Norwegian Wood, Haruki Murakami //@danielcalmdown//So What's Wrong?, What Love Comes To, by Ruth Stone//dog thoughts, Anna Haifisch (@/anna_haifisch on twitter)//love without witnesses, by s.s. @pendulum-north//Addie Bundren, As I Lay Dying by William Faulkner//eclipse, 2013, @wiktorjackowski//Secondo, Hannibal 3x3//Gift, by Melissa Houpert//Ghismonda with the heart of Guiscardo (Detail), Bernardino Mei//Oculus, Sally Wen Mao
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If you'd been a dog, they would've drowned you at birth.
[putting the dog to sleep, the antlers || dream a little dream of me, supernatural || so, what's wrong?, ruth stone || death dog, @/mxmorggo || unknown || I am a dog. I have blood all over my teeth, uhode || angel of hope and calendars, anne sexton || unknown || borzoi, @/mxmorggo || grit, silas denver melvin || how to be a dog, andrew kane || unknown || knives out, radiohead]
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Ruth Stone, from "Tongues", What Love Comes To
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Love
This part of myself devoted to you
admits of nothing that falls away.
Although I melt moment by moment
into something else, I carry you
with me, a doll of circumstance,
that dances as I do when I
present myself, the stranger,
to you, the stranger. We speak
of them hurriedly. We
take them out of our breasts
and hold them out to each other,
the glass hearts, the transparent bodies.
Ruth Stone
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Ruth Stone
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favourite poems of october
joseph brodsky collected poems in english, 1972-1999: “the hawk’s cry in autumn”
natalie diaz it was the animals
ruth stone as real as life
muriel rukeyser the collected poems of muriel rukeyser: “käthe kollwitz”
naomi shihab nye grape leaves: a century of arab american poetry: “making a fist”
larry levis elegy: “elegy with a chimneysweep falling inside it”
emily berry arlene and esme
erika meitner copia: “yizker bukh”
aracelic girmay sister was the wolf
joshua beckham take it: “[dark mornings shown thy mask]”
dana levin you will never get death / out of your system
delmore schwartz summer knowledge: selected poems (1938-1958): “darkling summer, ominous dusk, rumorous rain”
matthew olzmann mountain dew commercial disguised as a love poem
ghazal (@dobaara) my anger and loneliness are lovers
nikki allen search party: names for my mother
ellora sutton (newborn)
emily skaja letter to s, hospital
benjamín naka-hasebe kingsley born year of the uma
hieu minh nguyen litany for the animals who run from me
brandy nālani mcdougall he mele aloha no ka niu
ai vice: new and selected poems: “cuba, 1962″
gig ryan civil twilight
troy osaki o heat we protest
nick carbó andalusian dawn: “directions to my imaginary childhood”
chen chen i’m not a religious person but
sally wen mao oculus: “anna may wong stars as cyborg #86″
srikanth reddy voyager: “book three: 19″
golden & when they come for me (reprise)
natalie scenters-zapico notes on my present: a contrapuntal
evan knoll blood makes the blade holy
jesús papolete meléndez hey yo! yo soy!: 40 years of nuyorician street poetry a bilinguial edition: “of a butterfly in el barrio or a stranger in paradise”
kofi
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Do you desire me? Am I among the jellyfish of your griefs?
I comb my sorrows singing; any doomed sailor can hear
The rising and falling bell and begin to wish
For home. There is no choice among the voices
Of love. Even a carp sings.
Ruth Stone
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O my crows,
when you return in April,
your harsh voices,
your dark selves
rowing the raw air,
you males who made it home
to the mountain;
this shadow below you
in the orchard
is me,
triumphant,
listening
to rocks smash downstream
in the snowmelt.
Once More by Ruth Stone
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Linear Illusions
I have decided on blank pages.
In them you can travel forever;
white flying toward your eyes;
as when driving through falling snow
you see only those snowflakes
you are cutting across;
relentlessly horizontal.
— Ruth Stone, from “Linear Illusions” In the Next Galaxy (Copper Canyon Press; April 1, 2004) (via Whiskey River)
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Green Apples
In August we carried the old horsehair mattress
to the back porch
and slept with our children in a row.
The wind came up the mountain into the orchard
telling me something:
saying something urgent.
I was happy.
The green apples fell on the sloping roof
and rattled down.
The wind was shaking me all night Long,
shaking me in my sleep
like a definition of love,
saying, this is the moment,
here, now.
Ruth Stone
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A poem by Ruth Stone
A Moment
Across the highway a heron stands
in the flooded field. It stands
as if lost in thought, on one leg, careless,
as if the field belongs to herons.
the air is clear and quiet.
Snow melts on this second fair day.
Mother and daughter,
we sit in the parking lot
with doughnuts and coffee.
We are silent.
For a moment the wall between us
opens to the universe;
then closes.
And you go on saying
you do not want to repeat my life.
Ruth Stone
(1915-2011)
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Here is a google docs folder with over 75 scanned books in pdf form, almost entirely poetry collections. Featured poets include Mary Oliver, Louise Glück, Myung Mi Kim, Natalie Diaz, Ocean Vuong, Billy Collins, Jericho Brown, Jane Kenyon, Ellen Bryant Voigt, Ruth Stone, Naomi Shihab Nye, Robert Bly, Carol Ann Duffy, Juliana Spahr, and more. New books are added occasionally so try checking the folder every few months for new additions. Here is the poetry folder if the first link isn't working.
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'The Cabbage', by Ruth Stone
You have rented an apartment.
You come to this enclosure with physical relief,
your heavy body climbing the stairs in the dark,
the hall bulb burned out, the landlord
of Greek extraction and possibly a fatalist.
In the apartment leaning against one wall,
your daughter's painting of a large frilled cabbage
against a dark sky with pinpoints of stars.
The eager vegetable, opening itself
as if to eat the air, or speak in cabbage
language of the meanings within meanings;
while the points of stars hide their massive
violence in the dark upper half of the painting.
You can live with this.
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Ruth Stone, "The Dog", What Love Comes To
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Green Apples by Ruth Stone via @jane_healey_ on Instagram.
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1941 - Ruth Stone
I wore a large brim hat
like the women in the ads.
How thin I was: such skin.
Yes. It was Indianapolis;
a taste of sin.
You had a natural Afro;
no money for a haircut.
We were in the seedy part;
the buildings all run-down;
the record shop, the jazz
impeccable. We moved like
the blind, relying on our touch.
At the corner coffee shop,
after an hour’s play, with our
serious game on paper,
the waitress asked us
to move on. It wasn’t much.
Oh mortal love, your bones
were beautiful. I traced them
with my fingers. Now the light
grows less. You were so angular.
The air darkens with steel
and smoke. The cracked world
about to disintegrate,
in the arms of my total happiness.
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