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#tasmanian oak
ryansbedroom · 1 year
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Varnished piece of Tasmanian Oak being cured in the sun!
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matildaveneer · 2 years
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It is a Durability Class 3 wood that is appropriate for the development of window/entryway outlines with adequate covering security. The centre trim reach of Matilda Veneer is Matilda Veneer Select Grade, which includes fewer imprints and normal qualities, making it a more grounded, cleaner, and more flexible wood.
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thenickwhite · 6 months
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Elevate Your Project with Premium Blackbutt and Timber Veneer
Manufacturing Process of Timber Veneer
The production of timber veneer involves slicing solid wood into thin sheets and bonding them to a more affordable substrate, like paper or plastic. The wood is softened in hot water before slicing, ensuring precision in achieving various grain patterns. Post-slicing, these veneer sheets are dried, reassembled, and prepared for woodworking, showcasing the meticulous craftsmanship involved.
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Timber Veneer Sheets: Precision and Quality
Timber veneer sheets are crafted by lengthwise cutting of veneer leaves, ensuring parallel edges and a uniform appearance. These sheets are backed with materials for added durability and undergo rigorous preparation, including sanding, to ensure they're ready for a range of projects.
Diverse Types of Wood Veneers for Specific Applications
Different veneer types, like paper-backed, wood-on-wood, and phenolic-backed, cater to varied applications. Each type offers unique benefits, such as flexibility for curved surfaces or strength for interior finishes, demonstrating the versatility of wood veneer in different contexts.
Authenticity and Natural Appeal with Timber Veneer
Timber veneer adds a genuine, natural look to any project. It transforms structurally challenging woods like burls into usable materials. This veneer is prominently featured in modern timber doors, furniture, and interior designs, enhancing their durability, strength, and aesthetic appeal.
Design Freedom with Timber Veneer
Timber veneer outperforms traditional hardwood in efficiency and design flexibility. It offers a broader range of design options, allowing for personalization in pattern and finish. Timber veneer sheets and panels, with their grain-aligned veneers, minimize the risk of splitting, making them ideal for bespoke designs.
Replicating Exotic Woods with a Range of Veneers
Matilda Veneer presents an extensive selection of wood veneers, including blackbutt and other timber varieties, ideal for mimicking rare, blackbutt veneer and expensive woods. Their commitment to sustainable sourcing and environmental responsibility ensures that their veneers are not only premium in quality but also eco-friendly.
Conclusion: Choosing Matilda Veneer for Quality and Sustainability
Opt for Matilda Veneer for top-tier wood veneer sourced from sustainably managed forests. Their diverse range caters to various applications, from luxury yachts to furniture and interior design, offering unmatched quality and environmental consideration. Contact Matilda Veneer for your next project to experience the best in wood veneer craftsmanship.
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moresnowbots · 9 months
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Home Office - Built-In Inspiration for a small contemporary built-in desk light wood floor and beige floor study room remodel with white walls
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nicothenick · 10 months
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Wood - Contemporary Exterior
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Mid-sized contemporary gray one-story wood house exterior idea with a tile roof
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richtigezahnpflege · 1 year
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Contemporary Exterior - Tile Mid-sized trendy gray one-story wood house exterior photo with a tile roof
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starwarsarthistory · 1 year
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Dining Kitchen (Melbourne)
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toushiz · 1 year
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Contemporary Kitchen - Kitchen
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aussiesmag · 2 years
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it is important that you make the right selection of furniture. Make sure you do a lot of research work to find the best quality Tasmanian oak furniture.
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kimije · 5 months
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A loom!
This took more time designing than making I think. It's based on an Ashford knitters loom, I was going to buy one and I still might get a bigger one later, but the idea was to make the sides of it all pretty and have multiple cross piece sets to make a loom the width of your current project so if you're making a 2" band you don't need to lug the 48" loom around.
I think most people just solve this problem by having multiple looms.
Each side piece is 2x6mm and one 3mm piece of poplar laser ply which has been glued together. The decorative pieces were cut out of the 3mm layer and painted separately while the rest was stained, after they were glued together it was finished with a Matt clear acrylic spray.
The cross pieces are Tasmanian oak and were not finished beyond a bit of sanding. The bracing pieces were a pain in the neck because they were too long to fit in the drill press and I can't drill straight to save my life so it took a couple of goes to get right. This is also the reason the different sizes are on hold until I need a different sized loom.
3d printing was used for the handles and ratchets and the washers between all of the moving parts
The reed was laser cut out of 3mm poplar laser ply as well, I am wondering if it would have been better to 3d print it, the edges are a little splintery.
Overall it went together a little tight, but with a bit of sanding everything moves as it should.
I don't currently have a long enough stick shuttle and at the price they are to buy vs how much effort it would be to make something even close to the same quality, well, it will be arriving on Wednesday and I'll start actually weaving then.
I tried looking at yarns for weaving some nicer cloth and uh I need to do a bit more research before I get into that (Ne 8/4? Nm 14/4?? 10-18 epi??? What is a sett???? Do I care if it's unmercerised?????????) SO, the acrylic wool from spotlight is ABSOLUTELY FINE for testing the loom.
I'll post more side detail pics later, I ran out of photo slots.
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oldfarmhouse · 10 months
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The floorboards in two rooms have been sanded and stained (only waxing to go), beautiful old Tasmanian Oak, which I believe comes from three trees: Eucalyptus regnans, Eucalyptus obliqua or Eucalyptus delegatensis. These boards are in one of the bedrooms upstairs, with varying tones and welcome imperfections.
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ahomeartgallery · 3 days
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Home is pleased to be exhibiting artwork by Hayley Megan French in 12.06.24. Pictured are two works from The Pipeline, acrylic on Polaroid photographs, mounted on Tasmanian Oak. Join us for opening drinks on Wednesday June 12th 6-8pm.
The Pipeline project began when my partner and I moved into our then rental home on Dharug Country, Old Guildford in 2018. Soon after we moved in, I picked up a copy of Alain de Botton’s Architecture of Happiness at a second-hand book fair. It was a fortuitous find. The book both articulated and inspired the relationship I was building to the first home which we have filled with everything we own (we both have hoarding tendencies though I prefer to think of myself as a collector).
Architecture works on us slowly, de Botton writes - ‘...architecture asks us to imagine that happiness might often have an unostentatious, unheroic character to it, that it might be found in a run of old floorboards or in a wash of morning light over a plaster wall...’
A very suburban kind of happiness. 
The Architecture of Happiness inspired me to take more notice of the intensely personal nature of other people’s houses. Their temperament, their vices and virtues. To see every house as a home, and their collective, a neighbourhood.  
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matildaveneer · 2 years
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Mouldings, like other Tasmanian oak items, are strong and flexible, and they improve the feel of any indoor space. They can be introduced through quick cycles; a large number of these simply adhere to the wall when a gum is applied.
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k-u-b-i-s-m · 4 months
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figdays · 2 years
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Kaidan Design, Tasmanian Oak Plant Stand // KaidanDesigns
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curatorialandco · 2 years
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PEACEFIELD by DIANA MILLER • Acrylic on linen • 150cm H x 130cm W • Framed in waxed Tasmanian oak Says Diana of her work: “Although it may look like my art is just about shapes and colours there is an autobiographical component to it too. I am always documenting my relationship to the environment and my daily experiences. Shape-making is a big part of my practice and making collages and drawings is how I go about creating shapes as my starting point. This process is a playful one, embracing experimentation and failure and allows me to create visual content that can ultimately feed into my paintings. I seem to think in shape and colour and these are the devices of my visual language. My brain seems to like composing and analysing compositions and observing the dialogues going on within.” Available on curatorialandco.com #art #dianamiller #abstractart #interiordesign #architecture #artanddesign #byronbayartist #northernrivers #byronbay https://www.instagram.com/p/CjMF5ifhgAz/?igshid=NGJjMDIxMWI=
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