Weekend sketchdump of various Emelan/Tortall scenes via discord requests! It's been a blast :)

"what good is magic, if you can't use it to help people?" That right there is a defining phrase in my approach to the world. No wonder Daja's Book has always been my favorite of the series.

Forever sad for the people in North America who didn't get the poetic titles for The Circle of Magic Quartet The Magic in the Weaving The Power in the Storm The Fire in the Forging The Healing in the Vine I remember moving to Canada, going to the library and shrieking internally when it was just "Sandry's Book" etc.

I recently binged the Circle of Magic series by Tamora Pierce! I'm pretty happy with my interpretation of the characters (I feel like I could have made Tris fatter, but still better than that one cover, you know LOL), anyway Briar is the most trans, and Sandry is a Wasian.

Let me know how you picture the characters in the notes!

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Another reason why the the Circle of Magic is so so good: the teachers and the school setting are done perfectly!

There is none of that Harry Potter bullshit where the teachers and adult figures were neglectful, incompetent or abusive. The teachers in Circle of Magic are amazing. They all have different teaching styles, but they dedicate themselves to their students and do a wonderful job. They make mistakes, but realistic ones and then they fix them.

Not only are they great teachers, but the Winding Circle Temple isn't just a school, it's a home. Hogwarts was a school, and the students lived there, but it never seemed to be a good home. There are very few adults, all intimidating and not very personal. There is unchecked bullying and very little free time. It's just never ending school with some holidays thrown in.

The Winding Circle Temple, on the other hand, feels like a home. First, a temple is such a neat setting for a children's book. They actually talk about midnight service, religious figures and holidays, and philosophy. It's very neat.

The kids have plenty of lessons, but they also have free time, and the teachers are also good caretakers. Lark teaches the kids handstands and tumbling. Frostpine told them stories. Rosethorn taught them how to make sun lotion. Gorse gives them treats whenever they drop by. Lark and Rosethorn take the kids to markets and festivals. Throughout it all, the adults are responsible, teach the kids all sorts of life lessons and skills, and are really amazing adult characters.

This is how a school type book should be written.

The Circle is Reforged

Tamora Pierce's Circle Reforged books are an interesting case, because this is really where she started bouncing around in time in Emelan, and filling in some parts of story that were mentioned, suggested, or explicity referenced but not told. The books themselves were published well and truly out of chronological order, but having read them in publication order as they came out and then in chronological order on reread, I honestly don't think there's a "preferable" strategy. If you've read the Circle of Magic and Circle Opens quartets, you can explore the Circle Reforged in whatever order. However, I think I'm going to cover them in (more or less, no promises) publication order here. So let's talk The Will of the Empress.

*absolutely rampant, unapologietic spoilers for the Circle of Magic and Circle Opens quartets below the break*

This book explore the implications and consequences of Lady Sandreline being both Fa Toren in Emelan and Fa Landreg in Namorn. Our girl is practically royalty in two countries, but after she is orphaned in Hatar's smallpox epidemic, Duke Vedris in Emelan and Lord Ambros Fer Landreg in Namorn largely shield Sandry from her responsibilities as the primary landowner of the Landreg estates--which is entirely reasonable given that she is ten years old at the time.

When we get to the beginning of Will of the Empress, though, Sandry has been functionally running Emelan in the wake of Duke Vedris's heart attack and Ambros has been pointedly sending her account books for her Namornese estates. Sandry has been neglecting the hell out of those, and misses the fact that the Empress of Namorn has been financially squeezing Landreg to try to force Sandry back to Namorn.

Sandry has also been largely completed separated from Briar, Tris, and Daja for almost two full years by the opening of this book, since they went off to travel with their teachers and she stayed. She's had contact with Lark, but even that dropped significantly once Sandry moved into the Duke's Citadel.

Given all of that and two years of personal growth and change, when our four protagonists reunite in the house Daja buys for them, they collectively seize up in self-consciousness and shame and uncertainty. Plus seriously powerful ambient magic. Which literally everyone with eyes (except our protagonists) can see is a bad thing. So to kill two birds with one stone, Duke Vedris asks Briar, Tris, and Daja to go with Sandry to Namorn as basically bodyguards. The background hope is that the four of them get to know each other again and find their equilibrium.

With a lot of yelling and a distinct lack of talking, they set off to Namorn.

Which is when we really get off to the races, because the lack of talking means that Briar hasn't told the girls he's dealing with PTSD from the war in Gyongxe; Daja hasn't said she is dealing with abandoment issues, figuring out her own sexuality, and having helped kill a friend who had killed a lot of people by setting fires; Tris hasn't told anyone that she developed a skill that kills or drives mad 99.99% of all mages who try it and the whole Ghost-is-Jack-the-Ripper thing in Tharios; and Sandry...well, I love our girl, but she's dealing with a combination of inheritance and political machinations, her crippling terror of another family member dying on her watch, and the fact that she actively chose to rip three people to shreds to save Pasco's life. So everybody has big feelings and nobody is dealing with them or communicating effectively. Which, again, is a GREAT combination with the phenomenal cosmic powers.

This is a Sandry-centric book, but as we did with Sandry's Book, we also get a metric ton of the other three as well, because as they did in Sandry's Book, they're coming together as a unit. Trying very, very hard to prevent that are Berenene dor Ocmor, Empress of Namorn and her court mages, Ishabal Ladyhammer and Quenaill Sheildsman. They are trying to either recruit or get rid of four legendarily powerful mages. The recruiting goes...poorly. For a variety of reasons. The getting rid of goes WORSE.

Part of the recruiting scheme for Sandry specifically includes a himbo husband that Berenene can boss around to her heart's content. The approved suitors are Jakuben fer Pennun, who had himbo down pat, and Finlach fer Hurich, who was less himbo and more goldigging asshole with an influential uncle. Finlach ends up leaping SO FAR over the line that Berenene has to slap him down so hard that his entire life is ruined.

Then we come to Pershan fer frickin' Roth. Even if you take the Namornese tradition of kidnapping brides into account, Shan takes the whole thing to another level because his ass makes Sandry feel SAFE and WANTED and VALUED AS A PERSON before turning around and kidnapping her in a trap tailor-made for subduing even a very powerful stitch witch. Literally this man is the worst and he deserved so much worse than he got.

Overall, this book is about reconnection and remembering that some bonds are deeper than two-year world tours. It's also about seeing your siblings as their whole selves and accepting them, warts and all, because they are the people you love and who love you back. This is one of my favorite Circle Universe books, and I think it is objectively the best Sandry book and the best "all four of us are here" book in the Circle universe.

This book also objectively heavier than the Circle of Magic and Circle Opens quartets. It's still technically YA, but it's the 16-19 end of YA more than the 13-15 end, given that it deals with not only PTSD and trauma, but also sexual assault and kidnapping, so take care if you aren't in a headspace for those topics. The book will still be there, and taking care of yourself in your book choices comes first, always.

My Midjourney creations of the four ambient mage siblings from Emelan. I know AI Art is controversial... but it's so fun to mess around on Midjourney, and I would never monetize these...

Yo where my Circle of Magic nerds at? I’m rereading the books for the first time in like 10 years and I wanna find my people to nerd out with

“My dear, think this over,” Shan said. “We could truly be happy together.” “My temper is fraying, and so are your clothes,” she replied evenly.

Tamora Pierce, "The Will of the Empress"

Cleaning off my childhood bookshelves today. Which is hard. But I got into an argument with my mother about my Tamora Pierce books. Because I read them so much the paper backs are literally falling apart. And also I own the audiobook version of most of them. And at one point she called the books from the Emelan universe "juvenile."

Long story short. I'm keeping Cold Fire and Shatterglass because there aren't audiobook versions of them, and there may never be audiobook versions of them.

And the first quartet set in Emelan probably IS juvenile, but that's because it's about literal ten year olds. But those books are always about the magic of creation and working with your hands. And also a really cool class discussion.

Also, I love them.

Editing Thoughts:

As we reach the end of the Circle of Magic series, magic starts to get weird, y'all. I know a lot of people struggle with things that happen that are not previously established, but I never had an issue with them. Yes, this is my series. I grew up with these books, so CoM is kind of my baseline for magic anyway. But I'm going to pitch one more possible explanation fror why I think it works:

I ran across this video by Timothy Hickson a while back, in which he explains how soft magic systems work really well to emphasize the emotional beats of a story. (This, incidentally, helped me understand why I like soft magic systems so much.) This works particularly well in CoM because we see in the first couple of books how emotional states can have an influence on magic--namely, when Tris is angry, she sparks. And she must learn to control her anger.

So at the end of Shatterglass, when Tris basically opens a hole in the ground? This is again, an echo of her anger. And at the end of the Will of the Empress, Tris's ability to be with the other three "physically" while still being so far away is the CoM version of the family member leaving and saying, "I'll always be with you in here (points to heart)."

The thread circle is a symbol of the childhood bond these four form. Then they part from one another, grow, change, and return. For many of us, childhood friendships fall apart as we grow older. We leave friends and that's that. And throughout the book, they struggle with whether or not their frienship has ended--if it was just a childhood thing. And in a way it was, and in a way, it wasn't. By the end of the story, they reform their friendship anew--it is no longer a childhood bond, but an adult one, which comes with all the complexities of adulthood. So the thread circle--the symbol of their childhood friendship--disappears as they form a newer, deeper, stronger bond. And the circle goes deeper--literally moving into their hands--and leaving them with a scar, just as friendships can both open and heal wounds. And yes, it's something new and unexpected, that can't easily be explained. But isn't that so much of what life (and friendship) is?

But I would be wrong. Let us know what you think in the comments.

Tris thrust herself away from the table so hard that she knocked over the bench on which she sat. Struggling to pick it up, she cried, “It’s their own fault! What were they doing mucking about the Mire anyway? Everyone knows the poor breed disease!”

Sandry and Daja held their breath as Lark gazed soberly at Tris, raising her eyebrows. Even Tris knew she had gone too far. Her face was beet red with embarrassment and fury, but she met Lark’s brown eyes squarely.

“If they could afford decent places to live, and expensive health spells, they would not be poor, then, would they?” asked Lark.

That made Tris look down. She scuffed her foot along the wooden floor.

“I know you are upset,” Lark continued in that quiet, disappointed tone that made the girls wish they could hide. “You four have not spent a night apart since you came to us, and the spinning of your magics has made you closer than siblings. But you must not let distress make you cruel. Rosethorn is there because it is the way of the Circle to help all, not just those who can pay. Briar went there because that is the soil in which he grew.”

With each word Tris seemed to shrink a little more. Lark never scolded them.

“She didn’t mean it,” offered Sandry, hoping to make peace.

“Whether she did or not is beside the point. No one asks to live in squalor, Tris. It is just that squalor is all that is left to them by those with money.” Lark stood, her shoulders drooping. “When I got the wheezes, what the healers call asthma, I couldn’t work as a tumbler anymore. The only place I could afford to live was the Mire.”

  —  The Healing in the Vine (Tamora Pierce)  

I was going to draw Briar slapping Sandry's ass and saying "you can fit so much trauma in this bad boy" at request of my girlfriend. But then I just fell in love with the outfit I was making for Sanry and wanted to sketch the whole thing without Briar in the way. And then I decided I wanted to do a little sketch page of Sandry, so I did the bust and it looked like she was amused and exasperated so "No Briar, that's not how land taxes work..."

And then I had to draw a third thing to fill the space and was thinking about how many laces and ribbons are on all of Sandry's outfits to better facilitate her magic, and how that's probably a pain in the ass to whoever has to undress her.

I didn't ship Briar and Sandry more than any of the other characters in these books until just now. (shrug emoji)

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Harry Potter has a lot of hype of being the best magic young adult book out there. And while it is good, there are better ones. Also, JKR is trash. So.

Tamora Pierce is an amazing author. I still read her books as an adult, and I love them. Her books feature strong female characters, interesting and nuanced side characters, well-written antagonists, queer and poc side and main characters, and wonderful world building.

The ones more similar to Harry Potter are the lesser-known Circle of Magic series. First book is Sandry's Book. This series revolves around four children who discover they have magic that revolves around mundane/natural things: weaving, plants, smithery and weather. They all find themselves in the same house in Winding Circle Temple, where they find teachers and learn to control their magic, while dealing with various problems.

The adults are responsible, good teachers. Two (maybe three) of the four kids are poc. Three out of four teachers are poc and I'm pretty sure all of them are queer. The setting is not European, it has a Mediterranean/Turkey vibe.

Please read these books. Give them to your children, instead of Harry Potter. You won't regret it.

Welcome to Emelan

My (super subjective and objectively non-empirical) experience has been that Tamora Pierce's Tortall Universe is where most of her fans begin, and it seems to be her more popular universe. Heck, I started in Tortall. But as I read more, and found more of Pierce's books, I found the Circle Universe, and I gotta say, for all my love and nostalgia for the Tortall Universe, I think my heart lives in Emelan with Sandry, Briar, Daja, and Tris. I certainly tried to balance my Rosethorn half with my Lark tendencies and my extremely Niko academic oeuvre when I was teaching, and I love that the Circle Universe gets away from more traditional medieval europe settings. Let's talk The Circle of Magic Quartet.

Sandry's Book introduces the world, the magic system, and our four protagonists. Sandreline Fa Toren is almost royalty in two countries and has exactly zero compunction about hopping back and forth between "just Sandy" and "Lady Sandreline" as the occasion calls for it. We love her, and honestly she's perfect. Joining Sandry at Discipline Cottage in Winding Circle Temple are former street rat Briar Moss, neglected and rejected merchant daughter Trisana Chandler, and orphaned and exiled Trader Daja Kisubo.

This book brings the four together and they learn that they are ambient mages--mages who manipulate the power inherent in the world rather than mages who use power inherent in themselves (academic mages). The magic system in the Circle Universe is objectively my favorite, because it is so detailed and so nuanced and so tied to craftsmanship. It's something I've never seen done better than it is here. And because our four protagonists are incredible, they also manage to spin their powers together, making them exponentially stronger together than they could have imagined being individually--which is just a stunnign thematic tie-in. A+ no notes.

Tris's Book explores Tris's past, her magic, and the choices she has to make to keep her terrifyingly powerful weather magic under control despite her deep emotional wounds and temper. Tris is honestly one of my two favorite characters in this series because this girl just has SO MANY feelings and she has to literally learn to take herself in hand to not accidentally hurt or kill anyone. It also explores Tris's relationships to her blood and found families, and Pierce makes no bones about how sometimes family can be irredeemably toxic, and that it's ok to choose the found family that loves and supports you. Honestly Tris needs a hug, but good luck getting through the lightning to give it to her.

This book also really deepens the relationships between each protagonist and their teachers. I love how much time Pierce spends in all of her books focusing on student-teacher relationships, and the ones here, in a literal educational setting (non-traditional though it is), are top tier. This continues to be expanded in later books, but Niko and Tris's relationship really cements here and I love them as a student and teacher.

Also, there are pirates in this book. That's pretty cool.

Daja's Book takes reader and protagonists beyond the walls of Winding Circle and expands the world at the end of a difficult, dry summer that was poised for a firey fall and a possible starving winter. The Duke of Emelan is touring the outer estates to assess who needs what help and what he can do.

Meanwhile, the book explores Trader culture and Daja's relationship to it. This is done so spectacularly that I am loath to give any spoilers, but suffice it to say that not only does this book explore the downsides of exclusionary cultural practices, it also explores the complex emotions of being excluded and both knowing it's wrong but desperately missing being included. Disability is also handled spectacularly in this book, and I love it for that.

While Daja is exploring her own culture from the outside, Sandry, Briar, and Tris are dealing with the aftermath of spinning their powers together in Sandry's Book. This is very much a subplot, but it works beautifully to expand the worldbuilding and magic system.

Briar's Book sees everyone return to Emelan proper, and this book hits DIFFERENT after 2020. Winding Circle must deal with a mysterious plague, and honestly after Covid, I can't actually read this book without sobbing. It's damn good, and Briar and Rosethorn are just the absolute peak student-teacher relationship. This book also really highlights Briar and Tris's relationship, which will continue to grow and develop throuhgout the Circle Universe books.

I absolutely recommend these books. Tamora Pierce is technically YA, but the protagonists are between 10 and 12 in these books, so they might feel more middle-grade than YA at times, but that truly does not diminish any of the very human themes and challenges.

These books also have absolutely stunningly performed and edited full-cast audiobooks, and I cannot recommend those enough either. I now read these books in the voice actors' voices, and that just makes the whole experience more magical.