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#sorry stephen not ur fault
inkskinned · 3 months
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yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."
i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.
the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.
mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.
later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.
sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.
but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.
i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.
every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.
wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?
the first time i went viral, it was for a poem i wrote about you:
he wants to say i love you but keeps it to goodnight because love will take some falling and she's afraid of heights.
every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.
mahler's fifth still makes me sick.
give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.
give me back what you took from me.
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donnydamakkk · 2 months
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What are your unpopular opinions on any/all of the BAU women?
(i saw the word unpopular after so i jus gave general opinions shdgsdjdsdk sorry but some of it is prolly unpopular anyway)
jennifer jareau is the apple of my mothafuckin eye fr. the literal love of my life. i am so serious when i say every blonde woman that i have ever found attractive needs to bow down before her (n samantha stephens) n kiss the mothafuckin ring. she is so slept on n i feel like people don't really understand or appreciate the many layers of her. i feel like she's so widely misunderstood. tbh people's takes on her tend to make my eye twitch real bad. as beautiful as she is, i feel like "soft", beautiful looks contribute a lot to her massive mischaracterization. except rosie's; she understands jj, she gets it. but for the most part, i dont feel like people should b allowed to speak on her bcus they're prolly wrong. (also butch jj is the best hc ever, but we all know i feel that way)
i really love emily prentiss, i do. she's intelligent, soulful, goofy in a way that doesn't feel ridiculous or stupid (contrary to a lot of fanon portrayal) but i mostly feel like that about early seasons emily. the more she left n returned, the less it seemed like the writing for her character was true to her n it started to feel bland. i often ask myself in later seasons where her personality went bcus at a some point she jus feels kinda blank n like shes there for fan service. it isn't emily's fault tho; it's all the writers. i love emily tho. also i hc her as bisexual now bcus idk i feel like u would have to swing from multiple vines to participate in sin to win; i can see her being w women n men equally as far as sex goes but being more likely to fall in love w women but sometimes she'll fall in love w a man n b like, well shit... ok n rockin w it but yes, shes a bi babe. i have also concluded that homegirl has a type n jj would b the exception to her rule/type bcus emily is def robert deniro (iyyk). anyway....
no one is allowed to hate elle greenaway, alright? as much as i do love gideon, everything that went wrong elle is his n hotch's fault n i mean that wholeheartedly. anyway, she was a cool as a fan w ice in it, bruh. i b missing her so much. also, i was proud of her when she shot that serial rapist; he was never gon stop offending. she did the right thing.
jordan todd was such a sweet, sensitive baby but she was functional n driven n i like that. she's also flirty. i like that too. idk man. i loved her so much, and ya know, i really loved her for really highlighting all the work jj does and reminding them all to like really appreciate her. she was a great temp; i hope she's happy somewhere. also i will never not scream about this but HER AND EMILY PRENTISS GOT NASTY n i would like to see it (:
i didn't enjoy ashley seaver or her arc. contrary to popular belief, it isn't bcus she replaced jj. it's bcus shes the only team member they've ever had that was there without any actual professional merit. girl wasnt even finished w the academy, and i, for one, did not enjoy watching what was essentially an internship. also she was boring so.
i like penelope garcia a lot; she's fun n she's sweet. i would like to write for her more but i find it difficult bcus she doesn't feel like a real person to me. which is like not to say i haven't met people like her bcus i have but whenever i do, it's kinda jarring n i always feel like i jus hallucinated. also my view of emotions is... yeah. so, there are times where she's kinda paralyzed w emotions that grind me a bit bcus idk i kinda feel like if ur emotions aren't servicing u in that moment then u needa jus suck it up n deal w them later, u not getting nowhere if u crying to much to function n then u still have this problem; so suck it up n deal w the problem n cry later n she has to b reminded of that often which again grinds me a bit but thats a me thing. i dont hold that against PG but it's jus sumn that we are not compatible on n that's fine. also i love love love love love love her n her dynamic w morgan ofc but some of the nicknames she calls him makes me personally uncomfortable as a black person but i mean hey... also, evolution was a disgusting disservice to her character n she deserves to b happy n at peace w her life away from the bau; she coulda came back without getting sucked back into a job that was messing her up mentally. she deserves better
i don't really have an opinion of kate callahan. i don't like her. i don't dislike her. i simply did not connect to her at all; also s10 wasn't a strong season fr so that ain't even really her fault. i do like that scene w her n my jocks on the plane tho. i like jennifer love hewitt tho (maddie buckley is that bitch fr). she b cool in stuff.
alex blake, my beloved fr; she calms me. i love that. i really really really loved her on the team; i loved how that version of the team functioned so much. it's one of, if not my favorite version of the team. she is the best (later seasons) replacement character hands down. god, i loved everything about her. literally everything about her. i fr don't have any notes, 11/10 fr. i miss her terribly. i would also let her do unspeakable things to my body so long as she talks me thru it n i know she would. anyway, i hope she's happy teaching n living her life <3
okay don't jump me but like the v worst thing any show could do to me w any character is introduce them w terrible hair. it's shallow as fuck, i will admit that but if that's how i first meet them? baby! i will never get over it, i will never unsee it n it will impact my ability to consume that character moving forward. that to say n i do hate to say it but tara lewis is a character who has fallen victim to this. they shoulda never introduced her in that fuckass wig. it pisses me off jus thinkin about it n she was in it for a while so as shallow n terrible as it is, it affected my connection to her. but it is what it is, im not apologizing for it. also, she has the horrific misfortune of being introduced in the late late late seasons when for the most part they wasn't even trying in the writers room fr, which sucks. bcus im gonna b particularly honest here, i dont feel a thing for her or luke. i like matt bcus i watched beyond borders n bcus i mentally connect him to jj as her male tethered. i also, so sorry, don't care that she's queer; i don't like how that whole thing was written. it didn't do shit for me at all. really, in conclusion, tara lewis is a victim to criminal minds writing team n costume department. so justice for tara!! but no yea she not my homie or nothin like that; i don't hate her tho.
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richietoaster · 5 years
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Review/Reaction of IT Chapter Two
Let’s just start right off the bat and let me just say that Bill Hader better get a fucking award for his performance.
Alright. Here we go y’all. im trying to stay in order with what happened but so much happened in the movie that my brain is just all over the place so excuse me while i try to form words
UNDER THE CUT CONTAINS MAJOR SPOILERS
• first opening scene is a fucking LOT okay like i sobbed my eyes out and it was just not cool. adrian and his boyfriend? CUTE AF. Him getting brutally beat up and then killed by Pennywise while Don just watches? NOT CUTE AF
• Mike is a precious boy and I love him so. He cares about his friends so much holy shit. they all get mad at him for lying to them tho.But he only did it to protect them. Mike knew some SHIT(tm) our boy is so smart?? I’m glad they kept to his original storyline
• Older Bill gave himself so much shit this film and i just felt so bad. like we know it isnt ur fault okay?? We know you loved your brother, stop putting yourself down. also?? him becoming protective over dean? please stop my aching heart. 
• Jessica Chastain owns my whole heart and she can kick my ass anyday. She plays Bev so well and captures young bev’s personality so well. her scene with mrs kersh was very weird. i knew the second she ran naked in the hall i’d be seeing some weird fucking shit okay 
• Jay Ryan could kick me and I would personally thank him like?? wow what a man. He immediately recognizes bev when he first sees her and im just?? im happy. so many hidden new kids on the block reference and it had me fucking rolling in my grave
• JAMES FUCKING RANSONE MY DUDE OH LORD okay listen. he gives off young eddie’s panic and chaotic energy so perfectly i felt like i was watching him as an adult, who just never grew up. I think thats what he was going for honestly. He played eddie SO FUCKING WELL 
• I’m so sad about stan. THats all you need to know okay. I’ll talk about his letter later on in this. Stan deserved better. that’s all. 
• if you are not a fan of vomit you’re not gonna enjoy richie tozier. literally any time something bad happens hes just like ah shit here we go again *vomits* and honestly? that made me laugh. like hes just like oh shit something is happening let.. let me just.. no no its fine guys ill catch up.. EHBWFIJHDFSIJ no okay but bill hader stole the fucking show. his acting was phenomenal and,, again,, i’ll add more onto that later. 
• richie scares the shit out of dean. because he thinks hes pennywise. but can you blame him? the kid just. stared at him all creepy and shit. but its so funny. the losers make fun of him bc he doesnt know his own lines from his acts and richies just like “I dont write my own material” and eddies just like “I KNEW IT! I FUCKING KNEW IT” dead. goodbye.
• Young losers were still my favorite part honestly. Eddie kept bouncing that stupid ball in stan’s face in the clubhouse and i was waiting for him to get punched in the face tbh. That didn’t even seem like eddie, that was Jack’s energy bursting through the seams lmfao
• young eddie runs into a fucking box and shrieks and if that isn’t me idk ewhdfiajksjdoi 
• THE FUCKING. HAMMOCK. SCENE. okay listen to me. thats gay. hammocks are now gay. gays only. gay interacts only. the bickering between reddie had me in TEARS. eddie kept kicking at his face and just?? casually??? lays on him when richie wont move?? 
• stan’s fucking shower cap ehfdiujasdiosa and then richie being like “nobodys afraid of spiders stanley okay” and eddie slowly removes his because he cares what richie thinks more than spiders ok
• a flashback from after they defeated IT in the first move with reddie “eddie youve been gone for 24 hours your face is most likely on a milk carton by now” “shut up richie” 
• yong Richie has me weak af this whole movie, like always. just getting on Eddie’s case. HE PINES SO HARD OH Y GOD Like wow my sweet boy is so fucking in love ouch. which?? BRINGS ME TO MY NEXT POINT??
• THE ARCADE SCENE?? he checks out the kid standing next to him and tries to get him to hang out more and then the other kid tells him to stop being weird because he’s not gay, too, and then uses the F slur. richie was just so hurt. paul bunyun scene happens after that and hes just like “I just shit my pants” and i cried. 
• pennywise screaming “lets play truth or dare, you wouldnt pick truth! you dont want them to know your secret” gave off the same energy as eddie’s leper blowjob scene from the book. same energy. do with that as you will. 
• they had some flashbacks that included pennywise and im not sure if this was before or after they had defeated IT in the first movie but i interpreted it as after and if thats the case... hes supposed to be dead. but now thinking back on it, it was probably just more scenes before they put pennywise to rest for 27 years. 
• young richie went to the kissing bridge after that and we ALL KNOW WHAT HAPPENED THERE. fucking.. r + e :((( although we don’t see him carving the E. but reddie is canon so suck toes antis
• stephen king pretty much being like “I know u and ur endings really do suck” to bill when he comes to buy his bike was so fucking funny. it almost felt like a self insert lmfao. ALSO HIM MAKING BILL PAY 300 BUCKS FOR THE BIKE BC HE KNEW HE COULD AFFORD IT? iconic. 
• richie and eddie opening the door to the dog had me laughing. pennywise was just mocking them at that point. they’d be such good dog dads and now im sad
• i was really confused because they added part of stan’s bar mitzvah?? like it wasn’t even the same from the first movie. like they should’ve just put the deleted scene in from ch. 1 and then added that part. thats one of my very few complaints. im slowly hiding them in here. 
• henry bowers was kinda irrelevant in this honestly but thank you eddie for stabbing him and richie for killing him for trying to kill mike yall heroes 
• BEVS BLOOD SCENE ?? CORRESPONDING WITH BENS BURIED ALIVE SCENE? poetic cinema. 10/10
• the big fight really disappointed me in all honesty. but i think thats because andy said he cut so much from there. i expect it to be better with the director’s cut
• eddie saving richie and then immediately being stabbed by pennywise’s claw? IM DEPRESSED.
• “Rich! rich, i did it! i think i killed him!” Our boy was so happy with himself :( 
• eddie’s last words WERE NOT “i fucked your mom”. he was talking to richie and you can hear them talking while the rest are preparing to end pennywise. so im hoping we get that as a deleted scene. 
• richie goes back to help finish pennywise but when he goes to check on eddie.. he’s dead. ://// and bev is like “richie, come on, honey.. im sorry” and richie does not want to believe him. he grabs and hugs eddie so tight i swear i could feel that hug from the audience. 
• another thing im disappointed in and am sliding in is some of the animations? Like. fucking weird. but okay. luckily i didn’t care too much.  
• THE SOB that richie lets out when he holds eddie really hurt my fucking soul jesus christ just kill me
• the losers try cheering him up after and like. thats their friend too but you can just totally tell he’s crying in a different type of grief. THAT WAS HIS FIRST FUCKING LOVE. 
• they all remember after and thats really important to me okay
• stan writes letters and its spoken outloud while the other losers get little montages of what theyre doing with their life after the battle. Richie goes back to the kissing bridge and recarves- YES RECARVES AND YOU CAN CLEARLY SEE THE E BEFORE HE DOES- he recarves the E and while doing it, stan’s voice says “be proud of who you are” and im fucking cry ibg okay
• in the end, i give this movie a 7/10 rating. although some of the animations were weird and some of the flashbacks had pennywise in it (like hes supposed to be currently dead but ok... maybe nightmares??) the actors were PHENOMENAL and the chemistry between older richie and older eddie made me so happy. my ship is canon. but im still sad about stan and eddies death. 
• ignoring canon in 3.. 2.. 1.. now 
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waywardfeathered · 5 years
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it’s not munday yet but since @colourinthesky thought it was, i can also let myself think it is, and share my bookshelf for munday. :DDDDD i reorganized my/our (dean hasn’t moved in yet but some of his books are here and what’s mine is his and the other way round) bookshelf, it’s mostly alphabetical order now (because i got lazy) with nonfiction, some books that stand easily above the bookshelf with poetry, separated.
Top shelf:
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恋空 parts 1 & 2 by 美嘉 Love Beyond Body, Space, And Time: An Indigenous LGBT Sci-fi Anthology by several authors Sandman Omnibus I, II, and Sandman: Overture by Neil Gaiman Anne of Green Gables, Anne of Avonlea, Anne of the Island and Anne’s House of Dreams by L.M. Montgomery milk and honey and the sun and her flowers by Rupi Kaur The Dark Between the Stars by Atticus Every Word You Cannot Say by Iain S. Thomas Worlds of You: Poetry and Prose by Beau Tablin wild embers by Nikita Gill Kiltin kapina by Hanna-Maija Valjanen (self-published poetry in Finnish by an old friend) everyone’s a aliebn when ur a aliebn too by Jomny Sun The Hate U Give by Angie Thomas On the Come Up by Angie Thomas Divergent, Insurgent and Allegiant by Veronica Roth Remembrance of the Daleks by Ben Aaronovitch Only Human by Gareth Roberts Untitled Supernatural fanart book by several artists Profound Zine vol. 1 (it’s a Destiel zine, I wasn’t writing for this volume but am for vol. 2) Hamilton the Revolution by Lin-Manuel Miranda and Jeremy McCarter
Non-fiction shelf:
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Shibari You Can Use: Japanese Rope Bondage and Erotic Macramé by Lee Harrington The New Bottoming Book and The New Topping Book by Dossie Easton and Janet W. Hardy Drawn to Sex: The Basics by Erika Moen and Matthew Nolan The Threesome Handbook by Vicki Vantoch The Ethical Slut by Dossie Easton and Janet W. Hardy Bird by Bird by Anne Lamott No Plot? No Problem! by Chris Baty On Writing by Stephen King Adult Children of Emotionally Immature Parents by Lindsay C. Gibson You’re Never Weird on the Internet (almost) by Felicia Day Girl, Interrupted by Susanna Kaysen I am Malala by Malala Yousafzai Life Lessons from Winnie-the-Pooh by Janette Marshall Culture Shock! Finland: A Guide to Customs and Etiquette by Deborah Swallow (blame Dean) Dean’s German textbooks by whoever (SORRY I AM LAZE) The Anxiety and Phobia Workbook by Edmund J. Bourne
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Why Time Flies by Alan Burdick In Search of Schrödinger’s Cat by John Gribbin Seven Brief Lessons on Physics by Carlo Rovelli Kotona Maailmankaikkeudessa by Esko Valtaoja Dance of the Photons by Anton Zeilinger
(more) fiction shelves:
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The Hitchhiker’s Guide to the Galaxy by Douglas Adams Down and Across by Arvin Ahmadi What If It’s Us by Becky Albertalli and Adam Silvera Little Women by Louisa May Alcott Annabelle by Lina Bengstdotter Starfish by Akemi Dawn Bowman Summer Bird Blue by Akemi Dawn Bowman Jane Eyre by Charlotte Brontë Angels and Demons by Dan Brown The Guitar by Michel del Castillo Ready Player One by Ernest Cline The Supernaturalist by Eoin Colfer Can’t Look Away by Donna Cooner Skinny by Donna Cooner Out of My Mind by Sharon M. Draper The Bookshop by Penelope Fitzgerald
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Sophie’s World by Jostein Gaarder Inkheart, Inkspell and Inkdeath by Cornelia Funke Follow Me Back by A.V. Geiger Once by Morris Gleitzman The Wind in the Willows by Kenneth Grahame The Fault in Our Stars by John Green (dean do we really want to keep this problematic cancer romaticizing antisemitic piece of... a lot of our books are problematic, tried not to say anything about any single one, but.) Looking for Alaska by John Green Paper Towns by John Green Turtles All the Way Down by John Green The Reality Dysfunction by Peter F. Hamilton
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To All the Boys I’ve Loved Before, P.S. I Still Love You and Always and Forever, Lara Jean by Jenny Han Heart-Shaped Box by Joe HIll The Dovekeepers by Alice Hoffman Never Let Me Go by Kazuo Ishiguro The Quiet at the End of the World by Lauren James The Book of Love by Fionnuala Kearney 11.22.63 by Stephen King Elevation by Stephen King Full Dark No Stars by Stephen King The Gunslinger by Stephen King IT by Stephen King
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Under the Dome by Stephen King Pretty Baby by Mary Kubica Ella Enchanted by Gail Carson Levine The Wolf Road by Beth Lewis Ash by Malinda Lo Naïve. Super by Erlend Loe One Hundred Years of Solitude by Gabriel Garcia Marquez When the Moon Was Ours by Anna-Marie McLemore Number 9 Dream by David Mitchell Slade House by David Mitchell Emily of New Moon by L.M. Montgomery Altered Carbon, Broken Angels and...
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Woken Furies by Richard Morgan 1Q84 by Haruki Murakami Kafka on the Shore by Haruki Murakami The Wind-up Bird Chronicle by Haruki Murakami More than This by Patrick Ness Girls of Paper and Fire by Natasha Ngan One Day by David Nicholls Et kävele yksin by Juuli Niemi Her Fearful Symmetry by Audrey Niffenegger Holding Up The Universe by Jennifer Niven I Was Born for This by Alice Oseman
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Radio Silence by Alice Oseman 1984 by George Orwell The Astonishing Colour of After by Emily X.R. Pan A collection of stories by Edgar Allan Poe Paper & Hearts Society by Lucy Powrie Final Draft by Riley Redgate Maybe in Another Life by Taylor Jenkins Reid The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid When Marnie Was There by Joan G. Robinson Everyone’s Just So Special by Robert Shearman This Savage Song and Our Dark Duet by V.E. Schwab They Both Die at the End by Adam Silvera
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Not Before Sundown by Johanna Sinisalo Kädettömät kuninkaat ja muita häiritseviä tarinoita by Johanna Sinisalo Hearts Unbroken by Cynthia Leitich Smith The Fire Chronicle by John Stephens Station Eleven by Emily St. John Mandell The Dreamers by Karen Thompson Walker The Strange and Beautiful Sorrows of Ava Lavender by Leslye Walton Paper Girl by Cindy R. Wilson
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