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balletroyale · 3 years

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The Nutcracker: Sugar Plum Fairies

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swanlake1998 · 3 years

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rina kanehara photographed performing as gulnare in le corsaire by benoîte fanton

#rina kanehara #ballet #ballerina #benoîte fanton

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galina-ulanova · 4 years

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Aitor Arrieta and Rina Kanehara performing a pas de deux from La Esmeralda (English National Ballet, 2017)

#ballet #aitor arrieta #rina kanehara #english national ballet #la esmeralda

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lovelyballetandmore · 4 years

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Rina Kanehara | Daniel McCormick | English National Ballet | Photo by Laurent Liotardo

#daniel mccormick #daniel alejandro mccormick #rina kanehara #tights #english national ballet #ballet slippers #ballerina

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books0977 · 5 years

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Rina Kanehara and Cesar Corrales in Diana and Actaeon, English National Ballet Emerging Dancer Competition 2016, May 2016. © Dave Morgan.

Kanehara might be the youngest member of the company but she looked perky, happy and secure in her dancing. Corrales is also young but joined the company in 2014 and was rapidly promoted to junior soloist (and thus is already 2 ranks above all the other emerging dancers) and you could see why given his Cuban swagger, big jumps and really go for it all attitude.

#photograph #ballet #Diana and Actaeon #Rina Kanehara #Cesar Corrales #English National Ballet #Dave Morgan

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kameliendame · 6 years

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Agrippina Vaganova, Diana and Acteon (Emerging Dancer finals 2016)

Rina Kanehara and Cesare Corrales

ph. Dave Morgan

#rina kanehara #cesare corrales #english national ballet #cleaning out my drafts #this pic is soooooo old

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mariatallchief · 7 years

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Rina Kanehara, artist of the English National Ballet (x)

#ballet #rina kanehara #english national ballet #enb #mine #my gif

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spectacularsarah · 7 years

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Rina Kanehara - 2016 Emerging Dancer Award finalist

#rina kanehara #ballet #english national ballet #ballerina #prix de lausanne #mine

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wonderfulworldofdance · 7 years

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(via Congratulations to English National Ballet's Emerging Dancer Winners | The Wonderful World of Dance)

#english national ballet #emerging dancer #emerging dancer 2017 #rina kanehara #ballet #ballerina #pointe

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nylonfanblr · 5 years

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swanlake1998 · 4 years

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rina kanehara photographed performing as the fairy of the golden vine in sleeping beauty by laurent liotardo

#rina kanehara #ballet #ballerina #sleeping beauty #laurent liotardo

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galina-ulanova · 5 years

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Rina Kanehara and Jeffrey Cirio in The Nutcracker (English National Ballet)

#ballet #rina kanehara #jeffrey cirio #english national ballet #the nutcracker

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ballet-symphonie · 6 years

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3, 6, 9, 12, 15

5. Royal Ballet or English National Ballet?

5 years ago this would have been an easy win for the Royal Ballet. Now, I find myself drawn more to ENB’ s young up and comers like Precious Adams, Rina Kanehara and Shiori Kase and of course this year’s Prix winner Shale Wagman. I love the direction Rojo is taking the company with the new repertoire, I love the Akram Khan Giselle and the promotion for the “She Persisted” triple bill looks so good. In addition, many of my favorites at the Royal Ballet have either left, retired or been stagnated by the management.

However, I could easily overrule all of this and say that the Royal Ballet wins automatically because they have Natalia Osipova

6. American Ballet Theatre or New York City Ballet

Honestly neither. I continue to remain uninvested by ABT’s decaying quality of principals and really can’t morally support NYCB right now and many of my ‘favorites’ there are nearing retirement age anyways.

9 Swan Lake or The Sleeping Beauty

Swan Lake. Forever.

12 Marcelo Gomes of David Hallberg

I regard David Hallberg extremely highly for his incredible resilience in coming back from a horrible injury. I love his lines and presence and genuine care of his partners; you can see it especially when he is around Osipova. However, I was fortunate enough to see Gomes live once...Vishneva’s ABT farewell. I have never cried so much in my life.

15. Gaynor Mindens?

Absolutely! If the dancer feels comfortable and confident dancing in these shoes then why the heck not? Costumes, leotards, warm-ups, tights have all evolved from the early ballet days. Why should pointe shoes be any different?

Thank you so much!!!!!!!!

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gramilano · 6 years

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The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018

Italian ballerina Elisabetta Terabust, who died in February this year at her home in Rome after a long illness, was a star of the London Festival Ballet, now English National Ballet, from 1973 until 1988. ENB dedicated this season’s performances of Kenneth MacMillan’s The Sleeping Beauty to her memory.

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 02

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 03

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 04

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 05

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 06

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 07

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 09

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 10

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 11

Alina Cojocaru was Princess Aurora, Joseph Caley played Prince Désiré, James Streeter was Carabosse, and Shiori Kase the Lilac Fairy.

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 12

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 13

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 14

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 15

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 16

The Sleeping Beauty, English National Ballet, © Dasa Wharton 2018 17

Luke Jennings – The Observer

It’s not the newest production in the world, nor the most lavish, but Kenneth MacMillan’s version of The Sleeping Beauty for English National Ballet gets so many things right. First and foremost, the cast’s attention to stylistic detail. To tell this fairy story convincingly you have to lead your audience into a particular and elaborate imaginative realm. If the conventions are not observed, the illusion never takes shape. In this production, everything comes together. The soft, leafy greens and misty golds of Peter Farmer’s painted set, Neil Austin’s numinous lighting, a heartfelt account of Tchaikovsky’s beautiful symphonic score from the orchestra under the baton of Gavin Sutherland, and dancing that, if at moments flawed, evinces an absolute commitment to classical style and stage manners.

David Dougill – The Sunday Times

At the heart of The Sleeping Beauty is its heroine, Princess Aurora. The company put on half a dozen casts, but the first night of this revival belonged to Alina Cojocaru, returning from maternity leave to reveal again all those qualities that have illumined every role she has ever danced. She’s 37 now, but that artistic maturity is coupled with the most convincing youthfulness in her portrayal of the 16-year-old princess greeting a quartet of suitors.

Unaffectedly gracious, radiant, Cojocaru makes those testing balances of the Rose adagio seem like a natural expression of her character. Her perfection in detail and effortless fluency carry all through the ballet.

Joseph Caley was an admirable partner as Prince Désiré, dancing nobly and gauging his character well. Shiori Kase was a warmly benevolent Lilac Fairy, James Streeter a seething force of wickedness as Carabosse (white-faced and red-wigged, like Elizabeth I), and Rina Kanehara and Daniel McCormick made light work — in the intended sense — of the Bluebird duet.

Zoë Anderson – The Independent

The company performance takes a while to warm up, with some cautious dancing in the Prologue. But I love how the whole company gets caught up in both story and dancing in this production. When James Streeter, imperious as the bad fairy, confronts Shiori Kase’s pearly Lilac Fairy, the whole court watches them with wonder and fear.

This is a world where formalities matter, where forgotten invitations can lead to disaster. In the hunting scene, we see both the aristocratic elegance of the court’s dancing, and the strict sense of hierarchy in its games. The corps de ballet dance with assurance, particularly in the vision scene.

Donald Hutera – The Times

The production overall is one to savour, despite a few pedestrian ensemble dances. Such shortcomings were balanced on opening night by polished work elsewhere, especially from Daniel McCormick and Rina Kanehara in the Bluebird pas de deux. Plaudits, too, to Gavin Sutherland’s spirited conducting of the company orchestra, which does full justice to Tchaikovsky.

English National Ballet’s The Sleeping Beauty – a photo album, dedicated to Elisabetta Terabust Italian ballerina Elisabetta Terabust, who died in February this year at her home in Rome after a long illness, was a star of the London Festival Ballet, now English National Ballet, from 1973 until 1988.

#Alina Cojocaru #Dasa Wharton #English National Ballet #Joseph Caley #Kenneth MacMillan #The Sleeping Beauty

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dreamdancer840 · 7 years

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Beautiful and talented Rina Kanehara with the English National Ballet Photo by Laurent Liotardo @balletandphotos @rinakanehara0122 @englishnationalballet #dreamdancer840 #balletpost #ballet #balletlife #ballerina #ballerinasofig #ballerinasamongus #balletphotography #laurentliotardo #balletandphotos #worldwidedance #worldwideballet #worldballetproject #regrann

#balletandphotos #balletphotography #balletlife #ballet #worldwideballet #ballerinasofig #laurentliotardo #worldwidedance #balletpost #ballerinasamongus #ballerina #dreamdancer840 #worldballetproject #regrann

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bournefan · 7 years

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On Sunday 30 July at 7pm at the Adelphi Theatre in London's West End New Adventures will be proudly supporting the Gala for Grenfell.

Arlene Phillips CBE brings together a host of the world’s leading dancers for a special gala to raise funds for the Grenfell Fire victims.

For one night only, Gala For Grenfell unites dancers from across the world of dance to raise relief funds for those whose lives have been seriously affected by the tragedy. The gala is imagined and directed by Arlene Phillips CBE.

The Gala will feature performances from leading dancers and dance companies, including; Akram Khan, The Royal Ballet (featuring Edward Watson), Stars from Strictly Come Dancing, Matthew Bourne’s New Adventures, The Mariinsky Ballet (featuring Xander Parish), Ballet Black, Rambert, Adam Garcia, Rina Kanehara and Aitor Arrieta (Winners of English National Ballet’s Emerging Dancer 2017), Danny Collins and Rachel Muldoon (performing Drew McOnie’s choreography from 2016’s Jekyll & Hyde at the Old Vic), Tommy Franzen and Xena Gusthart, Jonny Labey and Chrissie Brooke (Dance Dance Dance champions) and ZooNation.

Matthew Bourne's New Adventures will be performing "Dearest Love" from TOWN (performed by Edwin Ray & Paris Fitzpatrick) and a selection from COUNTRY (performed by Edwin Ray, Paris Fitzpatrick, João Carolino, Reece Causton, Jamie McDonald & Sophia Hurdley).

Arlene Phillips said: “I remember waking up in the morning and thinking ‘here goes another day’, only to switch on the TV to watch the news and suddenly see an image so powerful you can’t move, knowing so many lives have been changed forever. As the days went by I began to wonder if there was a way that I could help, maybe even make a small difference, and I thought dance is my world, my life, so how could I galvanise and bring the dance community together to raise funds for those who need it most, now and into the future.”

Gala for Grenfell has been organised by Arlene Phillips CBE, Graham Watts OBE and Guy Chapman for Target Live to provide emergency relief funding for those by the Grenfell Tower fire. On June 14, a tragic blaze engulfed all 129 flats within the North Kensington building. Funds raised by Gala for Grenfell will go to support the many whose lives were seriously affected by the fire.

All proceeds will go via The K&C Foundation.

CLICK HERE TO BOOK YOUR TICKET

#grenfell tower #gala for grenfell #matthew bourne #town and country

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