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souliebird · 19 days

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[[and then I met you || ch. 20]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s and Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.

chapter masterlist

Words: 4.3k

ao3 link

Pain radiates through your body as you begin to regain consciousness. There are two points that are throbbing and parts of you want to slip back down into the darkness until the aches are gone, but the rest of your body doesn’t like that plan.

Slowly, the switches in your mind are flipped to ‘on’ and you become more aware of what is happening around you. There are two people talking near you - a man and a woman whose words you cannot yet process, but the deeper voice sounds so very familiar and comforting. It takes a few moments or hours - you cannot tell - for you to give a name to who is speaking, but when you finally figure it out, your mouth speaks his name.

“Matt…?”

Your name is said, then something is touching your face. Your instinct tells you to pull away, so you try to, but there is a gentle pressure keeping you in place.

“Hey, hey, hey, it’s okay. It’s okay. It’s just me, sweetheart. It’s just me.”

Forcing your eyes open takes a few tries and you have to blink multiple times to get anything into focus. Slowly, Matt’s face forms in your vision, looking so, so haggard. His hair is fluffed up like he’s been messing with it and he’s got a frown that is so out of place on him. He should be smiling or laughing. That is how you always picture him in your mind - warm and happy.

You realize it is his hand that is cupped along your jaw and press into it, letting your eyes close again. His thumb begins to rub along your cheek and you want to melt into it and allow yourself to drift back into the nothingness where there is no pain. Matt, however, has other ideas.

“I need you to stay awake. Can you do that for me?”

You do not want to do that, but since he is asking, your eyes open again. Your brain feels like sludge, but it is your knees that are screaming at you to not move.

You are startled into being more aware of your surroundings when a feminine voice speaks from above you.

“Matt, you need to move if you want me to do anything.”

He seems to hesitate, his face screwing up into something clearly unhappy before he finally pulls away from you. He doesn’t go far, though, stepping only a foot away. Only once your vision isn’t filled with a handsome-exhausted lawyer do you process that you are laying on your couch. You have no idea what is going on, why you are in pain, or how you got to this position, but part of you feels at ease because Matt is there with you.

You trust he won't let things go badly for you.

A beautiful, but tired, woman steps into your view, a pen light ready in her hand. She has an air of authority about her that has you not questioning why she is in your living room.

“My name is Claire, I’m a nurse,” she tells you and you introduce yourself. “You passed out. I'm going to check your eyes and ask you a few questions to make sure you don't have a concussion.”

“Okay.” You don't remember passing out, but it would explain a few things. Your anxiety-people-pleasing mind pushes your confusion down and wanting the examination to be easier for Claire, ask, “Do you want me to sit up?”

“Do you feel like you can?” She counters and you don’t really know the answer, so you try. Your head throbs as you do and your knees are not happy about bending, but you get yourself into sitting. More pieces are added to the puzzle of what is going on, but none of them make any sense.

You couldn’t tell before, but Matt is wearing a dark red jumpsuit that reminds you of Captain America’s armor. There had been a news segment where they had brought out a replica to talk about the design and the function and all you can think is Matt somehow got his own copy and customized it. For whatever reason. You certainly don’t know all of his hobbies - it could be a cosplay thing for all you know - or some kink - or both.

You are in no position to judge.

The other puzzle piece is Karen’s boyfriend, sitting at your kitchen table looking at his phone, with your daughter in his lap. She is splayed against him in her bright pink jammies and her sleep headband, and you can only guess how deep into dreamland she is. But why is she out here, being held by a near-stranger, and not in her bed?

You don’t get to ask that question - Claire is back in front of you with her penlight, shining it directly into your eyes. As she does, she fires questions at you.

What is your name? Birthday?

Where are you and who is the current president?

What is twenty divided by four?

You pass the concussion test and are rewarded with two of the biggest ibuprofens you have ever seen. You take them, chasing them down with water from your sticker-decorated water bottle, as Claire tells you what is what.

“You have a decent sized cut on your forehead. It needed three stitches - and those will dissolve on their own, so you don’t need to worry about that. I’ll give you some of these higher milligram pills for the headache you’ll have, but a good night’s rest will have you up on your feet again. Do you need instructions on how to clean the cut?”

You take in the information at face value, still unsure why you are being examined and cared for in your living room as opposed to a hospital. Everyone else seems so sure of what is happening and completely fine with it, so you simply shake your head.

“Um, no, I know how to take care of it.”

“Perfect,” she turns away and begins to pack up a backpack on the coffee table you did not even notice. “If you start getting nauseous, head to the ER. Now,” she turns to stare down Matt, “If my delicate hands are no longer needed, I’m going back to bed so I am well rested for the job I actually get paid for.”

“Thank you, Claire. I appreciate it,” he says in a soft voice, but there is a layer of gravel in it you aren’t used to.

The nurse finishes her packing, then looks to you with a small smile, “it is nice to finally meet you, I’m sorry it was like this. Late night calls have gone down since he told me about you.”

“Nice to meet you?” You say to her as she leaves your apartment, completely unsure of who you just met and what her connection to Matt is.

As you continue you try to comprehend what is going on, Matt moves towards you. He cups your jaw with both hands, smoothing his thumbs over your cheeks, “what were you thinking?”

You frown at not only the rougher tone he is using, but the question, “Matt, I don’t know what is going on. I don’t…”

You trail off and finally mentally address what you have been ignoring.

Your hand creeps up to your face and you feel the edges of the band aid covering up the cut on your forehead. How did you even manage to do that? Claire said you passed out - but how? And why? And why are Matt and Frank here?

Did Minnie call them like she did with Foggy when you were sick?

You don’t know those answers, so you switch to things you can figure out. You search your mind, trying to recall what you were doing before you apparently passed out. You remember cleaning the bathroom, then Minnie coming in and throwing up.

As those memories surface, the rest rush you - you took Mouse to the bodega and on the way home, some man attacked you. You remember struggling and fighting then…then there is nothing.

The fear you felt then tickles back into your throat and you can feel tears starting to form.

“We were attacked,” you breathe out and almost instantly, Matt is pulling you to him, wrapping his arms around you and cradling you as the reality of what happened hits you. You cling back, burying your face into the rough material covering his shoulder, and try to not break down.

You’d been slapped a few times - but no one has ever tried to physically hurt you to that extent before. You had never felt so helpless - so useless - before. You hadn’t been able to protect your daughter.

Hands had been around your throat and in your hair and you had flopped around like a fish.

He could have killed you.

He could have killed Minnie.

Matt gently rocks you as you process what happened to you. You try to not cry, but you can’t stop it when some tears do start to fall.

“Why were you out so late?” he asks into your hair and the guilt pools in your belly. You were so stupid to go out.

“Minnie was sick,” you mumble against Matt’s shoulder. “Her stomach was upset, and we didn’t have Pedialyte. We had to go get some.”

You can feel him frowning into your hair and it just makes you feel that much worse about everything.

“It couldn’t have waited until morning?”

“No.”

It’s not you that responds - it's the man across the room you completely forgot about. You lift up your head to look at Frank, confused why he is speaking up for you. Matt partially turns, pulling you along, and angles his head towards the other man.

“No?” He questions, not sounding pleased at all that someone else is chiming in.

“No,” Frank repeats firmly. “That’s bein’ a parent, Red. Your kid needs something in the middle of the night, you go out and get it. That’s how it is - there ain’t no waiting until morning when they are sick. That’s how they get dehydrated. She didn’t do anything different than any other mother in the city.”

Matt’s lip twitches and you have the feeling he is trying to not scowl or snap. You can tell he is just worried and upset over what happened, but you’d never seen him like this before.

But Frank is right - there was no scenario in which you did not go to get Minnie what she needed when she was sick.

You look to your baby, and you need her in your arms. You pull away from Matt, wiping at your eyes as you do, and make your way to your small dining room. You feel more than see Matt follow you - practically becoming your shadow until you are in front of Frank. Once you stop walking, he is against you again, his chest to your back and his hand on your hip.

Your daughter is dead weight as she is passed to you and you cradle her to your chest, giving her hair a kiss before asking, “Is she okay?”

“She’s okay,” Frank assures, and you feel like he is speaking to both you and Matt. “Probably going to have some nightmares and be clingy, but you’ve got one brave and smart little girl.” You smile a bit at the praise, because you like to think the same thing about Mouse - brave and smart - your perfect little angel.

“Gave her some of that Pedialyte,” he adds, “and she drank it all, so hoping whatever made her sick will be gone.”

“Thank you,” you mumble. You feel like he is a father and that is why Minnie seems comfortable with him, but he has an air about him that makes you not want to ask.

You rock your daughter in your arms, feeling so grateful that she doesn’t have a scratch on her. You have no idea what you would have done if she had been hurt in any way.

You can feel yourself starting to calm - your tears are slowing as you accept and process things and part of you just wants to curl up in bed with your family and sleep for twelve hours.

Unfortunately, that is not in the cards for you.

Out of the corner of your eye, you see Matt’s head jerk towards the main door, and you can’t help but tense up. His vibe since you have woken up has been on edge and you're surprised he hasn’t snapped or something, yet. He pulls away from you to stalk towards the hallway and you hold Minnie just a bit closer to you, unsure what he could have heard.

He swings the door open and there is a woman with thick jet black hair and bored looking expression. She pushes past Matt without care and enters into your apartment.

“Don’t ever ask me to do that again.”

“What happened?” Matt asks.

“Well, he’s not dead, but he won’t be waking up anytime soon. I even got you a report number, so you can follow up,” the woman says, and you realize they are talking about the man who attacked you. That makes your heart start beating a little harder and your mouth feel dry.

“Did they say where they were taking him?”

You tune out of the conversation and instead focus on holding Minnie. You press your lips to her hair and avert your eyes away from Matt and the woman. You look briefly to Frank, who is back on his phone, then let your eyes wander elsewhere. Minnie’s sippy cup is sitting on the dining table, so you decide you can at least clean that up.

As you move around the table, something else catches your attention.

There’s a large black bullet proof vest sitting on one of the dining chairs, with a distinctive looking skull spray painted on it.

You’ve seen that skull before - it’s a common thing to see spray painted on a wall or post box around Manhattan. It’s a symbol everyone in the city knows just as well as Spider-man’s emblem or Captain America’s shield - it’s the Punisher’s logo.

The Punisher - whose real name is Frank Castle, who, if you recall correctly, looks strikingly similar to the man sitting at your dining table.

For some reason you do not understand, you do not panic. You simply stare at the vest, all the connections flying around in your brain, and mentally go ‘Well, that makes sense.’

The Punisher is here because he was with Matt.

Matt’s dark red jumpsuit isn’t a cosplay or a kink thing - it’s armor.

It’s armor because he is Daredevil - the protector of Hell’s Kitchen.

Matt is Daredevil.

Daredevil is Minnie’s Dad.

That’s why he sometimes has bruises and cuts you don’t ask about. That’s why his knuckles are scarred.

That’s why he is in your apartment tonight - Daredevil stops people from being mugged.

You were being mugged and he came and rescued you. He called his Superhero Doctor to come make sure you were okay so you wouldn’t have to go to the hospital and explain how a blind man stopped the attack.

“You okay?”

You look to Frank, and you expect to see blood and guns and mayhem, but all you see is the man who brought you soup. You see Matt’s friend and Karen’s boyfriend - who are two of the kindest people you have ever met in your life. They have treated you better than anyone ever has in your life. They care about you.

You flash back to your very first encounter with Frank and you recall how you were scared of him, but Minnie wasn’t. Minnie - who is unsure about everyone new. You trusted her instincts even before you knew about her gifts - you’d once heard you can tell a person’s intentions by how toddlers and dogs react to them, and you’ve always found it to be true.

So, you decide to trust Minnie as well as your initial reaction - it may possibly be because of a concussion but you would actually like to sit and think about what you just learned rather than react blindly.

“I’m okay,” you say slowly, sticking with how you feel in that exact moment, and not how your night is going. “I think I’m going to go lay her down.” You hesitate, then decide you still need to be a good host, since this is your apartment, ask, “Would you like anything to drink?”

“No, thank you, ma’am,” he says, his lips turning up into a small smile. “Think it’s time for me to head out - leave you and Red to have a talk.”

Your cheeks heat up and you know he knows you have figured out who he is. You hold Minnie even tighter and look down to your feet, your anxiety over being perceived starting to spike.

But you know better than to be rude and Frank has always been kind to you and Mouse.

“Thank you, Frank. I appreciate everything you’ve done for us.”

You do not flee, but you do walk a little faster than normal to carry Minnie to bed. You oh so carefully place her down and tuck her in, making sure Pig is right there with her. Scooby must be out in the living room, and you’ll need to grab him when you finally are able to lay down.

You stare down at your daughter, who is sleeping so peacefully, and let everything wash over you again. You cover your mouth to try to repress a sob, but you know it doesn’t matter - Matt will still hear it.

Everything is changing so much and so fast and you don’t know how to deal with it.

First, you finally find Minnie’s father, then you find out he has super senses and your daughter inherited them, and now you learn he is a superhero.

You don’t know how to even begin to process this development. There is no guide for this and you aren’t even sure how you even feel.

You can’t be angry at Matt - you don’t know how he got into crime fighting, but you know how passionate he is about being a lawyer and helping people. You know he loves Hell’s Kitchen deeply and you can’t imagine having to hear every little crime that goes on.

You don’t know much about Daredevil. You know he sticks to Hell’s Kitchen and he’s made the area safer. He stops muggings and break-ins, and he’s cleared out various gangs. You know the community likes him for the most part - there is actually a mural of him in an alleyway near the diner.

But what does it mean for you and Minnie?

How does Matt being Daredevil work with him being a father? If you look back over the last few weeks, you haven’t really noticed anything off.

But what if he gets into a fight he can’t handle?

Or some bad guy learns who he is and comes after Minnie to get to him? You know that happens to politicians and cops and such, so it would be no different for a vigilante.

What secrets will you need to keep?

Do you need to learn more than basic first aid - like how to stitch someone up?

How will you explain this to Minnie?

Does he know Spider-man? Captain America?

Does he kill?

There are so many questions ping-ponging around in your mind you don’t notice when Matt enters the bedroom.

He comes up behind you and says your name in a soft voice before wrapping his arms around your waist. He holds you to his chest, chin dropping over your shoulder, and to your surprise, you find yourself leaning into his hold.

“I didn’t want you to find out this way,” he tells you and you close your eyes at his words, letting his voice wash over you and corral your thoughts into something quiet. “I had a plan to tell you - to explain everything. I swore to myself I wasn’t going to hide anything from you.”

You believe him.

You wish you would have known sooner, but you also understand why he didn’t tell you. It’s not just something you tell someone, and Matt has proven that his intentions have always been good.

“Am I going to get another binder?” you ask, sniffling a little as you do to stop more tears from coming.

“If you want one, I’ll make you one,” he instantly replies, “just please don’t take Minnie away. I beg of you.”

You can hear the fear and pain in his voice, and you know exactly how he feels. You remember how scared you were that he would take Minnie away.

You turn in his arms - looping yours around his middle and resting your forehead on his shoulder.

“I wouldn’t do that. Not unless she is put into danger.”

“I would never.”

Again, you believe him.

His arms tighten around you until you're snuggly pressed into him and you can feel armor and buckles pressing against you. You squeeze him back, needing the comfort and needing something to ground you.

You need to feel safe.

Matt makes you feel safe. He made you feel safe before you knew what he did in the night and now it’s just amplified.

“Did you stop him?” You ask in a whisper. “The man who attacked us?”

“I did,” he responds. “I’ll stop anyone who dares to try to hurt my family.”

You shakily nod against him, then ask the question you fear, “Did…did she see?”

He doesn’t respond right away, but when he does, the guilt is palpable, “No. Frank made sure she didn’t see anything.”

That eases your anxiety a fraction. You will need to talk with Minnie about what happened, and you already fear that conversation. She has never seen anything so violent before and you are surprised she isn’t already having bad dreams. You have no idea how she’s going to react in the morning.

You have no idea how you will react in the morning.

You press your face into the crook of Matt’s neck, where there’s some type of rough black fabric. He begins to rub his hand up and down your back - you don’t think it will be soothing, but you don’t want him to stop.

You want him to stay and hold you.

You want him to keep you safe.

So, you tell him.

“Stay the night,” you mumble against him, and he nods into your hair.

Neither of you move to pull away - you stay holding each other in front of your daughter and you wonder if he needs the comfort as much as you do.

It feels like time crawls by and your knees, which you must have banged up in the attack, start to make it known that you need to stop standing. Matt must sense something, as he nuzzles into your hair and whispers, “We can talk more in the morning. Let's get you to bed.”

You hum in agreement, then slowly bring your arms around to Matt’s front so you can place your hands on his chest, “I need to change. I’ll grab you some sweatpants and a shirt.”

“Thank you, sweetheart.”

It still takes you a minute to finally step away and when you do, his hands drop from you. As you go to dig for clean sleep clothes, Matt begins to undress. You try to not turn to look - you are curious about how the suit is put together and how he gets in and out. You didn’t see any zippers or other clasps, but you suppose he wouldn’t want those out in the open if he’s fighting someone.

You find two sets of sweats, one large enough for Matt. You hesitate to start changing, but then remind yourself that not only is he blind, but you’ve slept together, so you have no reason to be shy. So, you strip and pull on your new pajamas.

Matt is still working on his boots when you turn back around, so you set his clothes on the bed. You remember then you are missing a member of the sleep squad.

“Do you know where Scooby is?”

To his credit, Matt doesn’t look confused. You wait patiently as he uses his abilities, then smile when he tells you the toy is under the coffee table. You go to fetch him, and finally drop Minnie’s sippy cup in the sink, and when you return, Matt has finished changing.

You hold out Scooby to him with a small smile, “Do you want to tuck him in?”

Matt’s solemn face lights up and he takes the dog. You watch, with a strange lightness coming over your heart, as he places Scooby beside Pig. He places the tenderest of kisses to your daughter’s temple, and you can see him move his lips, but are unsure what he actually says.

You let him have his moment before taking his hand and tugging him towards your bed. He won’t be sleeping on the couch tonight and both of you know it. You lay down first, then he does, stretching out on his back.

“Come here,” he breathes, and you obey. You roll so you can curl into his side, resting your head on his shoulder and a hand on his chest. His arm wraps around you and you feel Safe.

Your body and mind feel so heavy as you close your eyes, and you hope you can sleep as peacefully as Minnie.

The two of you lay in silence and when you finally succumb to your exhaustion, as the darkness takes you, you once again hear Matt’s soft voice.

“I love you.”

AN: Its not mentioned bc Reader missed it but it is very important to me that everyone know Jess brought Matt his gloves as well.

Also new header :3C

tags:

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@petrovafire39 @ghostindeath

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@ladyoflynx @hobiebrowns-wife @sarcasm-n-insomnia @lillycore

@dorothleah @mattmurdocksstarlight @mars-on-vinyl @mywellspringoflife @sleepdeprived-barelyalive @simmilarly @soupyspence @darkened-writer @akila-twt

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#soulie writes #fanfiction #daredevil #matt murdock x reader #matt murdock x you #and then i met you

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souliebird · 29 days

Text

[[and then I met you || ch. 19]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

chapter masterlist

Words: 3.6k

ao3 link

banner thanks to the wonderful @theradioactivespidergwen

Frank, admittedly, isn’t as fit as he used to be.

Running through the desert, carrying all his gear, used to be an everyday thing he could do no problem, but now, running through the streets of Hell’s Kitchen, a duffel bag slung over his shoulder, he finds his breathing to be a bit labored.

Then again, that might be because he’s pissed off. He, Jones, and Red were in the middle of setting up for a night of surveillance, something Red insisted they do, when the costumed idiot took off into the night without a word.

Normally, Red will give them the damn courtesy of letting them know before he disappears to protect his flock, so him just starting to bolt had Frank and Jones scooping up their shit and following.

One thing Frank’s learned while working with Matt Murdock is to trust the bastard when it comes to his senses - when he says they need to clear out, there is usually a damn good reason to start running. But he has always given a reason or a head’s up - taking off like this must mean something is going down.

Jones gave up trying to keep pace a few blocks back, but Frank is determined to find out what the hell is going on. Red has the advantage of not hauling an additional fifty pounds of gear, and he has taken to parkouring over the roofs, so has gotten about a block and a half ahead.

Frank can keep him in his sights, at least. He’s making a bee-line right towards Chelsea and that’s causing a pit to start to grow in the Marine’s stomach. Not many things override Red’s deep seeded commitment to his city and only one of those things resides outside Hell’s Kitchen.

He adjusts his grip on his bag and forces his legs to move faster.

The buildings around him shift from businesses to residential and about two blocks into the change, Frank knows what set the Devil off.

His little girl is in the middle of the sidewalk, crying hysterically as her mother struggles on the ground against some fat fuck in a business suit. Frank only sees the attacker for a brief second before fury incarnate grabs him by his thick neck and slams him into the ground by Mom’s feet. The sound of a skull being cracked rings clear before it's covered by angry roars and the crunch and squelch of someone’s face being pounded in.

By the Grace of all that is Holy, Red’s baby seems to not care her dad is about to kill a guy and scurries to her Mommy now that she is free. Frank kicks his ass into gear to get there before she can be traumatized anymore.

He doesn’t know if the little girl recognizes him or not, but she doesn’t fight it when Frank picks her up. She clings to him desperately, burying her face against his neck and just sobbing. Instincts he forgot he had kick in and Frank bundles Minnie up in his duster, rocking her and trying to soothe her the best he can.

“Hey, hey, sweet girl, it's okay, it's okay. I gotcha. Everything’s gonna be okay, I gotcha.”

Frank cups the back of her head, careful to not tangle his fingers up in her curls and turns her away from her bloody mother. He needs to check on you, to make sure your wounds are something he can handle, and they don’t need to take you to the hospital, but he can’t do that with a crying toddler in his arms.

“He hurt my Mommy!” The baby wails and his heart just about breaks. He wants so badly to join Red in stomping the piece of shit’s head into the pavement for endangering such a precious child, but he knows he can’t. She can’t witness any more than she already has.

As often as Frank takes digs at Murdock for being an altar boy, he can’t let Red’s daughter see him lose control and step over the line he swore to never cross. He’d never forgive himself for causing that trauma for her. So, he hugs the little girl closer, kisses the top of her head, then grunts, “Red!”

Murdock stills mid-punch, his bloody fist raised and ready to continue his punishment. He looks feral - he is snarling, and gore has splashed up onto his face. He is shaking with rage and for a brief moment, Frank can see why he claims to have the Devil in him. Then, just as his little girl cries for her Mom again, control returns to him. Red tilts his head in a way Frank knows he heard something, then he pushes himself up into standing.

Red rips his gloves off, throwing them to the ground, before taking the few steps to clear the gap between him and Frank. He barely starts to rasp out his daughter’s name before she’s turning in Frank’s arms and trying to throw herself to him, sobbing.

“DADDY!”

The noise Red makes is not at all human as he crushes his baby girl to his chest. A new round of loud tears start and Frank knows he has to work quickly before they start attracting attention.

He pulls his duster off and throws it around Red’s shoulders, trying to hide his garish costume. Murdock seems to realize what he’s doing - he curls into it while ducking his horn-head and moving towards the shadows as he comforts his daughter. Frank can’t hear what he’s saying - his voice is low and the crying covers it - but honestly he doesn’t care.

He turns his attention back to your limp body on the ground, dropping down and letting his knowledge of field medicine take over.

Your forehead is bleeding pretty bad, but a quick assessment of the wound tells him it looks worse than it really is. You’ve got a pretty good gash, but it is shallow, and he doesn’t feel any bone breakage under it or swelling. You’ll need a few stitches, and a hell of a lot of ibuprofen, but you won’t need a hospital. You probably passed out from a combination of pain and exhaustion from an adrenaline rush.

Still, Frank checks your neck before deciding to move you, just to make sure it's safe.

As he starts to press his fingers along your spine, Jones finally makes her appearance, jogging up to the scene.

“What the fuck?”

Frank barely looks up as he growls out his reply, focusing on his work while formulating a plan in his head, “It’s his kid.”

“Oh shit,” she replies, then after a beat, “Is he dead?”

Frank barely looks over to the beaten man in question - his chest is still rising and falling so that’s good enough for him. “Nah, not yet. Call it in - then meet us up in her apartment.”

He rattles off the address and apartment number as he scoops you up into a fireman’s carry. He’s glad he doesn’t have far to go, because your weight, plus his gear, isn’t doing any favors to his back. As he gets you situated, Jones steps over to the attacker and nudges him in the side with her boot. His face isn’t recognizable as human, but that isn’t what she comments on.

“What is that smell? Did he shit himself?”

“Fuck if I know, just call it in,” Frank grunts as he begins to trudge towards the right building. “Red, let's go!”

He knows he doesn’t have to explain the plan to Murdock - fucker heard him the first time. Red falls in line and by some miracle, his little girl’s crying has tampered down. She’s still crying - Frank would be more concerned if she wasn’t - but she’s tucked herself close to her Dad and seems to be just more upset than actively terrified. Frank’s got no idea what Murdock could have possibly done to soothe her, but he gives him props for doing it so damn fast.

He can hear Jones calling for an ambulance as they enter into your building, and once in the lobby, Frank wastes no time barking another order, “Take off your helmet.”

That earns him a glare, or what counts as a glare from the Devil, and Murdock uses one hand to pull his cowl off and stuffs it between his chest and his daughter before starting for the stairs. Frank is right at his heel and being so close means he can finally hear what Red is repeating to his girl.

“Just listen to her heart, baby, everything’s okay. You know that sound. Just listen to her heart.”

Frank has a good guess what that means - his theory about passing out from exhaustion and pain is probably correct. If your heart isn’t in crazy panic ‘I’m dying’ mode, you should be fine after a good night’s rest.

The only problem they encounter in the climb up to your apartment is your door. They have to do a weird song-and-dance of Frank turning so Red can get into your purse to get keys while also making sure Minnie can’t see your face. He hasn’t gotten the chance to clean you up in any way and he’s not going to let any little girl see her mom like that if he can help it.

Once they are inside the apartment, Frank goes right to the couch to lay you out. As he does, he says over his shoulder, “I’m gonna call Curt.”

Just because you don’t need a hospital doesn’t mean you shouldn’t see a medical professional. Frank knows what he is doing, but he does not trust himself to stitch up your face. Someone with delicate hands needs to do that, and the best person he knows for that is Curt.

Murdock, however, disagrees.

“Call Claire,” he counters firmly.

Frank knows better than to argue - this is Murdock’s family and Frank ain’t got a dog in this fight. So, once you are down, and his gear is dropped, he fishes out his phone to call the feisty nurse. As he does, Red starts back towards what Frank assumes is the bedroom, talking in a sweet tone to his little girl, “It's okay, Frank’s gonna clean Mommy up, then we can go see her. She’s just got a scrape, everything’s okay.”

Frank focuses on his task at hand - as the line rings, he raids the kitchen for washcloths, bowls, and paper towels. He’s on his way back to the couch when Claire finally answers.

“What did he do this time?”

A little smile forms on his lips at her bluntness - he’s always liked Claire and her no-nonsense attitude.

“Ain’t him. His girl got mugged, hit her head pretty good,” he explains, as he dips a washcloth into the water to start on cleaning you up. The cut on your forehead is still bleeding, but only a little by this point. He’ll have to retrace their steps to wipe away any blood droplets, so they don't leave a trail right to your door.

“So, take her to the ER.”

He hums at the response, then adds the crucial element, “His little girl saw it all.”

The line is silent for a good five seconds before Claire is swearing, “I’m on my way. How bad are we talking?”

He feels a little for the nurse at the moment - she’s always having to deal with Red broken and battered and is probably thinking she’s going to have to do some sort of impromptu surgery. He gives a rundown on your injuries, then adds, “Your stitches are nicer than mine.”

“Exactly what a lady wants to hear. How’s the kid?”

“Physically ok, but probably going to have nightmares for a while,” is his honest reply. There wouldn’t be an attacker left to pick up in an ambulance if Minnie had gotten hurt - he would have made sure of that no matter what Red would have said.

Claire groans in response, “I don’t know anything about child psychology, Frank.”

“No one’s expecting you to.”

The nurse may be a miracle worker in the eyes of Red’s little vigilante group, but no one in this world is qualified to deal with all their mental problems.

“Give me ten minutes and I’ll be there. You’re lucky I’m on this side of town already.”

Claire hangs up on him and Franks stuffs his phone back into his pocket. He’ll need to call Mirco later to set up a camera on your building, something similar to what he’s got for Karen, and arrange for some background checks on the neighbors. The area seems to be working class just trying to get by, but isn’t that just all of the city now? Even if one drunk-off-his-ass guy just made some stupid decision, it put you and the kid in danger and that is a no-go in Frank’s book. As much Red will huff and puff and growl, his family falls under Frank’s sphere of protection and that isn’t something Frank skimps on.

So, a full security upgrade is in your near future.

But that is something he’ll figure out the details for later on. Right now, he puts his full attention in cleaning you up.

The worst of it is the cut on your forehead. He folds a washcloth and sets it on the wound to help the remaining bleeding stop, then moves onto your cheeks. You’ve got some gravel stuck there, but he doesn’t see any glass or metal. There’s some bruising, but he doesn’t think it will be anything to fuss about - it will fade away within a day or so. He’s seen worse coloring on a hickey. The bastard who attacked you didn’t seem like he knew what he was doing, or he was too sloshed out of his mind to be coordinated.

Overall, you are just pretty banged up.

But nonetheless, Frank takes care to make sure it just looks like you are resting, even putting the throw blanket left on the couch over you to hide the grime stains on your clothes.

Red and his creepy bat ears must be listening, because as soon as he goes to dump the bloody cleaning water, he’s coming out of the bedroom with Minnie. She’s still in his arms, clinging to his neck like a koala, but her tears have stopped. She’s still sniffling, though.

Frank hangs back as the little girl is brought to her Mommy and his heart damn near breaks again when she starts talking.

“She’s just sleeping?”

“She’s just sleeping,” Red confirms. He carefully kneels down beside you and makes slow, exaggerated movements as he puts his hand over your heart. “You can feel, too. Just sleeping.”

He watches as the tiny little girl untangles herself from her father and stretches to put her hand next to his. She scrunches up her nose and gets a look Frank has seen a million times on Red.

“Boom. Boom. Boom.”

“Exactly, boom. Boom. boom. The same heart-noises Mommy makes when she sleeps.”

They stay like that for a few seconds before little hands go up to your face and Minnie is examining your cuts.

“He hurt Mommy,” she says so softly that Frank wants to stomp back downstairs and unload his Glock into the asshole. “She has ouchies.” She turns so quickly in Red’s arm that Frank sees him jump just a little - probably still on high alert - and she slaps both her hands on his cheeks, “You have to kissy it better.”

Her voice is so serious and demanding, he’s surprised Red doesn’t instantly comply. Instead, he kisses his little one’s forehead.

“A doctor is going to come and make sure all her ouchies are taken care of. Then we can kiss it better.”

“Promise?”

“Promise.”

Her curls bounce as the little girl whips around to address Frank, ordering in the same voice, “You have to kissy it better, too.”

He damn well knows better than to argue with a three year old girl - Lisa could put him in his place like no one's business - so Frank simply nods with a, “Yes, ma’am.” Red doesn't look thrilled at the agreement, but he's not the one who's opinion Frank cares about.

Her brown eyes sus him out, narrowing a fraction before he passes whatever criteria she has and Minnie turns back to her mother and father. “When is she gonna wake up?”

“She'll wake up when she's done resting,” Murdock gently advises. “She needs lots of rest right now.”

Frank knows what question is coming before it is even asked. It is the universal toddler question.

“Why?”

Red, it seems, needs to spend more time with his kid because he looks completely baffled by the question. He repeats the word, which just gets parroted back at him, and Frank can practically hear Lisa and Frankie chanting along with her.

Why?

Why would you need lots of rest in a way a terrified toddler would get it? There's a slight hint of panic in Red’s sightless eyes as he fights to find an answer and Frank takes pity on him.

He steps forward and asks the little girl, “Have you ever played really hard then needed a nap after?”

Attention swings back to him but this time he is prepared for it. Minnie considers his question, then nods, and Frank gives her a soft, friendly smile. “Same thing, sweetheart. Your Mommy’s body worked really hard and now she needs a nap.”

“She needs a nap,” the baby replies and then, to his amusement, proceeds to stuff her fingers into her mouth and suck on them. He's got no idea what that means, but Red’s shoulders relax a fraction, so he assumes it's a good thing.

He wonders if she's starting to get tired now that the action is over. He can't imagine why they were out in the first place, but he has to guess it was to get something from the store. That is his experience with bringing a baby in their pajamas out at night - there was something needed that couldn't wait until morning. That would also explain the black bag in your purse.

He looks to Red and his girl - Murdock has sat himself on the floor beside the couch, facing you, and Minnie is tucked in his lap, sucking her fingers still. Both of their focus seems to be on you. So, Frank lets curiosity get the better of him and he goes to snoop.

There’s a bottle of Pedialyte nestled inside the bag, and by the tiny bit missing, he has a feeling he knows who it is for. He looks from it, over to the sweet child sitting in Red’s lap, and decides she probably still needs it if her mom went out in the middle of the night for it. So, he turns his snooping to the kitchen and opens and closes cabinets until he finds the one holding sippy cups. All of them have Braille labels on them and he briefly wonders what each says before grabbing one with Big Bird on it. He gives it a good rinse before filling it up halfway with the blue liquid.

He removes his tactical vest before he heads back to the living room. He thinks of it more of a sign for Red than Minnie. The little girl might be scared of the skull art, but he hopes it will help Murdock relax. He’s putting on a good face for his daughter, but Frank can see the tension in his jaw and how on edge and angry he must be, and he can’t be blamed. He knows how emotional Red can get and he’s surprised he’s managing to keep it together - so subtly letting him know ‘there’s no danger here’ and Frank isn’t a threat to his family might just get him to stop grinding his teeth.

He approaches slowly and somewhat loudly, while holding out the sippy cup, “Here you go, sweetie.”

Minnie blinks up at him with those wide brown eyes and he can see the exhaustion starting to creep in - getting a bottle might just knock her out. He has to lean down so she can take it, but as soon as she does, her hand drops from her mouth and she politely mumbles, “Thank you.”

“You’re very welcome, sweetheart.”

“What is it?” Murdock questions, nose twitching to try to figure out the smell. Frank doubts he’s familiar with the drink, but soon he’ll have it memorized.

“Blue Pedi-lyte,” the baby grumbles before the spout goes right into her mouth and she starts to nurse it. Almost instantly she starts leaning back against Red’s chest and Frank knows right away she’ll be asleep within minutes.

He checks his phone as he goes to take a seat at the kitchen table. Claire should be here any minute and it's a toss up if Jones comes up or not. He’ll wait until everything is all settled to head out - he does want to make sure you are okay and he’s not going to leave Claire alone with an upset kid and her Dad-devil.

Frank brings up his texts to Karen to start typing out that the op is a bust, when Murdock’s quiet voice interrupts his train of thought.

“Thank you, Frank.”

“Nothing to thank me for, Red. It’s your family. You don’t gotta explain that to me.”

“Still, thank you, Frank. I mean it. Thank you.”

“You’re welcome, Murdock.”

---

a/n: frank has entered the chat and assumed Alpha Dad role. his family now.