s going on in America right now...

I’ll say this, the one good thing you can take from Clockwork Orange

is the message about the importance of one's right to choose

Now, my fellow droogs what choice will you make?

#comedy monologue #monologue

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