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aboutanimation · 1 year

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All Those Sensations in my Belly from Adriatic Animation on Vimeo.

While transitioning from male to female gender, Matia struggles with finding a genuine intimate relationship with a heterosexual man.

Director, scriptwriter, editor: Marko Dješka With participation: Matia Anna Pleše Art director, designer: Hana Tintor Animation: Hana Tintor, Laura Martinović, David Lovrić, Marko Dješka, Draško Ivezić Interviews: Ljubica Letinić, Maja Flajsig Dramaturgy: Ivor Martinić Artistic advisor: Chintis Lundgren Music: Sofie Birch, Gustavo Lima Sound design: Pedro Marinho Sound editing: Bernardo Bento Foley: Francisca Campos Sound mix: Vasco Carvalho Voice recording: Jure Buljević Producer: Draško Ivezić (Adriatic Animation) Co-producers: David Doutel, Vasco Sá (BAP animation studio) Distribution: Bonobostudio bonobostudio.hr/en/distribution/all-those-sensations-in-my-belly .. adriaticanimation.hr/ .. Marko Dješka (1983) is an animation director, scriptwriter and comic book artist. He graduated from the Academy of Fine Arts in Zagreb, Department of Animated Film and New Media. His student films Slaughtered and The Son of Satan, as well as his first professional film Ghost Town have been awarded at numerous film festivals. Marko is one of the founders of the studio for animated film, Adriatic Animation. Filmography:

All Those Sensations in My Belly (2020), Ghost Town (2016) The Son of Satan (2012, student film) Slaughtered (2010, student film)

markodjeska.com/ instagram.com/markocomix/ .. All Those Sensations in my Belly awards/mentions: �Best Film in Balkan Competition, Anibar International Animation Festival, Peja, Kosovo 2020 �Special Mention in Croatian Competition, Animafest Zagreb, Croatia 2020 �Best Croatian Short Film, Festival mediteranskog filma Split, Croatia 2021 �Best Film Award, I+N Festival Courts Queer Short Film Fest, Montreal, Canada 2021 �Best Innovation Award, I+N Festival Courts Queer Short Film Fest, Montreal, Canada 2021 � Flickers' Youth Film Jury First Prize for the Best LGBTQ Film, Flickers' Rhode Island International Film Festival, USA 2021 �Special Mention, Festival MiX Festival Internazionale di Cinema Lgbtq+ e Cultura Queer, Milano, Italy 2021 �Best Animation, Linz International Short Film Festival, Linz, Austria 2021 �Best Script, Ottawa International Animation Festival (OIAF), Canada 2021 �Best European Short Film, 3D Wire Fest / Weird Market International Animation Market and Festival, Spain 2021 �Special Mention, Videomedeja Video Art Association, Video Art Library & Festival, Novi Sad, Serbia 2021 �Special Mention, Festival Internacional de Cine de Lanzarote, Italy 2021 �WIA Diversity Award, Spark3D Animation Festival/Women in Animation, Canada 2021 �Special Jury Prize, Большой фестиваль мультфильмов Big Cartoon Festival, Moscow, Russia 2021 �Special mention, Festival Festival Cinéma et Droits Humains, Paris, France 2021 �Youth Jury Award for Best Short Film, Exground filmfest, Wiesbaden, Germany 2021 �Best International Short Film, Tel Aviv International LGBT Film Festival, Israel 2021 �Special Mention, Manchester Animation Festival, UK 2021 �Best Short Film, SocialMed Mediterranean Human Rights Festival, Valencia, Spain 2021 �Special Mention, Merlinka International Queer Film Festival, Serbia 2021 �Special Mention in Monstrinha Competition, Monstra Lisbon Animated Film Festival, Lisabon, Portugal 2022 �Junior Jury Award, Animocje International Animated Film Festival, Bigdozsc, Poland 2022 �Special Award for Outstanding Achievement in Animation, International Filmmaker Festival of New York, USA 2022 �Jury's Personal Pick (Asako Fujioka) in A Slice of Society Category, Hiroshima Animation Season, Japan 2022 �Best film in international category, Animasivo International Animation Festival, Mexico City, Mexico 2022

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landinrris · 3 months

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The one place I don’t think Lando is is Monaco, purely because Ollie Solberg, one of the new Quadrant athletes, was competing in the first round of the WRC at the Rally of Monte Carlo this weekend so if Lando had been there I’m pretty certain he would have gone to support him and they would also have used it for Quadrant/Ollie promo especially as Ollie has the Quadrant logo on his car and suit now. Also Martin was in the studio until Saturday morning because the person he was recording with posted pics so they only flew out there Saturday pm earliest. So timeline wise Lando could have joined. It just feels v close to the start of the season which makes me doubtful but then Oscar is in Lanzarote so he’s not in the UK rn. I guess we’ll only know if Lando posts another set of heads down pose pics from Vietnam or McLaren post him at the MTC next week because on all his vacations this winter he’s been good at avoiding cameras for the most part except when he was stalked at his hotel in Helsinki.

Oh yeah true regarding the rally in Monte Carlo. If he was available and there, I imagine he would've made a point to see Ollie following the Quadrant news.

I agree that it's getting close though, which is why my rational brain says he's not on the other side of the world. Past years have definitely shown him being back in the UK at work by this time. Barcelona testing in 2022 was at the time this year's Bahrain testing is as well, so similar time course. The only thing that has me 👀 in regards to him potentially not being there is that McLaren didn't make their customary "he's back!" post like they do every year (though, I guess you could argue Friday's pictures might have been that).

Wherever he is, I'm sure he's doing pre-season prep. As you mentioned as well, Oscar popped by the factory and is now off training somewhere else, so realistically anything is possible until they do the car launch in a couple weeks.

#please sir may i have a crumb? just a crumb?#a vague sunset a la australia?#a picture of a tree?#lando #ask

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firstminutetransfer · 1 year

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César Manrique: Lanzarote´s most famous son

The island's most famous son, César Manrique, was a local artist and architect who had a major influence on the development of the island. Visitors can check out some of his most famous works, such as the Mirador del Río and the Jardín de Cactus during excursions in Lanzarote.

Lanzarote´s most famous son

César Manrique, the island's most famous son, was a local artist and architect who had a major influence on the development of Lanzarote.

He was born in 1919 on the island of Lanzarote, one of the Canary Islands. He is considered one of the most influential figures in the development of the island, known for his contributions to art, architecture, and environmentalism. He studied art in Madrid, but returned to Lanzarote in the 1950s and began to work on projects that would shape the island's future.

Manrique is best known for his work in the field of architecture, particularly for the creation of several iconic buildings and spaces on the island, such as the Mirador del Río, the Jardín de Cactus, and Casa-Museo César Manrique. These works are considered masterpieces of modern architecture, blending traditional elements and local materials with a modern aesthetic.

In addition to his architectural work, Manrique was also an accomplished artist, known for his paintings, sculptures and graphic works. He also worked as a cultural advisor, and advocated for the preservation of the island's natural and cultural heritage, fighting against mass tourism and urban development.

César Manrique most famous works

One of Manrique's most famous works is the Mirador del Río, located on the northern coast of the island. The Mirador is a viewpoint that offers spectacular views of the island and the sea. The building, which was built in the 1970s, is a unique blend of architecture and nature, with the use of natural materials such as volcanic rock and local vegetation. Inside, visitors can find a small museum that showcases the history and culture of the island.

Another of Manrique's famous works is the Jardín de Cactus, a cactus garden located in the town of Guatiza. The garden was created in the 1970s and features more than 10,000 cactus plants from all over the world, many of which are rare and endangered species. The garden is a great place to visit for nature lovers, and it offers a peaceful and relaxing atmosphere.

Manrique's impact on the island can also be seen in other projects, such as the Casa-Museo César Manrique, which is located in his birthplace of Haría. The house, which was his residence and studio, has been converted into a museum that showcases his life and work. The house is a great place to visit for those interested in art and architecture.

Manrique's influence on the island can also be seen in the way he fought against mass tourism and urban development. He believed that tourism could be developed in a sustainable way that preserves the island's natural beauty and cultural heritage. He advocated for the use of natural materials and local architecture in the construction of tourist facilities and the preservation of the island's natural landscapes.

Manrique's work continues to inspire many people on the island. His legacy is evident in the many projects that have been made on Lanzarote.

#lanzarote #turismo

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travelpointholidays · 2 years

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16NTS NICE, MED, MOROCCO, CANARY ISLANDS & MADEIRA Was £1399pp NOW fr just £929pp! Departs 28th September 2022 14nts Full Board cruise aboard Costa Pacifica Inc return flights Inc FREE 2nts Nice stay worth £200 SAVE up to £940 per couple Upgrade to Oceanview fr £199pp Upgrade to Balcony fr £359pp Savona - Marseille - Barcelona - Casablanca - Gran Canaria - Lanzarote - Fueteventura - Tenerife - Madeira - Malaga - Savona The Costa Pacifica was designed by Joe Farcus, cruise ship designer extraordinaire, and its theme is music, with each of its happy and colourful environments based on a different symphony. On board the ship, everything amazes, transports and entertains you and the excitement never ends. The secret of its beauty lies in the variety of its styles as well as the breath-taking array of different spaces. The ship’s musical theme is also carried through in ship activities. Unique to Costa Pacifica are cruising's first-ever recording studio as well as a "music maestro," who oversees the unusual-for-Costa enrichment opportunity to teach participating guests to play an instrument. On-board at a glance: State-of-the-art recording studio Decadent 6,000 m2 Samsara Spa 1 504 spacious cabins Be spoilt for choice with four pools, two with retractable covers Exciting twisting water slide Multipurpose sports pitch Relax in one of five Jacuzzis Several top bars including a Cognac & Cigar Bar Thrilling 4D Cinema Virtual World for kids of all ages Fantastic three-level theatre World class Samsara Restaurant (at Birmingham, United Kingdom) https://www.instagram.com/p/ChrXdEpsazm/?igshid=NGJjMDIxMWI=

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didwejustclick-com · 2 years

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All the way to Dublin from Lanzarote @alyssaa.06_ did a studio shoot with me before the megashoot and was awesome. . #tazphotos #tazangels #tazdevils #instagood #photooftheday #photoshoot #pretty #beautifulgirl #sexy #model #modeling #instamodel #instagood #picoftheday #instadaily #swag #hot #instalikes #lanzarote (at Smithfield Sq) https://www.instagram.com/p/Cgh6YgCMNCU/?igshid=NGJjMDIxMWI=

#tazphotos #tazangels #tazdevils #instagood #photooftheday #photoshoot #pretty #beautifulgirl #sexy #model #modeling #instamodel #picoftheday #instadaily #swag #hot #instalikes #lanzarote

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fornaxvoid · 3 years

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Percival Pembroke - Lanzarote A music video I've created for Percival Pembroke's release of Arpeggiatorworld++, back between October and December of 2017. I've made up most of the sets and props from old stuff laying around at my studio. All the software in the video is fictional, except one screen being based on the looks of CDE (Common Desktop Environment).

#synthesizer music #semiconductorwave #90s cyberpunk

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thelacunastudios · 5 years

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Creative Experience - presentation at Escuela de Arte Pancho Lasso

Over the past few weeks Sarah-Jane has been in touch with the fabulous team at Escuela de Arte Pancho Lasso, the Lanzarote School of Art. The discussions between them led to Sarah-Jane delivering a presentation to many of their students, lecturers and alumni last week.

The presentation topic was about Sarah-Jane’s ‘Creative Experience’ to-date, and her artistic journey so far. It also provided an opportunity to talk about The Lacuna Studios and what we intend to bring to the island.

Sarah-Jane was introduced by Carmen Miranda a lecturer from the college. Sarah-Jane talked about her formal art education from GCSE through to her PGCE. The progression initially led to Sarah-Jane being a secondary school teacher in Leeds. However, after five years, she decided that this wasn’t the career choice that best suited her and she moved to Cyprus to undertake her Masters Degree with the support of artist and educator Stass Paraskos at the Cyprus College of Art. Stass had a huge influence on not only her art but also on her vision of her career and indeed her whole life for the future.

Sarah-Jane returned from Cyprus and set up as an Artist Educator, working creatively in many varied locations. Some examples are The Tetley Art Gallery, Leeds Museums, Cannon Hall Museum Park and Gardens, Arts Council England, The Arts Council Collection, The National Arts Education Archive, The Marks and Spencer Archive and National Portfolio Galleries such as the Yorkshire Sculpture Park. Sarah-Jane has developed her own publishing house Next Generation Publications which has been able to publish a number of books created by participating children and relating to projects she has delivered over a number of years (these books are now available from the British Library).

The final section of Sarah-Jane’s talk explained about how her past experiences and teachings from Stass have led to the creation of The Lacuna Studios. She explained that how, along with Simon Turner, they aim to create residential art studios on the island of Lanzarote to provide facilities for both local and international artists and art students to learn and create in relaxed surroundings with no obligations.

Sarah-Jane talked about her experiences with other influential artists and her involvement with The Frozen Academy, an arts collective headed by Josef Danek. She also spoke of her regular involvement in the Larroque Arts Festival, directed by Professor Kenneth G. Hay from the Gallerie la Vielle Poste in Larroque. This is an international Arts Festival based in the rural village of Larroque in the South of France. The Lacuna Studios is proud to twin with for 2019 and deliver the Lanzarote Arts Festival at the end of July through to the beginning of August.

Sarah-Jane opened up the floor for questions from the audience with some very interested students keen to find out more about The Lacuna Studios, the Lanzarote Arts Festival and also about Sarah-Jane’s history.

The Escuela de Arte Pancho Lasso presented Sarah-Jane with a copy of the book telling the History of Escuela de Arte Pancho Lasso, to mark the occasion. The book is now a part of The Lacuna Studios Library which will be based at and accessible through the studios.

More details about the Lanzarote Arts Festival 2019 will be available shortly from The Lacuna Studios website and facebook page

#Lanzarote Arts Festival #art festival #international art festival #laf2019 #sarahjanemason #sarah jane mason #simon turner #Pancho Lasso #Escuela de Arte Pancho Lasso #thelacunastudios #The Lacuna Studios #Larroque Arts Festival #Stass Paraskos #Gallerie la Vielle Poste #Frozen Academy #creative practitioner #artist educator #artist

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wildhandtattoo · 2 years

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#wildhandtattoo #@wildhandtattoo #wild hand tattoo #satan #el diablo #diablo #diablo tattoo #diablotattoo #satantattoo #satan tattoo #lanzarote #tattoos lanzarote #tatuajes lanzarote #estudio lanzarote #studio lanzarote

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marcovalentinoarc · 3 years

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Vincent Leroy Studio - Lanzarote https://www.instagram.com/p/CO16YXaBuhf/?igshid=13az1uzduk9sf

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art-now-germany · 4 years

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Ins Reich des Raben (Into the realm of the raven), Andreas Garbe

A short trip in 2010 to the island of Lanzarote gave me numerous impressions, which - similar to what I already experienced in Australia - are characterized above all by the wonderful contrast of the rough landscape and the intense blue sky. As always, I hade my camera with me, with which I captured the impressions so that I could work them up later in my studio. Even then, wherever possible, I looked for plants in the foreground of the picture to further emphasize the depth effect of the landscape. The idea for the work "Into the Raven's Kingdom" was born during a hike to the largest volcanic crater on the island amidst the lava fields on the edge of the Timanfaya National Park. On the summit you have this wonderful view to the north, which I have captured in a painting as the only inspiration of this journey until now. On the summit you meet a very present, lonely raven who was the eponym for the painting. The contrast between near and far was realized among other things by the use of glaze painting and relief-like spatula technique, so that not only by the arial perspective a depth effect develops, but also by the different haptics of the work.

https://www.saatchiart.com/art/Painting-Ins-Reich-des-Raben-Into-the-realm-of-the-raven/1096198/4337630/view

#fineart #modern #AndreasGarbe #photorealism #realism #abstract

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revault · 5 years

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Folch Studio - Archaeological Museum Lanzarote

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tartantardis · 5 years

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The Four Doctors in Fiona Cumming’s Who career

(This interview was conducted in October 2013, for the Daily Record's Tartan TARDIS supplement. At the time she was retired and living with her husband Ian Fraser - another Doctor Who alumni - in Dumfries and Galloway, in the south of Scotland. Sadly, Fiona passed away in 2015. This interview is presented in full, with quite a lot that was cut from the print original)

FIONA Cumming has a Doctor Who CV to be proud of, boasting credits with the First, Second, Third and Fifth Doctors.

Indeed, when Peter Davison made his debut as the Fifth Doctor in 1981, it was Fiona, who grew up in Glasgow and Edinburgh, who was directing the story. She went on to direct three more stories with him.

But Fiona's involvement goes further back than the 1980s, having first worked on the show in 1965 as an assistant floor manager on William Hartnell tale The Massacre.

Fiona, said:"I had applied to the BBC in 1964 when they were getting ready for BBC2, and I had been accepted - but they lost my file and because I had a teaching degree, I came back up to Glasgow and started teaching at Bellahouston Academy. I can remember in 1963 when the kids came in, talking about this brilliant TV show they had seen the Saturday night before, and I said, 'What do you mean, it's set in a police box?'

"Then in 1964 I went to the BBC as a relief assistant floor manager, where you were slotted into various programmes. I was doing the twice-weekly soaps Compact and Swizzlewick, and the first time I was moved on to something different it was Doctor Who.

"I was put onto The Massacre in 1965 - so it's now 48 years since I first worked on Doctor Who. Peter Purves was William Hartnell's assistant at that time and the director was Paddy Russell, who had such a great reputation.

"In those days, working in television was like working in a teaching hospital - you learned from the person above you, and in turn you passed it on to the person below you when you moved up the ladder

"There was a feeling of passing on knowledge, but I think now that's not that way, because people are too busy looking after their own backs, and keeping their cards very close to their chest. In those days, there was a generosity of spirit, which was quite remarkable."

A couple of years later, Fiona worked on Patrick Troughton's second adventure after succeeding William Hartnell.

She said: "By 1967 I became a Production Assistant on The Highlanders with Pat Troughton which was one of the lost stories but there is a relic which I think I've still got. It was a piece of film in a tin and in the BBC, you get moved arond from office to office, and then one day someone forwarded this to me, along with a note, saying it was ridiculous I was leaving archive material behind! What they didn't realise was that it was just me with the clapperboard!

"I loved working with Pat Troughton and teamed up again in 1969 with The Seeds of Death. I had worked on Dr Findlays Casebook with him and admired him as an actor greatly.

"In 1972 I worked on my next Who, when Jon Pertwee was the Doctor in a story called The Mutants. That was around the time they had started using CSO, and I remember Katy Manning, who played the assistant, sitting in the middle of what seemed like a lot of custard, with the yellow colour they were using. She was pretending she could see all sorts of things, but really, it was just in the middle of this yellow part of the studio."

"The next years were varied but I'd started Directing and after cutting my teeth on Z Cars, Angels and other programmes in the Drama Serials department."

Fiona was delighted when she returned to the worlds of Doctor Who, launching Peter Davison as the Doctor in 1982 story Castrovalva.

But she didn't think that the show's new star was bothered with the level of expectation being thrust upon him after succeeding Tom Baker.

She said: "With Castrovalva, I think the pressure was on me because until then, I had been doing an awful lot of classical stuff - I was used to directing people in crinolines and long skirts.

"David Maloney had offered me an episode of Blake's 7 and I felt the writer Tanith Lee had done a great script, Sarcophagus, and I thought she was a writer who could work beautifully on Doctor Who. I sent a copy of the completed tape to John, and he did try her but it didn't work out, but out of that came his offer to direct Castrovalva.

"Because it was the first story of a new Doctor, and because it was an area that I hadn't really worked in for so long, not having done a Doctor Who since 1972, that was quite a long period of time.

"The other thing was that by that point, in 1980, the cult that had developed around Doctor Who was underway, so you were quite aware of the mantle of Doctor Who by that time.

"It wasn't so much being the first story of a new Doctor, but the pressure, I felt, was on me coming back to it.

"Peter was absolutely terrific, a real joy to work with, and we kept the feeling of family on the show, which was extremely important as well.

"I thought at that stage, and at all the times I worked with him afterwards, that Peter would have made an excellent director. He had an eye for the right kind of things and knew what was right for the programme. I thought he might go behind the scenes, but instead he perfered to stay as a performer.

"He had been doing particularly well on All Creatures Great and Small, and he already had a big following, and I thought it was a brilliant piece of casting to take a younger man and make him the Doctor.

"Nowadays, it's far more common with the likes of David Tennant and Matt Smith as the Doctor, but back then it was very unusual to have a younger Doctor. Until then he had always been an older man, with Bill Hartnell, Patrick Troughton, Jon Pertwee and Tom Baker.

"He showed it worked.

"I was very lucky with my scripts - it was nice to be able to delve into them.

"I actually got a letter from a man who had not allowed his children to watch Doctor Who, but for some reason he let them see Castrovalva and he jumped on to the fact we had featured the art of MC Escher. He found it so interesting that a children's programme like Doctor Who was looking at Escher.

"JNT (producer John Nathan-Turner) was always very good about casting his crew, as it were. He always good a good combination - he rated me as a director, but he wouldn't have put me onto something that had metal monsters - he worked to the strengths of the crew."

Fiona was back directing two stories in the show's 20th season, the first being Snakedance, which featured the TV debut of Martin Clunes. She laughed: "Doing Snakedance was lovely - I had been to Morocco and was very aware of the scenes we had in the souks, as I wanted to get the Moroccan feel for them.

"I was very lucky as John would give me carte blanche for casting, although he always kept an eye on things, but I was able to bring in people like Collette O'Neil and John Carson and leave them to do their thing as I've worked with them before and knew I can trust them, and that would leave me more time to spend with people like Jonathon Morris and Martin Clunes who were both working in television for the first time.

"I had found Martin just by flicking through the pages of The Spotlight. They used to have a dedicated to students who were just leaving their various courses, and I saw his face looking back at me. I knew the character of Lon would only work if you could equate him with being a spoiled brat who was totally self-centred, because of his extreme youth. You didn't want to dislike him, but he was totally objectionable! And Martin hit the spot, beautifully!

"The other performance I really liked was Brian Miller - I don't think I could have got anyone better."

Later that year, Fiona directed another story, Enlightenment

She said: "When I did Enlightenment, I think, at the time it was the only Doctor Who which had been written solely by a woman.

"I had originally cast Peter Sallis, but we lost him when we had to remount the story after a strike, and I brought in Keith Barron, who played it very differently.

"Peter arrived and asked, 'Where do I sit?' I told him he was the master of the ship so he would have to stand, but he said, 'No, I only do sitting parts!' I eventually convinced him the master of the ship was a standing part - but I think he was sending me up rotten!

"As a director, you have a company of actors you use regularly, and you develop a shorthand in terms of working, but if they've never done a telly before, they need to be led into it.

"When I did the remake of Enlightenment for DVD, I was able to take out what was the best in the original with the story, the acting and plot, and then go forward. I felt the model shots we had done back then really creaked and groaned to such an extent that I wanted to update them with computer graphics. I had the full box of tricks at my disposal, some 25 years on, and I was really pleased as I felt I was able to get the best out of it."

Fiona's next outing took the Doctor overseas for 1984's Planet of Fire, which was shot in Lanzarote. The location came about by chance after Fiona sent producer John Nathan-Turner a postcard from a family holiday.

"We were on holiday in Lanzarote and had the children with us. I sent JNT a postcard saying, 'Location fabulous, troglodytes willing - how about it?' I took some pictures without the children in them, just vistas, and out of that came Planet of Fire.

"In the heat, it was quite punishing, and we were trying to make sure everybody was drinking enough weather. It was not the most comfortable shoot!

"Poor Nicola (Bryant) was rolling down the jaggy rocks, and it was her first job straight out of drama school - I think she learned pretty quickly that it wasn't all glamour when you were making TV!

"But we all had a fantastic time - because we were there on a package deal, everyone was there together.

"On the days he wasn't filming, Peter Wyngarde would spread himself out on the beach, and I noticed he was always listening to music. I said to him one night, 'What's your choice of music?' He looked at me and asked what I meant. When I explained I'd seen him with his earphones on, he said: 'I'm not listening to anything - I just put the plugs in my ears so no-one disturbs me!' It's now something that I do myself if I'm on planes or whatever, if I don't want someone disturbing me.

"I went back and did a remake of Planet of Fire for the DVD release - it was interesting because I realised that they wouldn't let me into any of the areas which I'd previously worked on.

"We couldn't make it in the same way now, as the footpaths we had used back then were now just for the scientists working there.

"I liked being able to add volcanoes and fire to the long shots and to get rid of the music and just get the sound of the fire in - I appreciate it, but I think some of the fans didn't."

#Scotland #Scottish #DoctorWho #WilliamHartnell #PatrickTroughton #JonPertwee #PeterDavison #Lanzarote

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