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lenalvthor · 8 days

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tethered playlist breakdown - ch 2: all too well

this chapter’s music centres mainly around Imogen and Ashton! because i didn’t say anything about Ashton’s musical backstory in the ch 1 breakdown, let’s start with them 🎸🤘🏼:

Ashton

like Laudna, Ashton had a musical career as a teenager with his band The Nobodies (vibe: 2000s/2010s pop punk/punk rock, see - Five Minutes to Midnight by BOYS LIKE GIRLS or Check Yes Juliet (Run Baby Run) by We The Kings). also similar to Laudna, Ashton found themselves chewed up and spat back out by the industry they’d found a home in and were burned badly when the hamster wheel of international tours and year-after-year back-to-back albums slowed down for the first time (aka 1D vibes of burn out, band break-up + hiatuses).

their first foray into making music again was through a single, Floating in the Night (by Judah & the Lion) which they had originally written as a more pop punk song, but Bertrand directed them towards The Crown Keepers who Ashton collaborated with to rewrite it into more of a indie/folk rock song, and who ended up featuring when the single was released. Ashton signed with Eshteross Records soon afterwards and started rebranding as a solo artist making more folk rock style music as the years passed (again, taking suggestions for what songs could be the right vibe for an album during this period).

post 2-year-Bell’s Hells-separation-period, Ashton’s music has mellowed from the thing that’s remained so distinctive about him - the angry rock elements - which is why he is so nervous about his new music. that tone lingers a little in the lyrics and sometimes the instrumentation, but it’s not as consistent, so in the fic’s present-day, Ashton’s vibe most closely resembles Noah Kahan.

the album Ashton’s been working on over these 2 years, and that he shows Bell’s Hells in this chapter, is:

how it is / how it was / how it has to be

the view between villages

homesick

growing sideways

no complaints

stick season

paul revere

call your mom

halloween

dial drunk

new perspective

orange juice

you’re gonna go far

all my love

now listen to these songs through a different lens for me, will ya? —

in this au, Ashton’s first real home was music; it was the industry, it was the fans, it was The Nobodies, it was discovering a queer world beyond the place they grew up. but at the same time, just like what happened with Laudna, that same home started to dig its claws in and try to tear Ashton apart without them realising. the industry, the expectations, the lifestyle, the spotlight … it became something so dangerously toxic, threatening to swallow him whole. it was the reason Ashton developed chronic pain, the industry pressure was the reason The Nobodies didn't stay together, it was the reason Ashton became angry and cynical and bitter jaded. so there was an unexpected, devastating relief when The Nobodies broke up and Ashton had an excuse to step away. even though it was his home, it was where he found himself, where he first found the thing in the world he loved to do most, where he found his first real people.

so one of the reasons Ashton stayed away from music for as long as they did afterwards - older than many of the other Hells, just a little, having started in the industry before they did and waiting longer than Laudna between the teenage career ending and the adult career starting - was because they couldn’t figure out what to do with the conflict of the ‘place’ (the world / the lifestyle / the people / the culture) that made him also being the thing that caused him so much pain.

how it is / how it was / how it has to be is, in some ways, Ashton’s life and career mapped in its trajectory. from meeting FCG first and toeing the line of being tied to that world, taking the long drive back (the view between villages, homesick) and being reluctantly pulled back into making music (growing sideways, no complaints), eventually signing to Eshteross Records and telling stories again (stick season, paul revere) and everything that’s happened with the Hells plot-wise (some things you know, some things you don’t, i.e. rest of the tracklist) until now (all my love).

now, the song Laudna and Imogen mention that Laudna collaborated with Ashton on is, probably predictably: Call Your Mom ft Lizzy McAlpine. (Ashton writes it after Laudna gets back from her world tour to all the other Hells gone - Imogen especially - and Laudna and Dusk break up, and Laudna is just not doing well. Ashton first releases the original, and later that same month, a version with Laudna on it too.) also, as already mentioned in ch 2, the song Ashton wrote for + shows Imogen is you’re gonna go far because of course it is.

Imogen

here it is, here it is, the heart of the fic, its namesake (almost all Taylor Swift songs (different albums tho!) and if you aren’t heels dug in the dirt with only listening to rerecordings, OG versions sound the most like Imogen to me) —

tethered

breathe

come back…be here

the story of us

haunted

all too well

wouldn’t come back [by Trousdale]

enchanted

long live

now buckle up buttercups, we’re looking at these songs through a whole new light. forget romance (mostly), we’re doing family trauma:

(okay, admittedly, there is romance woven into all of this because it can’t not be. but that’s not at the heart of this album, is what’s important to note.)

breathe is about Laudna, of course - about their rela—friendship falling apart after their fight two years ago, and as Laudna started dating Dusk before Imogen left. But it’s also about how Imogen saw the crumbling of Liliana and Relvin’s relationship from a young, co-dependent, whirlwind marriage to something neither of them were sure how to hold onto.

come back…be here again, of course, is a little bit about Laudna (love how I said forget romance and here we are) — about her leaving to go on tour and follow the success of a career that’s finally controlled by her and not Delilah, about Imogen’s feelings of being left behind. but it’s also about Relvin and Imogen, being left behind by Liliana, about the faint memory Imogen has of watching her father pine for her mother as Liliana was off touring and making something of herself, Imogen and Relvin each longing for her to come back to them in Gelvaan one day but not knowing how to articulate that to each other and connect over it.

the story of us is Relvin and Liliana once their relationship had ended and Liliana still came to see Imogen, and things were tense and uncomfortable and Imogen could tell that a chapter in her life had come to a close in front of her eyes (both for her parents and for her relationship with her mother, knowing it’ll never be the same because Liliana won’t want to come back in the same way.)

haunted. look. I had many ‘oh my fucking god’ moments about this song. It’s my favourite Taylor song and I’ve used it for many an au, and l i s t e n. I know that for its symbolism and its imagery, could and should be about Laudna. but it’s not — this is about Liliana and Imogen. because the electric guitar and the tension and the building, growing crescendos of the whole song, the sharpness of the violins and the fury of the electric guitars all just fucking sounds to me like a storm. It’s about Imogen’s betrayal over Liliana leaving. so, you’re welcome.

now here’s the one that fucked me the most and I am begging y’all to appreciate it with me okay — all too well. OG and not the 10-minute version. it’s the song Imogen is the most proud of and the most afraid of putting into the world because she doesn’t know if it makes sense to anybody except her. the perspective changes nearly with every line; it’s the song that blurs together the experience of Relvin, Liliana and Imogen all loving and hating and missing and losing each other. the lines between where one person’s experience ends and another’s starts is impossible to see, and the resounding message of i was there, i remember it, all too well is Imogen determined to make sure that despite Liliana’s death years and years ago, despite Relvin as good as pretending she never existed, despite Imogen having moved away and left it all behind her, none of it is forgotten; a memory of the fact that it all happened has to continue to exist.

(and of course, that’s also the theme of this chapter.)

It’s a mixture of Liliana’s perspective of the whirlwind, small town, young love between her and Relvin that was always doomed to end, and Imogen watching the tail end of this relationship, Relvin seeming to lock it away the second Liliana was too far for him to hold onto. it’s Imogen trying to remember, to make sense of her parents’ relationship, their family.

and because this song is my roman empire for this au, please prepare for the fact that i’m giving you the line by line perspectives of this entire song, you’re welcome (i’m sorry):

the first verse is about Liliana, the second verse is Relvin, the prechorus - “and I know it’s long gone…” - is both of them and Imogen.

first chorus is Liliana and so is the verse that follows, but the second prechorus, that “there was nothing else I could do, and I forget about you long enough to forget why I needed to” is Relvin.

the first lines of the next chorus - “there we are again in the middle of the night, we’re dancing in the kitchen in the refrigerator light” - are Relvin and Liliana, but then the “down the stairs, I was there, I remember it all too well” is Imogen, as a little girl perched on the second to last step of the staircase, watching her parents dancing to the songs they used to love when they were teenagers, bathed in the light of the refrigerator with the door hanging open to cut through the sweltering, thick, night heat of Gelvaan’s summers (and in those moments, Imogen had been so sure that the three of them would be okay).

but of course, that’s not how it unfolded, which becomes clear in that build up to the bridge. so when it climbs and climbs to the “maybe we got lost in translation, maybe I asked for too much, maybe this thing was a masterpiece til you tore it all up” is Relvin and Imogen, being left by Liliana, feeling hurt and betrayed and not good enough in such different but also achingly similar ways.

“running scared, I was there, I remember it, all too well” is Imogen and Liliana, a decade apart, running from Gelvaan, from Relvin, from a town that wasn’t enough and desperate to find more but equally terrified for that murky unknown at the same time.

and then — “you call me up again just to break me like a promise, so casually cruel in the name of being honest” is Imogen. the experience of Liliana slowly but surely drifting away from being Imogen’s mother in a way that felt like such a betrayal.

everything after this is all of them, everything from “time won’t fly” to the “it was rare, i was there” is all of them, losing each other at the same time and not being a ble to do anything as it happens.

then those last three lines: “wind in my hair, you were there, you remember it all” is Liliana to Relvin; “down the stairs, you were there, you remember it all” is Relvin to Imogen; and “it was rare, I was there, I remember it all too well” is Imogen (to both of them, but to herself more than anyone else).

anyway. moving on.

wouldn’t come back is about the uncomfortable ease with which Imogen understands Liliana’s choices and decisions, when it comes down to it. because she left too, just like Liliana, and then she did it again years later, from people she really did truly love and a life she cherished, and this song is Imogen writing about those choices and those parallels and understanding both the hurt on the side of being left behind and the desperation of needing to leave.

enchanted is about Laudna. every note, every line, every second, every piece of the story, is all all all Laudna, because I was lying to you about forgetting romance because c’mon. about first meeting Laudna years ago and thinking that she should, by all accounts, be intimidated seeing someone who’s music she’d listened to for years, who’s a household name in a way Imogen has only ever dreamed of being, in a way Liliana was, but Laudna was so shy and flighty back then, so soft and holy shit, she was - is - beautiful, her voice even more … musical than Imogen had heard in the interviews and clips. so that’s enchanted.

and long live is, of course, about Bell’s Hells. about how they made each other better, about how they saved each other at points when they were so afraid of what the world had in store for them, about how they made each other the most authentic versions of themselves, and how, as Imogen wrote this album, she was so isolated from all of them by her own making, how all she had was the memories of how that used to be, but that’ll still be worth everything to her.

so that’s tethered.

(oh as a little treat: the song Laudna is working on that afternoon while she and Imogen hang out in the apartment is Apple Pie by Lizzy McAlpine xo)

I’ll wrap it up there so that this doesn’t become as long as the chapter itself, but: hope this gives you some music to listen to and a world to think about in the two week wait before next CR ep!

give me music recs for this au if you think of any, tell me what you think of the songs I’ve already told you about, and for the sake of ease: here’s a playlist for y’all (will update it every week with new songs as I add them to the plot in the fic).

love, chim ⚡️

#critical role #critical role fic #imodna #tethered au; music breakdown #tethered au #c3 #cileme writes

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unseelie-robynx · 2 years

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Ok, ok hear me out. I'm calling this like, the Tethered AU or something

But like, so Macaque had all those chains on him from LBD right?

And SWK was basically stuffed full of her power.

So like, accidental side effect unintended consequence, (shhhh, yes I know they both got free and we saw her power break/ be driven out and all that), but after the fight, something something, not sure what yet, and the two dumb monkeys are being all emotinal and fighting and Macaque goes to storm off again and SWK is like, No. No you're not leaving me again, and like, golden chains shoot out of him and drag Macaque back.

And they both kinda sit there and blink for a sec before they both panic, but neither of them can turn it off. Because SWK has attachment issues and wants someone who will stay, and shadow boy is tired of running but doesn't know how to stop and now he doesn't have a choice, and both of them have unaddressed trauma and this is not the way to deal with it but also, it's working so they don't want to stop it

The chains and stuff aren't visible unless like, one of them is pulling on them. Mac to try and get out of the range SWK unconsciously sets, in which case he gets yanked back, and SWK when he isn't fully in control, (like half asleep or overly emotional) and he basically drags Mac from wherever back to him. (sometimes through Mac's shadows if he's far enough away)

And it's like, both fluffy and fucked up cause like, you get moments when SWK is half asleep and touch starved monkey is dragging Mac across the room to come cuddle with him and Mac is like, seriously? bus secretly also wants to cuddle because touch starved but also literally doesn't have a choice? Because he can't actually fight off the chains.

And like, both monkeys are getting better, but it's in a very messed up way and Mac's whole redemption is based off of forced proximity to the Crew because SWK has him under a max limit of how far he can get, which changes all the time based on how mentally ok said monkey is at any given time, and getting pulled about is painful and it's better to just stay close. (And he kinda wants to hang out with the other's but he can't say that, cause Trauma™️ so now he has an excuse)

#lmk #monkie kid #Lego Monkie Kid #Sun Wukong #lmk sun wukong #six eared macaque #lmk macaque #lego monkie kid s3 #Tethered AU

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singsofecho · 1 year

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AU where Wei Wuxian spends the thirteen years with his soul attached to Jiang Cheng because of the golden core fiasco

#tethered au #My art stuff #Jiang Cheng #wei wuxian #江澄 #魏无羡 #making myself sad over the yunmeng trio? me?#i would never

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marong710 · 1 year

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//Spoilers for Vol. 1 & Vol. 2, blood, implied character death

This post doesn’t contain all of my art/sketches of TMC, those I might post another day. All whiteboard sketches minus the last one, the first two I drew the victims’ conversations, the next three are sketches were drawn from the Tethered Together AU created by @parctopia! (They’re an amazing person and a lovely friend of mine, please check their art out when you have the time!) The fourth sketch is the last conversation of Adam and Jonah in Vol. 2, and the last sketch is of Mark and Alt!Cesar. I still don’t know how to draw scary Alternate faces so…Yeah

I’ll post again when I have more sketches to share, it IS finals week so it’s a bit frustrating, but we’ll manage! Good luck to everyone!

#TMC #the mandela catalogue #Adam Murray #Jonah Marshall #Mark Heathcliff #Cesar Torres #tethered au #analog horror #I should really change Adam’s hair design because it is hurting me #I just noticed that Adam and Mark basically has the same face in the first two drawings

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poorly-drawn-mdzs · 6 days

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I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wen ning #wei wuxian #wen qing #jiang cheng #Truly Massive disclaimer here: I am a Jiang Cheng enjoyer. I like his character. I enjoy that he is very flawed and volatile.#This episode of the audio drama has a lot of great breakdown scenes featuring JC - and they all deserve a feature.#But underlying this comic is a small meta comment of 'ah man I have too many comics of JC just wailing sadly'#My goal is to draw 6-8 comics per episode - I sometimes have to truncate and cut good scenes out.#Especially when a large majority is just different flavours of trauma and toxic relationships to your self-worth.#I would also like to make a note here that just because you lose the ability to do something that is very tied to your core identity-#-does not mean your life is over. It will feel like the end of the world. It will send you into a spiral of grief. It will hurt so badly.#Sometimes we do not realize how tied up our identities can be in certain things until we are cut loose.#You don't lose yourself. I promise the pain will fade in time. I promise you will find other things to tether you. I promise you will be ok #Life moves forwards. Time moves forwards. You move forwards.#Ego death just means an opportunity for ego rebirth. You are never committed to being the same person forever.#To wrap this around to JC: Yeah I love the twist with the core transfer but man I would have loved to see JC accept the loss.#Obviously it happens for a reason (story) but I can have my AUs. I can have these 'what-ifs'.#described in alt text #I'm trying it out! *please* give me feedback - I want to eventually Add image ID to all of these comics one day

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carnivalcarriondiscarded · 8 months

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warlock wizard Wally scribbles... Thinkings! oh and a bonus bard-ish Barnabys in the corner for flavor

outfit ramblings:

first of all that is a Terrible rendition of what Home looks like in my head. i just needed to fill empty space </3

the staff was the toughest part honestly. bc it Had to be paintbrush-themed, but then halfway through scribbling i was like "oh shit. there are only so many ways to draw a paintbrush-wizard-staff and Weevmo already hit it out of the park." so if you're seeing similarities! you're right! i tried to make it as different as i could! there is Inspiration from their marvelous design, however accidental or subconscious! Apologies!

he gets a pointed hood instead of a hat because a) it looks great on him! and b) it has less of a chance of messing up his hair! also c) it helps muddle the difference between Wizard and Warlock. typically hoods have evil/duplicitous connotation - blur the lines! i want his long gloves and forearm wraps to have the same vibe. his neckerchief is a big help in hiding Home's seal!

his layered (loosely apple-themed) capelet (which the hood is attached to) has a nice high collar & hides the details of his loose shirt - eye embroidery! and some flowers on the shoulders but yk, mostly eyes. on one side of the shirt buttons has open eyes, the other side they're closed! there's also one big eye on his back!

his belt buckle is two halves of an apple! he wears tall thigh-high boots w/ low heels to feel Taller! he has a book-holster hooked to the back of his belt, which holds his grimoire! and he has a lil thigh-bag that has been magicked to be Bottomless and warps size! he can fit pretty much anything in there! canvases! paint! apples!

his half-skirt thing (idk what the word for it is!) is really plush, like a quilt - his capelet is the same fabric. soft, cozy. sometimes he'll use the skirt thing as a blanket in a pinch, or as a picnic placemat!

is his outfit a little Complicated? is it annoying to replicate? yes and yes. but im a maximalist at heart and Nothing But The Best for the blorbo <3 layers my beloved <3

#i know ive said it before but whenever i make an au its essentially an Exploration in a sense #and this fantasy au ~Bog Edition~ is basically me going #'so wally and his house huh. whats up with that'#and maybe im taking it a bit to the extremes #since home is pretty much warlock wally's god??? sorta? loosely??#well it literally gave wally life and a body. so.#and it also literally took the place of his heart - wally Cannot live without home #they have a fun 'we cant exist without each other now' codependent very devoted kinda unhealthy relationship #wally sometimes has to do terrible things for home #and home will do terrible things in return for wally. even when wally doesnt want them to #and they both love each other very much <3 what kind of love is it <3 fuck if i know! theyre Weird About It though #its the only dynamic an ancient lovecraftian horror & the puppet they gave life & tethered itself to can have!!!#wally wisely keeps home & his 'warlock' status a secret from his friends for as long as he can #they just dont understand his & home's bond smh #scribble salad #welcome home #wh fantasy au #gonna have to workshop barns....#i need to balance the fantasy + hes a distinguished fella + bard #hence the hat. the hat stays.#gotta find the right vest...#and then everyone else if i feel like it....#outfit design is so Grueling but i refuse to keep it simple #there have to be LAYERS it has to be IN CHARACTER i have to put ALL THE EFFORT INTO IT

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jadequarze · 8 months

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I miss drawing Mythology AU Imogen

#jade draws #critical role #cr3 #critical role fanart #imogen temult #mythology au #i guess you can consider imogen if her markings change when her tether to ruidus is cut off #assuming it changes and assuming she didnt lose her power/life

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tooshytoexistproperly · 5 months

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Classy ghost man✨💜

#five nights at freddy's #fnaf william afton #william afton #william afton fnaf #william afton fanart #william fnaf #fnaf au #purple guy #purple #Classy man 💜✨#Tethered!Au #tethered au #my art

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battiegutz · 1 year

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i think lita likes mikeys turtle form more. idk just a hunch

#art #tethered au #tmnt lita #rottmnt mikey #rottmnt au #drew litas drawing w my left hand i was genuinely trying help

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fostopia · 7 months

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I’ll be nice since I only now continued my linework on the ask stuff; it’s coming I swear!! I’m in two classes that need almost 100% of my free time attention [don’t take AP classes kids!]

Sir Fluff is a little bitch [/aff /p] for getting this song stuck in my head; please let me know what you think of it so far!! I’ve never worked in Adobe Animate for a full length project so I’m genuinely curious.

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dark-elf-writes · 2 months

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For the soulmate tether au:

While the tether itself is more energy than any true “string” it very much does have a distance limit where it will go taut. Cloud and Genesis absolutely use this to tug the other off balance, smack their hands into whatever is nearest, or on one notable occasion to make Genesis spill his coffee when the other pisses them off.

#the elf talks #ff7 #soulmate au #Gen absolutely has the upper hand here but Cloud is smart and petty he finds the worst moments #Gen could drag Cloud around like a small dog on a leash if he wanted to and he has definitely thought about it #I mean I can’t make cloud listen to endless loveless without giving him some way to be annoying back #tethered au

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lenalvthor · 8 days

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tethered playlist breakdown - ch 1: chemtrails

hi hi hi! thank-you to everyone who has read, commented, left kudos, and bookmarked tethered so far (and if this is the first you're hearing of it, here's my critical role / bell's hells / imodna music au)! this beautiful, musical lil world has been knocking around in my head for a little over 6 months and i'm so excited to share it with other people 💗

so as I said on ao3, to create the Full Experience of this au the way i've been stewing in it over the past 6-odd months, i wanted to also pop chapter tie-in posts on here that give a more detailed breakdown of the music in each chapter, mainly bc I'm not someone who writes songfics rly and I don't like breaking up the flow of the fic + the suspension of disbelief with lyrics etc, so: we're gonna do it this way.

(again, if this is the first you're hearing of this au and it has piqued ur interest, would recommend giving ch 1 a read and then coming back to this post)

but okay, let's start with this first chapter ⚡🎼

i gave a bit of a generic ‘vibe’ of what everybody’s music sounds like in the end-notes, but i’m gonna elaborate a bit here + also fill in some gaps!

Liliana

in this fic, Liliana Temult gained acclaim as a teenage country star, kind of like early early Taylor Swift (vibes: TS debut, Fearless, + specifically the songs Sparks Fly, Mine, and Ours from Speak Now are songs Liliana released about her high school sweetheart turned husband (Relvin)).

*important to note: any TS songs that are confirmed as Liliana’s are re-recording versions of these songs, as the original versions of them are how i imagine Imogen sounding if she were to cover her mom’s music, plus also draws a more distinctive line in the differences in sound between Imogen and Liliana if both of them have TS music in their discographies. if you’re super hardline abt only listening to Taylor’s rerecordings, that’s chill, but just putting it out there as my distinction between Imogen’s TS songs and Liliana’s TS songs!

as Liliana got more popular, signed to a new label (Ruidus Records, owned by Ludinus Da’Leth, and Liliana was managed by Otohan Thull), Liliana’s sound changed and she spent more time away from home, in New York and LA (vibes: AURORA by Daisy Jones and the Six, Fleetwood Mac - 60s/70s-esque pop-rock with some country tinges to it).

Imogen

more on Imogen’s music in the fic’s present-day for the ch 2 breakdown, but for a backstory vibe: the first music Imogen releases are with songs from Kacey Musgraves’ album, Deeper Well; Imogen’s EP, called If I Let Go, has this tracklist:

Sway

Lonely Millionaire

The Architect

Cardinal

Sway is fairly self explanatory, and it’s the leading single for the EP.

Lonely Millionaire is about Imogen’s desperation to not slip into the wrong side of the industry no matter how alluring it may be at times, no matter how caught up she gets in the glitz and glamour and magic of it all, she doesn’t want to forget that it’s not worth it to get lost and end up on your own (like Liliana did).

The Architect is ‘small-town grew up in a christian community and maybe has some queer religious trauma’ Imogen Temult going ✌🏼don’t know if i believe i still believe in god and i don’t know if it would make it easier or harder if i did✌🏼.

Cardinal is something Imogen had written for years and years before she ever released it, but it’s a song that’s so clearly inspired by Liliana’s later career music, and it’s very much about Liliana too, and it almost gets swapped out for a different song because Imogen’s a little terrified that putting her mother’s musical story into her own at the start of her career is as good as damning her from the beginning, but Bertrand and Laudna convince her otherwise so this song ends up closing off the EP.

(later, when Imogen puts out the rest of her album (which includes songs I haven’t figured out yet lol), she adds Giver / Taker and Nothing To Be Scared Of also from Kacey’s new album, and both of them are written about Laudna :-). (the album is also called Nothing To Be Scared Of.)

Laudna

Laudna also got into music as a teenager (signing to Briarwood Records under Delilah) but exactly what kind of music that was, i’m not 100% on so taking suggestions + recommendations if you have any. tethered’s present-day Laudna’s music is mostly following the sound of Lizzy McAlpine. the six feet under EP referenced in ch 1 is:

doomsday

firearm

ceilings

chemtrails

there’s more for Laudna’s music - including other songs she wrote in the time Imogen was away - but we’ll get into those as they come up in the fic 😉

The Crown Keepers

finally, for this chapter’s musical rundown: to put some context to The Crown Keepers, they are, in fact, the Full Gang. Orym, Fearne, Dorian, Dariax, and Opal make up TCK, and they started out as a folk/indie lil group who wound up being signed to Eshteross Records by Bertrand. they’re the characters i have the Most songs for bc their musical sound is my favourite kind of music, but i’ll just give you some artists to listen to + some of the key songs tied to their group’s backstory!

vibes: Wild Rivers (both in music And in their actual Vibe as a group, go look them up, seriously) / Judah & the Lion (their song Spirit is the first song of TCK’s that blows up and they start to break into mainstream popularity) / Motherfolk / McFly / Morningsiders / Kodaline / Avalanche City (Sunset is one of the last songs they release + the very very last song they play at the end of their world tour right before they go on hiatus) / and Tiny Habits as little smaller combos of different members of the band (esp their cover of landslide).

quick addition because I keep forgetting: the song that Imogen and Laudna sing together that Orym and Imogen text about is Call It What You Want from High School Musical the Musical the Series, and it's actually the song t hat set this whole fic off, funnily enough.

anyway! that’s some musical insight for u for ch 1!! here’s the playlist (so far) — will add more as it comes up!

love, chim ⚡

#imodna #critical role fic #critical role #c3 #cileme writes #tethered au #tethered au; music breakdown

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