Shout-out to super boxy harsh-edged computers. Love the 90° angles. Absolutely cheering about the corners. No smooth curves, all square, baby. So much rectangular rizz in them thangs.

[ID: Various digital drawings of Jonathan Sims from TMA, all set during season four. He is a tall, thin British-Indian man with receding and unruly curly grey hair. It Is long and usually tied back half-up, half-down. His skin is covered in a variety of scars, some fresher than others, and he wears rectangular glasses. In the first drawing, he is staring with focus down at the cigarette he is lighting. In the second, he is shown in profile, wearing a noticeably oversized mustard-coloured jumper, the neck of which he holds to his mouth and nose, with a tear visible in his eye. In the third and fourth drawings, his eyes glow red as he looks down with a sardonic smile, then at the viewer with a grave expression. Beside these there is a transcript excerpt that says “ARCHIVIST: (flatly) Or perhaps you could answer some questions.” In the last, he is shown sitting against an unseen wall, seemingly asleep, with his glasses tucked into the front of his shirt, and his head propped against his hand. Amongst the drawings are a cassette tape that has the note “recording by Martin Blackwood” and little hearts surrounding it; a lit zippo lighter with a spiderweb design; a clean and disembodied human rib; and a smartphone with a cracked screen. Above the phone are a series of texts sent seemingly from Jon to Martin: “do you hat e me pleas be honest”/”iM only yipts i PORMISE MAETIN”/”i;m sor ry for inconvcebie d.Ng you :’(” Then, there is a timestamp for “today, 9:34am”, followed by more messages: “Sorry. I want to reiterate that I’m still very worried; I don’t trust that you’re safe.”/”Let me know if I can help you.” The last message is a single heart emoji, but it is showing as not delivered. End ID.]

two of them

idk what to tell u. in s4 this man simply has a certain pathetic rizz. a wet dog je ne sais quoi.