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ryttu3k · 3 years

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Finishing up SoNY, ‘bad’ end and final thoughts!

But first, the early game over.

Wow, she just gets shot. Not even slurped? That’s rude as hell XD;;

And on to the ‘bad’ end!

Beginning is much the same, ofc.

“You’re too in love with weaving a good story and establishing a seductive narrative to let facts get in the way.” Foreshadowing for the ‘good’ end, maybe?

God that Embrace scene gives me literal goosebumps.

Alright! Last time I did Danse Macabre and Retributive Justice, let’s try The Risks of Swiping Right!

lmao god I’d eat this guy too. Back to the ghost club! That legitimately is a really neat scene. ...Ooh yes so that’s where the girl was from.

Panhard just lowkey dying at the mental image of Katherine Weise in a fast food restaurant is so good.

The sweet scene between Julia and Dakota hits a bit different after the ‘good’ end XD;;

Went to the park, reminisced, and helped out the guy. That was sweet ;_; High-humanity Julia, this time!

‘Fairy God Mother?’ is great but ‘Vin Diesel?’ is objectively the funnier response.

“Shining even more brightly than usual, Aisling.” Samira got a cru-ush~

Poor Julie. It’s probably been tough without Sophie around :(

Huh. Interestingly, refusing to lie to Mia results in Julia actually feeling genuine loyalty to the Cammies (for now, at least).

Believing Agathon is still alive = more optimistic = different dialogue! See, this is how you make choices have consequences, game!

Oooh boy time to meet Adelaide XD;;

“She uncrosses her legs in a strangely seductive motion. In her mind’s eye, it probably looked like Sharon Stone in Basic Instinct, but in reality, it had all the grace of a tracksuit Slav squatting.” *snickering*

Fight me, Adelaide >:(

‘sup Nastya. Went with the slightly less disruptive routine here XD Huh, she’s an aspiring DJ! Julia is deeply confused as to how being a DJ and being head of security works together.

lmao Julia referring to Hope as a girlboss. That phrase has lost all meaning to me...

The conversation between Julia and Father Leonard is still really interesting. Man, you know who I want Julia to talk to? Anatole. Interesting insights into balancing being queer Catholic vampires there for sure.

lmao oh my god I want to fight this street reporter.

‘I can almost feel my brain losing its wrinkles.’ *snort*

Yeaghhhh the Abyss bit is still so creepy...

Oops. Being honest regarding Tamika and Torque’s relationships gets a fail :(

Oh, or not XD That works! Also, uh, apparently the giant albino ghoul alligator is real, according to New York by Night. He’s Calebros’ pet.

“Because I think I have a pretty good nose for people’s auras. And when I take a good look at you... ...somehow, I have a feeling you’re a surprisingly decent person. Whatever way of unlife you choose, I hope you don’t change it. And that you remember my advice.” :)

“I know.” Oof.

“Hi.” “WAAAH!” lmao sorry Princess XD;; Just trying to imagine Qadir’s face as he tells Julia to find a 1990 glass statue of Scrooge McDuck... dying...

Oh she’s so a Toreador XD Low art options are a fantasy book, an anime DVD, or a video game... those can all be arty, though! And went with the anime DVD called ‘Ririsu no Daibouken’... that translates to ‘Adventures of Lilith’. How on the nose XD “The cover says ‘Lilith’s Carnal Carnival’.” Oh. Yeah, that’d do it XD

“This 90s original video anime presents us with a tale of five big-bosomed samurai warriors travelling through America in search of General Hastavista, The Incubus King. Don’t let all the titillation misguide you: the main draws here are peerless direction, a nearly avant-garde editing rhythm and dialogue that coyly comments on traditional gender roles in anime. Once you see the animation in the final battle, you’ll understand why it never fails to set a sakuga fan’s heart ablaze!”

She’s my new favourite.

“So can I know your name now?”

“Hmmm... Let me think...

No. <3″

I need to stress that the heart appears in the dialogue box. Like. The actual less-than-three heart.

Didn’t investigate the rat this time, so Qadir did and I die. “Glad you’re alright, little guy.” Qadir...

Still not over the drunk blood doll rats.

Kaiser’s still a goddamn creep and this time Julia is not going too far. She still has her humanity, dammit. Final set of traits:

Loyal to the end

Glass half-full

Not into a bad cop schtick

Honesty is the best policy

No more human, still humane

Onwards to the ‘bad’ end! Oops, and Dakota still did the Single White Female thing XD;;

Man I’m still really curious who the ‘good friend’ is!!

Okay! Time for end game!!

So that’s the good friend, huh? “Let me phrase it differently, then. You’re not Ecaterina the Wise, the Agitator of Prague, a Brujah elder causing turbulences all over the world... are you?”

Mention of Christof! Mention of Christof doing shady shit :| Poor Hana.

“An immigrant from Eastern Europe comes to New York City, takes the position she always expected to find herself in, is molded into someone who is no longer herself.”

Julia and Dakota representing Carthage is kind of neat.

I want to say the mention of St Jude is a reference, but I’m not sure what to XD;; Is that from Redemption? Christof could have been the one to tell Hana that.

“Like a two-person human centipede loop or something. An Ouroburos? Or an, uhh, Mobius strip?” No, that’s the other traditionally Sabbat clan XD

That‘s. That’s a hell of a reconciliation XD “Yeah, let’s give it a try. By the way I’m on the run for my unlife, want to go to California and try to find utopia?”

Julia, wear a fucking mask XD

“Hey.”

“Yeah?“

“Do you love me?”

“... Of course I do. For now, at least.”

I still don’t know if I love her. Or even if I can love anyone, for that matter. I’m a fucking monster, after all. I don’t even know if we’ll exist next month. The prospects are not looking good. But although I can’t see myself in the rearview mirror right now...

...I will remember this image of us leaving the city, somewhat melancholic, and somewhat hopeful, forever. And maybe the meaning of this image will be clarified with time. Or maybe I will just force a more positive description on it, and that is what I’ll believe.

No matter what happens... even if oceans of blood lie before us, I will make this a cherished memory.

Whatever possible salvation still remains for me... ...it probably lies in the eyes of another.

Oh dang I have chills.

So the ‘bad’ ending is about the subverted compromise. Julia resigns herself to letting the compromise about the truth of Callihan’s death go ahead. ‘Catherine’ is a walking compromise to hide the Ecaterina’s real deeds. But while Hana is still stuck in her role for now, Julia refuses to accept the compromise she’s made, both the one relating to the investigation and the compromise she made of her own views and morals. It might blow up in her face, yeah. But damn, she’s going to try.

So, final thoughts! For the sake of completion, this is what I said about Coteries:

And of course this is the part where the game all falls apart :-\

Just… god. This is probably the biggest problem with CoNY, and the reason I didn’t bother getting it until it was like… 60% off. The bulk of the game is great - the writing is intriguing, the design is stunning. But the choices themselves are so limited it’s barely worth even getting it at 60% off!

You have three choices of characters, with their own opening chapters and own individual scenes with their touchstones. You have four choices of coterie members, and three sidequests. You can probably get in at least three full story arcs and a sidequest or two, but you’re only ever limited to two of your coterie members showing up at the not-yet-endgame.

So let’s say you decide to play all three protags, which, indeed, is encouraged (there’s an achievement for it). You are going to repeat coterie arcs and side quests, because there simply aren’t enough for three unique playthroughs.

And then you get to the end and literally everything is scripted. You get attacked by the SI. You get rescued by your two coterie members (and then never see them again, despite the game being called Coteries of New York). You meet Torque, you escape the SI, Sophie reveals her plan to Torque, you go to Ellis Island, Adelaide kills Sophie (and despite the fact that you’re given multiple options there, none of them work), Arturo does his spiel, end of game. You don’t even get to choose between ending up blood bound or going “no fuck you” and at least dying with a bit of dignity!

I just. I really want to like it, and there genuinely is a lot there to like! But uuuugh the ending. Like damn at least give the poor protag the option to choose what happens to them!

Anyway. Not sure what’s next. To get all the achievements, you have to finish with all three protags, so that’s three full runs and a lot of repetitiveness (compare to, say, Bloodlines or Night Road. I have eighty-five hours on Night Road and there’s still stuff I haven’t seen!), so I can’t even just… rush it through up to the meeting with the touchstones on the third play. Nope. Gotta finish it :-\

Final rating: 6/10

8/10 characters, 9/10 atmosphere, 8/10 story aside from ending, 3/10 story ending, 2/10 replayability. Final consensus: get it on major sale if you can, otherwise, you might as well just watch an LP. I might do that instead of doing a third run, although I at least want to do a second.

I ended up revising that 6/10 to 5.5/10 after finishing all runs and getting the achievements just out of how goddamn repetitive it was. So, how does Shadows measure up?

Absolutely continued with all the things I enjoyed about CoNY (characters, atmosphere, and writing), and of the bits I hated (cookie cutter protagonists, lack of real choice, repetitiveness, the godawful ending), every single part has been completely improved.

Instead of three fledglings so similar they even have the same internal thoughts, we have Julia, who’s got such a distinct voice that she becomes the most memorable game protag I’ve seen in years, and I’m including non-VtM games in this. This is absolutely her game, and it’s just... absolutely fascinating to read and watch.

Related - actual real choices. There are five key choices that determine the ending, and every single one has actual consequence in-game. You get different dialogue. Different introspection. Different philosophies. And this carries across - if Julia believes Agathon is alive, she’s more optimistic about her relationship with Dakota, too. And of course, both endings are completely distinct and incredibly written - the ‘good’ ending where Julia gives in to her most Lasombra instincts, plays the game, wins it, gets power and respect at the expense of her humanity and avoiding all those wraiths... or the ‘bad’ ending when she listens to her morals, reconciles with Dakota, and leaves for California, uncertain, but hopeful.

Not a lot of repetitiveness. Yes, by design, you’ll probably do two playthroughs. The main plot is much the same, but there are enough options there to get multiple dialogue options and stuff. And for the little sidequests, you can actually get all in with just the two playthroughs, only repeating like... two, I think. Still, I wasn’t feeling actively bored like I was midway through my second run of CoNY!

Loved seeing more in-depth backstory and development for the coterie members. Agathon’s section was particularly fascinating, literally getting into his head.

And just. Atmosphere and music is so, so good.

Final rating: 9/10. Thank you, Draw Distance, you hit it out of the park.

#vampire the masquerade #vtm shadows of new york #ry plays sony

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songofadaydream · 4 years

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my real-time thoughts on rocketman the 4th time I’ve seen it in total and 2nd time this week, let’s go bois *very long post warning*

fair warning I just finished jojo rabbit less than an hour ago and it was way more emotional than I expected, so she’s probably going to be an emotional wreck tonight ladies!! :)) also, I will be pausing the movie throughout! just wanted to let you know

starting the night out right with some lay’s salt and vinegar chips and a lush face mask

not even a part of the movie but when the studio logos come on a version of goodbye yellow brick road and just *french kiss*

it’s starting and I am here for it!!

taron comes looking like an icon and a snack. actually, a whole meal. the heart glasses omggg

“how long’s this gonna take.” “that’s really up to you.”

i never noticed this before but taron stares right into the camera as he introduces himself

“my name is elton hercules john. and I’m an alcoholic. and a cocaine addict. and a sex addict. and a bulimic. i’m also a shopaholic who was problems with weed, prescription drugs, and anger management.”

“well my dealer was out of town I thought this seemed like a good alternative,”

“and I wanted to get better.”

um the transition into the full on musical number of the bitch is back.

this tiny little child actor playing elton saying bitch 10 million times. props to his parents for letting him do that.

um also his riffs??

just the way his mom says, “love to.”

god his dad is a DOUCHE

“when are you going to hug me”🥺🥺

the flashlight conducting scene!! they’re playing rocketman and it’s so beautiful and cute!! whe lil reggie/elton gets on the mini piano oh my god

when he looks at his mom’s fashion magazines...gay fashion icon beginnings...

*looks up* “can we go home,”

he starts playing his teacher’s song and she’s just like 😦😦

idk if this is an unpopular opinion but I don’t really like the I want love scene. I just don’t really like the switching of singer, the arrangement, and tempo. just my opinion though :/ also that’s the only weak scene of this movie I think

elton’s grandmother appreciation post send tweet

that last I want love though.

when his mom is clearly getting it on in a car and her date is like, “I’m..,,..a friend of.,.,,..your mum’s,.,,”

his dad leaves. heartbreaking!

when he wipes the tear away...

“i discovered records. and rock and roll :)”

playing classical music with an elvis presley haircut is an aesthetic no I don’t take criticism

“excuse me. you can’t put that there,” “why not,” “it’ll get knocked off.”

when he transforms into teenage elton and an amazing musical/dance number starts

that face taron makes when the door shuts on the car

“it’s not just your name. you gotta kill the person you were born to be in order to become the person you wanna be.”

that kiss with one of the band members is so hot.

peeing in a bottle in disgusting I’m sorry.

“what’d you say your name was again?” “elton.” “elton. elton what.” “john. elton john.”

ray is cute af. also the transcendental moment when he hands elton the envelope with bernie’s lyrics in it.

“one frothy coffee, no froth.”

jamie is so cute what the heckkkk

singing streets of loredo in a cafe is so wholesome and adorable

holy sHIT BORDER SONG IS STARTING

bernie and elton are literally so cute together as friends omg

also completely digging these like early 70s silk scarf things.

“yeah I could just take those songs and leave if you like,”

“what about the fact that you’re a f*g...your little friend here...is a homosexual.”

bernie not caring whether or not elton is is gay is Peak Pure ™

“oH fUcK”

when they stumble home drunk. the cuteness I can’t.

“you are a ssshhHHITT hot piano player, you have an aMAZING voice, and I’m telling you there is something special that happens...when you sing our songs.”

the way the two handle elton’s leaning in for a kiss is SO GOOD and I could write an entire essay on it. “we became inseparable after that. the brother I never had.”

“anyway I took his advice. told arabella. she took it quite well actually,” *cut to her throwing his piano out the window* “sHe KiLlEd mY pIaNo”

your song and everything about that scene is perfection. that’s all I have to say.

“you can’t just sPRING the troubadour on me.”

“put on a great

fucking

show. and just don’t kill yourself with drugs?”

amoreena is so good how didn’t I realize this until now!

doug flirting w/bernie kills me every time.

“ooh dude. what the hell’re you wearing?”

“my stage gear.”

*bernie stumbles in drunk* “reggie! reggie reggie. neil diamond is at the bar he’s talkin to leon russell and half the fuckin beach boys eh??”

“jesus sHIT bernie,”

that little, “well come on then,” after being yelled by bernie & ray

“please welcome all the way from london, england...”

ELTON JOHN

when he starts singing it’s like the smoothest molasses ever and I am HERE for it.

there’s an interview where taron says, and I quote, “those dungarees made my ass look massive” wholeheartedly agree my guy. but in best way possible

when they start floating

elton’s jacket and the magic that is the entirety of tiny dancer <3 <3

there’s a whole ass bed in a tipi?? what the hell

“so you like the songs then?” “not quite as much as the singer,” OH SHIT THE GAY TENSION

“there are moments in a rockstar’s life that defines who he is...and it’s going to be a wild ride,”

it’s a weird scene to like but I really love the take me to the pilot love scene. the song is so good and perfect for that moment, and they seem genuinely attracted to each other (even though john ends up being a huge dick later)

the way he takes the glasses off

the lil race to get their pants off is weird but it works

elton just seems so happy and content at the end and it’s so refreshing.

when he gets the shoes and the glasses <3

he looks so happy and fulfilled my little boy

why is it so cute when he and Kiki record don’t go breaking my heart

elton stops it the SECOND he sees John oh my goddd

kiki’s little “ough” when she sees john

“elton what’s going on are we going again or should we go for a pint,” *sees john walk into the closet* “yeah no yeah you should go for a pint”

HONKY CAT IS ONE OF IF NOT THE BEST SCENES/SONGS IN THE ENTIRE FILM THERE I SAID IT

cocaine induced head butt of a soccer ball is iconic

why did they have to get rid of rayyyy

the, “best of luck to you elton,” is so bitter yet genuinely well-wishing??

“welp...that was *absolutely* horrible,” is such a mood

the scene where he goes to come out to his dad is so incredibly heartbreaking, especially when it cuts to him in rehab.

taron deserves an oscar just for throwing that chair alone.

“what have you got to do the get a fucking drink around here, eh?” and then he takes a swig from a bottle in the car with john

when he calls his mom to come out. that shit hurts.

“i just hope you realize you’re choosing a life of being alone forever...you’ll never be loved properly.” he opens his mouth. it’s so awful guys. and then he fucking gets punched by john what an absolute dick.

“real love’s hard to come by. so you find a way to cope without it.”

the scene that comes right after that when he’s getting ready for his show and snorts cocaine and takes a swig of a drink really shows how far off the deep end he had gone. it’s heartbreaking, really.

“PEOPLE DON’T PAY TO SEE rEgInALd dWiGhT THEY PAY TO SEE ELTON JOHN. DON’T EVER TELL ME HOW TO DO MY FUCKING JOB.” “WRITE THE FUCKING LYRICS, BERNIE. LET ME DEAL WITH THE REST,” “i’m sorry,” “i know.”

that headdress tho

ok but pinball wizard absolutely slaps and so does the montage with all of his changing outfits

oh my god the drag queen in his room though

NONONONO JOHN IS LITERALLY RIGHT THERE FUCKING CHEATING ON HIM IT IS NOT OKAY.

what an inconvenient time for his mom to waltz in

“and what a shy little boy you were! look at you now.”

“mum you’re ON my GOWN,”

i wish i were as cool as bernie getting out of that car and coming inside

“yEaGhHhH...go get a lil drink. yehyeh,”

get ready for one of the most impactful scenes of 2019 if not the 2010s ladies

“FOR MY NEXT TRICK i’m gonna fucking kill myself.”

again, I could write an entire essay on this but the fact that he is literally hitting rock bottom with his childhood self down there is so impactful and powerful and one of the greatest artistic choices they made in this film. also the cinematography is gorgeous.

and oh, by the way, taron actually performed this underwater. no cgi or special effects. where is his oscar.

john is a dick to him on the stretcher but bernie looks so genuinely concerned for his friend and I love that.

it is absolutely gut wrenching when they pump his stomach.

THE CINEMATOGRAPHY AND ANGLES AND SILHOUETTES WHEN IT GETS TO THE BIG CHORUS PART IS SO SO SO INCREDIBLY GOOD AND AMAZING AND I WILL NEVER, EVER GET OVER IT.

the nurses getting him ready for what was probably his biggest/most iconic performance to date is something so incredible, and such a great choice cinematically, story wise, and really emotion wise too. he was at his absolute rock bottom and did one of if not the most iconic performance a little over 24hrs later, and I think this little part really helps to illustrate that.

taron actually hit that baseball and I’m so proud of him for it.

the liftoff is so great. and then it cuts to him in a plane with smoke on his head which just. ugh.

hot take: elton’s addiction wouldn’t have gotten so bad if he had just gone to bernie’s fucking ranch with him

THE QUEEN OUTFIT IS SO ICONIC IM SORRY

also if this movie doesn’t win the goddamn best costume design I swear to god.

YES BENNIE AND THE JETSSSSS

this is also such a great scene as well omg.

when he flashbacks to his childhood and difficult and also great moments in his life during this sequence. that hit hard.

i feel like no one talks about taron’s arms enough? they as thiccc as his thighs why y’all sleeping on them

“You signed a contract with me years ago, so I’ll still be collecting my 20% long after you’ve killed yourself.” that’s cold as hell.

when he throws that glass at the door. and then victim of love starts playing straight afterwards UGH dexter fletcher you need to STOP and CALM DOWN

listen I don’t know elton was thinking and/or feeling in terms of life and his sexuality when he decided to marry renata but can we talk about his wedding outfit?? wtffff it’s so gay and if you don’t see it you’re blind.

the look his mom gives him I’m DEAD

they literally had separate rooms this was not a normal marriage. the breakfast scene is so sad though.

“did being married make you happy?” “not really, I’m gay.” hands down one of the most iconic lines in the entire movie.

why does he have sperm on this firework suit coat.

“you know I am so sick of running away from who I am.”

the way his voice wavers and cracks is not okay. and neither is his mom twisting everything around so that she’s made out to be the victim. and don’t cry in the bathroom elton please buddy. you’ll be okay.

“campaign to kill yourself is going well, eh?”

“when did you give up? if you don’t care about yourself how can you expect anyone else to...it’s not weak to ask for help.”

goodbye yellow brick road is such a beautiful song and scene and why didn’t we get Jamie to sing more I mean come on he does so incredibly well in this scene.

also I didn’t really realize that they flipped a few verses around for the movie. and elton yelling and screaming at bernie as he leaves is so powerful.

elton yelling at himself.

this is also when he has a heart attack?? chest infection?? I don’t really know but he falls down the stairs and Mr. Dick Manager John makes him continue to perform.

and there he is in the first scene’s costume. singing the rest of yellow brick road.

and there he goes. off to rehab. a full circle moment. good for him for finally taking control of his life and addictions.

“yeah but I started acting like a c*nt in 1975. I just forgot to stop.”

“maybe I should’ve tried to be more ordinary.” his grandmother walks in. “he was never ordinary.” my. heart. can. not. take. this.

this next scene where he talks to everyone in his mind is incredibly powerful and I will shout it from the rooftops until the end of time.

“my problem is that I believed you loved me. and you’re incapable of it.” the SHADE

“actually I think I’m okay with strange.”

BERNIE COMES IN MY LOVE

“bernie...I never told you how much I need you.” shit fam here comes the waterworks

“you just need to remember who you are. and be okay with it.”

and then his childhood self comes in. “I haven’t been reggie Dwight for years.” “when are you going to hug me.” he engulfs his young self in a hug. this is one of the best moments of the film and I am now full on crying.

I can’t get over how wholesome bernie’s visit is with Elton. the sweetest thing ever.

“you’re not scared you’re not good without it, you’re scared to feel again...this is the part you gotta do on your own. these...need music”

“thank you bernie.” “you’re my brother.” <3

and then he finally sits down to write again. and it’s pure magic.

I’m still standing is a a feat of what he’s been through the entire movie. finally, he’s sober, he’s accepting of himself/his sexuality, and is getting to a better place. plus, it mirrors the original music video, and is everything I’ve ever needed and more. *the* perfect scene and song to end upon.

he’s so happy at the end. and then the epilogue starts and says he’s been sober for 28 years and counting, set up an aids charity, still writes with bernie, met his husband David 25 years ago and is finally loved properly (rip my heart out of my chest, why don’t you), has two sons and is retiring from touring. and and the I’m gonna love me again plays with him and taron and it’s just such a perfect song to end, and I can’t.

so. those are my thought while watching rocketman for the 4th time in total, 2nd time this week. sorry that’s it’s so long. I just love this film so much. anyways, it’s almost 2am and I’m an emotional wreck. I’m gonna go cry and go to bed now. thanks for making it this far. :) <3

#elton john rocket man #eltonjohn #sir elton john #elton john #taron egerton #taronegerton #taron egerton rocketman #70s music #musical biopic #musical fanatasy #rocketman review #rocketman movie review #movie review #film review #music review #film analysis #film exposé

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