#property management Manhattan
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Atlas NYC Property Management, LLC: A Guide to Brooklyn Real Estate Management Company
Choosing the Best Management Company with Atlas NYC: A Guide to Brooklyn's Real Estate Landscape
Brooklyn, a borough known for its rich cultural diversity, has a real estate market that is just as dynamic as its districts. The search for the ideal partner can be intimidating for property owners looking for first-rate management services. Here's Atlas NYC, your go-to resource for first-rate Brooklyn real estate management.
Comprehending the Real Estate Dynamics of Brooklyn
Brooklyn's real estate landscape is diverse and rich, ranging from the brownstone-lined streets of Park Slope to the industrial-chic lofts of Williamsburg. Every area has a distinct personality and draws a particular set of people. Navigating this terrain as a property owner demands skill and a sophisticated awareness of regional patterns.
A Premier Real Estate Management Company's Function
At Atlas NYC, we understand that Brooklyn property management necessitates a customized strategy. Our all-inclusive service package is designed to satisfy the various requirements of landlords:
1. Acquiring and Maintaining Tenants
Using smart marketing to get in desirable tenants
comprehensive procedures for tenant screening
Tenant interactions that are proactive for long-term satisfaction
2. Upkeep and Improvement of Property
routine maintenance and inspections
prompt handling of maintenance requests
Plans for improvements and renovations to raise the value of a property
3. Monitoring and Optimization of Finances
prompt payment of rent and timely financial reporting
Planning a budget and handling expenses
Using smart financial planning to maximize ROI
Why Pick Atlas NYC for Brooklyn Real Estate Management?
At Atlas NYC, we pride ourselves on providing individualized care and a strong dedication to the success of our clients. Since every property is different, we have customized our techniques to suit each one. Whether you are the owner of a single property or a portfolio of properties, our team puts a lot of effort into matching our services to your objectives.
Our web portals, which make use of state-of-the-art technology, give property owners clear access to maintenance records, financial information, and direct communication with our team. You may be sure that you're always in charge of your money and informed thanks to this transparency.
Thriving in the real estate market of Brooklyn
Having a trustworthy and knowledgeable real estate management partner is essential in a market as competitive as Brooklyn. Atlas NYC ensures that your properties not only endure but also prosper by fusing decades of knowledge with innovative tactics.
Whether you're an experienced investor or looking into Brooklyn real estate for the first time, our team at Atlas NYC is here to provide knowledge, encouragement, and a customized strategy to improve your real estate investing experience.
Are you prepared to learn more about the top Brooklyn property management services available? Come see how we can maximize and improve your real estate holdings by visiting Atlas NYC.
#Real Estate Management Companies Brooklyn#property management Manhattan#Brooklyn property management companies
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#Best Property Management Company in Brooklyn#best property management companies nyc#property management Manhattan
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Why Successful Real Estate Investors Choose Queens Property Management Companies?
Successful real estate investors understand the importance of effective property management. Whether it's an active or passive partnership, partnering with a property management company offers numerous benefits that align with the investment goals of property owners. In this article, we will explore the advantages of working with a property management company, with a focus on Queens property management.
From efficient rent collection to securing reliable tenants, reducing legal issues, minimizing repair costs, understanding local market prices, and skilled marketing, property management companies like Citadel Property Management Corp.
#Property Management NYC#NYC Property Management#Property Management New York City#Property Management New York#Real Estate Management NYC#Bronx Property Management#Best Property Managers NYC#Manhattan Property Management Queens#Property Management#Brooklyn Property Management#NYC Building Management#Best Property Managers New York City#Facilities Management NYC#Real Estate Brokerage New York City
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218 NW 24th St, Miami, FL 33127, United States
1240 Rosecrans Ave, Manhattan Beach, CA 90266, United States
7866280600
3104418075
https://belonghome.com
https://goo.gl/maps/VSieeErd3dzKwwoq9
https://goo.gl/maps/LJtqSVcZSpsRe81LA
At Belong, customer satisfaction is our top priority. Our team is dedicated to providing high-quality services and products at competitive prices, and our goal is to leave every customer with a positive and memorable experience. We understand the importance of clear communication and transparency, and we strive to keep our clients informed and updated at all times.
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Best Property Management Brooklyn NY
Landlord Management is undeniably the Best Property Management Brooklyn NY. We offer NYC property management solutions designed with landlords in mind. We work with you to ensure you accomplish your goals.
#Best Apartment Management Companies Nyc#Apartment Management Companies New York#Manhattan Property Management
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🌟🏦 Raja Iqdeimat describes an occasion when she worked at a bank and participated in a goal-setting activity led by the management. Raja indicated a wish to buy an apartment in Manhattan within five years. The manager took liberties and shifted the purpose to merely purchasing property in New York City, which Raja found offensive. Despite the setback, Raja was determined to fulfill her initial goal, drawing inspiration from her ambition.
🏙️🏠 Raja eventually purchased a condominium on Manhattan's Upper West Side. They used the opportunity to contact the manager, requesting assistance in concluding the transaction through a mortgage officer at her institution. Despite the manager's initial misgivings, their move demonstrated their capability and drive, serving as a motivational example. By accomplishing their aim, Raja displayed their capacity to express their desires and refuse to be underestimated, inspiring others through their actions.
💼💪 Raja's activities not only achieved her own objectives but also helped to demonstrate her abilities and self-worth. By approaching the manager for aid in concluding the sale of the Manhattan flat, Raja effectively challenged the manager's previous doubts and showed their own determination and competency. This emphasizes the necessity of perseverance, self-belief, and refusing to allow others' doubts to derail one's goals, serving as an inspirational lesson. Ultimately, Raja's accomplishment demonstrates their perseverance and ability to overcome adversities, motivating others to pursue their dreams.
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Why is Empire State Building famous? The Empire State Building is famous for several reasons. Firstly, its construction during the Great Depression was a remarkable feat of engineering, completed in just 13.5 months, making it one of the tallest buildings in the world. Its iconic Art Deco design and prominent location in the heart of Manhattan have turned it into a symbol of New York City and a recognized cultural landmark worldwide. Additionally, its appearance in movies and its spectacular observation decks have further contributed to its fame.
Who was the Empire State building built for? The Empire State Building was built for commercial purposes. It was originally intended to provide office spaces for various businesses and companies. John J. Raskob and Al Smith, the main developers, saw it as an opportunity to create a prestigious office building that would attract tenants and stand as a monument to their company, Empire State Inc.
What is the Empire State building used for now? Today, the Empire State Building continues to serve as a commercial office building, housing numerous businesses and organizations. However, it has evolved into more than just office spaces. It has also become a major tourist attraction with its observation decks on the 86th and 102nd floors, offering stunning views of New York City. Additionally, the building is used for broadcasting and telecommunications purposes, further diversifying its functionality.
Why do people love the Empire State building? People love the Empire State Building for various reasons. Its majestic Art Deco architecture and historical significance make it an awe-inspiring sight. The observation decks provide a unique opportunity to view the city from above, creating unforgettable experiences for visitors. Its portrayal in popular culture, especially in movies and TV shows, has also contributed to its global fame and endearment. Moreover, it stands as a symbol of human achievement, resilience, and determination, making it a cherished cultural icon for many.
Who owns the Empire State? The Empire State Building is owned by Empire State Realty Trust, Inc., a real estate investment trust (REIT) that manages a portfolio of commercial properties.
Could you live in the Empire State Building? No, the Empire State Building is not designed for residential purposes. It lacks the necessary amenities and infrastructure to support residential living, and its primary function remains as a commercial office building.
How long can you stay in the Empire State Building? Visitors are welcome to stay on the observation decks for as long as they like during the building's operating hours. There is no strict time limit, allowing visitors to take their time and enjoy the breathtaking views at their own pace.
How many floors is the Empire State? The Empire State Building consists of 102 floors above ground. The observation deck is located on the 86th floor, providing visitors with expansive views of the city and surrounding areas.
Why is the Empire State building so strong? The Empire State Building's strength is attributed to its innovative design and construction methods. Its steel frame provides exceptional support and stability, making it highly resistant to various environmental forces, including wind and seismic activity. The combination of a robust steel structure and a masonry exterior contributes to its enduring strength and durability.
Is Empire State Building free? No, visiting the Empire State Building's observation decks is not free. There is an admission fee to access the 86th and 102nd-floor observatories. The pricing may vary based on the type of ticket, such as standard admission, express passes, or special packages.
How deep is the Empire State building? The Empire State Building extends approximately 55 feet (16.8 meters) below street level. Its foundation reaches this depth to ensure stability and support for the immense weight and height of the building.
When did the Empire State building become famous? The Empire State Building gained fame immediately upon its completion in 1931. Its grand opening and record-breaking height captivated the world's attention, and over the years, it has become one of the most recognizable and celebrated buildings on the planet.
Why was the Empire State building built so fast? The Empire State Building was constructed quickly due to several factors. First, the developers were engaged in a race to build the tallest building in the world, leading them to expedite the construction process. Second, the use of prefabricated components and efficient assembly-line construction methods allowed for rapid progress. Additionally, the Great Depression provided a vast pool of available labor, enabling round-the-clock construction in three shifts.
Who uses the Empire State Building? The Empire State Building is home to a diverse array of commercial tenants. Various businesses and organizations lease office spaces within the building. Additionally, the building's observation decks attract millions of visitors annually, making it a popular destination for tourists and locals alike.
20 Most Fascinating Facts About the Empire State Building:
Construction Workers and Speed: The construction of the Empire State Building involved approximately 3,400 workers who toiled day and night in three shifts to meet the ambitious construction timeline.
Steel Skeleton: The Empire State Building's steel frame, a cutting-edge design of its time, provides the necessary strength and flexibility to withstand environmental forces and support the immense weight of the structure.
Lightning Strikes: Due to its height and prominent location, the Empire State Building is frequently struck by lightning. To protect against these strikes, the building is equipped with lightning rods and grounding systems.
Observation Decks: The building's observation decks on the 86th and 102nd floors offer breathtaking panoramic views of New York City, making them a major tourist attraction.
The 102nd Floor Observatory: Originally planned as a docking station for airships, the 102nd-floor observatory was never used for this purpose due to safety concerns and the decline in airship travel.
Art Deco Interior: The Empire State Building's lobby features elegant Art Deco motifs, including polished aluminum and marble finishes, decorative friezes, and chandeliers, which reflect the architectural style of the time.
Empire State Building Run-Up: Since 1978, the Empire State Building Run-Up has been an annual event, challenging participants to climb the building's 1,576 steps to the 86th-floor observatory.
Sustainability Initiatives: In recent years, the Empire State Building has implemented various sustainability initiatives to reduce its carbon footprint and energy consumption.
Empire State Building Music-to-Light Shows: The building hosts music-to-light shows during special events, where its lighting is synchronized with music, creating a mesmerizing visual display.
King Kong and the Empire State Building: The Empire State Building gained further fame through its appearance in the 1933 film "King Kong," where the giant ape famously climbed the building's spire.
Renovation and Restoration: Over the years, the Empire State Building has undergone several renovations and restorations to preserve its architectural integrity and modernize its systems.
Empire State Building at Night: The building's lighting scheme changes to commemorate holidays, special events, and charitable causes, transforming its appearance at night.
Empire State Building During World War II: During World War II, the building's lights were dimmed to conserve energy and comply with blackout regulations, but they were used to communicate Morse code messages.
Empire State Building's Popularity in Media: The Empire State Building has been referenced in various songs, featured in video games, and replicated in miniature models, solidifying its place in popular culture.
Empire State Building's Global Recognition: As one of the most famous landmarks in the world, the Empire State Building has appeared in numerous travel guides, documentaries, and international media.
Empire State Building and Light Pollution: The building's lights are dimmed or turned off during certain periods to reduce light pollution and protect migrating birds.
Celebrity Visitors: Over the years, the Empire State Building has welcomed numerous celebrities and dignitaries from around the world.
Empire State Building Art Exhibits: The building's lobby occasionally hosts art exhibits, adding an artistic dimension to its cultural significance.
Empire State Building: A Symbol of Hope: During challenging times and crises, the Empire State Building has been used as a symbol of hope and unity.
Empire State Building's Charm and Legacy: The Empire State Building's historical significance, iconic status, and architectural brilliance have cemented its charm and enduring legacy.
Conclusion: The Empire State Building stands tall as a testament to human ingenuity, determination, and the spirit of progress. Its fame, earned through its record-breaking height, iconic design, and global recognition, has made it an enduring symbol of New York City and an emblem of human achievement. As it continues to captivate visitors with its breathtaking views, the Empire State Building remains a cherished cultural landmark that will inspire generations to come. Its significance transcends its physical presence, embodying the dreams and aspirations of millions who dared to dream big and reach for the sky.
#new york city#new york#new-york#newyork#nyc#ny#manhattan#urban#city#usa#United States#buildings#travel#journey#outdoors#street#architecture#visit-new-york.tumblr.com#Empire State Building
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You ever wonder how Jason Voorhees managed to get to Manhattan? And why they placed him there? When I was a little kid I didn't think much of it, but now it seems to funny to me. He's murking all these people and they're not even on his property. 🤣🤣🤣
when I first watched it I hoped he would like just somehow drive to nyc but I guess using a cruise ship that somehow works too I guess (at least they got creative I guess).
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A toxic part of the upper-middle class Mid-Atlantic vibe is that the only socially acceptable hobbies one can have are those that might turn a profit. Someone who takes up cooking as a hobby will be encouraged by their income peers to open a restaurant if they ever manage to bring anything more than half-edible to a potluck or dinner party. The financial feasibility of this sort of career path need not be considered by either party, these are members of the professional-managerial class, they haven't the slightest clue how the other half of the country lives, they think "the other half" refers to those that own property in Manhattan. What's important is the feint, the admission that one *could* turn a profit on the hobby is what renders it noble and morally acceptable to pursue, not how much money one actually earns.
But what's funny is that most of these people have children, and some of those children become leftists, and they mingle their new political ideologies with their parents' unexamined values and whenever they find out about someone else's side projects they end up concluding that the reason you can't earn a living spending your days collecting and alphabetizing 1980's computer manuals is because modern capitalism prevents you from living up to your full potential.
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Set the Standard: Atlas NYC Unveils the Best Property Management Companies in NYC
Set the Standard: Atlas NYC Unveils the Best Property Management Companies in NYC
The success of your investment depends on selecting the correct property management partner in the dynamic and quick-paced world of New York City real estate. Of all the options, Atlas NYC stands out as a model of quality, establishing the benchmark for property management in the city that never sleeps. In this piece, we examine the essential characteristics that set Atlas NYC apart as one of the best property management companies in NYC, providing a smooth fusion of experience, creativity, and unmatched customer care.
Unrivaled Local Knowledge
A thorough awareness of the local environment is necessary to successfully navigate the complexity of the New York City real estate market. The team at Atlas NYC has unmatched experience since they have developed a thorough understanding of the various neighborhoods, laws, and market trends that make up the city. Atlas NYC’s ability to adjust its property management techniques to the specific needs and problems of each property under its care is made possible by its local understanding.
All-inclusive Property Management Solutions
To maximize the performance and value of your investment, Atlas NYC provides a full range of property management services. Every area of property ownership is managed with accuracy and care according to the company’s holistic strategy, which includes tenant relations, maintenance, financial administration, and strategic planning.
Important Services Consist of:
1. Tenant Relations and Screening:
· Strict screening procedures to find qualified tenants.
· Tenant relations should be proactive and responsive to promote happy living situations.
2. Upkeep and Fixtures:
· Proactive maintenance plans to deal with problems before they get worse.
· Effective management of maintenance, guaranteeing the durability and allure of every asset.
3. Accounting for Finances:
· Efficient and open financial administration.
· Rent collecting, planning, and reporting done on time to maximize profits.
4. Adherence to the Law:
· Observance of regional laws and compliance standards.
· Reduction of the legal hazards related to property administration.
5. Planning Strategically:
· Customized plans to optimize value and return on investment for every property.
· Proactive preparation to keep up with changes and developments in the industry.
Inventive Integration of Technology
Efficiency is critical in a city renowned for its fast-paced way of living. Atlas NYC uses state-of-the-art technology to make property management processes more efficient. Technology is smoothly incorporated to improve the customer experience, from online portals that give property owners real-time insights to automated processes that improve communication and productivity.
Client-Centered Methodology
Atlas NYC’s steadfast dedication to customer satisfaction distinguishes it as one of the top property management firms in NYC. The organization places a high value on candid communication, openness, and a customized strategy to meet the particular requirements of every property owner. Throughout the management process, Atlas NYC makes sure that you feel informed and confident, regardless of your level of experience as an investor.
Increase Your Capital with Atlas NYC
Selecting the best property management company in NYC is an investment in the longevity and profitability of your real estate endeavors, not just a choice. At the forefront, Atlas NYC exemplifies the characteristics that characterize the best in property management. Visit atlasnyc.com to learn more about Atlas NYC’s extensive services and track record, and discover a new level of property management in the center of the never-sleeping metropolis.
GET IN TOUCH WITH US
Atlas NYC Property Management, LLC
77 14th Street Brooklyn, NY 11215
718-768-8888
#best property management companies nyc#property management Manhattan#Real Estate Management Companies Brooklyn#building management companies Manhattan
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Top Property Managers in Manhattan | Atlas NYC Property Management, LLC
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Citadel Property Management Corp. is your trusted guide in Finding Your Dream Home in the dynamic NYC real estate market. Our knowledgeable agents will listen to your needs, provide personalized recommendations, and assist you every step of the way to make your home search a seamless and enjoyable process.
#Property Management NYC#NYC Property Management#Property Management New York City#Property Management New York#Real Estate Management NYC#Bronx Property Management#Best Property Managers NYC#Manhattan Property Management Queens Property Management#Brooklyn Property Management#NYC Building Management#Best Property Managers New York City#Facilities Management NYC#Real Estate Brokerage New York City
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Any headcanons about how many homes America and Canada have?
Yes! They have many homes.
⭐ America ⭐
In New York City, America spent decades jumping from place to place. As the city grew, he moved from a house in Manhattan, to a Brooklyn apartment, to a flat in Queens, etc. Now, despite his best efforts, his current apartment is just a box with an AC unit sticking out the window. He wishes he could have a nicer place in NYC, but the market is too hot even for him.
In Los Angeles, he managed to snag a gorgeous Santa Monica house in the early Hollywood days before prices exploded into the stratosphere. Just a short walk to the Pacific ocean, he never sold it and it’s worth its weight in gold by now.
His spot in Washington D.C. is the one he most uses; a stately, historical home that would probably be turned into a small museum if he ever decides to sell it (but he never will). Sometimes, the place can get a bit messy, with papers, file folders, and take-out containers scattered about, but he’ll tidy up when company is coming.
A farm in Ohio that has seen better days. In the early 20th century, he used the barn as a workshop to tinker with automobiles and flying machines. As a result, the barn is quite damaged, but America won’t repair it. He thinks the oil stains “add character”.
A lively hotel in Louisiana with a restaurant on the first floor. Yes, he owns the whole thing. It’s been managed by humans for generations within the same family. They cook massive Creole feasts whenever America drops by.
America doesn’t seek solitude often, but when he does, he goes to his mountain home in Colorado.
He stubbornly hangs onto his Texas ranch even though he doesn't raise cattle anymore.
Once he owned a beachfront property in Florida, but sold it after the Cuban Missile Crisis.
Unfortunately, through no fault of his own, his childhood home in Boston caught fire after the Revolution and burnt down. The land it was on is now a popular public park with swing sets, monkey bars, and a huge curly slide. Many local children say it’s their favourite park in the city.
There are many more, of course, but those are some of his standout homes.
🍁 Canada 🍁
Of all his homes, Canada stays at his Ottawa house most often. The backyard is filled with a rainbow of tulips and it’s within cycling distance to Parliament Hill. He keeps several pairs of ice skates for himself and whoever visits during the winter, so they can go skating over the frozen Rideau Canal.
Canada’s Toronto flat is the most modern-looking of his dwellings, but that isn’t saying much. It’s an industrial loft with mismatched furniture still stuck in the 1980s. It really isn’t his favourite place, but he likes the view of the skyline at sunset.
One of his childhood homes is still standing; a humble, stonework Montreal house. It’s been restored by historical societies; fresh paint on the door, a tidy lawn, and black soot swept away. He made an arrangement to lease it as a museum, but has the opportunity to return and stay there whenever he chooses.
There’s a ramshackle log cabin he built himself in Algonquin park, many years before it was designated as parkland. To quote my NedCan fic: “... a stone base decorated in moss. Turn-of-the-century windows and an amber-stained porch pleasantly frame the main door, while the modernized roof and chimney stack create a mishmash of different eras... like a favourite worn blanket; too beloved to be discarded, and so instead is repeatedly patched.”
On the east coast, he has a home in Halifax proper. Sadly, his original was destroyed in the Halifax Explosion and was rebuilt to the standards of the 1920s. He misses his older house, because it was where Scotland would visit during his childhood.
In St. John’s, he has a very colourful building, painted bright red with white window frames and small gardens in both the front and back.
A simple, suburban bungalow in Red Deer, Alberta. Perfect for business and relaxation, because it’s halfway between both Edmonton and Calgary and keeps the Rocky Mountains within reach. Piles of hiking gear are stored in the attic, basement, and the garage. When he can spare the time, he’ll drive out to the Rockies for weeks of camping, climbing, hiking, or skiing.
His British Columbia home is surrounded by old-growth trees.
Overall, Canada tries to have at least one home in each of his provinces and territories. If, at the time of travel, he doesn’t, he'll try to lodge in a wildlife research centre. The scientists, who usually work for the government, don’t mind his presence at all.
Thank you for the ask!! 💜
#aph america#aph canada#hws america#hws canada#hetalia headcanons#alfred f jones#matthew williams#my writing#my headcanons
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To Have Loved and Lost Part Three
Previous Part | Masterlist | Next Part
Pairing: George Russell x Reader
Rating: M
Notes: Hiiiii welcome baaaaaack thank you for reaaaaadiiiiiiiing
Warnings: Angst; Gilded Age Manners™; pining; The One That Got Away; not a traditional happy ending...A lot of angst this week.
Summary: Had Mr. Russell recognized you? Your name? Surely something had jogged his memory; his expression had swirled with a darkness, the look that a ferryman cast at the sight of heavy clouds pushing in from the distance.
You were in such a miserable mood that you nearly seized on the first house you were shown to get the entire process over with. You couldn’t wait to flee New York.
But, on second thought, you knew that Franklin would hate it. That almost compelled you more deeply toward the purchase—but you reconsidered. This home would be a hub for your entire family’s business in Manhattan, not just Franklin’s. It would be the home that families were brought into for Franklin’s business contacts; it would be the home where Eleanor would meet with her suitors.
There were precisely three things wrong with the first home:
It wasn’t far enough up the avenue
It was too small
The previous owners were unknown to New York society
The four following homes that you were shown were far more expensive than the first, but more likely to suit your needs. You weren’t entirely sure what Franklin was willing to spend—at moments, you truly weren’t entirely sure if he cared about securing what was already in his coffers. A house was an investment. But putting so much in beyond the property itself—for furnishings, decoration, linens, cooking apparatus, dishes, what have you—may not have been something Franklin was interested in.
--
“I’ve a few notes from the house tours I took today,” You informed Franklin over the soup course. He wrinkled his nose just a little.
“Must I read them?” He sighed. You pursed your lips before glancing back at one of the attendants.
“Will you please tell Kate to fetch the small red notebook on my vanity?”
The attendant gave a small bow before hurrying from the room. You turned back to the table, taking up your glass of wine.
“How was the remainder of your work day?” You asked.
“Alright, I suppose, though...The tannery is in shambles.”
“I’m sorry to hear it.”
“It shall take a good bit of work to get it up and running again. It seems that the previous owner pried every bit of machinery and storage not explicitly agreed upon in our contract and sold them off.”
You hummed thoughtfully, swirling your wine around just a little. You couldn’t blame the previous owner. If you were in business with Franklin, you think you’d want to ruin his prospects, too. You looked up as Kate hurried back in, your notebook in her hand. You took hold of it, opening it and beginning to leaf through it for your notes.
“You seemed rather short with Mr. Russell this afternoon,” Franklin commented as you searched. You take a few moments, feigning leafing through your notebook still, despite having found your notes already.
“Did I?” You asked as lightly as you want.
“Very.”
“That was not my intention.”
“You managed not to frighten him off entirely, thank heaven.”
“What do you mean, frighten him off?”
“He’s expressed an interest in my tannery.”
“...I see,” You settled on the proper page. “How fortunate.”
You began to rattle off the aspects of the first house, the one that you nearly took—but all the while, your mind was combing through every second of your interaction that afternoon. It stuck on your mind through the stonily silent evening spent reading (you, with a book; Franklin, with the evening edition of the paper). You appreciated the lack of conversation, however. It let you think about Mr. Russell.
It felt untoward to even think of him as George. He was more than an arm's-length from you now—he was a world away.
Your mind was crowded with thoughts of him even as you readied yourself for bed. You hardly noted Kate asking you if there was anything else that you needed, and once you realized that she’d spoken, you offered a flighty little smile and a shake of your head.
“G’night, miss.”
“Goodnight, Kate…Thank you,” You tacked on, turning to look at her just as she left. She stopped just long enough to give you a small smile and nod before she shut the door fully. You sighed, leaning back in your seat and eyeing yourself in the mirror, your face bathed in candlelight. Had he recognized you? Your name? Surely something had jogged his memory; his expression had swirled with a darkness, the look that a ferryman cast at the sight of heavy clouds pushing in from the distance.
You pushed yourself up from the vanity, taking slow, measured steps over to your trunk. You knew that beneath your spare slips, stockings, and combinations, there was a small burlap sack, neatly folded and holding a bundle of correspondence and newspaper clippings. It was one of the only things that you’d brought and kept from when you’d left Stevensville to join Franklin in San Francisco. It had only been a few months after George had left—after his letters had stopped.
Your fingers curled and uncurled into your palms as you considered it. Then you dropped to your knees, shoving the lid open. With an almost ravenous madness, you pushed the piles and piles of clothing out of the way. You went still when you saw it—the dark little sack shoved into the very back corner of your trunk. When you’d left your mother's boarding house, you’d had to bundle them into the front of your corset. You’d cinched them tight, just beneath your breasts, saving them from your mother’s inevitable trunk inspection. When you’d arrived at the boarding house you’d as a break from the journey, you’d carefully worked the stack of letters away from where they were pressed to your belly still. You’d had to gently peel away an envelope stuck to your skin, and found irritation and slight indentation where the stack had been pressed to you.
You’d tied the bundle with twine and tucked them into the burlap sack then, carefully hiding them in the bottom of the trunk. It had only been unearthed time and again to add the odd newspaper clipping about George—his success, his swelling businesses. You’d reread his letters so rarely that looking through them now could feel like a fresh wound, present a shock to your system. You reached in with trembling hands, closing your fingers around the rough fabric and drawing it out onto your lap. You slowly lowered yourself back onto the floor, unable to take your eyes from the fabric.
You couldn’t open it. No matter how many times you urged your hands to, no matter how many times you tried to spur yourself into action, you couldn’t do anything but sit and stare. Why did you keep them? You should’ve gotten rid of them when he left you there. You scrabbled back on the floor then, whirling around and pushing yourself up. You ran at half tilt to the fireplace, and raised your arm to pitch. But the fabric unraveled, and you heard something clink against the floor. You froze, and slowly lowered your head to look at it. Your heart ticked up at the sight of a cufflink glistening in the firelight. You leaned down, taking up the cool metal.
You turned it back and forth in the firelight, eyes catching on the woven silver design. You remembered the night that George slipped it into your palm with a tender smile, just after you’d given him your favorite hair ribbon. You could still see it if you closed your eyes—the way he’d tucked the green fabric into his jacket pocket, then reached down and unbuttoned his cufflink. He’d leaned in, pressed a tender kiss to your cheek, and murmured, “The exchange of thy love's faithful vow for mine.”
It was Shakespeare—he’d told you so. A tale of star-crossed lovers.
You’d glanced over your shoulder then and warily eyed the empty doorway to the barn before drawing George in for a kiss. He’d given it happily, and chased it with more, delighting in your smile and touch.
Now, your fingers curled around the cufflink, and your eyes filled with tears. You raised your arm again to throw the letters to the fire, but then it fell, as if your strength had simply been sapped. You dropped the bundle and the cufflink to the floor, whirling away from them as your breath caught in your chest. You drew in unsteady, shaking gasps, chest tightening as you tried and failed to air in any deeper. You braced your hands on the lid of the trunk for just a moment before you shoved it down again and lowered your shaking body to sit.
You heaved in tight, thin breaths. Your eyes swam with tears, muddying the sight of the burlap sack and the glinting of the cufflink where they still sat on the floor. You used to yearn to be free of that boarding house in Stevensville, but just now, you wanted nothing more than to return to it, to the sneaky glances and stolen kisses, and the evenings spent sneaking out and laying in the tall grass with George, gazing at the stars and murmuring tender promises.
You wanted nothing more than to open that burlap sack, find a way to lower yourself inside it, back into the past, and into his arms.
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#George Russell x Reader#George Russell x You#George Russell/Reader#George Russell/You#George Russell fic#George Russell imagine#George Russell the Gilded Age
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'"It's a paradox, but it works." This one brief sentence gets at the heart of the new Christopher Nolan film "Oppenheimer," serving as a potentially accidental kind of mission statement. A movie about the life and times of J. Robert Oppenheimer, the scientist who led the Manhattan Project during the latter years of World War II and who essentially invented a new form of warfare via the atomic bomb, is not impossible but presents a series of challenges to any filmmaker. Here is a man whose intellect was unparalleled, who rubbed shoulders with many of the most remarkable scientists to ever live, and whose importance to both American and world history is unquestioned. But here is a man whose intellect led to the death of countless thousands of innocent people in service of concluding a world war, and whose intellect then inspired other people across the world to pursue more violent means of warfare.
The paradox of "Oppenheimer" is that the man deserves a full accounting, but that full accounting does not flatter him or those around him; that the three-hour epic is populated by what feels like three-quarters of Hollywood with many actors appearing just for a handful of minutes; that in many ways, the film is centered around the Trinity Test, in which the atomic bomb was first successfully tested in the deserts of New Mexico, but is otherwise an intimate story in which different groups of men debate things in different locations, all presented in crystal-clear IMAX photography. But, to quote Oppenheimer, it works.
In spite of the fact that Nolan (serving also as sole screenwriter, working off the Pulitzer Prize-winning biography "American Prometheus") is dealing with only real-life characters and events for the first time in his career, he still manages to fiddle around with timelines, helping ensure that "Oppenheimer" is never less than propulsive, intellectual, and jittery in its pacing. There are two separate title cards (for the scientific properties of fission and fusion) that appear early in the film, meant to delineate one thread in which Oppenheimer (Cillian Murphy) is brought before a faux-prosecutorial board of men curious to revoke his security clearances in 1954, and another in which politician Lewis Strauss (Robert Downey, Jr.) goes through a contentious Cabinet confirmation process in 1959. But there's a third, slightly more straightforward thread throughout, in which we follow Oppenheimer for nearly two decades, from his college days at Cambridge leading up to the fateful morning in mid-July 1945 when the A-bomb was tested in the dark of night.
History as thriller
Headline aside, it's not really a spoiler to talk about American history, especially history of such gravity. It's to Christopher Nolan's credit that he's able to treat a couple of different aspects of the post-WWII downfall of J. Robert Oppenheimer as surprises akin to something in a suspense thriller, both regarding someone in the shadows coming out to speak against a key figure in a public manner. The 1954 hearing against Oppenheimer — which resulted in him losing his security clearance, and helped contribute to his falling out of the public spotlight after being celebrated across America for years as "the father of the atomic bomb" — hinges on a letter written to J. Edgar Hoover by William Borden (David Dastmalchian, 15 years removed from his feature debut role in "The Dark Knight") that calls out Oppenheimer for his left-wing political leanings and his connections to more strident Communists among the scientific community and in his personal life.
For most of the three-hour running time, it's technically an open question for a Senate aide (Alden Ehrenreich) to wonder who in the Atomic Energy Commission gave Borden the classified material to help accuse Oppenheimer. The eventual revelation that Strauss worked with a sour military man (Dane DeHaan) to give Borden the files feels less surprising than perhaps expected, if only because of how effectively Downey, Jr. captures in his performance the frustration and moral impotence he feels between himself and Oppenheimer, a man who he admires but is humiliated by in countless situations. The twist that does work more effectively occurs in Strauss' Senate hearing, as he attempts to win a place in President Eisenhower's Cabinet as Secretary of Commerce. Much hinges on the testimony of a scientist named David Hill, who we see only very briefly and silently earlier in the film. But since Oscar winner Rami Malek plays Hill, it's no surprise that he has a crucial moment in offering his testimony at the hearing, quickly making clear that he's essentially representing any and all scientists horrified by how the American government treated Oppenheimer after World War II, and accurately accuses Strauss of having spearheaded the attempt to discredit the eponymous scientist.
Haunted by visions
For any criticisms levied against Christopher Nolan in his career about being too cold or calculated as a filmmaker, there's a strong and intense undercurrent of emotion bubbling under the surface throughout every scene. The sequences featuring Downey, Jr. (those filmed from his perspective, both during the Cabinet hearing and in any flashbacks emanating from his remarks, are in black-and-white, a first for IMAX photography) are rife with jealousy, as Strauss desperately tries to be accepted by a scientific community that instantly understands his mental limitations and treats him as second-rate. Of the many recurrent images in the film, one that stands out and serves as the kicker for the story is that of Strauss watching from afar as Oppenheimer speaks with the legendary Albert Einstein (Tom Conti) on the Princeton campus, before Strauss tries and fails to make polite conversation with Einstein, leading the politician to assume the two scientists were speaking derisively about him. And Oppenheimer himself is both charismatic and tightly wound; from the start, when we see him as a young man, it seems clear that for all his remarkable intelligence, this is a man barely holding himself together and frequently coming apart at the seams.
When we think of films shot in IMAX — not just the ones presented on the towering screens — we think of action spectacles, such as Nolan's "The Dark Knight" or Tom Cruise scaling the Burj Khalifa in "Mission: Impossible – Ghost Protocol." But "Oppenheimer," though it does feature some jaw-dropping imagery meant to depict the visions of quantum mechanics and physics rattling around Oppenheimer's psyche (he dubs it being plagued by visions) before leading up to the Trinity Test, is largely focused on the man himself, both emotionally and literally. Nolan and cinematographer Hoyte van Hoytema shot this in a mix of IMAX and 65mm film (and if you are lucky enough to live near one of the 30-plus theaters in the United States presenting the film in IMAX and 70mm, you must run to get tickets if you haven't already procured them), and so much of what's presented are close-ups of actors' faces.
As much as Christopher Nolan is known for his ability to conjure up spectacle (like one of the magicians from his adaptation of "The Prestige"), he's an excellent director of actors, and the proof is in the six-story images littered throughout "Oppenheimer." Murphy, whose collaborations with Nolan extend to "Batman Begins" when he played the Scarecrow, is the obvious standout, doing so much with a man who managed to be both charming enough to win over the might of the American military and government as well as scientists across the world, while also repressing the very real guilt and trauma he felt at inflicting death and destruction upon society. The use of close-ups on Nolan's part, and the tautly expressive emotions running rampant on Murphy's face recall the silent-film masterpiece "The Passion of Joan of Arc" in which Renee Jeanne Falconetti delivered a masterful performance for the ages through her pained visage. "Oppenheimer" is not a silent film, and Nolan gives his leading man plenty of dialogue to work through, but it's in Murphy's cutting blue eyes and his tightly wound face that so much emotion bleeds through.
With a cast also including (deep breath) Emily Blunt, Downey, Jr., Matt Damon, Malek, Matthew Modine, Benny Safdie, David Krumholtz, Ehrenreich, Florence Pugh, Josh Hartnett, Kenneth Branagh, and Casey Affleck (and many, many more), "Oppenheimer" is as impressively acted beyond the title role, with all actors making such powerful impacts that it's almost unfortunate how so many of them only make brief appearances. But that's the nature of the time-jumping, globe-trotting story.
A fatal humiliation
Of course, the central moment of "Oppenheimer," its true climax, is the depiction of the Trinity Test. Again, since history is history, it should not come as a surprise to anyone that the test works, because the A-bomb would quickly be dropped on Hiroshima and Nagasaki, swiftly bringing an end to World War II in August 1945. Much of the hour or so preceding the test has touches and inspirations from Paul Thomas Anderson's "There Will Be Blood," as Oppenheimer re-embraces his scientist status after briefly donning a military uniform, setting up an old-fashioned town in the middle of Los Alamos, New Mexico, and all in the hopes of effectively creating an atomic bomb that brings together his theories of quantum physics. The nighttime sequence building up to the Trinity Test, with Oppenheimer nervy and edgy as the rest of the scientists as well as his military keeper (Damon), is remarkably tense in spite of the fact that (as noted above) the test clearly works. Perhaps part of the tension derives from the knowledge many viewers have: that Christopher Nolan, priding himself on eschewing CGI when possible, has stated that his film's replication of the Trinity explosion was accomplished with practical effects.
And though "Oppenheimer" is not an action film, Nolan is one of the finest filmmakers working today who can effectively and clearly create awesome and terrifying action-based imagery. The Trinity Test is no exception; he, van Hoytema, editor Jennifer Lame, and the entire production team have pulled off something here both weirdly beautiful and definitively horrific. That the test works is a validation of Oppenheimer's theories, and of his scientists' man-hours of work over multiple years and multiple billions of dollars. But it also represents — as noted to Oppenheimer by Niels Bohr (Branagh) — a new world, not just a new weapon. Oppenheimer, as intelligent as he is, is also hopelessly idealistic, presuming that by using the A-bomb, America would not only show off its power to the world, but ensure a longer world peace because of it. So when he approaches President Harry Truman (Gary Oldman) to share the concern that he has blood on his hands, he's gobsmacked by Truman noting (harshly but in some way correctly) that the Japanese care less about the man who made the bomb than the man (and thus, the country) dropping the bomb.
The ensuing horror Oppenheimer feels (along with the twin revelations of how William Borden got his hands on classified materials, and how Lewis Strauss will fail to get a Cabinet post) culminates in the film's final scene. As Nolan hops around in time throughout the swift three hours of "Oppenheimer," he keeps coming back to the image in Strauss' mind of how Einstein seemingly snubbed him after a brief conversation with our title character. But as Ehrenreich's Senate aide notes, it's always possible that they weren't talking about Strauss at all but "something more important." And aside from being a snide dig, we learn in the end that the aide is right. In the final scene, we get the objective truth of what happened in that side discussion, as Oppenheimer reminisces with Einstein about how the latter reviewed the former's calculations of what would lead to the A-bomb. Einstein noted in that earlier conversation that Oppenheimer could end up destroying the world if he wasn't careful, referencing a possibility that a single A-bomb explosion would lead to a catastrophic chain reaction of never-ending detonation and the world going up in smoke in an instant. Literally, that never happened. But metaphorically, "I believe we did," Oppenheimer intones quietly.
A devastating masterpiece
As devastating as "Oppenheimer" is, and as much as the final moments of the film visualize the terror in the man's mind at the notion of having destroyed the world (recalling the line from the Bhagavad Gita, "I am become Death, destroyer of worlds" that Oppenheimer used to refer to himself in real life), it avoids being overly didactic or polemical. There's little doubt that Nolan is not treating this man as a savior — perhaps the most disturbing scene of the film comes after the Trinity Test, as Oppenheimer gives a speech meant to rouse a crowd cheering on the end of WWII due to the A-bomb (thus cheering on the death of thousands), but envisions the crowd engulfed by the same bomb, with charred bodies and flapping skin — but he's treating the man with depth and honesty.
Christopher Nolan has made variations on the themes inherent in "Oppenheimer" before, from men rent asunder by warring internal motivations to the horrendous and awe-inspiring power the human mind can wield. But this film feels like an apotheosis for so much of the career leading up to this moment. As befitting its ideal presentation, this is a big, mammoth movie, boasting a career-best performance from Cillian Murphy, a whip-smart script, and other technical marvels. (Jennifer Lame's editing is particularly remarkable, ensuring smooth transitions from timeline to timeline, and sometimes from aspect ratio to aspect ratio.) "Oppenheimer" arrived with huge expectations, and has turned out to be a glimpse into American history that speaks with gravity and weight. This is one of the best films of the year.'
#Jennifer Lame#Christopher Nolan#Cillian Murphy#Matt Damon#Emily Blunt#Florence Pugh#Rami Malek#Robert Downey Jr.#Josh Hartnett#Kenneth Branagh#Isidor Rabi#American Prometheus#David Dastmalchian#William Borden#Kitty#Leslie Groves#Lewis Strauss#Jean Tatlock#David Hill#Niels Bohr#Ernest Lawrence#The Dark Knight#Dane DeHaan#Alden Ehrenreich#IMAX#Einstein#Tom Conti#Hoyte van Hoytema#Batman Begins#Scarecrow
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