i'm saying "fuck it" and i'm starting chicago fire, and i'm gonna start it from the very beginning so i can get the full story on kelly severide and stella kidd's relationship and their full story as individual characters. ✨ cheers!! ✨

Make It Work (request)

Chris evans x teen!reader, Chris evans x daughter!reader, Chris evans x costar!reader

Request description: hey <3 would you be able to write maybe a Chris evans x teen!reader where Chris is like a father figure to them. Maybe in an interview he calls them his daughter and he’s kinda nervous when he realises what he said and after they’re talking and they’re both okay with it and ends with cuddles? Thank you:)

Requested by: @idontlikeagoldrush

Warnings: parental issues, slight insecurity?

(A/n) ok so this is my second fic and I feel like my writing is already going downhill 😭😭 idk I just didn’t like this one as much as the last one. Thank u for all the notes on the last one tho omg i didn’t expect that much!!!!! Love u all :) plz keep sending!!! And lmk what u think of this, plus if u wanna be added to my taglist :D

You met Chris a year and a half ago, when the two of you were cast in a movie together. You were scared to meet him at first, because of what a big and incredible actor he was. But upon meeting him, you’d automatically figured out that he was just a massive ball of love and kindness, and you had nothing to be afraid of.

You started to look forward to arriving on set everyday, and you suddenly started to long for Monday mornings when you’d finally see Chris after the weekend, so you could update him on all the new little things you haven’t gotten the chance to, Instead of how much you dreaded Monday’s before, simply because of work.

But acting doesn’t feel like much work anymore. You played Chris’s daughter in the movie the two of you were in, and it wasn’t far off your actual relationship. A lot of the scenes the fans loved so much were actually just real, improvised conversations between the two of you. You were really close.

And since you had grown up without a father, you’d started to seek that role from him. One day when the two of you were gonna sneak off set for ice cream in between takes, you went running back to your trailer to change quickly, then you had realized it. “Hold on, dad!” You’d yelled behind your shoulder, to Chris. You stopped dead in your tracks, shook your head, and turned around quickly. Chris was standing there with a massive, goofy smile on his face. You rolled your eyes as you felt your stomach drop, before turning to run back to your trailer. This was the first of many incidents.

“Stop, dad!” You laughed, as Chris was tickling you, trying to get you to drop his phone that you’d stolen from his pocket. But even though he hadn’t stopped tickling you, your smile fell. “Shit, I didn’t mean to-“ you tried to revert your words, but Chris didn’t care. “Y/n, it’s fine! Just surrender my phone and I’ll forget about it. Otherwise I’m gonna leave your trailer and tell all the crew you just accidentally called me ‘dad!” He said.

It put a strain on your relationship, in your eyes. You had to be more careful. Everytime you found a father figure, they’d end up disappointing you. Your old teachers who you’d try to confide in, and your moms friends, your friends dads, they’d never fulfilled you the way you needed to be. So you knew you had to end your relationship with Chris, because it would only hurt more in the end.

It’d been a while since you finished filming, and the movie was released a few months earlier. Now the two of you are on a press tour. Your interviews were finished for the day about an hour ago, so you’d gone back to your hotel to get ready to just chill in bed.

Once you’d showered and changed into pajamas, you’d go to lay in bed. You answered texts, spent an average amount of time checking your social media, reposting things on Instagram, and liking things on tiktok. Then you checked Twitter and saw a video you were tagged in.

Once you clicked on it, you saw that it was from an interview that Chris did at the premier of the movie. You weren’t anywhere in sight, you’d probably slipped off to the restroom or something. “How was it working with a co-star that was so young?” The woman who was interviewing Chris asked. He took a couple of seconds to think before answering, pretty quickly. “Oh well, it was incredible! I mean, y/n is such a talented kid who’s gonna go so far, I mean, so far! And, you know I’m just so proud of her. Y’know? She’s like my daughter! She’s amazing!” Chris says, but you've known him long enough to notice the look of regret in his eyes after he says the last part.

You have to pause the video to take in what he said. You already feel emotional and you put your hand over your mouth to cover your smile, even though you’re alone. But then you go over what he said in your head and think about what his reaction was when he called you his daughter.

You look back to your phone and replay it five times. Everytime you see the way his face drops, like he’s never made a bigger mistake. You sigh, feeling hurt.

You feel like an absolute idiot. All the times you’d slipped up and ratted yourself out for the fact that you’d thought of him as a father, he’d assured you it was alright. But he was an actor, after all. And he was probably weirded out every time. And now he just slipped up like you always had, but this time, he didn’t mean it subconsciously.

You shut your phone off, and rub your eyes, as if preparing them for the tears that inevitably come pouring out right after. You’re so hurt. You can't tell if you’re being dramatic, because you sometimes can be. But he looked like he didn’t mean it whatsoever. And you know Chris pretty well.

Your phone screen lights up. “Wanna go roller skating?” Chris texts you. “No” you simply answered, as you didn’t have the energy to say anything else. But he knew you too well to just let that go. From his hotel room, his smile dropped. He was immediately worried for you, and so he walked to your hotel room, and used the key-card that you had decided to give to him a while ago, since you had two.

He saw you on your bed with your legs tucked to your chest. His stomach immediately fell and he knew something was wrong. “Y/n, what’s wrong, honey?” He asked, as he ran to sit down next to you.

Once you’d heard him speak, you immediately started wiping the tears off of your face, and untucking your face from their place in between your knees. “Chris, please leave.” You said with a shaky voice.

He looked confused. “Why, did I do something?” He asked with genuine worry on his face. This only hurts you more. “No, Chris you-you did nothing. It’s just too much to explain. Please just go.”

Chris wouldn’t give up that easily. “Tell me what happened, y/n. I can't leave knowing there’s something up with you. You tell me everything, so what happened?” He pries. You keep crying.

“That’s the problem, Chris. We finish the press tour in two weeks. And then what? Then I go back to having no one. I have to end this routine now, or else it’s gonna hurt worse later.” You stand up from the bed and cry.

You cover your face in embarrassment and anger, as you sob. Chris feels terrible, remembering what he said last week on the red carpet that he tried to block out of his memory. Chris puts a hand on your shoulder, “Y/n, you mean too much to me to just give up on our relationship. You’re important to me. You’re like…” Chris starts, but trails off, looking away from you.

“Your daughter?” You look at him, with tears running down your face. He smiles sadly, but genuinely. “Well, yeah. And we can make it work after the press tour is over. We can still see each other.” He assured you.

You sighed, and wiped your tears away, sitting back on your hotel bed, and Chris sat closer to the foot of the bed. “Did you mean to call me your daughter in that interview last week?” You ask, playing with your hands. Chris sighs, “not really, if I’m being honest. It just came out, and I was too embarrassed to talk about it. Now I understand how it felt all those times you accidentally called me your dad.” Chris laughs.

You try to hide your frown, and look up at Chris. “So then, you don’t really feel that way?” You whisper. Chris shakes his head, “I do! I honestly do, y/n. Just because I didn’t mean to say it doesn’t mean I don’t feel it. You’re very important to me, and I’ve never gotten to have any kids, so I consider you my own,” He says, “If you’ll have me, of course.”

You smile and sniffle. “Yeah.” You say, leaning into Chris’s arms. He hugs you tightly and you hug him back. You don’t end up going roller skating like he’d wanted to, but the two of you sit in your hotel room and watch movies on your laptop. You and Chris sit next to each other, and eventually you fall asleep with your head on his shoulder.

He decides to shut your laptop down, and turn your lights off. He pulls your blanket up over you, and kisses you on the forehead. You shift slightly while being half asleep. “Goodnight, y/n.” Chris says, as he starts to walk towards the door to leave. “Goodnight, dad.” You say groggily, before immediately falling back asleep. Chris turns around and smiles, but you’re asleep and can’t regret what you just said.

And the two of you do make it work.

…

Taglist: @ohworm-writes

Shang-Chi! and the Rings of Daddy Murder Death!

When the trailer for this movie first came out, I was hyped! From the cast, to the bad ass bus scene, to Wong vs The Abomination,

 I was sold! 

Of course you had the people who came out saying "This is Marvel trying to be woke again. Hate crimes against Asian people on the rise, and here comes Marvel with Shang-Chi" We know this to be crazy, because Marvel already had this in the works, but certain people still reacted that way. But, even if that notion were true, would that be so bad?

It wouldn't absolve the ignorance, hatred, violence, and toxicity. But, if someone in Hollywood said "We've screwed over Asian people in films for like... ever. What if this time we choose a popular Asian character to base a movie on, and we DON'T do that?"

Now, (being that this movie supposedly leans on Chinese culture, with Shang-Chi being Chinese) China might argue that they still did them wrong (valid racist historical ptsd, cultural splicing, the whole martial arts thing, plus the main character is actually Canadian). It's not my place to weigh-in. But, I will say that making Shang-Chi Canadian, NOT a martial artist, but instead a hockey player, who loves Drake, and co-starring another Canadian, like Micheal Cera or someone 

probably wouldn't have worked as well for the MCU. Then, maybe Canada would have a problem with Marvel. I don’t envy movie-makers in this context. 

When I was a kid I was big into Black Belt Theater, Bruce Lee movies, 

Bruce Leroy, 

and within my love for martial arts and fighting entertainment was 

Shang-Frickin-Chi. 

I liked it, though I remember it being a lil racist. It's weird going back in time to see your fav childhood shows and books that wouldn't fly today:

I mean we've certainly been a lot more sensitive these days:

Regardless, Shang-Chi is here! (played by Canada's main man Simu Liu) He goes by the name of Shaun! 

Don't let that name fool you. Shaun will whup that ass! He says "Bleep all those super powers, and serums, a suits, and magic, and the rubber bones of Widow! That's some ol bullshit! All I need is my Wu-Tang style!" A style fueled by his daddy issues. And he's got some serious daddy issues. To be fair, his dad is the villain of the story. If your father was the active villain of your story, you'd also have issues.

Awkwafina is his sidekick

(much better than Michael Cera would be), she plays as Katy. That's fun. Every Katy I've ever known has been fun... and a heavy drinker:) This Katy is here to drive fast and crack jokes.

Ladies and Gentlemen, your new Marvel duo!

It's not just daddy issues for Shang-Chi, but mommy issues (she dead), avoidance issues, his sister kicks him in the balls. He didn't even seem shocked. I mean, his balls were shocked, for sure, but it seemed like she just did that all of the time. I'm imagining Christmas when they were kids. "Here's your gift, bro. KNEE TO THE NUTS Merry Christmas" What kind of relationship is that? And why?! - well, he did abandon her for like 10 years, but... you know, that's plenty of time for her to get over it, right?? So, we'll say sister issues, his daddy training him to be an assassin issues, and his friends have issues with him! - AND KATY! They don't respect Marvel's new duo. They think Shaun and Katy should be doing more with their lives.

They are both valets during the day, and at night they rock drunken karaoke. That seems like the perfect life to me.

But, Daddy and his power rings couldn't allow them to keep living the dream. I haven't mentioned the ten rings yet. 

They give him super-duper-magical martial arts powers, and make him eternal. AND made him an asshole.

To be fair, he was probably already an asshole before the powers. He's been killing a lot of people. You figure he's been around for 1000+ years. His wife is dead, and he has no hobbies. It's not like he kills a few people and then goes home to read a book, or play video games, or make TikTok videos. It's sunrise to sunset killing all day, every day for generations. Then, he forms an evil terrorist group called "Ten Rings" to amplify his killing.

"Murder Death Rings" are what they should be called.

"Daddy Death Punchy Time"

""Dead Doomy Rangs of Killer Dad"

"The Legendary Killer Rings of Deadly Death Death Murder Pops"

"The... " sorry, I've been drankin a lil bit while I write... I lost my place.

I like "Daddy Death" Where was I?

Right! He can't have Shaun being happy! We've gotta get this plot going, so he sends the only white dude he can find in this movie to start some trouble for them. I guess, there might have been a couple of more white people in the film, but they all got the snot beat out of them in that bus scene. This white dude's name is "Razor Fist", yep... "Razor Fist!". 

At least they didn't stick to the original design. 

Ridiculous. How does he use the bathroom?

He's played by Florian Munteanu, who is a former heavy weight boxer. Yeah! Was also in "Creed" his nickname is "The Big Nasty". Isn't that a drink? A bartender once offered me to sample a drink called "The Big Nasty". I chose to go with a drink that doesn't have "nasty" in its title. ... I think he was offering me a drink.

???

"Daddy Murder Death" and "Sharp Fisty Man" spark this thang. And Shaun becomes Shang-Chi, beater of ass!

The visuals in this movie are the best Marvel has done to date. The action is so good. I just got finished raving about the action in "Black Widow"; this surpasses that. I dug the cast. I know some people don't like Awkwafina, but... get over it. She was great in this; everybody was!

I loved the soundtrack! I'm not normally the "I loved the soundtrack guy" , but it was perfect. It begs to be mentioned.

No issues with the story. And the emotions that they're stirring in you. Whew!

One moment I'm enjoying the beater of ass, then Katy is making me laugh, then the slew of issues got me in my feelings, then the visuals wow me, then more swelling issues, back to ass beating - all the way through.

And the ending! True, Marvel has a formula (and this sticks to it), but if it ain't broken, why bleep with it?? The ending was Game of Thrones-ish, but with light so a brotha can see, and all the colors of the rainbow - like a Skittles commercial with martial arts.  Fun! - so not like GOT at all, I guess. The only fun they had was when there was torture or prostitution going on.

I don't have anything bad to say about the movie. They could have shaved 5-10 mins off, but I won't take off for that; there's just too much to love about this!

Grade: A+

Fun for the whole family! I can see the fam working through some issues after the watch.

Daughter: "You know, Dad. That asshole dad of Shang-Chi kinda reminds me of you."

Mom: "Daughter! You do NOT talk to your father that way!"

Daughter: “Just sayin...”

Dad: "That's interesting, cuz his ungrateful, bitch of a daughter reminds me of YOU!"

Mother and Daughter: *gasp

Son: *laughs

Dad: "All I want you to do is take your school work seriously and maybe date a guy who doesn't smell like weed!"

Daughter: "I'll have you know that's his natural smell! And maybe I'd focus more on school, if I didn't have to focus on YOU being such a BLEEPING ASSHOLE, DAD!"

See, that's healthy dialogue, right there. Maybe the family that watches this movie buys mommy a bunch of guns for protection, so she doesn't end up dead like the mommy in this movie. Like a ridiculous amount of guns!

And I could see brother and sister kicking each other in the crotch to resolve their differences. BUT, if they're close-by, fighting each other, then there's no time to abandon one another.

Marvel does it again!

Whichever of the Marvel films is your favorite, this one will probably be up there as well.

Kurtbastian one-shot - “Carolina in My Mind” (Rated PG)

Summary: Things get a little spicy when Sebastian decides that Kurt and Blaine are going to start doing TikTok challenges... in part to exact revenge on his boyfriend for covering him in glitter and posting photos on Instagram. (1845 words)

Notes: It's not as lurid as the summary makes it sound XD Makes a reference to an earlier quarantine one-shot 'All The Glitters'.

Part 67 of Outside Edge

Read on AO3.

"We're doing TikTok challenges now!?" Kurt groans, sliding to a halt in front of his boyfriend, arms crossed over his chest before he comes to a stop.

Sebastian beams, flashing Kurt his iPhone screen with the app already open. "Ah. I see you got my message." 

"Aren't we already living through hell? Do we have to add humiliation to the mix?"

"You're one to talk! If you get to cover us in makeup and glitter and post photos on Instagram, I get to do this!"

"But that performance makeup contest was hosted by the ISI," Blaine points out. "What merit does a TikTok challenge have?"

Sebastian watches Blaine glide to a stop beside his boyfriend and pulls a face. "Well, Doubty McDoubterson, tons of people join TikTok every day, including figure skaters. You two were worried about staying in the public eye during the pandemic. This will be great visibility for us within the skating community."

"A-ha." Kurt shares a skeptical side glance with Blaine. "Now, why don't you tell us why we're really doing this."

Sebastian gasps, stumbling back as if punched in the face. "Kurt! I'm wounded! Deeply wounded! I'm being completely honest here! I'm only thinking of you guys, working hard to keep your names in the mouths of... "

"Before you say another word," Kurt interrupts with a finger raised, "may I remind you that you have a five o'clock sesh riding on this answer."

Sebastian's mouth hangs open, caught around the next word. But a beat later, he snaps it shut. "Fine. We're doing this because we've been on lockdown for about ten years and I'm bored to tears!"

"Nice," Kurt says, "seeing as you've spent all of quarantine with us."

"Will you be partaking?" Blaine rushes in before Sebastian can shove his foot any further down his throat. He's not being entirely selfless, but he'd rather not admit out loud that Sebastian's plan is a decent one, ulterior motives aside. Blaine has a TikTok account and has wasted plenty of precious training time scrolling through clips. Sebastian is right - a lot of figure skaters post on there, even some big names in their sport. It's a better platform for it than Instagram. If they pull this off, they could become TikTok famous, and that wouldn't exactly hurt when they make their comebacks.

"I am." Sebastian wiggles his camera in front of their faces. "I'm the cameraman."

"Of course," Kurt mutters under his breath. "So what's the challenge?" he asks, eager to get this over with, hoping he doesn't regret it too much later. "It is a skating challenge, right?"

"Of course it's a skating challenge! In fact, you guys get to perform your routines... " Kurt stares at his grinning boyfriend, waiting for the shoe to drop. And it does when Sebastian picks up a small paper bag off the boards and holds it out to them "... after you've eaten this pepper. There's one in there for each of you."

"I guess it's too much to hope it's a bell pepper," Kurt remarks as Blaine takes the bag and opens the top. He reaches a hand in and pulls out a bright reddish-orange vegetable the size of his thumb. Kurt recognizes it right away, his eyes going wide at the Carolina Reaper pinched between Blaine's fingertips.

"A little bit, yeah," Blaine says.

"What th---? Aren't those things illegal?" Kurt asks, on the brink of turning and running, leaving his friend behind to suffer the consequences.

"Nope. They're perfectly legal," Sebastian says. "And they won't cause any permanent damage. I checked."

"That's so nice of you."

"Come on! This'll be fun!"

"For you! You're running the camera!"

"I've got you guys. Look! I brought you some milk for after," he says, producing the smallest, middle-school carton of two percent in existence. How he expects the both of them to share that, Kurt doesn't know. It's probably part of the schtick, Kurt thinks, to cap off the hilarity - the two of them fighting over seven ounces of milk with their mouths on fire. "Also... " Sebastian deliberates when he feels himself losing ground, running through options in his head he hopes Kurt might jump at so he can get his TikTok "... I'll let you pick the next challenge. Then you can be the cameraman."

A malicious grin spreads across Kurt's face, but Sebastian squashes it with the stipulation: "But remember - whatever you make me do, Blaine has to do, too."

"Don't I get any say in this?" Blaine asks.

"No," Sebastian answers without looking at him.

"Well, do I get a turn at choosing?"

"Maybe... provided Kurt agrees to my conditions."

Kurt glares at his manipulative ass of a boyfriend, putting him on the spot in the name of social media currency. But what the heck? This could be fun. Plus, turnabout is fair play. He'll get Sebastian back. 

Oh yes. He'll get him back.

Besides, Kurt isn't a stranger to spicy foods. His dad has put plenty of red and green gremlins, each residing on different ends of the Scoville scale, in that disastrous chili he makes every fourth of July. How much worse could eating this one raw be?

"Fine." Kurt snatches the pepper out of Blaine's hand but doesn't bring it anywhere near his mouth.

Blaine, on the other hand, goes all in, grabbing his pepper out of the bag, popping it into his mouth, chewing like crazy, and then swallowing, probably in the hopes that it would hurt less if he did it fast, like pulling off a Bandaid. Then he skates off.

His plan doesn't work too well though. Thirty seconds into his backward crossovers, his face scrunches. He puts a hand to his forehead, squeezing his eyes shut, cheeks flushing beet red before Kurt's eyes. "Jesus Christ! I can't see!"

Kurt fixes steely eyes on his boyfriend, filming and giggling like a fiend as Blaine attempts a triple Axel and singles it, arms flailing when he tries to fan his mouth at the same time. 

"I'm picturing a Speedo," Kurt says as he prepares to drop the Reaper into his mouth. "An embarrassingly tight Speedo, seven gallons of honey, an angry beehive... " He carefully places the pepper on his tongue. His salivary glands kick into overdrive when its waxy exterior makes contact, but he can't persuade his teeth to bite.

"Ooo," Sebastian coos, provoking him. "Blaine covered in bees? That's going to be hilarious! And I can't wait to see his face when he finds out it was your idea. But what are you going to make me do?"

That does it. 

Kurt's teeth clench inadvertently, catching the pepper as it rolls off his tongue and pummeling it to bits between his pearly whites. The burn washes through his mouth, spreading in an instant with the obliterated pepper sitting for too long on his tongue.

"Shit!" he yelps, swallowing what remains whole. He coughs violently, almost puking up his lunch. "Shit shit shit!" 

"Don't die," Sebastian teases. "Not for TikTok."

"Nice to see you have priorities," Kurt growls, overcome by a sudden urge to get as far away from his insufferable boyfriend as his skates can take him. 

Now he has to pull this off so he can rub it in Sebastian's face.

Remembering that Blaine has a head start on him, he forces his feet to move. A swiftly blossoming headache completely erases his new routine from his brain so he begins improvising, starting with the opening of his last Regionals piece. He opens with a pancake spin.

Big mistake.

Crouching low over his bent leg as he spins forces his mouth closed, everything from his gums to his cheeks aflame. 

"Nope!" he sputters. "Nope nope nope!" He ends his spin prematurely, hacking as he settles into backward crossovers. 

These are worse. 

Since he's pushing into the air with his back, none of it hits his face, depriving him of relief. He catches sight of Blaine skating as fast as he can with his mouth wide open, preparing to enter another jump. He performs a double toe loop, then another, then another. Kurt doesn't understand. Blaine doesn't perform doubles in his routine. He's beyond that. 

Then it hits him.

Blaine can do a row of doubles faster than he can perform consecutive triples. He's using rotational inertia to cool his face.

It's genius.

Kurt launches into the air, stringing together three of the most lopsided double Salchows he's ever landed. And he barely lands them at that, overestimating his edge and nicking his toepick. He gives up on his choreography altogether, performing whatever move he has to to shove ice-cold air into his mouth. Element by element, Kurt's routine devolves until his goal becomes keeping his mouth from bursting into flames. 

He can't remember the last time he flubbed up this badly. He and Blaine probably look like drooling dogs doing the most, but his throat burns so badly, he couldn't care less. Kurt's nose runs like a faucet, but nowhere near as much as his eyes, which he has the hardest time prying open. 

He decides to skate blind, praying he doesn't collide with Blaine, whose blades he can no longer identify on the ice. By the time Kurt strikes his final pose, he's puffy-eyed, sweating like no one's business, with his lower jaw hanging to his chest, wheezing as he sucks in mouthfuls of cold air. He can't hear much for the ringing in his ears, but he suspects Sebastian may be laughing his ass off. 

Why did he agree to this again? 

"How did I do?" he asks, skating back to his boyfriend, trying not to touch his tongue to his lips, or his lips to each other.

"Meh. You've done better," Sebastian replies, replaying the video over and over, snickering at choice scenes.

"Thanks, coach," Kurt seethes, wondering how well Sebastian would skate if Kurt shoved one of those peppers up his nose.

"At least you fared better than Blaine."

"Why?" Kurt pants, scanning the rink through the narrow slits of his swollen eyelids. "What happened to him?"

Sebastian jerks a thumb over his shoulder. "Took himself out of the running before his second Axel attempt, the poor schlub."

Kurt peeks over Sebastian's shoulder and spots Blaine, lying on his stomach, tongue pressed flat to the ice.

Kurt makes a face. He doesn't blame the guy, but still. 

Yuck. 

"Blaine? Honey? That's not a good idea."

"Yeah, weirdo. We have milk."

"I 'as saving da 'ilk for 'urt," Blaine explains, not moving his tongue while he does.

"Oh!" Kurt sighs, pressing a hand over his heart, overdoing the swoon because he knows how much it will irk Sebastian. The jerk deserves it. "That's so sweet!"

Blaine smiles. At least it looks like he does.

Sebastian grimaces. Great. Upstaged by a boy who looks like he just Frenched a patch of poison ivy. "Yeah, yeah. Cavity inducing. Get your ass up, Anderson. You're just making it worse. Besides, you're burning a hole through my ice."

Social media platforms are excellent places to showcase your best work and promote yourself as a creative. Your online presence could help you to secure a new job, gain freelance clients or creative collaborators, as well as build your professional reputation.

But with so many social media platforms to choose from, how do you know which ones to use? To find out, we listened to the advice of a range of creative professionals including artists, photographers, designers and filmmakers. We learned what they like about each social media platform and why you might find each one useful for displaying elements of your portfolio (for more portfolio inspo, see our graphic design portfolio post), or maybe something else.

We used their answers to list the most useful social media platforms for artists and designers right now. (Note that we haven't included video sharing app TikTok, but you can read all you need to know about it in our guide to the TikTok app.)

01. Dayflash

Greg McMillan's work on Dayflash

Never heard of Dayflash? You're not alone. But right now, it's rapidly gaining popularity amongst creatives. And that's because the iOS app, launched last year, basically works like Instagram used to. In its own words, there's "no algorithm and no more missing posts from your friends".

Co-founder Rupali Renjen tells us that, in her view, "Photo sharing platforms unfairly use algorithms to dictate which followers get to see a user's posts. And as they push users to spend more time on stories from friends, long-form videos and shopping, all so they can make more money on ads and business accounts, less and less time is being spent on creators, which is taking away visibility and opportunity".

You can post full resolution photos, no algorithms, always genuine engagement, no bots

David Castillo

And creatives do indeed seem to be responding well to the new platform. "I love using Dayflash," says New York photographer David Castilllo. "You can post full resolution photos, no algorithms, always genuine engagement, no bots. And I love the aesthetics of the interface."

Scott Terry, a Chicago-based creator and ambassador for brands, agrees. "It’s pretty great because you can post full frame and high resolution, unlike Instagram," he points out. And there's video, too.

"For me personally, I love being able to show my work as I’ve made it, rather than being compressed like on Twitter or Instagram," says filmmaker Tyler Palmer. "And even with little following, my work still gets seen."

LA-based photographer Torenzo Perry is also a fan. "I personally love the app because it focuses more on the content, and less on the likes and views," he says. While Greg McMillan, an iPhoneographer and co-host of the Tiny Shutter podcast, admires both the app and the philosophy of its makers. "They have it figured out as to what a social platform should be and how it should work," he enthuses. 

And it's not just photographers who are fans. Take Brazilian character artist Danielle Pioli, who uses it to share her illustrations and comic strips. "I really like Dayflash," she says. "Since I began using it, it has improved a lot. Not only the usability of the app but also the quality of the content inside it. I see this app as a new trend for visual artists of all kinds. It's easy to use, pretty straightforward, and fun.

02. ArtStation

ArtStation is a must for 2D and 3D artists

Launched in 2014, ArtStation may not have changed a great deal over the years. But it remains the place to post your profile for professional 2D and 3D artists, especially those working in the games, film, media and entertainment industries, or those aspiring to do so.

As we reported in our article how to get a job as a video games artist, recruiters nowadays don't just encourage you to post your work on ArtStation; they expect it. Some artists still hold back from doing so, because they don’t want to engage in what they see as a popularity contest. But by and large, recruiters don’t really care how many likes or followers you have; it's purely about whether or not they like your art, and if it fits what they're looking for. 

“We’re interested in artists who produce the sort of work that we can use; that’s it," says Kevin McDowell, art director for Creative Assembly's Total War series. "So make sure it’s visible to us, and don’t worry about the numbers.”

03. DeviantArt

Katy L Wood's work on DeviantArt

Launched in 2000, DeviantArt has more of an amateur, hobbyist feel to it than ArtStation. And so while you're less likely to get commissions directly through it, it's a better platform for putting your art in front of your peers and getting feedback.

People tend to come and go from DeviantArt over time, and author and illustrator Katy L Wood is no exception. "DeviantArt was the first social media site I joined, about 13 years ago, when I was a teenager," she recalls. "It was a huge part of my growth as an artist, due to all the amazing free resources it had, from tutorials to brushes to stock. Plus, back then, DeviantArt had a great community. People really talked and interacted and had fun."

Eventually, though, she felt the community had started to wane and turned her attentions elsewhere. "However, in the last year I've been working my way back into using DeviantArt, especially with its delightful rebrand," she says. "I came back primarily because DeviantArt is straightforward. There are no algorithms to game, it's well organised, and it's supportive of every type of art and writing I do."

04. The Dots

Work by Joanna Kosinska on The Dots

Launched in 2014, The Dots is an online professional network that aims to be "LinkedIn for creatives". And it's had a fair amount of success in doing so, attracting companies such as Google, Burberry, Sony Pictures, Viacom, M&C Saatchi, Warner Music, Tate, Discovery Networks and VICE to use it as a recruiting tool.

There are lot of other things you can do on the platform besides just waiting to be offered a job, though. These include connecting with other creatives in your field, checking out people's side hustles, responding to requests for collaborations, keeping up to the latest events and more. 

It's very much a case, then, of what getting out what you put in. And unlike LinkedIn, every page you interact with is beautifully designed.

Currently, most creatives seem to use The Dots as part of a self-promo mix, rather than focusing on it exclusively. Yorkshire-based freelancer Joanna Kosinska, for example, says: "I will post my work pretty much anywhere where I can gain traction, including The Dots, Behance, Dribbble, and Creativepool. 

"As a graphic designer and photographer, I have to put my name out there. So any platform that makes it easier to find my work is my friend, and I'll gladly invest time to create a profile and share projects."

05. Dribbble

Work by Laundry on Dribbble

Launched in 2009 by Dan Cederholm and Rich Thornett, Dribbble was never intended to be a straightforward portfolio site like Behance. Its specific angle was about teasing out small glimpses of what you were working on, when you were unable to share the whole project.

Dribbble has since evolved beyond web and mobile app design to take in icon design, branding, animations, prototypes, illustrations, graphic art and other disciplines. But there's still a focus on informally sharing small screengrabs (known as 'Shots'), rather than setting out big and detailed images in an organised and carefully annotated way. As Albuquerque-based web designer Jack Harner puts it: "Dribbble feels more like a community than a portfolio site."

That doesn't mean it's just designers talking to designers, though. The platform now actively helps companies such as Apple, Airbnb, Facebook, Google, Dropbox and Slack to hire designers, and many clients use it to find people to commission.

"Dribbble has been a great platform for us to generate new business especially within the tech industry," says PJ Richardson, partner at Los Angeles design studio Laundry. "Very graphic and illustrated work seems to play the best, but we've also gotten new clients because of what we post there as well."

For others like Nicola Jones, aka Hello I'm Nik Design, Dribbble is a place for posting work that doesn't fit in your main portfolio. "This is where I put my personal project illustrations, which is something I’d like to do more, so if I ever get any illustration enquiries I point them there. Illustration is more of a side thing for me, as I do brand and marketing design before all that for clients."

06. Behance

Work by George Kofi Prah on Behance

Behance is the closest thing on this list to a pure portfolio platform, but with a social aspect plugged in. Founded by Matias Corea and Scott Belsky in November 2005, the company was acquired by Adobe in 2012, and its reach has since become enormous.

Unlike, say, Dribbble or Instagram, Behance offers a way to show more of your work than just a single, eye-grabbing image. As motion designer and 3D generalist Jesus Suarez explains: "Behance is great for sharing the making of and behind the scenes aspects. It allows for more complete look at the project."

Of course, you could do all that on your own website, but the social aspects of Behance means that it's worth posting stuff there too, if even you're just duplicating the same content. 

It is an ideal place for us to share the behind-the-scenes and case study aspects of our projects

PJ Richardson

And that's exactly the approach Laundry takes, says Richardson. "Our Behance basically mirrors our company site," he explains, "but because it is so shareable and other creatives go to Behance for creative inspiration, it is an ideal place for us to share the behind-the-scenes and case study aspects of our projects."

London-based illustrator, designer & photographer Tim Easley takes a similar view. "I use Behance for full projects alongside my website, because there’s a decent chance of being featured there, which brings in a lot of views," he says. While Cliff Nowicki, a web designer based in Michigan, USA says. "I use Behance because it's super easy to just put something up online."  

07. Instagram

Tim Easley's work on Instagram

The rise of Dayflash (number one on our list) is a sign that a few people's love affair with Instagram is waning. But overall, Instagram remains far and away the most popular visuals-based social media platform today, and for most creatives, a presence of some sort on the image sharing platform remains a must.

"While, Behance is great for sharing and getting your work in front of professional eyes, I tend to use Instagram mostly," says George Kofi Prah, designer at New York and LA branding agency loyalkaspar. "It's the perfect tool for creatives in the way that Spotify is for musicians. 

"It provides access to a much wider audience than any other platform and allows me to engage with literally anyone. Using hashtags makes being discovered and finding new and interesting things a lot easier."

Ease of use is also an important factor for many. "I use Instagram, followed by The Dots, because these platforms are easier and more accessible in terms of commitment per post," says Welsh/Sri Lankan artist Murugiah. "Behance has too many fields to fill in per post!"

We need to promote our work where our audience lives

Amy Kilner

For Amy Kilner, freelance designer and founder of inspiration blog The Design Fix, using Instagram is a no-brainer. "You have to remember we're designing for our clients' objectives, not other creatives," she points out. "So we need to promote our work where our audience lives. Don’t get me wrong, I love creative sites – I run my own, after all - but it’s not where my clients are!"

Laundry follows the same logic, says Richardson. "Artists and clients alike all seem to go to Instagram for design and animation inspiration, which is why we use it," he reasons. "We've even landed projects from it and clients increasingly ask to track our work there. It's also the easiest to share and always has been. Additionally, it is easy to schedule posts without formatting problems."

How to change the font in your Instagram bio

Luke Manning, creative director of Pencil Studio, is primarily interested in getting work shared amongst the creative community, and for that it’s been Instagram and Twitter that have been the most effective, he says. "Our own posts have been picked up shared by popular design blog sites and we’ve even had direct contact by brand owners via sharing our latest projects," he explains. "I like Behance and how it works, but for us it is yet to be fruitful beyond having a place to store projects." 

And if you're wondering how to be successful on Instagram, we've got a guide packed full of pro tips on how to increase Instagram engagement.

08. LinkedIn

Work by Ben the Illustrator on LinkedIn

Even though it's had a total rebrand, LinkedIn doesn't immediately grab you as being a useful social platform for creatives. But art, design and filmmaking are businesses like any other, and many creative pros say they're making good use of LinkedIn regardless of what it looks like.

Take Frank Suyker, aka Mr Sugar, an art director based in the Netherlands. "I use LinkedIn to get recurring revenue out of my existing clients," he explains. "By posting my blog posts on LinkedIn, I'm kept top of mind. And when they do have work that needs to be done, they come to me."

Laundry has also made a shift to LinkedIn recently, which it has been actively using for the past year. "Facebook used to be a great place to share work but it became cluttered with ads and not design-focused posts," says Richardson. "in contrast, the very work-focused and curated nature of LinkedIn has made it a forum to share design, animation, and behind-the-scenes content, which has garnered a lot of great attention for us."

Jeffrey Katzenberg and Meg Whitman Gamble $1.8 Billion on Quibi

LOS ANGELES — They had to cancel the premiere party. But Jeffrey Katzenberg and Meg Whitman have stuck with the April 6 start date of Quibi, the short-form video app for smartphones that they hope will attract millions of subscribers.The two veteran executives have led some of the nation’s top companies for decades. But they have spent the last two years in start-up mode, prodding investors to kick in nearly $1.8 billion and courting producers and stars like Jennifer Lopez, LeBron James, Chance the Rapper, Idris Elba, Bill Murray, Steven Spielberg and Chrissy Teigen. Now Mr. Katzenberg and Ms. Whitman are ready to unveil their ambitious venture right in the middle of a pandemic.“This is either going to be a massive home run or a massive swing and miss,” said Michael Goodman, a media analyst at Strategy Analytics.Quibi, a portmanteau of “quick bites,” will offer movies, reality shows and news programs made for the smartphone, with no installment clocking in at more than 10 minutes. The offerings fall into three main categories: movies that will be released in chapters; documentaries and unscripted reality shows; and quick-hit news and sports reports from NBC, BBC, ESPN and others. Fifty shows will be available Monday.Before the spread of the coronavirus, whenever Mr. Katzenberg and Ms. Whitman made their Quibi pitch, they described it as an on-the-go diversion for anyone standing in line at Starbucks or riding the subway. The pandemic changed the context. With potential customers largely confined to their homes, it will now go up against established platforms like Netflix and Amazon Prime Video that can be watched on any screen, including the living room TV. Quibi works only on the phone.Ms. Whitman said she wasn’t concerned about the crisis’s effect on the start-up’s chances. “Think about how often you use your phone when you’re homebound,” she said. “People who are home with their children would really like a 10-minute break.”There is also the question of how much people are willing to spend on streaming at a time when nearly 10 million are out of work. Entertainment options have also expanded while Mr. Katzenberg and Ms. Whitman were building their app with 267 employees in an open-floor office in Hollywood. The Walt Disney Company and Apple joined the streaming party in November, with Disney Plus and Apple TV Plus, and TikTok, filled with short homemade videos, had a spectacular rise, hypnotizing the young viewers Quibi hopes to attract.Under those circumstances, Quibi (rhymes with “libby”) announced last month that it would be free for its first three months. After that, the cost will be $5 a month with ads and $8 without. Shortly after the announcement of the introductory offer, the company canceled its premiere party, which was expected to draw 150 celebrities among its 1,500 guests, because of the pandemic. But delay the launch? No way.“Given the quality and quantity and convenience of Quibi, we think it comes at a time when people are looking for relief, looking for distraction and looking to escape,” Mr. Katzenberg said. “Those are all the things we are trying to deliver to them.”Mr. Katzenberg, 69, and Ms. Whitman, 63, have dived headlong into a challenging third act, creating a product geared to people half their age at a time when millennials and Gen Z-ers have taken to needling their elders (see “OK Boomer”).The head of Walt Disney Studios at the time of the original version of “The Lion King,” Mr. Katzenberg has often gone against the grain. Passed over for the No. 2 job at Disney in 1994, he built a rival conglomerate, DreamWorks SKG, with Mr. Spielberg and David Geffen. He also waged a legal battle against his former employer, saying he had deserved more compensation. The bitter, headline-generating fight concluded with Disney handing him a settlement estimated at $250 million.DreamWorks faded, but DreamWorks Animation, the spinoff run by Mr. Katzenberg, survived until 2016, when Comcast’s NBCUniversal bought it for $3.8 billion. As part of the deal, Mr. Katzenberg received a $420 million payout — and reluctantly stepped aside.In the back of his mind was a failed initiative similar to Quibi: Pop.com, a side venture he had started in 1999 with Mr. Spielberg, Brian Grazer and Ron Howard as a venue for video shorts. It went bust before it even launched.Quibi’s other leader, one of the country’s most powerful female executives, rose through the ranks of American business at Disney, DreamWorks and Hasbro before she took eBay from a shop with a staff of 30 to a global powerhouse with 15,000 workers and $8 billion in annual revenue. When she left, in 2008, she was a billionaire.She went on to spend more than $100 million of her fortune to run as a Republican for governor of California, only to lose the 2010 election to Jerry Brown. A return to business put her in charge of Hewlett-Packard, which she left in 2017. “I’ve been working straight for 35 years,” she said upon her departure. “I’m going to enjoy some downtime.”But she soon joined Mr. Katzenberg at what was then called New TV, after he had raised $1 billion from Hollywood studios, the Chinese e-commerce giant Alibaba and other investors. “She doesn’t like this, but I keep saying we’re two old dogs who have a new trick,” Mr. Katzenberg said at the time.Ms. Whitman left her home in Northern California for a West Hollywood high-rise. Now she can see Mr. Katzenberg’s house in Beverly Hills from her bedroom window.Start-ups rarely run smoothly, and several prominent executives have left Quibi over the last year, including Janice Min, the former co-president of The Hollywood Reporter-Billboard Media Group; Diane Nelson, a former Warner Bros. executive; and Tim Connolly, a former Hulu executive. Mr. Katzenberg and Ms. Whitman are known as exacting managers who keep an eye on the tiniest detail.The company has also had trouble getting the word out. Although Quibi spent millions on commercials that ran during the Super Bowl and the Oscars, 68 percent of participants in a Morning Consult/Hollywood Reporter poll last month said they were not familiar with the brand.“Part of the reason awareness is so low is they are building a new name,” said Ross Benes, a video analyst at eMarketer. “Quibi takes time to explain. It’s not super clear that this will cost you $5 a month and you’ll get a lot of short videos.”Stay-at-home mandates have complicated the rollout, with meetings held via video conference. “Even though Zoom is great, I can’t really read the body language in the room,” Ms. Whitman said. “And that has always been an important part of how I gauge who is doing what to whom and how things are working.”Mr. Katzenberg and Ms. Whitman had an easy time making deals partly because of the terms they offer: The company pays for production costs and licensing rights, allowing anyone the creators of Quibi programs to retain copyright, meaning they can sell their work to another platform or network after a set number of years.Nicole Clemens, the president of Paramount Television, received an offer from Quibi for “When the Streetlights Go On,” a script about the aftermath of the murder of a suburban teenager that had once been shot as a Hulu pilot. “It was an incoming call,” Ms. Clemens said, “which is always nice to get.” The Quibi version will be part of the Monday launch.Writers who sign on have to follow a rule of Mr. Katzenberg’s: They must end each installment with a cliffhanger. Nick Santora, the writer of “Most Dangerous Game,” an action film starring Liam Hemsworth and Christoph Waltz, described hitting those marks as “hard but exhilarating.” To pull it off, he refashioned his 48-page pilot script, initially written for NBC, into a 150-page screenplay with a climax every 10 pages.“When you’re writing a regular script, and you need a scene to tell a certain arc in your story, and it takes 12, 13 pages, it’s no big deal,” he said. “You can’t do that in Quibi. Once you get to page 10, you’re done.”Quibi intends to set itself apart from YouTube, the leader in short-form digital video, because of its reliance on an old-fashioned Hollywood hallmark: production values. Quibi films cost up to $100,00 per minute. And Mr. Katzenberg’s long experience has taught him how to handle the talent, even as his reputation as a relentless boss holds firm.“You don’t always hear from the biggest exec at the company,” said Ryan Case, the director of “Flipped,” a comedy starring Will Forte and Kaitlin Olson. “But he called me, the writers and the cast members on a Saturday at our homes to say he was excited. It was both wonderful and classy.”Unlike Disney Plus, which gained subscribers on the strength of its “Star Wars” series, “The Mandalorian,” Quibi hopes to lure viewers with its overall lineup. “I think we have fantastic shows,” Ms. Whitman said, “but I also think it’s the sum total of what we are offering, as opposed to one ‘Mandalorian.’”The companies making a line of Quibi programming called Daily Essentials have faced the toughest challenge. Madeleine Haeringer, an NBC News executive producer, spent months assembling a 50-person team able to produce twice-daily 5- to 7-minute shows. Her job got trickier when employees were forced to work from home. A week before the start date, she delivered test episodes remotely, with anchors on iPads.“It’s incredibly daunting,” Ms. Haeringer said.Quibi’s unscripted shows bring to mind to cable fare and syndicated programs. Ms. Teigen’s “Chrissy’s Court” is the app’s answer to “Judge Judy,” and Ms. Lopez produces a show that follows celebrities as they give $100,000 to someone who meant a lot to them.Will Quibi be the next digital thing or a flop? That is the $1.8 billion question.“On the plus side, Quibi is like nothing else,” said Mr. Goodman, the media analyst. “On the other hand, while we know that there is a tremendous amount of video being consumed on phones, we also know that people don’t want to pay for video on their phones.”Mr. Katzenberg and Ms. Whitman say they will beat the odds. Noting Quibi’s debut slate of movies in chapters, Mr. Katzenberg said, “All five of those I think are great. Not good. Great.”Ms. Whitman sounded more circumspect. “This is very different from a movie launch,” she said. “We are building a new consumer product.” Read the full article