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draganadimitrijevic · 9 months

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Gentleness Malcesine, Italia @ Dragana Dimitrijević

#original photography #urban photography #angels #architecture relief #architecture aesthetic #ornament #shadow #italy #malcesine #lago di garda #relievo

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morimatea · 1 year

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Ceramic art is the art of fire and clay. They are bold, unrestrained, simple and natural.

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divya1234 · 25 days

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Breathing Easy: RELIEVO's Multi-Action Respiratory Support

Respiratory issues in pigs can present significant challenges for farmers and livestock caregivers. Whether due to environmental factors, infectious agents, or other stressors, respiratory distress can compromise the health and productivity of pigs, leading to significant economic losses and welfare concerns. In the quest to address these challenges, RELIEVO's Multi-Action Respiratory Support emerges as a beacon of hope, offering a comprehensive solution to enhance respiratory health in pigs.

At the core of RELIEVO's effectiveness lies its unique multi-action approach to respiratory support. Unlike conventional remedies that merely alleviate symptoms, RELIEVO tackles respiratory issues from multiple angles, addressing the root causes and providing holistic relief.

One of the key features of RELIEVO's Multi-Action Respiratory Support is its bronchodilatory action. This crucial function widens congested air passages, allowing pigs to breathe more freely during respiratory distress. By facilitating improved airflow, RELIEVO helps alleviate respiratory symptoms and promote overall lung function, enabling pigs to breathe easy and thrive.

Moreover, RELIEVO's formula boasts expectorant and anti-inflammatory properties, which play a vital role in clearing the respiratory tract of inflammatory discharge and fibrous exudates. This action not only relieves congestion but also supports the natural healing process, enabling damaged lung tissue to regenerate and restore normal respiratory function.

Another standout feature of RELIEVO's Multi-Action Respiratory Support is its regenerative effects on the mucin layer, a critical component of the respiratory system's defense mechanism. Through the action of phyto-molecules, RELIEVO promotes the gradual restoration of this essential barrier, strengthening the pig's immune response and enhancing respiratory resilience.

Furthermore, RELIEVO's phytogenic compounds help minimize cough production in the lungs, thereby reducing dyspnea and facilitating smoother respiratory function. This multi-faceted approach not only provides immediate relief but also supports long-term respiratory wellness in pigs.

In addition to its therapeutic actions, RELIEVO's Multi-Action Respiratory Support offers immunomodulatory and antimicrobial benefits derived from potent herbs. These properties bolster the pig's immune system and help combat microbial threats, further enhancing respiratory health and resilience.

For more information visit us:

#relievo #piglet #pig health #pig immune system

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wuqyjt2qlbnfce · 1 year

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hauh8abtl · 1 year

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studiocheered · 2 years

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R 20 1

materials: wood, painter's tape, glass, blinds (aluminium)

This is my declaration of war to people who say that art should represent and evoke emotions or meaning. We just see material and composition. Even the title doesn’t mean anything: ‘R’ stands for Relievo, ’20’ for 2020 and ‘1’ indicates that this is my first relievo in 2020. It was created during the lockdown. While making it I wrote in my diary: ‘the repetition of the same shape over and over again feels oppressive. No element seems to be in control of another. The only interesting thing about it is the light striking it differently during the day. The work is begging for randomness, coincidences and chance.’ When the owners of the house found out I gave them this work, they got really angry. I hate it when people make it all about emotions again.

#jan schoonhoven #art #artists on tumblr #art of the day #artwork #repetition #relievo #composition

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j9r89vord · 1 year

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z4jndy1xr87k · 1 year

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morimatea · 11 months

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Another character of folk China is its unique beauty formed by its material and technic.

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divya1234 · 25 days

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Pig Health Boost: RELIEVO's Respiratory Relief Formula

In the world of animal husbandry, maintaining optimal respiratory health is paramount for the well-being and productivity of livestock. Pigs, in particular, are susceptible to respiratory distress due to various factors such as environmental conditions, infectious agents, and stressors inherent to farming practices. Addressing these challenges requires effective solutions that not only alleviate symptoms but also promote overall respiratory wellness.

Enter RELIEVO's Respiratory Relief Formula, a groundbreaking intervention designed to enhance pig health by targeting respiratory issues at their core. This innovative formula harnesses the power of phyto-molecular compounds to provide comprehensive relief and support to pigs experiencing respiratory distress.

At the heart of RELIEVO's efficacy lies its bronchodilatory action, which works to widen congested air passages, allowing affected pigs to breathe more comfortably. This critical function is essential in alleviating respiratory distress and ensuring optimal oxygen transfer through the alveolar wall, thus promoting overall respiratory function.

Moreover, RELIEVO's multifaceted approach extends beyond mere symptom relief. Its expectorant and anti-inflammatory actions aid in the expulsion of inflammatory discharge and fibrous exudates from damaged lung tissue, facilitating the restoration of healthy respiratory function. By clearing the respiratory tract of obstructions and promoting the resolution of inflammation, RELIEVO helps pave the way for enhanced respiratory recovery.

One of the hallmark features of RELIEVO's Respiratory Relief Formula is its regenerative effects on the mucin layer, a vital component of the respiratory system's primary barrier. Through the action of phyto-molecules, RELIEVO promotes the gradual restoration of this crucial layer, strengthening the respiratory system's defense against pathogens and environmental stressors.

Furthermore, RELIEVO's phytogenic compounds play a pivotal role in minimizing cough production in the lungs, thereby alleviating dyspnea and facilitating smoother respiratory function. By addressing the root causes of respiratory distress, RELIEVO offers a holistic approach to respiratory health in pigs, enhancing their overall well-being and productivity.

For more information visit us:

#relievo #pig #piglet

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book-historia · 1 year

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The work of Owen Jones never ceases to amaze 🤩 This is his 1861 Victoria Psalter, executed in stunning chromolithography for the Queen of England. It features a striking “relievo” binding, made of heavily molded leather – it feels very similar to papier-mâché. Jones took inspiration for his illustrations from a variety of medieval manuscript sources. It’s the height of the Gothic Revival in book form!

#book history #books #library #rare books #Owen Jones #chromolithograph #design #ornament #Victorian

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amshiii · 3 months

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Gold Electroplating Claw Glasses with Purple Relievo Lenses by CADYLEE @cady___lee .

#seulgi #mine #gfx #redvelvetinc

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105nt · 2 years

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Ink Black Heart research dump

Chapter Six - Epigraph

Properzia Rossi by Felicia Hemans

Felicia Hemans is the author of the openings “The boy stood on the burning deck” (from Casabianca) and “The stately homes of England” (from The Homes of England) neither of which I like at all, but Properzia Rossi is a doozy. The thoughts of supposedly heart-broken sculptor Properzia de’ Rossi (1490-1530), a self-taught artist from Bologna, famous for carving fruit stones amongst other things, as she creates her last sculpture. It is possibly based on this painting by Louis Ducis (1775-1847) which “represents her showing her last work, a basso-relievo of Ariadne, to a Roman Knight, the object of her affection, who regards it with indifference”.

She does seem a little scantily dressed for chisel work.

https://en.wikipedia.org/wiki/Properzia_de%27_Rossi

http://digital.library.upenn.edu/women/hemans/records/rossi.html

I have had a really good time finding all this out and I have learned two new words: ekphrasis = a vivid, often dramatic, verbal description of a visual work of art, either real or imagined, and caesura = a pause near the middle of a line of poetry.

It’s long ...

Tell me no more, no more

Of my soul's lofty gifts! Are they not vain

To quench its haunting thirst for happiness?

Have I not lov'd, and striven, and fail'd to bind

One true heart unto me, whereon my own

Might find a resting-place, a home for all

Its burden of affections? I depart,

Unknown, tho' Fame goes with me; I must leave

The earth unknown. Yet it may be that death

Shall give my name a power to win such tears

As would have made life precious.

I.

ONE dream of passion and of beauty more!

And in its bright fulfillment let me pour

My soul away! Let earth retain a trace

Of that which lit my being, tho' its race

Might have been loftier far.–Yet one more dream!

From my deep spirit one victorious gleam

Ere I depart! For thee alone, for thee!

May this last work, this farewell triumph be,–

Thou, lov'd so vainly! I would leave enshrined

Something immortal of my heart and mind,

That yet may speak to thee when I am gone,

Shaking thine inmost bosom with a tone

Of lost affection;–something that may prove

What she hath been, whose melancholy love

On thee was lavish'd; silent pang and tear,

And fervent song, that gush'd when none were near,

And dream by night, and weary thought by day,

Stealing the brightness from her life away,–

While thou–Awake! not yet within me die,

Under the burden and the agony

Of this vain tenderness–my spirit, wake!

Ev'n for thy sorrowful affection's sake,

Live! in thy work breathe out!–that he may yet

Feeling sad mastery there, perchance regret

Thine unrequited gift.

II.

It comes,–the power

Within me born, flows back; my fruitless dower

That could not win me love. Yet once again

I greet it proudly, with its rushing train

Of glorious images:–they throng–they press–

A sudden joy lights up my loneliness,–

I shall not perish all! The bright work grows

Beneath my hand, unfolding, as a rose,

Leaf after leaf, to beauty; line by line,

I fix my thought, heart, soul, to burn, to shine,

Thro' the pale marble's veins. It grows–and now

I give my own life's history to thy brow,

Forsaken Ariadne! thou shalt wear

My form, my lineaments; but oh! more fair,

Touched into lovelier being by the glow

Which in me dwells, as by the summer-light

All things are glorified. From thee my wo

Shall yet look beautiful to meet his sight,

When I am pass'd away. Thou art the mould,

Wherein I pour the fervent thoughts, th' untold,

The self-consuming! Speak to him of me,

Thou, the deserted by the lonely sea,

With the soft sadness of thine earnest eye,

Speak to him, lorn one, deeply, mournfully,

Of all my love and grief! Oh! could I throw

Into thy frame a voice, a sweet, and low,

And thrilling voice of song!–when he came nigh,

To send the passion of its melody

Thro' his pierced bosom–on its tones to bear

My life's deep feeling as the southern air

Wafts the faint myrtle's breath,–to rise, to swell,

To sink away in accents of farewell,

Winning but one, one gush of tears, whose flow

Surely my parted spirit yet might know,

If love be strong as death!

III.

Now fair thou art,

Thou form, whose life is of my burning heart!

Yet all the vision that within me wrought,

I cannot make thee! Oh! I might have given

Birth to creations of far nobler thought,

I might have kindled, with the fire of heaven,

Things not of such as die! But I have been

Too much alone; a heart, whereon to lean,

With all these deep affections that o'erflow

My aching soul, and find no shore below,

An eye to be my star; a voice to bring

Hope o'er my path like sounds that breathe of spring,

These are denied me–dreamt of still in vain,–

Therefore my brief aspirings from the chain,

Are ever but as some wild fitful song,

Rising triumphantly, to die ere long

In dirge-like echoes.

IV.

Yet the world will see

Little of this, my parting work, in thee,

Thou shalt have fame! Oh, mockery! give the reed

From storms a shelter,–give the drooping vine

Something round which its tendrils may entwine,–

Give the parch'd flower a rain-drop, and the meed

Of love's kind words to woman! Worthless fame!

That in his bosom wins not for my name

Th' abiding place it ask'd! Yet how my heart,

In its own fairy world of song and art,

Once beat for praise!–Are those high longings o'er?

That which I have been can I be no more?–

Never, oh! never more; tho' still thy sky

Be blue as then, my glorious Italy!

And tho' the music, whose rich breathings fill

Thine air with soul, be wandering past me still,

And tho' the mantle of thy sunlight streams

Unchang'd on forms instinct with poet-dreams;

Never, oh! never more! Where'er I move,

The shadow of this broken-hearted love

Is on me and around! Too well they know,

Whose life is all within, too soon and well,

When there the blight hath settled;–but I go

Under the silent wings of Peace to dwell;

From the slow wasting, from the lonely pain,

The inward burning of those words–"in vain,"

Sear'd on the heart–I go. 'Twill soon be past,

Sunshine, and song, and bright Italian heaven,

And thou, oh! thou, on whom my spirit cast

Unvalued wealth,–who know'st not what was given

In that devotedness,–the sad, and deep,

And unrepaid–farewell! If I could weep

Once, only once, belov'd one! on thy breast,

Pouring my heart forth ere I sink to rest!

But that were happiness, and unto me

Earth's gift is fame. Yet I was form'd to be

So richly bless'd! With thee to watch the sky,

Speaking not, feeling but that thou wert nigh:

With thee to listen, while the tones of song

Swept ev'n as part of our sweet air along,

To listen silently;–with thee to gaze

On forms, the deified of olden days,–

This had been joy enough;–and hour by hour,

From its glad well-springs drinking life and power,

How had my spirit soar'd, and made its fame

A glory for thy brow!–Dreams, dreams!–the fire

Burns faint within me. Yet I leave my name–

As a deep thrill may linger on the lyre

When its full chords are hush'd–awhile to live,

And one day haply in thy heart revive

Sad thoughts of me:–I leave it, with a sound,

A spell o'er memory, mournfully profound–

I leave it, on my country's air to dwell,–

Say proudly yet–"'Twas hers who lov'd me well! "

#research dump #the ink black heart #epigraphs #robert galbraith #felicia hemans #poetry #properzia rossi #properzia de' rossi #louis ducis

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elysiangriot · 3 months

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Gold Electroplating Claw Glasses with Purple Relievo Lenses by CADYLEE.

#f

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ashleybenlove · 8 months

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"A foreign friend once pointed it out to me, in the skeleton of a foe he had slain, and with the vertebræ of which he was inlaying, in a sort of basso-relievo, the beaked prow of his canoe."

Is he talking about Queequeg?

#ashleybenlove posts #Whale Weekly #Moby-Dick

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whatdoesshedotothem · 1 year

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: Thursday 17 May 1838

7

2

A-‘s cousin came this morning soon after nine a week too soon fine morning F56 ½° at 7 ½ am wrote the whole of the last page and breakfast at 9 ¼ in ½ hour and had talkathon with the washerwoman whom I quietly put into as much rage as she dared shew – would not pay her bill – but said I would settle it with the lady of the house or with monsieur she wanted the bill back again but this she would not give up – had just written so far at 10 10 according to the ‘almanach administratif et statistique et de la cour d’appel de Liège et de son Ressort. 43me année. 1838. Liège. Imprimerie de Jacques Desoer Libraix Place St. Lambert, no.774’ vid. p. 157 governor M. le baron Charles H. A. J. Vandensteen de Jehay, Mt. St. Martin, no.614. and vide p. 211 population de la ville de Liège 1 January 1837 = 59.363 ames – or population par quartier Sud, 18,251 ; Nord 14,817, Est 14,606 ; Ouest 11,689. and vide p. 279 to 284 inclusive account of the anniversary – p. 282 Galerie Zoologique ‘pourra devenir précieux par l’achat du célèbre cabinet de [fer] M. Schmerling’ – M. D. – took a commissionaire and George and A- and I went out (walked) at 10 35 – 1st to Collardin’s took back the 2 plans of Liège 4/. and got in exchange a German French and English vocabulary 4/. and a Belgian Livre de poste 2/50 – left these at home and then went for 10 minutes to the cathedral (St. Paul) - neat, clean, marble skirted, handsome remarkably comfortable church – with handsome painted window east and two partly painted in the transept north and south a German had just been at the top of this church – then to St. Jacques at 11 and sent George and the commissionaire home for Oddy – old gothic church very neat and interesting and handsome founded by bishop Baldric in 1014 – the cathedral ceiling painted in a running pattern, that of St. Jacques much handsome – good deal of [?] imitating the effect of guilding – the church undergoing great repairs – the man who shewed us about said to the 300,000 francs? of which government gave 25,000 fr. but what was that – waited for the servants ½ hour – then 5 minutes longer and off to Les mineurs at 11 35 and the priests’ college adjoining the bishops’ palace – 140 etudiàns, at 400fr. per annum – In the corridors an excellent gravure of Rome, and chronological gravure of the heads and dates of all the popes, all the Kings of Spain, and all the Roma emperors – saw the dining room kitchen and lecture room – good, but very plain rooms, nothing to see – the bishops’ palace not shewn a merely pretty good private house – the church (all the same corps de bâtiment) neat clean very white and pretty and handsome enough – all the churches here less than usual encumbered with Roman catholic frippery – off from here at 1 35 – ½ hour at a booksellers in passing and bought several little things, not dear – then up to the church of St. Martin more striking in exterior and like commanding situation than worth visiting for its interior – pretty little oak-carved pulpit some pictures by Latour, and some tolerable little basso-relievo marble medallions by Delcour who sculptured the foundation (Virgin and child on pedestal water from the mouths of 4 lions into as many stone troughs) in the Place de St. Paul – from St. Martins’ went to the adjoining barrière and looked down upon the barrière St. Marguerite by which we had entered and close to which was our coal-pit – fine view on this side – but magnificent one from the garden of the cafè de belle vue looking down to the other side the hill, upon Liège and its fine river and voisinage – vineyards and gardens and long chimneys but very little smoke to be seen from houses or engines – our commissionaire said the coal of Liege did not make much smoke – true there is not much – a large 100 horse engine does not make more (as far as we have seen) than a common kitchen fire in England! How is this? – Delighted with the view – sent the servants home to dinner before 2 – ourselves back at 2 20 – got down the hill by a near little narrow way along the Derrière l’Eglise de St. Jean and soon at the theatre and at home – A- tired but lay on the sofa – made herself some tea as yesterday and seemed quite refreshed again in about an hour �� I read the almanach de Liège lent us by our host and then till 4 wrote all but the 1st 5 lines of today – A- and I went out at 4 5 – bought pretty blue silk pincushion topped boite aux gants 12/. – then sauntered along the streets to the university – sought out our portière – she was with a party of French went with them to the salle (lecture room) – very large good handsome circular squared room – benches en amphithéâtre for the étudiants, and above a colonade gallery – very good effect – to the cabinet d’histoire naturelle mineralogy and geology and in the cabinet de physique et anatomie – mathematical instruments and anatomical preparation everything very nice – the cabinet of M. le docteur Schmerling not yet purchased but les administrateurs sur le pied de l’acheter – among the coal fossil vegetable remains saw one from la mine de l’espérance which it seems is at Seraing and belongs to Mr. Cockerill and the woman as I understood said it was deeper than the houillère of Sainte Marguerite – an hour at the university then sauntered along the quai to the post the singular looking old brick building that Mt. de Piète – went up one of the several little streets (opening on to the Quai) not 4ft. wide I should guess about 3ft. 8in. wide according to my parasol returned by the marché and called on booksellers Place St. Lambert and bought the Liège almanac (vid. line 5 of today) etc. – home at 7 5 dinner about 7 ¼ in an hour – at 9 ¼ went down to see Mr. Mathiolis’ cellars, kitchen baths, and lastly his stable to see a Hannover horse (aetatis 9) that he played all sorts of coaxing tricks – with to shew how quiet it was – an hours’ business – his fruit cupboard and foyer de cuisine the best worth seeing things – A- tired – it was too much for her – fine day – F59° now at 10 ¾ pm – fine day – rain from about 8 am

the portiere at the university said how cold it was and that there was snow here on Tuesday morning at 6 am

SH:7/ML/E/21/0102

A- lay on the sofa poorly busy getting the boiler to heat water and undressing her with A- heating water or one thing or other till 12 20 – then leaving her in bed, sat looking over the books bought today till one tonight – then hearing her crying went to her and gave her some cherry brandy she said her head and neck were bad she wants more than I can do for her a good strong fellow

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