FREE GAZA 🍉🇵🇸

CEASE FIRE NOW! 🇵🇸🇵🇸🇵🇸🇵🇸

My heart hurts and goes with all the people in Palestine; I wake up every morning to read the names of those who couldn’t make it and it makes me ache- all those families, those men and women, the children that are being robbed of their childhoods; it’s a constant living nightmare and I feel SO angry and so frustrated, I wish I could do more, I wish I could end it all and free this beautiful people but sadly the world is messed up, because of injustice, because of blinded ambition, because of greedy assholes- but I hope and pray to God that one day there’ll be justice and those who did wrong will pay for the blood that now and forever will rest in their hands ❤️‍🩹❤️‍🩹

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE! 🇵🇸🍉🕊️🕊️

[Italian - English Below]

Uno schizzo veloce, un disegno fatto ritagliando un tempo che non ho per celebrare l'antifascismo e la liberazione, ma soprattutto per ricordare, in primis a me stessa, che la resistenza è un atto quotidiano, che risiede in ogni atto, anche nelle pennellate improvvisate di una mattina di aprile, un 25 Aprile. Buona liberazione e buona resistenza a tutti e tutte!

[English]

A quick sketch, a drawing made during a time I don’t have to celebrate antifascism and liberation, but especially to remind, to myself first, that resistance is an everyday act, and it lives in every act, even in the improvised brushstrokes in a morning in April, an April 25. Happy liberation and happy resistance to everyone!

In 1947 the United Nations drafted a plan to partition the land of Palestine in order to CREATE the state of Israel. While this plan got a majority vote in favour of the partition, many of these countries voted as such due to threats from Zionists. Here are some instances of the coercive campaign that resulted in the creation of the occupying state of Israel.

Visual Culture & Political Art : Angela Davis as an Afrofuturistic Icon

"Our Queen" by Erin LeAnn Mitchell

Angela Davis, an influential figure in civil rights and feminism, transcends conventional narratives as an Afrofuturistic icon, reshaping cultural perceptions through the dynamic interplay of visual culture and political art. Her iconic image, characterized by the defiant afro hairstyle and raised fist, becomes a symbol of resistance and empowerment within the framework of Afrofuturism. Angela Davis's visual representation, particularly in Erin LeAnn Mitchell's "Our Queen," extends beyond aesthetics, embodying the core vibe of Afrofuturism. It further delves into the intersection of visual culture and political art, highlighting Davis's role in challenging historical norms and envisioning a future where identity and culture are redefined on individual terms.

Afrofuturism, a cultural and artistic movement, combines elements of science fiction, speculative fiction, and fantasy to explore themes such as identity, culture, and liberation. It serves as a vehicle for political imagination, enabling marginalized communities to envision and create alternative realities. Erin LeAnn Mitchell's "Our Queen" exemplifies the evolution of Afrofuturist art, emphasizing empowerment and identity for black women and portraying Angela Davis at different stages as a metamorphosis over time. Afrofuturism celebrates the diversity of black experiences, challenging monolithic portrayals of blackness and embracing a multicultural perspective. Erin Mitchell's art challenges the portrayal of blackness by incorporating vibrant colors that represent spiritual elements and multi-layered comfort. Angela Davis, as a global and multicultural icon, signifies liberation for women of color across various cultures.

Beyond being an Afrofuturist icon, Angela Davis disrupts traditional beauty standards and advocates for the liberation of black women. Her image as a political prisoner turned professor, author, and public intellectual symbolizes liberation for all. The iconic raised fist signifies resistance and solidarity, turning her image into a form of political art that transcends mere representation. Davis's image defies binary oppositions, encouraging the blurring of boundaries and a more inclusive future. The representation of Angela Davis's body in Afrofuturist art challenges historical and societal norms. In "Seeing Differently" by Amelia Jones, the concept of "Bodies on Display" is explored, highlighting how visual culture can redefine societal perceptions of the body. Davis, through Afrofuturist art, represents a woman with agency over her own body, challenging the commodification of black bodies and influencing the visual culture discourse.

Angela Davis's Afrofuturistic representation reconceives difference by challenging stereotypical portrayals of women of color. Angela Davis's visual representation is inseparable from her involvement in various political movements. From her early activism in the Black Panther Party to her fight against systemic racism and mass incarceration, Davis's iconography displays the spirit of resistance and the pursuit of justice. Mitchell's artwork captures the duality of Davis's political journey, from the young, vital activist with the raised fist to the wise and peaceful intellectual, symbolizing the multifaceted nature of her contributions to political movements. In the context of visual culture, the notion of "Seeing Differently" is central to understanding how Afrofuturism provides an alternative perspective. Afrofuturism invites viewers to see beyond conventional norms, envisioning a future where difference is celebrated rather than marginalized.

Angela Davis's iconography becomes a crucial component in the visual history of Afrofuturism, where identity is not confined by external expectations but defined by one's own terms. In "Seeing Differently," Amelia Jones theorizes the relationship between identity and visual history, emphasizing how visual representations contribute to the construction of identity. Davis's evolution from political prisoner to iconic Afrofuturist figure represents a dynamic shift in visual history, challenging preconceived notions and inspiring new narratives. The feminist slogan "The personal is political" resonates strongly in Angela Davis's image and artworks like "Our Queen." Davis's personal journey, from incarceration to academic prominence, is intrinsically tied to her political activism. The Afrofuturistic representation of Davis as a queen signifies not only personal triumph but also a collective political statement. Mitchell's artwork encapsulates the personal and political dimensions, illustrating how Davis's identity and visual representation contribute to broader societal change.

Davis's Afrofuturistic iconography stands at the intersection of visual culture and political art, challenging historical norms and influencing contemporary discourse. Visual culture, as an essential aspect of Afrofuturism, becomes a tool for political expression and reclamation. Davis's image, whether as a professor, activist, or global icon, embodies the transformative potential of visual culture in shaping societal perceptions and advocating for political change. Angela Davis emerges as a powerful Afrofuturistic icon, navigating the realms of visual culture and political art to challenge historical norms and envision a future where identity and culture are redefined on individual terms. Through her iconic image and Mitchell's Afrofuturist artwork, Davis becomes a symbol of resistance, empowerment, and inclusivity. Afrofuturism, with Davis at its forefront, invites a reevaluation of visual culture's role in political expression, paving the way for a more dynamic and inclusive cultural narrative. The concept of worldview, as discussed by Amelia Jones in "Seeing Differently," adds another layer to the Afrofuturistic exploration. Davis's visual representation, both in her iconic images and Mitchell's artwork, offers a distinct world view that challenges and expands societal perspectives. Afrofuturism, with Davis at its forefront, becomes a lens through which alternative worldviews are explored, emphasizing the importance of diverse narratives and challenging the dominant culture.

References:

Jones, Amelia. Seeing Differently. https://www.amazon.com/Seeing-Differently-History-Theory-Identification/dp/0415543835

"Afrofuturism and Its Possibility of Elsewhere: The Power of Political Imagination." The Conversation, https://theconversation.com/afrofuturism-and-its-possibility-of-elsewhere-the-power-of-political-imagination-166002.

"Wearing My Afro: Always a Political Act." The New Republic, https://newrepublic.com/article/122515/wearing-my-afro-always-political-act

"Afrofuturism: How Black Creatives Point to a Brighter Future." Domestika, https://www.domestika.org/en/blog/6930-afrofuturism-how-black-creatives-point-to-a-brighter-future

"Afrofuturism." UCLA Newsroom, https://newsroom.ucla.edu/magazine/afrofuturism.

"Artist Profile: Erin LeAnn Mitchell." Ruckus Journal, https://ruckusjournal.org/Artist-Profile-Erin-LeAnn-Mitchellh.

"Our Queen" by Erin LeAnn Mitchell, National Museum of African American History and Culture, https://nmaahc.si.edu/object/nmaahc_2010.55.2.

true love's kiss . . . . . . . . . . . #art #artist #artwork #israeliartist #israeliart #israel #myart #fineart #painting #drawing #illustration #politics #politicalart #caricature #benjaminnetanyahu #bibi #itamarbengvir #kiss #בינימיןנתניהו #ביבי #איתמרבןגביר #בןגביר #israelipolitics #מחאתהדגליםהשחורים #מחאה #הפגנה https://www.instagram.com/p/Cp9w5mntPa2/?igshid=NGJjMDIxMWI=

Work by SubSpace on La Brea.

Untitled Cut Paper Piece | 2023

Heat Waves by FotoGrazio https://flic.kr/p/2nD9q2M

 #TrumpTrial “Ladies and gentlemen! ~ Step right up! ~ See a genuine monster and true abomination of nature! The circus is in town and we guarantee our last act will be the most entertaining spectacle you have ever laid eyes upon or admission is free! Come one, come all! [Unless you’re Muslim, Mexican, or gay] Hold on to your seats! [and guard your pussies] Prepare yourself for THE GREATEST SHOW ON EARTH!”

★★★★★★★★★★★★★★★★★★ 
 TITLE: “A Rude Awakening” MATERIALS: Taxidermied cockerel and skunk skins over armature made of carved foam, paper mâché, wire, and clay. ©2017 Sarina Brewer
 ★★★★★★★★★★★★★★★★★★

For your viewing pleasure, I give you the sculpture I created in Trump’s honor in 2016 after he was elected. I hope to repost it again in the near future with the addition of the hashtag “Jailbird”. When I chose the title for this piece, “A Rude Awakening”, I was referring to what the American people were in for after Trump got elected. I’m thrilled that the title is equally fitting 6 years later, only this time in reference to what poor Donny has gotten himself into. If you thought the Trump presidency was outrageous, just wait for the desperate and absurd tactics his defense team has up their sleeves. Their final performance will arguably be their finest.

#GreatestShowOnEarth #CockySkunk #CockadoodleDoLittle #Monster #Skunked #SomethingStinks #RudeAwakening


★★★★★★★★★★★★★★★★★★ 

   More at WWW.SARINA-BREWER.COM

LOOK WHATS IN YOUR REFRIGERATOR! MONSANTO book 13 a curse on #monsanto #protestart #curseart #politicalart #handmadebooks #blackmagicart #blackmagic #eroticart #beadwork #indianart #art #foodonyourface #artwar#yeahyeahyeah #kareno https://www.instagram.com/p/Cp2yq_dLfxt/?igshid=NGJjMDIxMWI=

If it offends you, it’s meant to. I would call it the apathy of inaction. *artist unknown #apathykills #inaction #politicsasusual #guncontrol #publichealth #childsacrifices #gunlobbywhores #deathart #politicalart (at Catalina Foothills, Arizona) https://www.instagram.com/p/CpLDENUryeusz1CWevmckQJgCajiRfkgOmg9TU0/?igshid=NGJjMDIxMWI=

Guess who is in town😜 nice show from #banksy in #hamburg. Lots of works and background stories👍 check it out if you can. #banksyart #banksyartwork #banksystreetart #streetart #urbanart #banksyexhibition #modernart #popart #politicalart #art #graffiti #graffitiart #graffitihamburg # (hier: The Mystery of Banksy Hamburg) https://www.instagram.com/p/CgpDiIlozNk/?igshid=NGJjMDIxMWI=

ANIMAL, Patrick Lopez Jaimes 2021/2022, MUTEC Museum, Puebla (Mexico)

curated by Giovanna Maroccolo

#politicalartwork #politicalart #politicalpottery https://www.instagram.com/p/CfNKHunPAjn/?igshid=NGJjMDIxMWI=

D9 . . . . . . . . #artist #art #artwork #israeliart #israeliartist #israel #myart #fineart #caricature #illustration #blackflagsprotest #d9 #🖕 #מחאת_הדגלים_השחורים #מחאתהגשרים #מחאת_הגשרים #מחאה #הפגנה #מחאתהדגליםהשחורים #politicalart #politics #protest https://www.instagram.com/p/Cohr8e1NdKu/?igshid=NGJjMDIxMWI=