idk about you guys i would be his best friend forever....

warrior catsona... i'm honestly not sure what clan he would be in if he was in one of the main clans, he would be a chill but awkward kind of cat. just a background guy that might look under rocks for bugs.

A more experimental attack to Meatflavor! Tatzl is just saying hello! I wanted to try some more shading and using only my black and purple pen. This was very interesting experimentation.

a Tatzle Vvurm for @oswald-privileges, because I’m love them and the horrrendous characters they make

His name is Tatzl!! his belly is see through and the mouths on him are fully functioning! he can eat and speak with them! their voices are different, though..

MLP | Simply Non Toxic | FEARDAKEZ

━━━━━━━━━━━━━━━━━━━━━━━━━━━━ NON TOXIC What an anger mlem boy. ＦＥＡＲＤＡＫＥＺ━━━━━━━━━━━━━━━━━━━ ᴘᴀᴛʀᴇᴏɴ 💀 ᴄᴏᴍᴍɪꜱꜱɪᴏɴꜱ 💀ꜱᴛʀᴇᴀᴍ 💀 ᴛᴡɪᴛᴛᴇʀ 💀 ᴅɪꜱᴄᴏʀᴅ

“And the new Rainy I found is....”

“Hiya! I’m Tatzlfeather!”

Tatzl Rainbow Feather waves ‘hi’ with a tongue!

Art by @carniscorner

For Tatlz: 36, 56, for Frankie: 17, 57, for Dr. Worm: 5, 50, 59 (because i can't imagine them being quiet about anything, least of all their passion) 69 and feel free to pick and choose too \o/

The Tatzl VVrym

what’s a secret they’ve kept?

what it looks like when it smiles for real :3

what animal do they most relate to?

the tardigrade! No Bones And Unable To Die :)

Frankie

what do they dream about, when their dreams are their own?

They have a lot of those dreams that are like “oh god I’ve got to do something but things keep getting lost/falling apart/melting and I can’t keep track of time and everyone is MAD at me aaauuuughhhh”. They don’t often sleep well.

what makes them angry?

Being misunderstood. Unfortunately, what they see as “misunderstanding” is often “i understand you exactly, i just dont like it”

Doctor Worm

do they follow a higher power? what are their thoughts on divinity?

they don’t follow any god at the moment, and they’re absolutely not in the market for a replacement. they’re governing their own life for now, thank you very much.

divinity is overrated.

can they sing? can they dance?

technically, yes to both!

they often sing to themselves while working, though it sounds a bit like someone taking one of those bigmouth billy bass mechanical fish, submerging it in treacle, and pressing the play button.

when they dance, it looks like one of those memes where someone takes a layer in an art program and resizes it in time to the music

what is a quiet passion of theirs?

you’re right, they’re not very good at being quiet about anything.

the closest thing, I think, is sort-of sculpting? when they don’t have anything else to do with their hands, they’ll often squish and pinch a blob of clay or plasticine or raw matter into new and interesting shapes! they can get quite involved in it. they almost never keep anything they make, though. Eventually it all ends up in a messy looking blob.

how would they describe their party members?

dr worm doesn’t have a set party at the moment! So I’ll do some for the characters they met on the Neverending Train

Eos- “The first to step up in the name of experimenting with new mailbox technology! A fine investigative spirit!”

Perrin- “A forthright and admirable creature! We would have been tending to the battlefield’s wounded for much longer without their direction.”

Ami- “Has a most novel way of moving through the air! If only we had remembered to take some notes before the floor went away.”

Tammy- “A fine companion! Perhaps a smidge overcautious in the face of encounters with novel sucrose-based fauna, but she means well, we have no doubt.”

McDonald’s #McBanksy 🍔🍟🥤 Digital #advertisement created by #DDB, #Austriafor McDonald’s, within the category: #Food. #Advertising Agency: DDB, #Vienna, Austria Creative Directors: Thomas Tatzl, Andreas Spielvogel Art Director: Babette Brunner Concept: Daniel Stieber Published/Aired: October 2018 #Banksy #PrintAd https://www.instagram.com/p/B2SwWeWJfIc/?igshid=1zo923zb7uva

tfw you become a saw fan but you havent properly drawn a human in 5 years

Teetasse - die vielfältige Art Tee in Tassen zu genießen

Die perfekten Teetasse eine Wissenschaft für sich

Teetasse

Kleine Tassenkunde: Wie die Teetasse (https://www.teamaker.de/teetasse/)mit Sieb ihren Namen bekam und wieder verlor Passionierte Teetrinker wissen es längst: Teetasse ist nicht gleich Teetasse. Je nachdem, ob sie gesundheitsfördernden Kräutertee, gekühlten Früchtetee oder aromatischen Ostfriesen-Tee enthält, weist sie ein jeweils eigenes Design für den perfekten Tee-Genuss auf. Welchen Gegenstand jemand meint, der von einer Tasse spricht, hängt maßgeblich von seiner Herkunft ab - denn der Begriff wird regional ganz unterschiedlich genutzt. Ursprünglich bezeichnete er ein Schälchen oder Näpfchen, wie es in China zum Teetrinken dient. Das Wort entstammt der arabischen Sprache und gelangte mit dem dazugehörigen Getränk in italienische Hafenstädte. Hier wurde es zunächst weiterhin für kleine, schüsselartige Gefäße verwendet. Mit dem Übergang in den Alpenraum kam dem Begriff "Tasse" eine neue Bedeutung zu, denn hier waren bereits andere Trinkgeschirre im Einsatz: die sogenannten Haferl - gerade geformte Becher, welche die Finger dank eines Henkels vor heißem Inhalt schützten. Daher wurde die italienische "tazza" kurzerhand zum "Tatzl" und bezeichnete fortan ein Tellerchen oder Tablett, auf dem die Trinkgefäße beim Servieren ihren Platz fanden. Noch heute kannst du in Wiener Gasthäusern "Tassen" bestellen und erhältst ein Gedeck aus Kaffee und Wasser. Andere Länder, andere Tassen: Die Teetasse im Sprachgebrauch Doch nicht nur Österreicher und Süddeutsche haben für Tassen eine eigene Bezeichnung. Auch in anderen Gegenden tragen die Geschirrteile jeweils eigene Namen. Im Norden Deutschlands wird vor allem eine grosse Vertreterin ihrer Art als Pott bezeichnet. Unsere niederländischen Nachbarn meinen mit diesem Begriff dagegen gleich eine ganze Kanne. Einfache Tassen heißen bei ihnen kop oder - weil das Holländische zu Verkleinerungsformen neigt - kopje (Tässchen). Nicht umsonst erinnert dieses Wort an die in Großbritannien gebräuchliche cup, denn die niederländische und die englische Sprache sind eng miteinander verwandt. Allerdings trinken nur gepflegte Briten aus einer herkömmlichen Teetasse mit Sieb und Deckel. Viele andere bevorzugen mugs - grosse, dickwandige Henkelbecher. Sie können aus Keramik, Edelstahl oder Glas bestehen und tragen meist ein auffälliges Design. Ihren bekanntesten Auftritt hat diese Form der Teetasse mit Kanne im Büro, wo sie sie häufig ein für die Arbeit typisches Motiv trägt. Die Teetasse mit Deckel und Sieb Porzellan als Design-Objekt (https://www.amapodo.com/amazon-de) Damit stellen mugs jedoch nur ein Beispiel für die grosse Design-Vielfalt aktuell erhältlicher Teetassen Set aus Glas dar. Die Bandbreite reicht vom extra dünnen, handbemalten Porzellan-Modell für Genießer bis zum robusten Edelstahl-Becher für den Outdoor-Freund. Möchtest du deine Teetasse groß in "Coffee to go"-Manier nutzen, stehen dir doppelwandig gearbeitete Ausführungen zur Verfügung, die ihren Inhalt länger heiß bzw. kalt halten. Nicht zuletzt ist eine besonders gestaltete Teetasse auch ein zeitloses Geschenk. Hierfür bieten sich Gefäße mit integriertem Sieb und Deckel oder ein hübsches Set aus Kanne und Teetasse mit Sieb an. Unser Produktvergleich hält für jeden Geschmack etwas bereit - und liefert dir auf Wunsch die passende Tee-Sorte gleich mit. Weitere informationen finden Sie im Shop (https://www.amapodo.com) posted by HR-Gateway

[Adopt a Sub Week] Happy Tatzl by Tsitra360 (X-Post from /r/Tatzljack) Image Source: http://ift.tt/2m5r3hr ~ Follow My Little Pony Games for new games, fan art and memes daily!

Higgs (for @mocksalute) (2.5 hours) Charlie and Vincent (4 hours) Alibi (for @modmad) (2 hours) Tatzl (for @oswald-privileges) (1.5 hours) London (16 hours)

Welp, in about two weeks time my partner and I will be completely out of money, so in order to not starve and/or become homeless before my visa nonsense is sorted, I’m opening up comissions for 2D and 3D art!

I’m charging a flat rate of US$5 per half-hour I spend working on the art. I will keep an in-depth and accurate record of the times spent doing art, and if you’re not certain how long a thing will take then you are entirely welcome to message me with details and questions.

Contact: Email: kyky25(at)gmail.com Discord: Ky the Squiddy#8091

Link to 3D art post

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano with Marco Messina and Alessandra Vassallo

Winterreise is Angelin Preljocaj’s latest creation, danced to the complete Schubert cycle of Lieder. I stand by my arguments that a large theatre like La Scala is not the right theatre for a piece with just 13 dancers and two musicians, but let’s leave that aside — Winterreise is a beautifully crafted gem of dance theatre. It is intriguing, it draws you in, and it grips from beginning to end.

Certainly, this music is not Vivaldi or Bach, even at their most dramatic. Winterreise is almost constantly dark and sombre, with such insistent melancholy for its entire 80 minutes that it is surely taxing for someone not used to the art song repertoire. The ‘winter journey’ comprises 24 songs which describe a wanderer trudging through snow with tears freezing on his cheek, the river he passes is silent as it rushes trapped beneath the ice, his hair turns grey with frost, he passes a graveyard noting that there is no room left for him… and so on. Occasionally something reminds him of happier times, but the mood soon reverts back.

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano with Thomas Tatzl and company

Bass-baritone Thomas Tatzl sang the taxing sequence almost every night for a week, accompanied sensitively by James Vaughan. He is on stage for a few moments, but for the most part in the semi-raised orchestra pit. Preljocaj illustrates the words — by the German poet Wilhelm Müller, available in translation as subtitles— sometimes literally, such as fans being waved to create wind when he sings about the weathervane, or three stylised spheres descending when the wanderer sees three suns in the sky (the sun dog meteorological phenomenon), though often the choreography simply mirrors the mood of a song.

Preljocaj moves his dancers in Constance Guisset’s essential but effective sets, with Eric Soyer’s detailed and dramatic lighting, often as six couples, but also in many other formations and in mesmerizing ways. There was not one moment when his choreography went against the music, but rather it added a rich visual layer to an already dense aural work. White snow falls on what might be earth, or maybe ashes; black confetti which the dancers roll in and move across throughout. Suffering is akin to pleasure in this landscape.

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano 01

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano with Marco Messina and Agnese Di Clemente

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano with Giulia Lunardi, Matteo Gavazzi, Antonella Albano and Marco Messina

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano with Stefania Ballone, Marco Agostino, Chiara Fiandra and Andrea Risso

The black costumes, the all-black set and the black floor create an oppressive atmosphere – six of the female dancers even emerge from under the ‘earth’ at the opening. At the halfway point, after more than half-an-hour of black, the backcloth rises revealing blindingly white panels as Die Post (The Post) gives the wanderer some hope: “Why does my heart leap up so?” The 12 dancers each have a white piece of paper, a letter, which is used to make sound as well as shapes.

Preljocaj uses his small group of dancers so well that with the quick, sometimes minimal, changes of costumes — costumes designed by Preljocaj — there is a continual flow that defies the spectator to define how many there are on stage. La Scala’s dancers have evidently worked intensely on all aspects of the piece from interpretation to the perfect, disciplined coordination; there were no weak links (they are all listed at the foot of the page).

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano 02

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano with Benedetta Montefiore

So, what to pick out from these 24 exquisite dance vignettes?

Rückblick (Backwards Glance) saw four wonderful dancers — Christian Fagetti, Marco Agostino, Marco Messina and Agnese Di Clemente — in a sensuous, longing, tender section that was especially moving and memorable. Messina was again excellent with the always noteworthy and personable Alessandra Vassallo in Der Lindenbaum (The Linden Tree), a piece that starts by them whipping up the black ash with their fast moving châiné turns and gives Vassallo opportunities to show off her impressively deep cambré.

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano with Andrea Risso and Christian Fagetti

Several times the always compelling Fagetti dances with the young, promising Andrea Risso in pieces that were technically challenging and bold. It is Risso who is paired with Vassallo at the beginning of the enthralling last Lied, Der Leiermann (The Organ Grinder), she now dressed in white, he in black, to the most haunting and cruelly inevitable of themes depicting the old organ grinder that no one listens to, that no one salutes, and who has dogs growling at his feet. Coloured elements that have appeared on stage are now eradicated, black has returned, and the men lower themselves into the darkness of the stage floor as the women in white solemnly scatter earth on their bodies.

Preljocaj’s choreography is demanding and requires synchronisation and precision – it would be noticed if something was mistimed or went wrong. The lack of knowing if something is ‘right’ or not personally turns me off. Everyone can hear when the tenor misses his top note even if the aria is being heard for the first time. With atonal music or ‘lazy’ choreography, where it can seem that everyone is doing their own thing, you say to yourself, “Well, that was probably what was intended,” but you don’t know. Not that such pieces can’t be effective, but I’d go for John Adams over John Cage anytime. Preljocaj’s choreography is sublimely melodic.

Winterreise by Angelin Preljocaj with Antonella Albano, Alessandra Vassallo, Stefania Ballone, Chiara Fiandra, Agnese Di Clemente, Giulia Lunardi, Benedetta Montefiore, Marco Agostino, Christian Fagetti, Matteo Gavazzi, Marco Messina, Eugenio Lepera and Andrea Risso.

Winterreise by Angelin Preljocaj, photo by Brescia and Amisano

Some tickets are left for specially priced performances on 8 and 9 March 2019

Winterreise at La Scala rejoices in Angelin Preljocaj’s sublimely melodic choreography Winterreise is Angelin Preljocaj’s latest creation, danced to the complete Schubert cycle of Lieder. I stand by my arguments that a large theatre like La Scala is not the right theatre for a piece with just 13 dancers and two musicians, but let’s leave that aside — …

COMMISSION | Non Toxic Phone Tappie | FDK

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