#scrutiny my beloved.... I miss season 4 :( | Explore Tumblr Posts and Blogs

divorcemotif · 3 months

Text

thinking about the context & format of scrutiny as a literal harassment complaint—delivered to jon's workplace with all the official language of one—with the kind of unavoidable suggestion of sexual violence this episode, given jess' initial impression of him; the gender dynamic, his presence being an incursion into a specifically romantic setting; and what follows being an incredibly violating abuse of power. interested in her decision to go to the institute to complain, and ultimately the trauma & relative futility of that complaint from her perspective, as part of a wider commentary about the sort of. trap that is the idea of the institute's professional academic authority as a legitimizing force. i think there's this interesting angle to what the show has to say about power dynamics and abuses of power in general—and how they are acknowledged and framed by the systems that maintain them—within the depiction of the experience of this kind of corporate interaction on a more abstract horror level.

like the beginning of the show kind of satirizes the way that academic institutions police the value of information and the legitimacy of ppl’s perspectives, through jon’s insistence on his own rational objectivity in the face of all the supposed liars and mentally ill drug users he has to deal with: his entitlement, the fact he has the power to classify and dismiss the statements however he likes and the obvious unfairness of how he does so. the institute’s claim to objectivity & rationality is established early on as something jon is (to an ultimately limited degree) able to hide behind: his need to be taken seriously, his temporary comfort at the price of the arbitrary dismissal of the statement givers' experiences and the demonization of already stigmatized demographics, lol. and like. in scrutiny, I do think at least subconsciously, jon introducing himself with his position at the institute is a way of lessening the apparent severity of what he’s doing to assuage his own guilt, for the moment at least. invoking his position at an academic institution introduces a cover of professionalism to his purpose that serves to distance him from any personal or emotional implications of his actions—he’s not just some creep who’s accosted her at a cafe, he’s from the magnus institute, and he wants her story. what we hear of his pre-statement spiel, in this episode and to floyd matharu on the boat, is an echo of what he’s always said to the live subjects: the polite, professional coerciveness of his language—“whenever youre ready”, “thank you” at the end—made horrifying by the new context; suddenly almost “it is polite to knock”-esque in the way his words foster the illusion of free will while paving only one possible path for the victim. the horror is that the politeness doesnt seem in line with what he's doing, or what it feels like he's doing—a big part of jess' distress is self-doubt, that for all it felt creepy there’s very little concrete about it to justify how much she's been affected! she'd never even heard of the institute before this, but the job is done: she hopes that filing a complaint through an official channel with them will validate her experience as necessary to prompt some sort of action. she says she’s come because she doesn't think the police would take her seriously.

there's a kind of parallel thing in a lot of the early seasons statements where the subject's coming to the institute desperate for protection from whatever horror is threatening them and/or their loved ones. piecemeal, burnt offering; even when people have some preconceived disdain for the magnus institute (it's a running thing that the institute is widely held in some ridicule), it is the respectability & objectivity it purports that ultimately draws them in in their desperation. spurred by the idea that having their experience legitimized might elicit help, or just desperate to be heard and believed by someone in their isolation. but the institute doesnt actually help people, doesnt even explicitly claim to (what's the point in outright lying when you can manipulate people's assumptions with set dressing to achieve the same effect?). the purpose and design of the whole thing is fundamentally self-interested: there's no incentive for them to extend you any understanding or respect. the venue the employees are given to engage with visitors is as subjects, sorting through their most vulnerable moments for useful information and discarding the rest. like in terms of the vibes, it's always struck me that it's when martin tries to get her info down on a form that being at the institute gets to be too much for jess and she runs. consistently at the core of the eye's portrayal in tma is the passivity of the watcher: specifically as an individual in this kind of institutional context the horror becomes not just of having the details of your life known but of having them displayed through that dehumanizing academic lens, stripped of sensitivity and personal significance, presented completely dispassionately. you're sacrificing something of your personhood in pursuit of legitimacy and aid that you'll never be granted. scrutiny like all the statements ends with no closure or explanation for the statement giver, and the dramatic irony of the whole episode is that we know from the start the futility of trying to engage with the institute on its own terms. the consequences jon ultimately faces are all personal: there is no mechanism for him to be professionally punished in the way she imagines, and the institute she is coming to for help is the structure within which he gained the power to do what he did to her

#wrote this months ago and was dissatisfied with it at the time. coming back to it now i think i said something.. waddever #tma #the magnus archives #mag 142 #op #scrutiny my beloved.... I miss season 4 :(

13 notes · View notes

hologramcowboy · 1 year

Note

Interesting tidbits from my deep dive:

• rumors about Danneel being banned from SPN set dating as far back as 2008

• Neil Patrick Harris hated Danneel, apparently she was a huge bitch behind the scenes on both How I Met Your Mother (she was in one episode, s4e5, which aired in 2008) and the Harold and Kumar movies (she played Kumar’s girlfriend and had a small role in all three movies)

• Danneel bullying extras and other cast members (only girls of course) on the set of OTH. These rumors date all the way back to her very first appearance (season 3) in 2005, so pre Jensen meaning her stans can’t really attribute the rumors to jealousy

• Rumors about Danneel hating Gen // being jealous of her dating all the way back to 2009. Not shocking given that neither of them attended each others wedding and didn’t really start interacting until J+D moved to Austin, but I was a little surprised because for a few years (2015/16 until the end of SPN) it seemed like people were dead set on the narrative that they were friends

• Finally found those lesbian rumors! Dating back to 2008, people were convinced that she was dating Elizabeth Harnois because she brought EH with her everywhere (notably to the My Bloody Valentine Premiere and on a trip to Australia with Jensen) and EH has been a rumored lesbian for a very long time. Found a taptalk board about closeted lesbian actresses from 2013 and EH was a very big topic (and beloved by lesbians apparently). I wasn’t even aware that EH was famous enough to garner that kind of attention

And weirdly enough, the most interesting tidbits didn’t involve Danneel at all. The first is pretty relevant given how often Jensen has been speaking about all the opportunities he missed due to SPN, and the answer is apparently not that many. He wanted to break into the movie scene and film during SPN’s break from filming, but was unsuccessful and not happy about it. Would try out for things/have his name thrown out there, and wasn’t getting anything back which caused a rift between him and his agent. Jared on the other hand apparently had a decent amount of offers, specifically for action movies. Notable roles were lead role in Conan the Barbarian (2011) and Poseidon in The Immortals (2011). Inclined to believe this rumor based on a few factors. The rumor about off season work for J2 was posted back in 2009, and the poster claimed to work for the CW. All of their other posts (mostly about Gossip Girl and Dawn Ostroff who was the president of the CW at the time) have proven to be true, so I don’t think they would randomly lie about this one thing. Then you have Jared himself, who really bulked up in seasons 4-6 of SPN and had the perfect action hero physique. Why put in all that work unless you’re prepping for potential roles?

The second rumor is something that I had never heard before, and it’s about Jensen. It’s something that I think a lot of people don’t want to hear/are going to push back against, so I want to do a bit more research before bringing it back out of obscurity. The Ackles really do love to bury things…

A little disclaimer, all of this is obviously gossip and with all gossip we have to take things with a grain of salt. And for those that are curious, I found all of this information on old livejournal boards, datalounge threads, now defunct fan forums and blogs. Obviously these places aren’t great sources and won’t be passing any academic scrutiny, but gossip isn’t the most regulated field. I had to sift through a lot of J2 timhatting and obvious fanfiction, but there were some gems. My process for whether or not something was legitimate enough to include was how often it’s been mentioned throughout the years, what point in the timeline it was introduced, if someone was claiming to have insider have their claims been proven true in the years leading up to now, if any proof was attached, how biased the post was (if it was clearly a Jensen/Jared stan trying to discredit or take down the other I wrote it off), and my own discerning eye for potential truths (I’ve worked in archives, have a degree in history, am currently working on my masters and have been honing my gossip researching/lie detecting skills since I read my first tabloid as a preteen).

Her set track record matches her lack of credits currently. People don't want to work with arrogant actors. My guess is she burned a lot of bridges by acting like a b and also by acting badly, let's face it she has no talent and no technique so her career only went as far as her fake boobs took her.

Really curious about the Jensen part now, if you feel like sharing please know I can keep the secret.

Thank you for sharing all of that, I loved reading it and I love how you wisely added a disclaimer to it as well.

#anti danneel #jensen speculation

47 notes · View notes

lonelier-version-of-you · 2 years

Text

Alright, I’m gonna finally get round to rewatching “If Not For You”. I’m nearly a week late, given I was planning to rewatch it on the anniversary, but what can you do. Anyway, time for one of many examples of why series 15 was where Henrik peaked.

Edit 1: I know I say this a lot, but I really do miss when Henrik faced actual media criticism and scrutiny (in-universe) for his actions. One of the most frustrating things about the later series wasn’t just his bad decisions as CEO, it was that he was almost never called out on them, and if he was we were expected to treat the person calling him out as some sort of panto villain. They wanted him to be beyond criticism.

Edit 2: I love Sacha's patchwork-style shirt from this episode.

Edit 3: Serena: “Are you coping alright?” Henrik: “...And what can I do for you?” Dodging the question there, eh, Henrik?

Also, Henrik doing his pencil-tapping OCD compulsion thing!

Edit 4: I can’t believe I’m complimenting Serena, but I do like her outfit in this ep.

Edit 5: Guy Henry is SO GOOD.

Edit 6: Chantelle: “Too much time in make-up chairs, Mr. Hanssen, you’re losing your touch!”

Edit 7: Guy Henry is brilliant at conveying Henrik's depression.

Edit 8: Henrik is so autistic in this episode. I knew that, but it shows even more than I remembered.

Edit 9: Michael, my beloved!!

Edit 10: Jac showing concern for Henrik and regret for her vote of no confidence in him!

Edit 11: Henrik: “If you know me at all, Mr. Cunningham, you’ll know that I never abdicate my responsibilities to this hospital.” Ironic, but in this case probably deliberately ironic for once because the episode literally ends with him running away.

Edit 12: Henrik asks the consultants if he can count on them to support him. Jac says yes, but can't bring herself to look him in the eyes.

Edit 13: Omg the sensory overload scene!!

Edit 14: Karol is so lovely.

Edit 15: Karol talking about Henrik without realising that he’s talking to Henrik, and Henrik playing along with it, is such a good scene.

Edit 16: “On the one hand, he is surgeon who cares about his patients. On the other hand, he is CEO who needs to make money. I don’t think that the two are possible.” Yeah, Karol just summed Henrik’s character up pretty well.

Edit 17: Henrik's last patient storyline before "Hanssen/Hemingway" involves a parent who walked out on their kid. Clever, Holby writers.

Edit 18: The compassion Henrik shows toward Dylan Brenton is so sweet.

Edit 19: Karol 💕

Edit 20: Mo is thinking of leaving... she then proceeds to stay 4 more seasons and even made a guest return in S20.

Edit 21: Jonny singing football songs in theatre 😂

Edit 22: The AAU subplot in this episode is nice. I do long for the days when Holby had lighthearted storylines.

Edit 23: I mean, or maybe I just long for Michael Spence. 🤣 He was great.

Edit 24: Aaand Henrik's just revealed his identity to Karol!

Edit 25: Henrik getting the phone call from Sweden.

Edit 26: Oh, Dylan :( And the fact that his last words were saying to Henrik "you saved my life" makes it even more emotional.

Edit 27: The fact that Henrik’s last patient storyline before the Fredrik reveal is about a parent who walked out on their son... and the storyline ends with the parent losing said kid.

Edit 28: Jac breaking up with Jonny.

Edit 29: Oh, Henrik :( "My first day here, I saved his father, and I thought that I could save him. Imperfect symmetry."

Edit 30: I’d forgotten that Henrik never actually turned up to his meeting - he ran away instead of attending it.

Edit 31: This era was just... it was SO GOOD at just letting Henrik be disabled. It was so good at letting him not understand things or not be able to do things. I know I’ve said that before but it’s worth saying again. Series 15, my beloved.

#holby s15 rewatch

1 note · View note

eldritchw1tch · 3 years

Text

i don’t want you like a best friend: a tswift-pimms playlist

link

this is the pimms playlist i spent more than a year working on from like, 2018 to the end of 2019! as such, it only contains music up through lover, not anything from folklore or evermore. @permets-2 finally poked me into posting the liner notes, which I gave up on because tumblr formatting was fighting me, so please know i haven’t actually looked at them since 2019 and there might still be missing things? idk.

this playlist is absolutely dedicated to my beloved @faiasakura, who did her own version of an all-tswift pimms playlist completely independently (we actively avoided comparing notes, lol), which can be found here!

i don’t really go here lately but i hope this is of interest to someone!

Prologue

1. Don’t Blame Me (reputation)

for you, I would fall from grace

Just to touch your face

If you walk away, I'd beg you on my knees to stay

…

Lord save me, my drug is my baby

I'll be usin' for the rest of my life

Act 1: The Q

2. Gorgeous (reputation)

a crush

Ocean blue eyes looking in mine

I feel like I might sink and drown and die

…

You're so gorgeous

I can't say anything to your face

'Cause look at your face

And I'm so furious

At you for making me feel this way

But what can I say?

You're gorgeous

3. Treacherous (Red)

something magnetic, pulling them both in

And I'll do anything you say

If you say it with your hands

And I'd be smart to walk away

But you're quicksand

…

Your name has echoed through my mind

And I just think you should, think you should know

That nothing safe is worth the drive

And I will follow you, follow you home

4. Dress (reputation)

a shared and precious secret: love, desperate and messy and everything. But also: the scrutiny, the frenetic anxiety, the fear.

I’m spilling wine in the bathtub

You kiss my face and we're both drunk

Everyone thinks that they know us

But they know nothing about—

All of this silence and patience, pining and anticipation

My hands are shaking from holding back from you

5. Tied Together With a Smile (Taylor Swift)

the pressure builds; jack’s anxiety gets worse

Hold on, baby you're losing it

The water's high, you're jumping into it

And letting go, and no one knows

That you cry, but you don't tell anyone

That you might not be the golden one

And you're tied together with a smile

But you're coming undone

6. Long Live (Speak Now)

the glory, the playoffs, the memorial cup: the golden boys of hockey, on top of the world

Long live the walls we crashed through

All the kingdom lights shined just for me and you

I was screaming, long live all the magic we made

And bring on all the pretenders

One day, we will be remembered

…

Hold on, to spinning around

Confetti falls to the ground

May these memories break our fall

7. State of Grace (Red)

the 34 days, inside kent’s euphoria

This is a state of grace

This is the worthwhile fight

Love is a ruthless game

Unless you play it good and right

These are the hands of fate

You’re my Achilles heel

this is the golden age of something good and right and real

8. Cruel Summer (Lover)

(that golden season and its dark underbelly)

So cut the headlights, summer's a knife

I'm always waiting for you just to cut to the bone

Devils roll the dice, angels roll their eyes

And if I bleed, you'll be the last to know

Said, "I'm fine," but it wasn't true

I don't wanna keep secrets just to keep you

And I snuck in through the garden gate

Every night that summer just to seal my fate (Oh)

And I scream, "For whatever it's worth

I love you, ain't that the worst thing you ever heard?"

9. Haunted (Speak Now)

the overdose: kent finds jack on the bathroom floor

Whoa, holding my breath

Won't lose you again

Something's made your eyes go cold

Come on, come on, don't leave me like this

I thought I had you figured out

Something's gone terribly wrong

You're all I wanted

10. I Know Places (1989)

kent in the waiting room, holding on hope

Something happens when everybody finds out

See the vultures circling, dark clouds

Love's a fragile little flame, it could burn out

It could burn out

…

Lights flash and we'll run for the fences

Let them say what they want, we won't hear it

Loose lips sink ships all the damn time

Not this time

Act 2: The Fallout

11. The Story of Us (Speak Now)

kent goes to the draft; jack won’t answer his calls

Now I'm standing alone in a crowded room

And we're not speaking

And I'm dying to know

Is it killing you like it's killing me?

Yeah, and I don't know what to say

Since the twist of fate, when it all broke down

And the story of us looks a lot like a tragedy now

…

The battle's in your hands now

But I would lay my armor down

If you say you'd rather love than fight

12. Last Kiss (Speak Now)

jack and kent, the same realization from opposite sides

So I'll go sit on the floor

Wearing your clothes

All that I know is

I don't know how to be something you miss

I never thought we'd have a last kiss

Never imagined we'd end like this

Your name, forever the name on my lips

13. Death By A Thousand Cuts (Lover)

Starting to live with the devastation and the broken heart

Saying goodbye is death by a thousand cuts

Flashbacks waking me up

I get drunk, but it's not enough

’Cause the morning comes and you're not my baby

I look through the windows of this love

Even though we boarded them up

Chandelier's still flickering here

’Cause I can't pretend it's okay when it's not

It's death by a thousand cuts

14. If This Was A Movie (Speak Now)

regrets and memories

Last night, I heard my own heart beating

Sounded like footsteps on my stairs

Six months gone and I'm still reaching

Even though I know you're not there

I was playing back a thousand memories, baby

Thinkin' 'bout everything we've been through

Maybe I've been going back too much lately

When time stood still and I had you

15. Cold as You (Taylor Swift)

the grief and pain become anger and bitterness

And when you take, you take the very best of me

So I start a fight cause I need to feel something

And you do what you want cause I'm not what you wanted

…

You put up walls and paint them all a shade of gray

And I stood there loving you and wished them all away

And you come away with a great little story

Of a mess of a dreamer with the nerve to adore you

Interlude 1: Jack

16. I Almost Do (Red)

kent doesn’t know as much as he thinks he does (but jack doesn’t either)

I bet you think I either moved on or hate you

‘Cause each time you reach out, there’s no reply

I bet it never, ever occurred to you

That I can’t say hello to you

And risk another goodbye

…

Oh, we made quite a mess, babe

It’s probably better off this way

And I confess, babe

In my dreams, you’re touching my face

And asking me if I want to try again with you

And I almost do

Act 3: Coming of Age in Vegas

17. New Romantics (1989)

vegas; teammates; living in the moment; drinking, dancing, and self-destructing

We're all here, the lights and boys are blinding

We hang back, it's all in the timing

It's poker

He can't see it in my face

But I'm about to play my Ace (ahh)

We need love, but all we want is danger

We team up, then switch sides like a record changer

The rumors are terrible and cruel

But honey, most of them are true

…

Heartbreak is the national anthem

We sing it proudly

We’re too busy dancing (yeah) to get knocked off our feet

Baby, we're the new romantics

The best people in life are free

18. Begin Again (Red)

kent starts to move on

And you throw your head back laughing like a little kid

I think it's strange that you think I'm funny 'cause he never did

I've been spending the last eight months

Thinking all love ever does is break and burn and end

But on a Wednesday in a cafe, I watched it begin again

19. The Way I Loved You (Fearless)

all the drinking and dancing and dating still feel empty and hollow; he just wants to feel again; he just wants that love back

I miss screaming and fighting and kissing in the rain

It's 2 AM and I'm cursing your name

I'm so in love that I acted insane

And that's the way I loved you

Breaking down and coming undone

It's a roller coaster kind of rush

And I never knew I could feel that much

And that's the way I loved you

…

He can't see the smile I'm faking

And my heart's not breaking

'Cause I'm not feeling anything at all

And you were wild and crazy

Just so frustrating

Intoxicating, complicated

20. The Lucky One (Red)

kent parson: the loneliest boy, so alone at the top of the world

You had it figured out since you were in school

Everybody loves pretty, everybody loves cool

So overnight, you look like a sixties queen

…

And they tell you that you’re lucky, but you’re so confused

'Cause you don’t feel pretty, you just feel used

And all the young things line up to take your place

—

Another name goes up in lights

You wonder if you’ll make it out alive

21. Come In With The Rain (Fearless)

(starting to move on is not the same as letting go)

I’ve watched you so long, screamed your name

I don’t know what else I can say

…

But I’ll leave my window open

'Cause I’m too tired at night to call your name

Just know I’m right here hoping

That you’ll come in with the rain

Act 4: Implosion

22. Out of the Woods (1989)

memories he can’t escape of a love like a car crash

The night we couldn't quite forget

When we decided, we decided

To move the furniture so we could dance

Baby, like we stood a chance

Two paper airplanes flying, flying, flying

And I remember thinking

Are we out of the woods yet? Are we out of the woods yet? Are we out of the woods yet?

…

You took a Polaroid of us

Then discovered (then discovered)

The rest of the world was black and white

But we were in screaming color

23. Red (Red)

Kent decides to go to epikegster

Loving him is like driving a new Maserati

Down a dead-end street

Faster than the wind, passionate as sin

Ending so suddenly

…

Remembering him comes in flashbacks and echoes

Tell myself it's time now, gotta let go

But moving on from him is impossible

When I still see it all in my head

In burning red

Loving him was red

24. The Last Time (Red)

didja miss me? (something tentative; something a little bit hopeful on both sides)

Find myself at your door

Just like all those times before

I’m not sure how I got there

All roads they lead me here

I imagine you are home

In your room, all alone

And you open your eyes into mine

And everything feels better

25. The Archer (Lover)

kent tries to extend an olive branch but it’s still covered in thorns

Combat, I'm ready for combat

I say I don't want that, but what if I do?

'Cause cruelty wins in the movies

I've got a hundred thrown-out speeches I almost said to you

…

I've been the archer, I've been the prey

Who could ever leave me, darling

But who could stay?

…

And I cut off my nose just to spite my face

Then I hate my reflection for years and years

26. Bad Blood (1989)

jack’s answer to kent’s wounded lashing out

Oh, it's so sad to

Think about the good times

You and I

…

’Cause baby, now we've got bad blood

You know it used to be mad love

So take a look what you've done

’Cause baby, now we've got bad blood, hey!

27. Breathe (Fearless)

kent, driving away from epikegster

I see your face in my mind as I drive away

'Cause none of us thought it was gonna end that way

People are people and sometimes we change our minds

But it's killing me to see you go after all this time

…

And we know it's never simple, never easy

Never a clean break, no one here to save me

You're the only thing I know like the back of my hand

…

And I can't breathe without you, but I have to

Breathe without you but I have to

28. All Too Well (Red)

despite all the pain, there’s an irresistible nostalgia for what they had all those years ago—for when things were so much simpler

Maybe we got lost in translation

Maybe I asked for too much

But maybe this thing was a masterpiece

'Til you tore it all up

Running scared, I was there, I remember it all too well

And you call me up again just to break me like a promise

So casually cruel in the name of being honest

I'm a crumpled up piece of paper lying here

'Cause I remember it all, all, all

Too well

…

Time won't fly, it's like I'm paralyzed by it

I'd like to be my old self again

But I'm still trying to find it

Interlude 2: Kent

29. Fifteen (Fearless)

a memory, a reflection

'Cause when you're fifteen and somebody tells you they love you

You're gonna believe them

And when you're fifteen and your first kiss

Makes your head spin 'round

But in your life you'll do things greater than

Dating the boy on the football team

But I didn't know it at fifteen

…

When all you wanted was to be wanted

Wish you could go back and tell yourself what you know now

Back then I swore I was gonna marry him someday

But I realized some bigger dreams of mine

Act 5: Moving On, Growing Up

30. Clean (1989)

finally learning to be his own person, separate from that shared past

There was nothing left to do (Oh-oh, oh-oh)

When the butterflies turned to

Dust that covered my whole room

So I punched a hole in the roof (Oh-oh, oh-oh)

Let the flood carry away all my pictures of you

…

The water filled my lungs, I screamed so loud

But no one heard a thing

…

Rain came pouring down

When I was drowning, that's when I could finally breathe

And by morning

Gone was any trace of you, I think I am finally clean

31. 22 (Red)

friends and freedom, and real joy in that this time around

It feels like a perfect night

To dress up like hipsters

And make fun of our exes, uh-uh, uh-uh

It feels like a perfect night

For breakfast at midnight

To fall in love with strangers, uh-uh, uh-uh

…

Yeah

We're happy, free, confused, and lonely at the same time

It's miserable and magical, oh, yeah

Tonight's the night when we forget about the deadlines

It's time, oh-oh

32. So It Goes… (reputation)

[a doomed love can still be a good one]

'Cause we break down a little

But when you get me alone, it's so simple

'Cause baby, I know what you know

We can feel it

…

And all the pieces fall right into place

Getting caught up in a moment

Lipstick on your face

So it goes…

…

I'm yours to keep

And I'm yours to lose

You know I'm not a bad girl, but I

Do bad things with you

So it goes…

33. Dancing With Our Hands Tied (reputation)

[a doomed love can still be a good one]

I, I loved you in secret

First sight, yeah, we love without reason

Oh, twenty-five years old

Oh, how were you to know?

…

Could've spent forever with your hands in my pockets

Picture of your face in an invisible locket

You said there was nothing in the world that could stop it

I had a bad feeling

…

I'd kiss you as the lights went out

Swaying as the room burned down

I'd hold you as the water rushes in

If I could dance with you again

34. Wildest Dreams (1989)

[a doomed love can still be a good one]

He's so tall and handsome as hell

He's so bad, but he does it so well

I can see the end as it begins

My one condition is

…

Say you'll remember me

Standing in a nice dress

Staring at the sunset, babe

Red lips and rosy cheeks

Say you'll see me again

Even if it's just in your

Wildest dreams, ah-aah, haa

34. Shake It Off (1989)

At the top of his game, at the top of his sport, and actually happy at long last

I never miss a beat

I'm lightning on my feet

And that's what they don’t see, mm, mm

…

But I keep cruisin'

Can't stop, won't stop groovin'

It's like I got this music in my mind

Saying it's gonna be alright

…

'Cause the players gonna play, play, play, play, play

And the haters gonna hate, hate, hate, hate, hate

Baby, I'm just gonna shake, shake, shake, shake, shake

I shake it off, I shake it off

Heartbreakers gonna break, break, break, break, break

And the fakers gonna fake, fake, fake, fake, fake

Baby, I'm just gonna shake, shake, shake, shake, shake

I shake it off, I shake it off

35. Holy Ground (Red)

Remembering with enough distance and experience to appreciate what was, not ache from it

Spinning like a girl in a brand new dress

We had this big wide city all to ourselves

We blocked the noise with the sound of, "I need you"

And for the first time, I had something to lose

And I guess we fell apart in the usual way

And the story's got dust on every page

But sometimes, I wonder how you think about it now

And I see your face in every crowd

…

'Cause darling, it was good

Never looking down

And right there where we stood

Was holy ground

Act 6: Reunion

36. ME! (Lover)

reconnection, reconciliation, re-appreciation

I know I tend to make it about me

I know you never get just what you see

But I will never bore you, baby

(And there's a lot of lame guys out there)

…

'Cause one of these things is not like the others

Livin' in winter, I am your summer

Baby doll, when it comes to a lover

I promise that you'll never find another like me-e-e

37. This Love (1989)

an unexpected reawakening

Tossing, turning

Struggled through the night with someone new

And I could go on and on, on and on

Lantern, burning

Flickered in my mind, only you

But you were still gone, gone, gone

…

Been losing grip, on sinking ships

You showed up just in time

…

This love is good, this love is bad

This love is alive back from the dead, oh-oh, oh

These hands had to let it go free, and

This love came back to me, oh-oh, oh

38. End Game (reputation) (ft. ed sheeran as jack)

After all this time, there are things they aren’t ever going to let go of again, no matter the trouble they bring

I got a bad boy persona, that's what they like (what they like)

You love it, I love it too 'cause you my type (You my type)

You hold me down, and I protect you with my life

…

I don't wanna touch you, I don't wanna be

Just another ex-love you don’t wanna see

I don’t wanna miss you (I don't wanna miss you)

Like the other girls do

I don’t wanna hurt you, I just wanna be

Drinking on a beach with you all over me

I know what they all say (I know what they all say)

But I ain't tryna play

…

I wanna be your end game (End game)

I wanna be your first string (First string)

I wanna be your A-Team (A-Team)

I wanna be your end game, end game

39. You Are In Love (1989)

something real; something sacred; something to build a life on

You can hear it in the silence (silence), silence (silence), you

You can feel it on the way home (way home), way home (way home), you

You can see it with the lights out (lights out), lights out (lights out)

You are in love, true love

You are in love

…

You kiss on sidewalks

You fight and you talk

One night, he wakes

Strange look on his face

Pauses, then says "You're my best friend"

And you knew what it was, he is in love

40. Change (Fearless)

when the two biggest hockey players of their generation come out of the closet—together—are in love with each other—it changes more lives than just theirs

So we've been outnumbered, raided, and now cornered

It's hard to fight when the fight ain’t fair

We're getting stronger now, finding things they never found

They might be bigger but we're faster and never scared

You can walk away, say we don't need this

But there's something in your eyes says we can beat this

…

'Cause these things will change

Can you feel it now?

These walls that they put up to hold us back will fall down

This revolution, the time will come

For us to finally win

And we'll sing hallelujah, we'll sing hallelujah

Oh, oh

41. Call It What You Want (reputation)

When it stops mattering what anyone else thinks

All my flowers grew back as thorns

Windows boarded up after the storm

He built a fire just to keep me warm

All the drama queens taking swings

All the jokers dressing up as kings

They fade to nothing when I look at him

And I know I make the same mistakes every time

Bridges burn, I never learn

At least I did one thing right

I did one thing right

I'm laughing with my lover, makin' forts under covers

Trust him like a brother

Yeah, you know I did one thing right

Starry eyes sparkin' up my darkest night

…

My baby's fit like a daydream

Walking with his head down

I'm the one he's walking to

So call it what you want, yeah

Call it what you want to

42. Lover (Lover)

love

We could leave the Christmas lights up 'til January

And this is our place, we make the rules

And there's a dazzling haze, a mysterious way about you, dear

Have I known you 20 seconds or 20 years?

…

Can I go where you go?

Can we always be this close?

Forever and ever, ah

Take me out, and take me home

You're my, my, my, my lover

43. New Year’s Day (reputation)

love

You squeeze my hand three times in the back of the taxi

I can tell that it's gonna be a long road

I'll be there if you're the toast of the town, babe

Or if you strike out and you're crawling home

…

Don't read the last page

But I stay when it’s hard or it’s wrong or we're making mistakes

I want your midnights

But I’ll be cleaning up bottles with you on New Year's Day

44. Daylight (Lover)

Building a new life in the daylight

My love was as cruel as the cities I lived in

Everyone looked worse in the light

There are so many lines that I've crossed unforgiven

I'll tell you truth, but never goodbye

…

I once believed love would be (burning red)

But it's golden

Like daylight, like daylight

Like daylight, daylight

…

I don't wanna look at anything else now that I saw you

I don't wanna think of anything else now that I thought of you

I've been sleeping so long in a 20-year dark night

And now I see daylight, I only see daylight

56 notes · View notes

wazafam · 3 years

Link

As allegations of abuse continue to mount against Joss Whedon, it has become increasingly difficult to keep track of which cast members of Buffy the Vampire Slayer and Angel have made specific allegations of professional misconduct. It is important to make this distinction, as many have stepped forward to voice their emotional support for their co-stars without speaking specifically about any abuse they may have experienced personally.

Once a beloved nerd culture icon, Joss Whedon has fallen far and fallen fast in the past few years. In 2017, Whedon's writing began to face increased scrutiny following the leak of his script for a Wonder Woman movie, which many felt was overly focused on Steve Trevor's heroics and turned Diana Prince into a supporting character in her own movie, as well as descriptive passages that seemed to oversexualize Diana. Similar issues were raised by MCU fans over his script for Avengers: Age of Ultron and the revelation that Black Widow saw herself as a monster because she couldn't have children. Shortly after that, his ex-wife, Kai Cole, wrote a piece regarding his repeated infidelities and accused him of abusing his power on set, explaining that Whedon, who she divorced in 2016, had used their relationship "so no one would question his relationships with other women or scrutinize his writing as anything other than feminist." Since then, a few actors from his shows have corroborated Cole's accusations and hinted at others, but it's been nothing like the number of actors stepping forward now.

Related: Avengers: Age of Ultron Was Marvel's Biggest Creative Failure

These problematic events fueled the most recent wave of controversy, which came after actor Ray Fisher accused Whedon of unprofessional conduct on the set of Justice League. His accusations first broke in June 2020. Recently, Charisma Carpenter, who played Cordelia Chase on both Buffy and Angel, affirmed her support of Fisher's claims on social media and went on to go into greater detail regarding her own bad experiences working with Joss Whedon. This led to a tsunami of support as other Buffy and Angel alumni surged forward to support Carpenter and offer their accountings.

While most of the cast of Buffy the Vampire Slayer and Angel developed over time, few characters changed as drastically over the course of both series as Charisma Carpenter's character, Cordelia Chase, who appeared in both series. When Carpenter became pregnant during Angel Season 4, her pregnancy and absence were explained by Cordelia becoming possessed by a supernatural being who intended to use Cordelia as a means to bring about her own rebirth. Cordelia later lapsed into a coma and was killed off during Angel Season 5. While there were rumors that Whedon had written Carpenter out of the show because of her pregnancy, Carpenter never went into great detail about any discussions she might have had with Whedon. At a convention in 2009 (via Vanity Fair), she revealed that she had thought he was mad at her for getting pregnant but softened it by saying she could understand his frustration at how "sometimes living your life gets in the way of maybe the creator’s vision for the future."

Recently, however, Carpenter went into more detail on her Twitter account, confirming that she was questioned as part of the WarnerMedia investigation into Whedon's abusive history. Describing Whedon as "casually cruel," Carpenter recalled how he frequently threatened to fire her, called her fat in front of their co-workers when she was four months pregnant, played favorites, pitted people against one another to compete for his approval, and generally acted in a passive-aggressive manner. She specifically noted that Joss Whedon's on-set abuse also came in the form of him attacking her religious beliefs and berating her over a rosary tattoo she had gotten. Perhaps most shockingly, Whedon reportedly asked her in a closed-door meeting if she intended to keep the baby and, when she confirmed that she was, began scheduling her to shoot her scenes at 1 AM in the morning, despite her doctor's orders that she shorten her workdays and avoid late-night shoots.

Related: Buffy The Vampire Slayer: The Actresses Who Almost Played Buffy Summers

The first members of the Buffy the Vampire Slayer production team to come out with detailed accounts of Joss Whedon's abuse were there from the very beginning. Jeff Pruitt served as the series' stunt coordinator for its first four seasons and Sophia Crawford worked as Sarah Michelle Gellar's stunt double during that same period. The two began dating while working on the show and eventually married, but Whedon's abuse and egomania caused both to leave the stunt team after Season 4. Pruitt was the first to declare his departure and Whedon reportedly told Crawford she could stay on as Buffy's stunt double but only if she agreed to stop dating Pruitt. When she refused, Whedon reportedly threatened both Pruitt and Crawford, warning them that "no one will ever hire you again after this." and that he'd ruin their careers. Pruitt also alleged that keyloggers had been placed on his computer and those of a few other employees to track every single email they received (via Metro UK).

Originally introduced as minor villain in Buffy Season 2, Spike went on to become a full member of the ensemble and one of Buffy's love interests thanks to James Masters' charming performance and popularity with the fanbase. This reportedly did not please Whedon, who originally had drastically different plans for the snarky punk vampire. This displeasure manifested in a behind the scenes encounter between Joss Whedon and James Marsters, where, according to Marsters, Whedon "backed me up against a wall one day and he was just like, ‘I don’t care how popular you are, kid, you’re dead. You hear me? Dead. Dead!'" While originally writing this statement off as Whedon being "angry at the situation" rather than at him personally, the actor came to reconsider after learning of the allegations against Whedon.

More recently, Marsters made a statement of support for Whedon's accusers, regarding the accounts of his female co-stars while acknowledging his own ignorance of the abuse they suffered at Whedon's hands. Describing his own time as Spike as "not without challenges," Marsters expressed his dismay over "the experiences of some of the cast." This would seem to confirm reports that Whedon was careful about keeping his harassment of the actresses he directed behind closed doors.

Sarah Michelle Gellar, who played the lead role of Buffy Summers, has yet to comment specifically on any of the allegations made by her co-stars. However, Gellar did post a statement of support for "all survivors of abuse" on her personal Instagram account, saying that she would not be making any further statements at this time as she was "more focused on raising my family and surviving a pandemic currently." Gellar also said that while she was proud to have her name associated with Buffy Summers, "I don't want to be forever associated with the name Joss Whedon."

Related: Age of Ultron Is Everything Wrong With Joss Whedon Storytelling

Michelle Trachtenberg played Dawn Summers, Buffy's younger sister, who was introduced into the series in the Buffy Season 5 premiere when Trachtenberg was 14 years old. Trachtenberg shared Sarah Michelle Gellar's comments on her Instagram, but made an additional statement hinting at her own traumatic experiences with Joss Whedon. Without going into detail, Trachtenberg said that a rule arose on the Buffy set that Whedon was "not allowed in a room alone with Michelle again," describing his behavior in the incident that led to the creation of this rule as "not appropriate behavior.... very. Not. Appropriate" while reminding people she was only a teenager during her time on Buffy.

While the rest of the Buffy the Vampire Slayer and Angel cast have yet to come forward with their own allegations of mistreatment, many of them have confirmed the accounts of their co-stars or offered their emotional support. Amber Benson, who played Tara on Buffy, confirmed Carpenter's claims on her personal Twitter account, saying that "Buffy was a toxic environment and it starts at the top." Eliza Dushku, who played the slayer Faith before starring in Whedon's series Dollhouse, praised Charisma Carpenter's post, saying it was "powerful, painful and painted a picture we’ll collectively never un-see or un-know." Emma Caulfield, who played the ex-demon Anya on Buffy, and J. August Richards (who played Charles Gunn on Angel) made similar statements of support on their social media. Finally, Anthony Stewart Head, who played the Scoobies' mentor Rupert Giles, expressed his support for his co-stars in an interview with This Morning, while discussing how he was "running through my memories, thinking, ‘What did I miss?’ Because this is not a man saying, ‘I didn’t see it, so it didn’t happen.’ I can’t—I am gutted, I’m seriously gutted."

More: All The Joss Whedon Abuse & Misconduct Allegations Explained

Buffy Controversy Explained: All The Allegations Against Joss Whedon from https://ift.tt/2LUdW0E

#Blogger

0 notes

daveandtrev · 3 years

Text

The 2020 Andre Johnson Sweepstakes League write-up

Friends of the Andre Johnson Sweepstakes League, welcome. I am pleased (no really, I am excited) to bring you a breakdown of the AJSL as it blessed our lives in the one-of-a-kind year of 2020. Below you will find a mix of analysis and lighthearted fun aimed at taking a first pass at what the heckfire happened this year from start to finish. We’ve got analysis on the draft, injuries and schedule plus some fun awards to give out. I won’t buffalo you any longer, lets get to it.

Draft Day Analysis

Draft day analysis interpretation: I tried to objectively pick the best teams based on my personal draft rankings (subjective draft rankings, objective draft analysis…sort of follows?). Here’s the methodology: I assigned a value to every player for above average play (in 0.25 increments). It’s essentially five tiers (+0.0 = starter, but could be replaced; +0.25 = contributing starter; +0.5 = solid starter; +0.75 = strong starter that will create a positional advantage; +1.0 = elite starter providing a distinct positional advantage). This all makes sense in my head, and it should make more sense when you look at the table. I then added up points for each team’s best possible starting lineup according to my points system and voila; Dave Stark’s handicapping of the AJSL.

A couple of notes:

· Players are listed in the positions as there were drafted, with highest spend creating the starting lineup. For my points system, I subbed in bench players if they had a higher value than the starter.

· I cheated on Christian McCaffrey’s value: he was a +1.25 in my book. Clearly the best player in the game with even higher upside than the traditional studs.

A few things that turned out like I thought

· The running QBs outside of Lamar (Dak, Kyler, Russ, and DeShaun all avg 22.0+ fantasy pts/gm and sit top 7 at QB)

· The QBs at +0.0 (Baker, Carr, Danny Dimes, Kirk Cousins, and Jimmy G basically ride the merry-go-round from one bye week fill-in to the next. Tannehill and Cousins maybe qualify as +0.25 players now, but neither averages over 20+ pts/gm)

· Jonathan Taylor +0.0 (His value has been everywhere this year. Marlon Mack was the only reason I had him ranked this low. When Mack went down I pegged him for +0.75 with the possibility to go +1.0…and then nothing materialized until late into the year)

· Devin Singletary +0.0 (Started hearing whispers of Zack Moss splitting carries + Josh Allen hogs goal line rushes)

A few places where I was dead wrong

· Stefon Diggs +0.0 (Turns out, Josh Allen actually got better - +10% Completion % in 2020)

· Josh Allen +0.5 (Averaging 24.7 pts/gm which would have been the QB2 overall last year by almost 3 pts/gm. Currently QB4)

· Kyler Murray +0.75 (Not nearly high enough on him. Averaging 26.5 pts/gm as the QB1 overall. Playing at a +1.0 level)

· DK Metcalf +0.25 (Seattle hired their lead chef to work full time)

· Lamar Jackson +1.0, Mark Andrews +0.75 (Uhhh, why is this team broken?)

· Kenyan Drake +0.75 (Beware the extravagant 8 game sample size that says someone is a world-beater)

· Zach Ertz +0.75 (Is this the cliff year at 30 years old? How did Tony G catch 83 balls at age 37?)

· Aaron Rod Gers +0.25 (Yeah he’s a +0.75 guy now…should have known that drafting the backup QB would light a fire under Aaron: we’ve only seen this from Alex Smith and Joe Flacco in 2 of the last 3 years…Wait, why hasn’t this applied to Wentz yet?)

· Davante Adams +0.75 (Good golly, A-Aron’s resurgence means Davante is almost on +1.25 level when he is healthy)

· Keenan Allen +0.25 (This was all about Tyrod…then we found out that Justin Herbert was interning specifically for Keenan Allen and the Chargers med staff decided to euthanize Tyrod)

· TJ Hockenson +0.0 (2nd year leap puts him at TE3 overall. $20 player next year?)

· Chris Herndon +0.0 (When you read too many draft articles, you begin to believe that an Adam Gase coached player might actually become an average contributor at his position…ha!)

Injury-ruined seasons

· Saquon, Michael Thomas +1 (Biggest team-killers to date by far)

· CMC at +1.25 (Still overall #1 when he plays)

· Dak at +0.75 (Was playing like a true +1 on par with Mahomes before going down)

· Zeke at +1 (Dak died and then Dallas decided to start “Gucci DiNucci”…yeah that didn’t go well)

· OBJ +0.5 (Traded to Cristian’s team where he put up a combined 3.5 fantasy pts in 2 games started)

· Courtland Sutton +0.25 (After space-cadeting Sutton’s auction bid, we got our “Ball don’t lie” moment a few weeks later. Trevor is shrugging as he reads this.)

Great, let’s move on. Luck, imagined as either dice rolls or Luck Dragons depending on who you talk to, plays a pretty big part in fantasy success every year. Too many injuries? See you next year. Tough schedule? Hope for a good tiebreaker and maybe you can sneak into the playoffs with the #4 spot. These are probably the most talked about facets of the game since they are beyond our control and create the classic “if only I didn’t have that injury back in high school, i’d have crushed you guys” cop-out that we’ve all heard for years. Let’s see who really has a case to be upset, shall we?

Let’s start with one of my favorites – every team’s record if we played in a league where the top 6 scores secured a win each week (in lieu of head to head matchups). This is a much more “fair” look at how your team performed on a weekly basis when you throw out the schedule which is always a subject of scrutiny, consternation, and conspiracy theories each season.

There you have it. Good news is, the top 5 in our league standings would be the exact same top 5 if we played the other way. The schedule hasn’t defrauded anyone of a 2020 playoff spot. Bad news is, the bottom of this list is mildly shocking. Cristian has struggled all year for wins and this shows that his team hasn’t been half bad – but he has essentially lost out on 4 wins due to schedule. Yikes. Phil on the other hand was in playoff contention up until week 12, whereas his team has the fewest expected wins in the league….Of course for those with conspiratorial thoughts, you’ll notice the Stark brothers combine for +7 “lucky” wins due to schedule. Of course the Stark wife had to bite the bullet to make it look fair (-2 “lucky” wins). I’ll let everyone digest that and make their own judgments. (Where is that clause in the constitution involving starting a new league without the commish? This is evidence!)

The next “luck metric” that dominates our chat conversation and generally elicits “I got screwed, feel bad for me” self-pity arguments would be games lost to injury. Everyone knows it sucks and everyone experiences it to some degree every year. And if you play long enough, you will get hit by the double ACL tear/broken collarbone/never-healing ankle injury to all of your star players and be left at a severe disadvantage. It’s gonna be okay Sport, put on a brave face and hit the waiver wire. Come back next year and clap secretly at 3pm on Monday when Schefty tweets the next guy’s RB1 season-ender. (After the large exhale that it didn’t happen to your RB1 of course.) Ending rant, just know that if you experienced the injury season from hell, the rest of the league knows that it’s part of the fantasy business and are very relieved that it didn’t happen to them. Empathy runs high, sympathy runs low. (And I just removed my ability to ever complain publicly about my team’s injuries by writing this now.)

After all the talk has subsided, let’s check facts. First table: mid-game injuries. These are games where players play a much reduced role and typically produce dreadful fantasy finishes. There’s a bit of subjectivity here (if a player plays 3 quarters and gets hurt, I don’t count that as a mid game injury. But if he plays ½ or less of his normal playing time, it would count.) I also add mid-game benching to QBs because they fit the description as fantasy wreckers due to an unforeseen cutback in playing time. Here is the Commissioner’s official list:

Congrats on that title Jason, I know you were hoping for it. Just know, you weren’t THAT far ahead of the rest of us. Mon and Trevor on the other hand can only blame poor performance on their season’s disappointments (or better yet, the schedule!)

So I buried the lead a bit on Mr. Montgomery here, because the next table should give him his share of justice on 2020 injuries.

So the above list is missed games + mid-game injuries for drafted starters and traded players updated through week 13 (except for those with season long injuries – I went ahead and added week 14 there). Jason, there’s your proof. Nobody deserves to bellyache more than you, friend. 19 of those games were from QBs (Dak/Jimmy G) which added to a smattering of missed games from the rest of the roster (Godwin 4, Ridley 3, Aaron Jones 2). I haven’t tracked this before, but I imagine that this year was significantly worse than others (more soft tissue injuries and COVID positives were the biggest culprits.) The hope is that 2021 gives us a bit of a reprieve here.

Before we conclude, I recognize that there is a portion of the audience who prefers the entertainment value of this yearly endeavor, so I’m going to do my best to hand out a few fun awards. Without further ado, the 2020 AJSL Dundees (this award style hasn’t possibly been overdone, right?)

Dundee to The Scorned Lover: Mr. Jordan Swavely on behalf of Henry Ruggs.

While I wrote this tribute in his farewell on the group chat, it bears repeating: 7 pts or less scored by Ruggs in 6 straight games, starts him again for a 7th week and only a 50 yard bomb on the last play of the game saves Ruggs from another 3 point performance. Totaling the points for those 7 starts, Ruggs scored 36 points for a 5.1 average. Ruggs averaged 3.4 targets/gm in these contests. You do you, Swave. Go and get your man.

Dundee for the Best Team Name: Mr. Greg Poelman, ShlongBarry Sanders

Any reference including a dong and our beloved college town is going to score high on both the Dude and Nostalgia scales. Plus a Barry Sanders nod, we like that.

Dundee for the Best Team Picture: Mrs. Monica Stark on behalf of Presidential Security

Any time you can get combine Greg Poelman and The Donald in Photoshop and it doesn’t even look that fake, you have my attention and affection. And now you have a Dundee to go along with it. Well done.

Honorable mention: Monica’s Team, Bring Out Your Dead

Golden Tickets to the Winning Waiver Warriors: Mr. Scooter Nelson, James Robinson; Mr. Blake Grundy, Justin Herbert; Mr. Jack Holmer, Justin Jefferson

Since everyone is bidding for the “winning lottery tickets” of the waiver pool, we’re going to give out Golden Tickets to those that struck waiver wire gold this season. Scooter milked 11 starts out of Robinson who averaged 17.6 pts/gm during that span. Robinson has been the RB4 overall since the week 2 pickup. Grundy picked up Herbert for week 3 and never looked back, banking 10 starts at 22.5 pts/gm (He’s the QB7 in that time frame). Holmer nabbed Jefferson before Week 4 and was rewarded with the WR4 from that point on. Impressively he only benched him once, refusing to play him against his beloved Bears. This is the dream of every late Tuesday night and you guys reaped the spoils. Well done, gents.

Dundee to the Wounded Wavier Warriors: Mr. Phil Stark, Devonta Freeman; Mr. Jack Holmer, Darrell Henderson; Mr. Trevor Allison, Nyheim Hines

Big money, No whammy. That’s the goal. Of course more times than not, the reality is…more like this. Phil emptied out the pocketbook early on in the season after the Saquon injury to grab his replacement with a winning bid of $78 on Devonta (next highest bid: $15). Devonta responded with five games played, two of which resulted in 1 point showings. Then he followed Saquon to IR and Soape picked up the true workhorse of the Giants backfield in Wayne Gallman, who hasn’t pickup up less than 10 points in six straight games. Ouch. It took $54 to secure the rights to Darrell Henderson after week 2, seemingly the new Rams lead RB. Unfortunately Jack’s faith manifested at the wrong times: 5 starts of Henderson yielded 6.3 pts/gm, while Henderson’s two strong games (18.5 and 20.3 pts) were enjoyed on Holmer’s bench. Not fun. $46 was the bid that beat out 7 other bidders after week 1 for Nyheim Hines’s services, after which Trevor was rewarded with 5 straight games of 8 points or less. After cutting him loose over the bye week, Hines busted out for four double digit games in six tries, music no doubt to Trevor’s ears. A Dundee for your troubles, boys.

The “Fantasy Football Was A Lot More Fun Last Year” Dundee: Mr. Cristian Driver

For every obvious reason. Where did that championship belt get to?

Dundee for a Fun and Easy Season: Mr. David Stark

Injuries, COVID surprises, bad schedules, underperformance? Didn’t seem that big of a deal to me.

Dundee for Most Attempts to Defeat a Hornet’s Nest: Mr. Jason Montgomery

Similar to our favorite Office handyman Nate, Jason was tasked with eliminating the danger of his crumbling fantasy season created by the aforementioned injury bug. Both hailing from the historically-rich metropolis of “La Philadelphia”, what ensued after Jason’s 4-0 start pairs Nate and Jason together even further. Jason utilized a league-high 20 unique waiver pickups that entered the starting lineup this season. Results were bleak; the fast start was followed by a 2-7 record that signaled victory to the opposition. Maybe try the bow and arrow next time?

Receiver Corps Dundee of Excellence: Mr. Joel Soape

It only took 3 name changes to figure out which WR was needed (Red Solo Kupp -> Mike’d Up -> The Adams Bomb) , but Soape finally landed on the right guy for the job by calling on Davante Adams and his 22.1 pts/gm this year (easily the WR1 in this metric). Somehow Corey Davis (left for dead after last year) has had a career resuscitation on this team as well, dropping a 30 burger in week 12. The Receiver Corps salutes your dedication to their fraternity, Mr. Soape.

That’s all for now guys. Full disclosure, I have another 1k-2k words written that takes a deep dive into each of our performances at 1) waiver pickups, 2) positional scoring, and 3) sit/start decisions. Maybe this would be most helpful for a post-season article as it encompasses your overall strategy and ability to aid your team’s output. Look for that at some point in the future. For now, I hope you enjoyed this meaty entrée. Thanks for another great season and allowing me to bring you another fun recap, everyone!

0 notes