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yo-namine · 4 years

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Okay, time to talk to myself about Re:Mind and Limit Cut Episode.

Spoilers galore under the cut!

I'm just gonna start off by talking about how the DLC handled my biggest gripe with base KH3, which was obviously how Kairi was written in the last few hours of the game. Like I said in my other post, Re:Mind doesn't totally fix those problems, but... Well, here's what we get:

Kairi's "murder" is reframed a bit in the DLC. Base KH3 presents it as Xehanort killing her just to provoke Sora et al. into "clashing" with him to make the final key. In Re:Mind, we learn that Xehanort was actually stowing Kairi away (by "crystallizing" her, which... means she wasn't dead? But Sora still takes all the steps Chirithy gives him that are specifically for restoring a heart from death, and it works, so...?) as a fail-safe of sorts in case he needed another Light. Xemnas foreshadows this a bit when he says that Kingdom Hearts needs the Princesses of Heart in case the whole 13 Clashes of Light and Darkness thing doesn't work out. And for what it's worth, I do think this is a little better for Kairi as a character just because it shows that she was "killed" due to something unique and special about her, rather than what she was to Sora. She's still being used, and she's still sapped of her agency, but presumably no other character could have worked in that role against Xehanort, so... that's something, I suppose.

During the Xemnas/Saix/Xion fight, there's an added scene where all the Lights get to take a shot at Xemnas, and Kairi actually broke that motherfucker's guard and made him stumble when no one else could... And then she got captured, bloop, but at least this time it was because she was actually fighting and simply got bested. I can appreciate that. I liked seeing her shield Axel from Xion's attack, too.

And of course, she does get the chance to take on Xehanort later. She has a nice battle set-up (a sort of warp dash ability similar to Riku's and Roxas's, shotlock, reflect, and a GORGEOUS link attack with Sora), and it's a little cathartic to play as her taking Xehanort down. However, I don't think she ever learns that Xehanort took her as a safety measure for his plan or why she was the one chosen for this in the first place. She doesn't speak to Xehanort at all, which makes her big battle with him at the end feel rather... impersonal? And never mind him "killing" her in KH3; Xehanort's ultimately responsible for her losing her family when she was four years old, as well as the destruction of her home world. I'm not saying Kairi and Xehanort needed to have some long overwrought conversation or anything, but there definitely should've been some dialogue between them.

Kairi's actually involved in Naminé's restoration after all!!!!!!!! I remember the Ultimania's explanation of Naminé's return leaving a bad taste in my mouth because it seemed like they framed Kairi's death as ultimately a good thing, because hey, at least her murder freed Naminé from her heart. But that's not what actually happened; instead, Kairi and Sora go to Radiant Garden at the end of the game, and she lets him use the keyblade to release Naminé's heart from hers. And honestly, that scene right there? That was probably my favorite part of this entire DLC. The fact that Kairi really did play a part in restoring her Nobody is a much better payoff to her earlier lines in the game about wanting Naminé to have her own experiences. She wanted to give Naminé her life back, and rather than that being something wrenched from Kairi against her will, it was something she did for Naminé of her own volition. I just. 😭

/tl;dr thoughts on kairi

As for everything else in Re:Mind:

I loved the background moments with Sora and Kairi in the ending cinematic. Each one is framed so that you can't see their faces, so they all feel like you're looking in on something secret. The "Behind the Curtain" trophy name is pretty fitting (and just downright cute, lol). And like I said above, I loved the scene where Kairi and Sora restore Naminé's heart. You just see him pull the keyblade away from her chest, and then she cradles Naminé's heart in her hands and fjsldfjskd. I teared up at that. It was just such a sweet and gentle little moment. Sora and Kairi taking Chirithy to Ven (and Sora even giving them a little push, lol) was really sweet, too. I loved their body language while they watched Ven run off, how you see them turn toward each other just slightly.

I also like how Sora and Kairi's relationship evolved from "Even if we're apart, our hearts are always connected" to "Heart connections are nice and all, but I'd much rather actually be with you."

Demyx and Riku interacting was something I never knew I needed. Riku's like "PLEASE be careful with that vessel, it's very important--" and Demyx is just "Bro, I got this," and hoists it over his shoulder like a sack of potatoes.

Sora and Roxas actually talk to each other! I liked the scene where Sora's Station of Awakening starts to peel away to reveal Roxas's, and you get little glimpses of Roxas's memories. And it turns out that Sora actually did release Roxas's heart from his, and it wasn't just Xemnas kicking Xion into his chest that did the trick, lmao. I like that change.

Xemnas mentions that the original Organization doesn't remember Xion, but they do have records of her. That's a nice little tidbit to have for my Day 4 AU. 👀

Saix says the Guardians must be desperate if they're getting a Princess of Heart involved in the war, and Axel's like "Nah, she's our trump card." Aw. I also thought it was interesting how Saix purposefully uses Axel and Roxas's names to try to trigger Xion's memory of them.

I had to watch the recusant's sigil bit like four times before I understood what the hell was happening, lmao. The sigil represents the Sea Salt Trio's actual connection to one another that they had to "reclaim" from Xemnas, which... okay, but why was that needed? The thing I always liked about this trio is that they're the only one that we see develop fully from the beginning to the end of their relationship. They were always the most believable (canon) trio to me because of that, so throwing in this whole "The sigil binds us together!" thing just seems kind of stupid and unnecessary. They're friendship is good enough as-is. You don't have to add in this nonsense to represent their bond; their relationship development itself already did that. But whatever, they still had a really cool combo attack.

Scala ad Caelum is expanded on! I really enjoyed exploring it and solving the little puzzles to put Kairi's heart back together.

I LOVED THE GUARDIANS VS. NORT REPLICAS BATTLE SO MUCH I HAVE TO YELL ABOUT IT. I ACTUALLY DIED THE FIRST TIME BUT I DIDN'T CARE THAT I HAD TO REPLAY IT BECAUSE I WAS HAVING SO MUCH FUN. THE TAG TEAM ATTACKS!!!!! AQUA, XION, AND MICKEY'S COUNTER-ATTACK!!!!!! EVERYONE ACTUALLY WORKING TOGETHER!!!!!!!! IT’S ALL I EVER WANTED!!!!!!!!

There are so many cute dialogue exchanges during the Guardians vs. replicas sequence, too! Ven and Roxas compliment each other, Aqua scolds Axel for talking too much (twice, I think? Axel fusses at her the second time, lmao), Terra says something to Riku that I couldn't quite catch, and Riku's like "All thanks to you!" It's just so cute and charming, and it really made the Guardians finally feel like a team.

Mickey Mouse straight-up Boromir-ing his way through the Nort replicas was... I think I loved that? Yeah, no, I loved that. I was laughing through half of it because I kept getting knocked back, but it was a great sequence (visually and gameplay-wise).

Connecting all the keyholes was very satisfying, and was just a beautiful visual altogether.

Sora and Kairi's reunion was adorable. And then Sora sees Goatanort enter the scene, and he just looks at Kairi and is like, "You ready, B?" and Kairi's like, "FUCK yeah, I'm taking his trachea through his kneecaps!!!!!" Okay, not really, lmao. Actually, Kairi's surprised when Sora asks her that, like she didn't expect him to let her help, or maybe she felt like she wouldn't even be able to, but she says she's ready anyway. Kairi’s under-confidence in her fighting skills is a little more apparent in the DLC. Like she says "I can do this" right before the final battle, but it comes off as her trying to reassure herself. She even has a counterattack where her battle quote is "Please work!" and I don't remember hearing her say that in the base game. Girl knows how outclassed she is compared to most of the other Guardians (and Xehanort), but she fights like hell anyway. Attagirl. 🎉

And as for Limit Cut:

Aww, I love that Terra calls Riku "a great leader."

Cheers to David Gallagher for saying "Are you sure about this?" with the exact same inflection as the John Cena meme.

Riku's a master now, right? When will he get some spiffy keyblade armor???????

Okay. Riku is having dreams about looking for Sora. Sora is dead (?), and "the edges of sleep and death touch." Kairi has been asleep for the past year so that the Radiant Garden team can study her heart in effort to find Sora. Nomura? Nomura? Nomura. You cannot fuck this up, man. You can do this. You can write the Destiny Trio working together again. You can write a full story in which Kairi has an active role. You can write her and Riku interacting. You can do it. I believe in you.

The data battles are so hardddddd. I wound up just watching all the LC cutscenes on youtube, lmfao. But I do want to try to beat at least some of these bosses. Tragically, Riku is TRAPPED IN MERLIN'S HOUSE, so you can't leave to grind or anything. Boo.

I don't really care about Yozora. I think we got a confirmation from Sora that Nameless Star is Stella (?), and that's cute for her I guess, but I genuinely don't care, lmao. But I definitely understand the compulsion to include beloved characters from old cancelled projects in your newer ones, so I hope Nomura has fun with that. ...That sounded sarcastic, lol, but I meant it. I hope he gets to do something cool and creative with this recycled cast. It just might not be a story I'll end up following, is all.

Data greeting is SO much fun. I sank a couple of hours into that the other night just creating scenes and playing with effects. The controls are really easy to use, and it's even fun to just explore environments like Radiant Garden and Scala ad Caelum without messing with photos at all. I hope we can unlock more character outfits and poses in the future, but I can definitely enjoy it as is for now.

Overall, I'm pretty happy with this DLC. True, about half of Re:Mind is a rehash of the Keyblade Graveyard scenes with some extra content here and there, but it's sort of justified story-wise since we're in a timeloop. I enjoyed the extra Kairi scenes and the interactions between the Guardians the most. Limit Cut is mainly just bonus bosses, but like I said, I do want to actually beat those once I can figure out a strategy for them. And I'm obviously having way too much fun with Data Greeting, lmao, so yeah. Not a bad update.

#my posts #kh3 bloggin #dlc spoilers

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hithelleth · 7 years

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Killjoys 3 x 01 “Boondoggie”

Cool shit, I’m telling you. I liked it.

My concentration is rather skewed these days, so my impressions don’t go too deep, though. I’d need to rewatch it for a proper ‘analysis’.

So, just notes to myself so I don’t forget everything.

I went a bit through the very sleepy tags – apparently fandom, as little as it is, hasn’t yet woken up – to remind myself of things, and apparently I’m the only one who liked the young black market dealer whom Dutch could have almost adopted as a younger brother? Anyway, I liked the vibe, it was funny/adorable. Also, he reminded me a little of that rich collector guy from last season whose name I forgot (obviously I didn’t remember this one’s name either (yet)) – which reminds me, I’d like to see him again (and this one, too.)

I also liked Ollie, but I hope she isn’t a replacement for Clara; I’d like Clara back, please. And Ollie can stay. (But from what I glimpsed on IMDB I think Ollie stays and is kinda Clara’s ‘replacement’. Eh.) Also, why are we going from Johnny’s Pawter-related angst to Clara-related angst? It’s not like he can be motivated to fight bad guys (be it the Hullen or the Factory) of his own conscience? WTF, show.

Anyway, Johnny got a bit modified with a laser finger, and I fucking loved it – especially for how much he loved it, of course.

Oh, and his answer to ‘wifey, boss, non-sexual life partner?’ being ‘that would be Dutch’ – I supposed to all three was A+. <33333.

I guess there was a bit of a time jump from S2 ending.

I’m glad Johnny kept in touch with Dutch and D’avin and has been sending them useful info on Rac ship locations near plasma pools while Dutch and co. (D’avin, Pree, Alvis, Fancy and Turin) are trying to find other Hullen strains to kill all of the Hullen.

I guess no one connected Johnny to Delle Seyah’s death (or she might not be really dead b/c she is infected with the Hullen and is for some reason not coming after him). (Also, does Dutch know what he did?)

Meanwhile a RAC oversight is looking for the Hullen-freed missing killjoys (some 400 of them), and I think the oversight lady is definitely either already Hullen’d or in liege with the green slime.

The let’s trap ourselves some new Hullen plot was clever and entertaining.

But the ending was so sad with Dutch replaying Johnny’s message over and over. (Especially with the overlay of D’avin’s disappearance and Johnny’s carrying an unconscious Ollie.) I hope they are reunited soon (but I’m not holding my breath – I really shouldn’t have gone look at IMDB, though the info there can be notoriously incorrect for running shows, so maybe it doesn’t matter.)

So, the Hullen kept a whole fleet of aircrafts hidden on Arkyn, apparently waiting for something. But then D’avin, this idiot, goes on board of one and gets himself kidnapped (just like they wanted.) (Unless, of course, it’s another ploy to find what the Hullen’s up to.)

Anyway, I had fun watching, even if it’s shallow.

#Killjoys #killjoys s3 #3.01: Boondoggie #killjoys syfy #killjoys meta #my meta: killjoys #notes to self #so i don't forget #spoilers

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zaggitz · 5 years

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My Top Ten Video Games of 2018

Well, here were are again, my friends. After the non stop roller coaster thrillride of VIDEO GAMES 2017, can 2018 live up to the hype??? I’m gonna go ahead and say no right off the bat, but while every single week wasn’t filled with a new incredible genre defining experience like last year, we still had some genuine certified bangers in the mix, many of which I think will remain important to me as the years go by. It should be noted this is the first year since 2014 where a Trails game hasn’t hit the market, so for the first time ever since I started writing these lists, a Trails game will not reign victorious at the end. Scandalous! Impossible!! Shit year tbh, but we’ll get by.

Outside of games this year is maybe the best year of my entire life?? I got out of a years long slump, started an actual genuine career path, and then somehow managed to fenegle falling in love into the whole mix. These lists have always come from some greater sense of yearning to reach out and communicating how I feel about things I love to anyone who will listen, but right now all I can think of is about how happy and lucky I am for my life to have taken the turns it did this year. 2019 is gonna have to try real hard to break my stride.

If you’d like to read my previous rambly lists, here they are:

2015

2016

2017

Anyway without further ado, here’s ten games that aren’t Trails of Cold Steel 3(WHEN??):

10. Thronebreaker: The Witcher Tales

This one is only at the bottom of the list because I didn’t have time to finish it. I loved getting to jump into the world of the witcher again. The world is dark and gritty and the choice are morally grey and the writing is impeccable and gwent is even more fun to play as a main mechanic than it was in the Witcher 3 as a minigame. I can’t wait to dive back into this one come the new year.

9. Radiant Historia: Perfect Chronology

One of the most well written and executed time-travel-based JRPGs I’ve ever played. It’s a story about trying to fix mistakes, about different perspectives trying to understand each other instead of fighting over differences.

It’s got an overall theme of realizing how important you can be to the world around you despite seeming insignificant that really resonated with me, an amazing cast of characters and it also just happens?? To be really fun to play??

8. The House in Fata Morgana: A Requiem for Innocence

That I didn’t play the first game the year it came out is a damn crime, this series of gothic tragedies has such special, meaningful and important themes of redemption and sacrifice and finding the people who will survive the world with you no matter what. It tackles mental illness, lgbt topics with an immense amount of respect and tells some of the most heart wrenchingly real and gutting stories, but it all culminates in the most viscerally satisfying way.

This sequel delves into one of the most unspoken parts of the original while also offering promising and hopeful glimpses into the future. It’s absolutely a must play if you in anyway liked the original.

7. Wandersong

Now here’s one that came absolutely out of nowhere. This game just oozes joy out of every pore. You play as a dandy bard who can only interact with the world via music trying to save it from being destroyed. Heavy themes of pacifism and the internal struggle of doing your best when you know for a fact your best won’t be good enough cover this thing like sprinkles on the most delicious and colorful donut.

Another thing I love is how every single chapter of this game plays differently, one will be a pirate adventure where you steer a ship with pirate shanties, the other will be a Majora's Mask still town sim, it goes on like this, and it never once gets boring. This game will make you smile the biggest smile from start to finish.

6. God of War

Remember Kratos?? He’s back, in open world action-RPG form. I sort of grew up with the original GoW trilogy and am of the opinion that they aged about as well as I did(which is fuckin not gracefully, teenager me was a fuckin mess). God of War is out of its edgy teenager phase now, and just barely squeaking out of its holier than thou college student phase into a game that actually has a few things to say, fun characters, an amazing world, and a paternal relationship that is kind of actually a joy to watch unfold despite everyone making fun of the game for it.

This game is like twice, maybe three times as long as the original trilogy which hilariously kind of makes those games feel like a prologue to this one. I suppose the real ironic thing is they kind of are?? They were shallow angry games with nothing to say but their existence created a character that, under the right light, under THIS light, could actually be extremely compelling and fun to watch grow alongside his boy. This series went from one I was glad to see gone to one I can’t wait to get more of.

5. Yakuza 6: The Song of Life/Yakuza Kiwami 2

It’s absolutely insane that Yakuza is popular now. I got into this series 10 years ago and at the time every single new yakuza release was a blessing and a curse; blessed because holy shit they actually put out a new Yakuza game and cursed because oh god it sold like shit and they probably won’t localize the next one why did they localize the zombie spin-off it almost killed the series nooooo don’t localize that give us the samurai games instead.

So anyway, this year I finally finished my journey playing through all 7 mainline Yakuza games. The journey of Kiryu Kazuma has come to an end and I have seen every step he’s taken. Yakuza 6 itself had kind of a really rough new engine that Kiwami 2 ended up refining, and from a gameplay perspective these games are basically the same, for the most part(Kiwami 2 is just better). Neither of these games come close to touching the masterful highs of Yakuza 0 but from a story perspective I think the respect and love this series has for its protagonist is unmatched, and while I was sad to see him go, I will never forget that big good crime boy and his whacky antics.

Ganbare, Kiryu-san...sayonara!!!!

4. The Messenger

This game fucking rules, I really don’t know how to do it justice, I played it on a whim and fell in love with it for the time it took me to beat it in a way that I haven’t done with a game in a long time. The gameplay is fluid and fun, the writing is charming and legit hilarious at times and the soundtrack, oh baby the soundtrack, if this wasn’t a year where Celeste came out this game would win every single award for OST of the year, I would fight anyone who disagreed.

The main gimmick of this game once you reach the halfway point is being able to shift between the 8 bit past and the 16 bit future, and every time you do the music will warp to fit those aesthetics and the game does this so freaking seamlessly, it’s amazing. The final level in particular meshed the music so well with the narrative that I was like fist pumping the whole way through the final sequence of the game.

It rules extremely hard, play it. Yes, you, you reading this right now, play this game so these people will make more for me. Please?

3. La-Mulana 2: The 0th Body, The 9th Spirit

Chalk this one up for game of 2018 I most can’t wait to replay and do a bunch of quick runs of. The original La Mulana is one of my favorite games of all time and this sequel delivers more of all the stuff I love while streamlining a lot of the more obscure and obtuse solutions. The music, the bosses, the world, all of the best things about the first game were all just as on point in this one.

The game evokes a sense of mystery you can only really achieve in a sequel to a game like the original La Mulana by constantly making you question the lore you already knew from the original. This all culminates in a sidequest that for a game as inscrutable as opaque as LM2, I still ended up getting really really emotionally invested in.

I don’t think there will ever be a La Mulana 3, and if that’s the case I’ll be able to leave this series happy, these two games complete each other in such a huge way, and will remain some of my favorites for years to come.

2. Celeste

I swear to god, this game was my Game of the Year for 9 whole months. I have never in my life played a game with this much precision perfect game design. This is maybe the tightest most consistent feeling platformer of all time. It’s like basically perfect on a gameplay level. That it meshes it’s gameplay with it’s themes so well is what truly makes it stand out and transforms it into not only a viscerally satisfying, tough but fair game, but an emotionally resonant masterpiece that will stick with me for years to come.

Celeste is a game about climbing a mountain. Celeste is a game about overcoming depression and anxiety and learning to cope and better yourself. These things are not interchangeable, the challenges you face as a player in this game all tie in perfectly to the main character, Madeline’s struggle to just fight through her self doubt and self loathing. It’s an extremely real tale, despite how fantastical the visuals are. It’s a game about fighting and screaming and clawing at that fucking Mountain to give you a way to have your heart again, and it’s absolutely wonderful.

The game is difficult, but every personal triumph accompanies one in game, and it lets you truly feel the feelings the game is trying to evoke alongside it. This is the kind of game that only comes once or twice a decade. I’d be extremely surprised to see anything hit this level any time soon.

1. Dragon Quest XI: Echoes of an Elusive Age

This is the gold standard for all JRPGs now as far as I'm concerned. There are series that go deeper, that go harder, that go all the way in with their music but no game out there exists that is so confidently just the classic all encompassing idea of a JRPG like this one. This game is pure comfort food, it knows exactly what it is and what it is is a fun heartwarming and charming classic JRPG “chosen one gets the cool sword and fights the dark lord” tale and damn it if it hasn’t been a while since we had just a good one of those.

Haha, just kidding.

A third of the way through, this game takes a dramatic shift and flips everything on its head in a way that hasn’t been really seen or executed this well since FF6. Suddenly the comfortable is taken away, the world is scary, bleak, and the themes you missed, that were simmering in the background since the start of the game start to boil over to the surface. The world is darker but the people in it are warmer, they hold themselves together until the day comes, and the game will find ways to make you cry you would never expect from a series this traditional. These themes all culminate in a super satisfying finale that, while not entirely happy, at least leaves the world in a better place than it was before, with it’s people that much closer.

Now what if I just didn’t write any of that and told you why I really love the game.

Credits roll, and the post game, that is to say, the final third of the game, begins. What if the shift never came, how would the world be different? How would these characters acrs resolved? Who would live? Who would die instead? What does this happening mean to the world? What does this new future hold?

In one simple moment, you answer all of those questions, and Dragon Quest XI becomes a prequel to Dragon Quest III (which was a prequel to DQ1 but that’s less important).

All of a sudden this entire series has lore, everything is connected in a way it had never been for 30 years, and it fits so seamlessly and perfectly that it could only have happened in a series like Dragon Quest, which has had the same writer across all 11 games. As a fan who had played all the available english games this was such an insane rewarding moment. I struggle to really compare it to anything else outside of maybe like…

Oh shit.

OH SHIT.

Outside of goddamn Trails.

Ya’ll know what that means right?

That’s right, Trails wins game of the year once again. STILL THE KING BABYYYYYYYYYYYYYYY

#game of the year

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recentanimenews · 7 years

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"Sonic Mania" Co-Op Review: Hitting the Sweet Spot Between Nostalgia and Evolution

With a franchise as legendary as Sonic the Hedgehog, I think it's important to talk about my history with it before jumping into this review. I played--and loved--the originals (Sonic the Hedgehog 2 is still my favorite), I grew up with the SatAM cartoon and the Archie Comics, and I played just about every game released in the US up until Sonic Heroes, then I kinda fell off the wagon. There was the odd hit here and there (Sonic Rush and Sonic Chronicles are two I really love), but for the most part, I figured Sonic's run was over, and I'd enjoy him most as a Smash Bros. guest character.

Sega tried to go back to Sonic's roots a few years back with the episodic Sonic the Hedgehog 4, but that didn't catch on quite like they were hoping. Sonic Mania is an all-new 2D sidescroller, put together by a team led by Christian "Taxman" Whitehead, a man responsible for remastering early Sonic games, and it shows in Mania in the best of ways.

With its colors, the font used to announce zones, the music, and just the way the game starts off, Mania feels like someone took Sonic 3 and cranked everything to eleven, and then kept that high going while giving us glimpses back at famous points from the earlier games. Sure, you're immediately transported from Angel Island to the Green Hill Zone, with that famous theme and all, but it's not the same stage from the 1991 original. Zones are longer, trickier, more intense, with new enemy placements and a whole bunch of hidden secrets to try and find.

I've never felt that Sonic games were just about high-speed action on rails--the best moments in the series force you to slow down and resist the temptation to fly through carelessly. Mania's smart level design really brings this out, reminding me of the care shown to another nostalgic-yet-brilliant throwback, Mega Man 9. You know how to play this, it's a Sonic game, but hanging on to old habits is an easy way to die over and over again.

Even with multiple playable characters and their own unique abilities--Sonic has the new Drop Dash, Tails can fly to access areas Sonic can't, and Knuckles can climb to do the same--Mania is still a challenging game. The difficulty ramps up, demanding more and more from you in each new zone, but never really feels unfair. With a few rare exceptions, all my screwups felt like my fault, not the game's. Boss battles aren't simple "hit Eggman eight times and call it a day" filler, as you have to watch for patterns and fight in a new way each time, from a crazy vertical battle on an airship to a round of Dr. Robotnik's Mean Bean Machine to a chance to pilot Eggman's hover pod!

Sonic Mania's soundtrack is catchy as hell and the perfect motivator to fight your way through to the end, and its visuals and presentation all feel like a glorious, long-awaited labor of love. My problems with the game are pretty nitpicky: the game doesn't tell you at all how to play it, which is normally a good thing, but I had to poke around online to find out how to use a new move I'd earned. You aren't told how to unlock content in the museum either--this wouldn't be a problem back in the day, since that would all be in the instruction manual. All this information was eventually discovered by just playing more, but it would have been nice to have a single line of text somewhere on the menu pointing us in the right direction.

By being such a subtle evolution of the Sonic the Hedgehog formula, Sonic Mania stands tall alongside the best the franchise has to offer. It gets pretty much everything right, and even when it stumbles, it gets right back on track to deliver some of the best platforming action you can play right now. Sega's little blue hedgehog has been through a bit of a rough patch, but he's back--and he's brought a hell of a great game with him.

REVIEW ROUNDUP

+ Clean, modernized character animations and gorgeous visual presentation are equal parts nostalgic and new

+ Probably one of the best soundtracks in the entire series--no small feat

+ Smart level design and clever boss battles ensure you're never stuck doing the same thing twice

+ Lots to unlock, so lots of replay value--new moves, new modes, a museum full of content and more

+/- Alternates between naturally teaching you how to play and just throwing information at the player with no easy-to-find answers

But don't just take my word for it--die-hard Sonic fan Cameron Trentalange has joined me with his own video review of Sonic Mania!

youtube

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Nate Ming is the Features and Reviews Editor for Crunchyroll News, creator of the long-running Fanart Friday column, and the Customer Support Lead for Crunchyroll. You can follow him on Twitter at @NateMing.

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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