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kingofthewilderwest · 4 years

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"#just because you have a bias about certain socioeconomic groups which tend to listen to country doesn't mean" // Yup. I tend to side-eye folks who are like "I like all kinds of music except country and [Insert a genre of music usually associated with Black creators like rap and hip hop]" You're not slick, ppl. I know what you're saying.

^^^^^^^^^ You hit the nail on the head.

It’s racial bias. It’s socioeconomic bias. It’s bias against people groups who have less respect and say in society.

From my tags on this post:

#don’t get me started on a long rant of the progressive side of country music and what’s been progressive FOR DECADES#from times near its BEGINNInGS#through the modern age#just because you have a bias about certain socioeconomic groups which tend to listen to country doesn’t mean#that that’s actually what the genre is or who the artists are#I could go for a LONNNNG time about this#a LONG time#some of the best protest songs I know of today’s current political situation#are country#or have like ya’ll forgotten about the folk revival#of the 1960s#or…#gahghfnfddhgnghfngh#I AM GAY AND I LISTEN TO COUNTRY#NYEH!!!!

Now. I understand disinterest in a genre because it’s not your aesthetic, but when people express their feelings for country, R&B, hip-hop, etc. …the dialogue isn’t casual “It’s not my thing.” The dialogue is a hateful, passionate retaliation.

Other genres aren’t treated like this. It’s normalized and encouraged to hate on country and rap. These genres are systematically treated with less respect and that disrespect culturally arose because these genres are associated with less-respected demographics.

(Country music is associated with people of low socioeconomic status, for people who aren’t explicitly aware.)

Anecdotally: I’ve caught something interesting about anti-country music sentiment. Many people tell me they can’t stand the “twang.” Half the time, I’ve noticed that their internalized definition of “twang” isn’t the vocal technique; it’s that they can’t stand the presence of a Southern accent. And hooboy does that have TONS of sociocultural bias issues. As a linguist, I’ve read endless sociolinguistic studies about how Southern dialects are treated as “lesser,” and how speakers of the dialect are automatically judged to be less intelligent, etc. It’s not good, folks.

Sometimes, to help friends get out of their anti-country mindset, I’ve “tricked” them into liking country. See, genres like bluegrass grew closely out of Scots-Irish folk music. Often, we’re playing the same tunes on both sides of the Atlantic. So I play a few instrumentals, my friend goes, “Oh! I love Celtic music

The biases against those demographics color how people view the music. There’s endless things that can be said about hip-hop bias, holy shit. I won’t focus on that today because I don’t believe I am qualified to be a spokesman. Someone who understands that genre better, and other genres associated with the African-American community, and is African-American, would be a better human to listen to than me. I defer to their knowledge and experience. It’s hella important to understand what bias has been reflected against those genres.

But there’s just as much bias against country music, against another demographic. And I’ve found it wild how it gets treated on places like tumblr, which wants to stand up for underprivileged groups, but somewhat inaccurately associates country music as “anti-gay conservative evil white person music” rather than music of people historically of lower socioeconomic status.

Yes, some of the demographic that listens to country music or plays country music are bad apples. But like… thinking the music is JUST THAT is a huge disservice to what country actually is and who the music artists actually are.

The history of country music is one giant collaborative melting pot of people from many different cultural backgrounds. Broad West African influence. Mexican influence. Italian influence. German influence. Scots-Irish influence. Cherokee influence. More. Early record labels like OKEH foolishly separated “hillbilly music” (presumably white folk music) from “rhythm and blues” (presumably Black folk music) without understanding the constant racial, demographic, regional, and cultural cross-pollination that occurred between the musicians from country music’s origins. And while there ARE certain issues in country music’s past and present, and we can’t let those issues go forgotten, that’s far from the whole story. We shouldn’t romanticize issues, but we should acknowledge that this music genre has given us major strides too.

Country music is the banjo, brought from Africa, combined with the mandolin, brought from Italy, combined with the fiddle, brought from Ireland, combined with the guitar and the dobro and the accordion and the upright bass and the electric guitar and the electric bass and whatever instruments you want to put in there.

Country music is African-American musicians like DeFord Bailey, the first radio star ever introduced on the Grand Ole Opry (THE most revered country music hub out there), blues harmonica performer, playing to crowds decades before segregation was de-legalized. He toured with white Opry musicians who treated him as one of their own. It’s soul music genre pioneer Ray Charles producing a studio album entirely dedicated to country music hits like “Hey Good Lookin’” from Hank Williams. It’s country star Charley Pride, who despite the racism against him in the 1960s rose to fame and made audiences fall in love with his beautiful voice. It’s the African-American musicians who inspired many commercial country stars, like Arnold Shultz influencing Bill Monroe and the railroad workers inspiring Jimmie Rodgers.

Country music is stars like Johnny Rodriguez and Rick Treviño, singing country music in Spanish, and using obvious Latin flavors in the genre.

Country music is filled with badass women like the ladies who STARTED THE GENRE ROLLING IN THE FIRST PLACE, Sara Carter and Mother Maybelle Carter (whose guitar style is hugely influential to this day) and Maybelle’s daughters Helen, June, and Anita; the first female music manager in the music industry, Louise Scruggs; songwriters like Felice Bryant and Loretta Lynn; the most awarded female artist in Grammy history Alison Krauss; and powerhouses like Dolly Parton who stepped out of an over-controlling entertainer’s shadow to become a badass in all things like supporting the LGBTQ community, contributing to pro-transgender films ahead of their time, and starring in sex worker positive productions like “The Best Little Whorehouse in Texas.”

Country music is filled with activism. Johnny Cash showed a heart for those forgotten by society. He toured many times in prisons. Cash especially was an activist for Native American rights. He toured with Native American songwriters so audiences could hear their own words (I’ve been trying to find names but I’m having difficulties re-finding that information, so my apologies for not giving names of those who deserve to be mentioned). Cash released albums dedicated to exposing past and present injustices against the Native American people. He went on tours specifically to Native American reservations.

And it’s not just Johnny Cash!

Country music is many stars from the Grand Ole Opry banding together to release AIDS benefit albums - big names like Alison Krauss, Willie Nelson, Marty Stuart, aurgh I’m too lazy to write them all, PEOPLE.

Country music is Earl Scruggs and his sons playing at the Vietnam War Protests.

Country music is tied in with the fucking folk revival of the 1960s, which was deep in left-wing activism and the Civil Rights Movement. Folk singers sang traditional Appalachian and English ballads alongside their own compositions, topical pieces protesting the current political situation. You can call one artist “folk” or “Americana” and another one “country,” but the influences were intermingling, and it’s why we have Bob Dylan and Woody Guthrie and Joan Baez and John Denver and Pete Seeger owning a banjo that says, “This machine surrounds hate and forces it to surrender.”

Dammit, I have a full BOOK that discusses country music and political ties.

There’s another book out there, which I haven’t read, that discusses the relationship between country music and the queer community, and how bias against country music is NOT as reflective of the listening demographic as we stereotype. I’ll take the word of one reviewer who said:

[Nadine Hubbs] explores country music lyrics, presenting a great deal of evidence suggesting that working class America is not inherently homophobic, but that as middle class cultural taste has changed to include formal acceptance of homosexuality, this process has included pinning homophobic ideas on the working class.

Country music is lyrics like this 1975 controversial song “The Pill”:

You wined me and dined meWhen I was your girlPromised if I’d be your wifeYou’d show me the worldBut all I’ve seen of this old worldIs a bed and a doctor billI’m tearing down your brooder house‘Cause now I’ve got the pillAll these years I’ve stayed at homeWhile you had all your funAnd every year that’s gone byAnother baby’s comeThere’s a-gonna be some changes madeRight here on nursery hillYou’ve set this chicken your last time‘Cause now I’ve got the pill

Country music is lyrics like this 2013 song that feels as relevant than ever:

If crooks are in charge, should we let them pick our pockets?If we don’t want trouble, should we not try to stop it?We could just sink into the quicksand slavery we’re born inBut fighting endless wars for greedy liars is getting pretty boringThey think they got us trained, so we’ll think we’re living freeIf we got time and money for junk food and TVBut it’s plain honest people never stand a chance of winning electionsThey just let us pick which liars take our rights away for our own protectionThe corporate propaganda paralyzes us with fearDestroying our ability to trustFear keeps us fighting with each other over scrapsStarving to death in the dustOrganized religion really helps you submitBut the meek are inheriting the short end of the stickFear surrounds compassion like a layer of moldAnd weakens our defenses so we’re too weak to be boldLife could be heaven, but this corrupted systemTakes away our rights, expects us not to miss themThe middle class is shrinking while the lower class growsIf we don’t wake up soon, we’ll have no class left to lose

Country music is Christians themselves criticizing the hypocritical Evangelical culture in the USA for the bullshit hatefulness stewing inside it:

Every house has got a Bible and a loaded gunWe got preachers and politicians‘Round here it’s kinda hard to tell which oneIs gonna do more talkin’ with a crooked tongue

And as that one post I just reblogged shows, there’s MANY queer country musicians out there producing explicitly pro-LGBTQ+ music.

I’m brushing over so much. I’m sorry for the simplification that goes with me doing such a pass-by overview. I’m sorry I’m focusing more on history than the present (I know more about the 1920s-1960s eras, so I’m talking from my strong suit). I hope the information is at least strong enough to get my point across.

There are definitely listeners and artists in country music who are uber-conservative white hateful Christians. Yes. I know why country music gets associated with that. But.

Country music is not ABOUT this uber-conservative white hateful Christian side. The genre is not “polluted”. It is a thousand voices from a thousand perspectives of people from many backgrounds and beliefs. And many of those thousand voices are old traditional songs that came from Black communities, or were composed by Mexican-Americans, or were performed by folk artists as part of a protest for equal rights.

(Note: I’m *NOT* saying all Christians are bad or that different political angles don’t have merits. I’m Christian myself! And you don’t know my political party. I’m just trying to get the point across that country music isn’t ENTRENCHED in one questionable demographic.)

You don’t have to like country music. It doesn’t have to be your aesthetic. But if you find it fun to get in on society’s popular country hate roasting… please rethink this. The reason country music has been hated from its roots is because it’s associated with the socioeconomically disadvantaged.

I’m with you 100%, Ashley. When someone says they like all genres “except country music and rap,” I get a little leery. I used to be one of those people when I was younger. I had to learn to grow past those biases. But once I did, I realized there was so much I was hating on that I didn’t understand. Now, I hope I can help people overcome their own biases, such as ones they don’t realize they’ve had - for things like music.

Hi ya’lls. I’m queer and I love country.

P.S. If anyone has anything to add or correct, please feel free to add on! I’m doing my best but I do not know everything and would be happy to learn more, too!

#ashleybenlove #long post #music #non-dragons #that banjo business #analysis #my analysis #music analysis #note that there's a version of this post where it's been reblogged and added on and I chat about Elvis and stuff #but the starting text is from an earlier version of this post #where I had a number of typos #XD I know they're there but I can't change those hahahahaha #I changed them here #reblog whichever version you desire though of course!#but just so you know there's a few minor factual typos in the non-edited version #I was hahaha so excited that I typed fast when I wrote it XD

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tlbodine · 5 years

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A Plea for Some Non-Cringe Native American Representation

There’s something that has bothered me for a real long time, and I haven’t said anything because it didn’t really feel like my place to say it. But if pasty white folks across the country will insist on continuing to make these books and comics and movies, then I guess this pasty white girl can make a plea to do it better.

So. Here’s the deal. Native American representation in fiction sucks.

We’re going to talk about why, and then talk about some ways you can do it better. And it’s going to take a while, so join me under the cut.

PROBLEM #1: Erasure

The first problem with First Nations people being represented in fiction is that it, uh...doesn’t happen very often. It’s pretty rare for a show or movie or book to have a Native character, and even rarer for that character to exist without being a vehicle/mouthpiece for some kind of hamfisted message.

And, of course, Native characters who do show up in movies are sometimes played by non-Native actors, which is just. Um.

somebody fucking kill me I don’t want to live on this planet anymore.

PROBLEM #2: The Same Stock Character Over and Over and Over

There’s this weird thing where TV shows have A Very Special Native American Episode(tm) where a Native American character shows up in a storyline designed to, idk, provide a tidy outlet for the viewer’s white guilt or something. I see this a lot in superhero stories for...some reason:

Batman and Chief Screaming Eagle (ok, it was the 1960s, surely things have gotten better right? oh...) who’s butting heads with a villain over a bad contract for, uh, the chief’s ancestral lands

There was the Buffy episode “Pangs” where a Chumash vengeance spirit is the villain-of-the day after being disturbed by some construction (and this is honestly one of the better treatments of the premise, at least the episode is well-written)

There was the Smallville episode with Kyla Willowbrook, the Kawatche Skinwalker (I know, I know) who for bonus points dies tragically in Clark’s arms (I KNOW) and who was deeply concerned with...with some construction...disturbing her sacred homesite...(this is starting to sound familiar)

And then there was The Flash episode where Barry is forced to fight with the complicated-yet-tragically-evil Native American activist woman whose crimes involve stealing cultural artifacts that belong to to the museum (yes I’m screaming) and also murdering people...y’know, for vengeance and stuff.

I could keep going but I really don’t think I have to. When your only representation of a culture is a character (frequently a smoking-hot member of the opposite sex to the hero) who is an ambiguous villain who is motivated by vengeance and/or justice over having their land/cultural artifacts disturbed, and who has a valid claim but is really going about it in the wrong way and whose tragic death and/or defeat really gives the white character something complex to think about for two seconds.... well. That’s more than a little racist.

PROBLEM #3: These Are Not Your Stories to Tell

You know what white people love doing?

They love appropriating Native culture! Seriously! They love it! And who can blame them, really? Native people have so much rich symbolism and mythology and cool clothes and neat aesthetics. Painted war ponies and buckskin dresses and shapeshifters and monsters, oh my! Indian burial grounds and vengeful spirits (oh for fuck sake enough with the vengeful Indian trope)

But here’s the deal:

The mythology you’re borrowing from belongs to a group of people who are still alive and sometimes practicing the religion you’re liberally reinterpreting

There is no such thing as a “Native American” myth. You’re talking about literally hundreds of different tribes who are culturally distinct from one another and have their own complex histories of interaction, diplomacy, war, friendship, etc. with one another for centuries before white folk got here. You erase all of that when you treat Native culture as a grab-bag of cool things you can mix and match to your liking.

Maybe, just a thought, stop it with the oppression narratives about activists and/or vengeful spirits who are real threatened by white people disturbing their homes? It’s not that there isn’t a lot to unpack in that -- I mean, white people really did conduct mass genocide against a race of people, for starters -- it’s just that this isn’t really your oppression narrative to tell.

It seems to me that folks writing about Native Americans don’t actually have any idea what Native people are like? They either think of them as anachronistic figures, an extinct and ancient group, or they think of them as people really hung up on their cultural past. Because maybe people can’t think of anything to do with a Native character other than use it as a vocal mouthpiece of one very specific part of their cultural oppression.

But please. Please stop. That is every bit as stupid and racist as making a Black character who only talks about slavery, or a Jewish character who only talks about the Holocaust, or giving all of your gay characters AIDS.

So what do you do instead?

Writing Native Characters in a Way That Does Not Suck - A Quick Primer

I can’t write a definitive guide on writing good Native representation, because there is no such guide, and if there were it would take a whole book probably, and I am not in any way even remotely an authority.

But I can give you some pointers that will help you.

(And to be honest, Native representation is so awful that the bar here is really super low, even just attempting a tiny bit is a really welcome breath of fresh air)

Choose a Tribe

Step one: Figure out what kind of Native people you’re writing about.

Because, as previously noted, Native People Are Not A Monoculture.

How do you pick a tribe? Well, start with geography. Where do you want the story to take place? Obviously people move around, so you can find folks outside of their ancestral lands, but they all started someplace, and a lot of people live where their parents and grandparents and cousins all live.

So where does your story take place? Pick a spot. Then find out what tribes live in that region. It’s not a secret. There are maps:

(Source: http://www.emersonkent.com/map_archive/native_american_tribes_map.htm)

Or maybe you want to go about this in a different way. Maybe you have a specific story idea in mind and you want to write it in a way that would be accurate and respectful. Cool! A good first step on that is to figure out what tribe actually does the thing you’re wanting to write about.

Skinwalkers, for example, originate in the Navajo Nation (Dine` people), although there are related myths from surrounding tribes in the area.

If you’re writing a story about Wendigo, then you should know those myths originate with the Algonquin people of Quebec and Ontario.

If you’re writing something with spiritually significant buffalo, you should probably choose a culture that actually interacted with buffalo -- ie, a Plains Indian tribe like the Lakota-Sioux people.

And so on and so forth.

(Note that this is only the first step. You still have to do a lot of research after this to be sure you’re doing everything properly and respectfully. And, y’know, maybe reconsider if you actually want to tell a story respecting that mythology, or if you just want to sound cool and exotic)

Also, personal preference: Please don’t make your characters Cherokee if you’re just going for “character with Native ancestry.” Please choose a different tribe. For a lot of complicated (and sometimes surprisingly racist) reasons, white people have been claiming Cherokee heritage for a long time, and even when it’s true, it feels cheap and cringey in fiction. If you want to tell a story about the Trail of Tears or something set in Tahlequa, Oklahoma, great! Write Cherokee characters! But if you just want a Native American character for other reasons...pick a different tribe.

Choose a Name

Fun fact: Modern Native people that you meet out on the street don’t have names like “Stands With Fists” or “Running Bear.”

If you have an impulse to name your character any kind of descriptive “adjective + animal” name...just don’t. Please. And don’t go to BehindTheName or some other random site to pick out something that “sounds” Native.

Names in other cultures are tricky. Some (but not all!) Native people may have a cultural tradition of having multiple names, including naming ceremonies (often as a rite of passage in adolescence). Some tribes have clan names. Everybody’s different. But these special names are culturally sensitive, often sacred, and are not a thing readily accessible to white people. White folks spent centuries trying to wipe out Indigenous people’s belief systems; they deserve to have some things kept private and sacred.

So what I’m getting at here is that white writers really, really should not touch on the “Indian naming ceremony” trope at all if they can help it, because it’s gonna be real hard to get the details right, and getting the details wrong is going to make you sound like an ignorant racist. And most of the time, it’s not really that important to a story.

Most contemporary Native people have regular English names. They may also have tribal names and clan names (that they may or may not share with outsiders). But lots of tribal members don’t, and that doesn’t make them any less Native.

My recommendation for naming your Native characters? Find real people from the time period, tribe, and region you’re writing in. Find a phone book or newspaper from a town on or near a reservation for your chosen tribe. Look at names of participants in powwows. Look at the sports rosters for Native schools. Look at historical records like census data from the year you’re writing about. Don’t just make things up.

** One Note: You know how “black” names are a thing? You encounter a similar sort of thing in some contemporary Native Americans. I grew up with a lot of kids who had “weird” names like Kirby, Sheriden, Baskerville, Sterling and Precious. (and by “weird” I mean “names middle-class white people don’t tend to use”). There’s also a lot of black-sounding names in Native populations. There’s some complex reasons behind this, and a lot of sociology of naming, and I won’t spend too much time on it right now but just...so you know. It’s a thing.

Write a Human Being

This really is the biggest thing, and it’s true of every writing you do, all the time, no matter what: Write a real person and not a caricature.

Native people are people first. Their cultural heritage affects them the way anyone else’s culture does. The things they eat, wear, do, believe, the stories they know, etc. are all affected. But Native people don’t have a responsibility to be walking representatives of their tribes. And they definitely shouldn’t be a vessel for white guilt.

(Fun fact: “Iron Eyes Cody,” maybe best known for the “Crying Indian” role in a commercial about pollution, was an Italian-American born Espera Oscar de Corti)

Here’s a really, really good article I found while working on this rant that might be of interest to you as wellas you set out on this quest: https://mashable.com/2015/03/24/american-indians-tv/

I still have so much to say on this topic, and maybe I’ll write more in the future, but this is already very long so I’ll stop. I hope this has been at least a little bit helpful for y’all. Go forth and write non-terrible characters, I beg of you.

*Disclaimer: I am not a Native person and do not claim any special knowledge or ownership of Native culture, and I beg you to please listen to Native voices when possible in your creative endeavors. I’m just a gal who happened to have spent most of my life living near reservations and growing up around Native people and having Native friends and being taught about historical cultures by my mother who has a degree in Southwest Studies and has done a lot of formal and informal research due to her own interests in the topic.

If you found this article helpful at all, please consider dropping a tip in my tip jar.

I also have a book coming out! You can pre-order it now! It features a main character of mixed heritage, New Mexico reservation border towns, and zombies trying to get by like everybody else.

Pre-Order now on B&N: https://www.barnesandnoble.com/w/river-of-souls-t-l-bodine/1131956124

Or on Amazon: https://www.amazon.com/River-Souls-T-L-Bodine/dp/1950305015

Or from the publisher: http://journalstone.com/bookstore/river-of-souls/?fbclid=IwAR14Qna5tMgWBV0We2uGSLreBkmyvZ5SoDAzPQpTKeFn4JR4PWSyKGl0VEo

Or add it to your Goodreads library: https://www.goodreads.com/book/show/46183381-river-of-souls

#how to write #writing advice #native americans #cultural appropriation #representation #long post #but please do read it #I worked on this all day

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