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#owsla pop up
burninglikefire · 1 year
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Random Watership Down Thoughts
- Vervain’s sense of purpose is completely dependent on serving Woundwort and he’s too afraid to find something better for himself. 
- Bigwig and Spartina’s relationship came out of nowhere and has the least development when compared to Hazel and Primrose and Blackberry and Campion’s relationship. I’m not saying the relationship is bad or that Spartina isn’t a good fit for Bigwig but Spartina went from being a spy in one episode and his lover in the next with little to no context or growth and they deserve better than that!
- Silverweed is severely misunderstood: He’s a good rabbit but his mystic powers made him an outsider and Cowslip made it worse by using him as a storyteller. 
- All of Woundwort’s hate stems from unresolved trauma from his past. Everything he did was inexcusable but he needs serious help (this is especially true in season 3. His mind just split after the first episode of the season). 
- Similarly while I’d love to see a redemption arc for Woundwort, I’m not sure if he can be fully forgiven for everything he’s done. I think he’s somewhat more redeemable than Cowslip though (he’s too sick in the head and only does anything if it serves him somehow).
- Hickory and Marigold’s design in the 3rd season kind of bothers me. Their designs are great, but they look so similar that I thought they were siblings at one point (this was back when I first saw them when I was little). 
- The Darkhaven rabbits are essentially a rabbit cult but the history of the warren sounds very interesting and relevant to Woundwort’s evil.
- Woundwort, Vervain and Campion’s relationship is the most damaged and abusive in the entire series and you can see how much it affects them: Vervain goes from respecting Campion to hating and resenting him while also conflicted about being loyal to Woundwort and being sick of him, Campion is heavily conflicted about betraying Woundwort and still struggles with it during season 3 but also knows it was the right thing and Woundwort never gets over Campion’s betrayal and tolerates Vervain.
- In a nutshell, Woundwort, Campion and Vervains relationship with each other is what break up and pop songs are made for.
- Blackavar was only relevant in the TV series for a few episodes but then disappeared (despite having a slightly bigger role in the movie) and Buttercup (from the winter episodes) was never seen or heard from again.
- I would have loved to see a spin off series about Moss and the Efrafans after they left Watership Down and see how their dynamics and relationships changed and see Moss as a leader.
- Skree is a missed opportunity to explore other possible allies with elil.
- Hazel and Primrose’s kittens gained some relevancy in season 3 (as the junior owsla) and that is why they are a consistent three with names versus the previous random baby rabbits we saw in season 2. 
- Vervain is both an asshole and a coward yet I somehow feel bad for him at season 3. 
- If Vervain didn’t survive at the end of season 3, I would have liked to see Granite survive and join Watership Down. That poor giant marshmallow deserves a better life.
- I think Campion had some feelings for Primrose at one point. I don’t know if I’d call it a crush but he does respect her and cares about her.
- Red Stone warren has the saddest history in the whole series.
- Bigwig and Woundwort are my favorites but I like just about everyone in the TV series. I can’t think of a single character I don’t like (yes I even like Vervain and Cowslip). 
- The TV series is full of complex characters. 
- I don’t know if it was originally written for it but the song Bright Eyes is the theme song for the entire Watership Down franchise and no one can convince me otherwise.
- Bigwig’s design in season 3 kind of reminds me of Cruella’s fur coat in 101 Dalmatians. I don’t know why the designs changed in season 3 but I don’t necessarily dislike them (I actually like Woundwort’s design in season 3 more than his design in season 2. I like Bigwig’s season 3 design too but it made me think he grew old when I was little XD). 
- Getting Silverweed out of Cowslip’s warren is arguably one of the few good things Woundwort did. Why? Because, while Woundwort only did it to serve his own purposes, him getting Silverweed would eventually lead to Hazel and the others bringing him to Watership Down and giving him the freedom and happiness he so deserved. He didn’t mean for that to happen but I would count this as an accidental good deed on Woundwort’s part. 
- Pipkin is the most wholesome character of the TV series as he see’s the good in everyone he meets and can make friends with just about anyone.
- Spoiler but the TV series ends with the Black Rabbit basically coming in and saying: “I don’t care who started it, I’m finishing it!” like a parent whose had enough of their kids bickering.
- You know you went too far when even the Black Rabbit of Inle is sick of your bullshit.
- Vervain has had countless opportunities for redemption but he consistently chooses not to take them. He’s either too much of a coward to take them or he’s not confident enough in himself to try. 
- Also, Vervain is no fighter but he enjoys having power over other rabbits.
- Just about all the Watership Down rabbits have relatable moments. 
- Speaker of The Past (or Speaker, she never got a name) mentioned that Hemlock (Woundwort’s father) had other sons before having Woundwort, implying that Woundwort had older brothers and was the baby of the family. Are any of his brothers still alive? Probably not but it makes me sad we didn’t get to see Woundwort get reunited with a surviving relative who later tries to reason with him…I think I have an OC idea now. 
- The idea that Woundwort might have once been someone’s baby brother is as cute as it is sad. I would have loved to know more about his family.
- Hannah is a mood!
- Woundwort still laughs about that ‘hedge wizard’ incident and never lets Vervain forget it. Meanwhile, Vervain is still convinced he saw a hedge wizard. The story doesn’t help his reputation at Darkhaven as many rabbits (manly Granite) tease him for it.
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juliadirectz · 6 years
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OWSLAGOODS | Check out my recap of the sample sale! (x)
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owsalfa · 4 years
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Official episode descriptions from the old website!
The Promised Land: We meet our rabbits on their journey to WATERSHIP DOWN, following Fiver's vision of "High, Lonely Hills". They find themselves in all sorts of scrapes on their travels. Frantically chased by a dog, Blackberry saves the day with her idea of 'floating' an exhausted Fiver and Pipkin across the river on a log. Pipkin befriends Kehaar, a sea gull lost on his way to "The Beeg Vater". Disillusioned by their long journey and no sightings of their new home, the rabbits spot Nuthanger Farm and want to raid it for some tasty 'flayrah'. Hazel cautions that they are tired, so Dandelion tells one of his famous folklore stories, to give them time to regain their strength.They then head to the farm, as has Kehaar, who has joined forces with a street wise mouse called Hannah. Hannah saves the rabbits and Kehaar from a nasty attack by Tabatha, the farmhouse cat. Kehaar is injured, but Hannah knows of somewhere to stay, WATERSHIP DOWN.
Home on The Down: We meet our rabbits on their journey to WATERSHIP DOWN, following Fiver's vision of "High, lonely hills". They find themselves in all sorts of scrapes on their travels. Frantically chased by a dog, Blackberry saves the day with her idea of 'floating' an exhausted Fiver and Pipkin across the river on a log.  Pipkin has a close shave with a weasel whilst out looking for food for the injured Kehaar. Bigwig is angry at Kehaar's lack of responsibility and is not happy to share the warren with a bird and a mouse. Pipkin is shaken up, but not just by the weasel, he heard the Black Rabbit of Inle calling Bigwig's name, Bigwig brushes it off. Blackberry is in charge of building their new warren. Bigwig, Hawkbit and Dandelion are not happy at digging and an argument erupts. A game of Bobstones is played between Bigwig, Champion Bobstones at Sandleford and Fiver. Bigwig loses and accuses Fiver of cheating with his gift of vision, but grudgingly he accepts defeat. An alert call from Kehaar interrupts digging - the weasel is back. Bigwig hears his name called and is now convinced the Black Rabbit of Inle is here for him. He decides to fight the weasel to save the others as the end is near for him. Hannah has a better idea, she knows of a secret rock tunnel, she lures in the weasel and the rabbits block the entrance, trapping him inside. Bigwig's name is called again and he is now certain this is the final curtain. But it's Captain Holly from Sandleford with news of its destruction. Fiver was right after all.
The Easy Life: Holly explains he's left Pimpernel at a neighbouring warren. Hazel, Bigwig, Fiver and Holly go to find Pimpernel, while the others stay to help build the warren. They are met at the neighbouring warren by a sleek, well-fed rabbit called Cowslip. He is very hospitable and feeds them with the best flayrah. The warren rabbits are a curious lot and no one will tell them where Pimpernel is. Fiver is very unsure of this warren and tries to warn the others, but they are far too impressed with the easy way of life these rabbits appear to have. Fiver refuses to stay at the warren and spends a cold wet night outside. A gun goes off and Hazel is concerned for Fiver's welfare, yet Cowslip merely advises them that man was killing a fox for them. But man is elil! Cowslip invites them to feast on the flayrah which man leaves for them.  On collecting it Bigwig gets caught in a snare. Cowslip refuses to help. Hazel and Fiver frantically dig out the peg holding the snare in the ground and Bigwig is saved just in time. They turn on Cowslip, finally understanding that Cowslip encourages new rabbits joining the warren, to give him an extra day of life. They leave the Warren of the Shining Wire, taking with them Strawberry, a disgruntled rabbit with a desire for a new life.
The Raid: Hazel is thinking about Primrose and the future of the warren. Hannah mentions the hutch rabbits at Nuthanger Farm and Hazel, Fiver and Pipkin set off to break them out. The four hutch rabbits aren't used to thinking for themselves and only Clover manages to escape. After a close shave with Chester the dog and Tabatha Cat, in all the commotion, the farmer is disturbed and as they make a run for it Hazel is shot. Hazel drags himself to a sheltered pipe, Fiver can sense that Hazel is still alive but can't find him. Kehaar is out searching for them and finds the distressed Fiver. Kehaar knows how bad a gun shot is and knows time is running out for Hazel. Fiver uses his vision as he never has before and wills them to find Hazel. They are lead to the pipe and Kehaar removes the bullet. They head back to WATERSHIP DOWN exhausted, but Hazel's thoughts  are still with Primrose at Efrafa.
Escape from Efrafa: Bigwig convinces Woundwort of his desire to join his warren. He is appointed a probationary Captain of Owsla. He forewarns Primrose and Blackavar that Hazel plans to break them out.Primrose shows Bigwig her escape tunnel.The WATERSHIP DOWN rabbits prepare the boat for a getaway, still unaware that Bigwig is at Efrafa. They move in closer to Efrafa and Hazel sees Bigwig talking with Campion exaggerating their security flaws. He realises what Bigwig is up to and nods his acknowledgement. Bigwig's loyalty is questioned by Woundwort when he's seen talking with Kehaar. His excuses earn him promotion. Time is tight and Bigwig, Primrose and Blackavar make their escape with the Efrafans hot on their trail. Blackberry is waiting by the boat, they all jump aboard, leaving Woundwort, Campion and Vervain forced to watch them drift away.
The Vision: Primrose is homesick for her home warren, Redstone and wants to go and visit. Against his better judgement, Hazel agrees to take her there. Fiver sees a vision of an empty warren, but Primrose will not be dissuaded. The journey allows Primrose and Hazel to get to know one another better, but when Primrose falls into a canal, Hazel risks his life to save her. When they reach the warren, it is deserted all bar Captain Broom, an old eccentric rabbit and the        only one to survive The Great Sickness. Primrose persuades Broom to come with them to WATERSHIP DOWN. Meanwhile, back at WATERSHIP DOWN, Fiver has a vision and they decide it's the weasel for revenge. Hawkbit blames the warren's bad luck in Fiver's vision. Fiver is mortified and leaves the warren. Bigwig is not best pleased with Hawkbit. They all set about securing the warren setting a trap for the weasel. The weasel falls into their prepared pit and the rabbits fill it with earth and stones. They recruit two hedgehogs who attack the weasel sending him slinking off howling in pain. Hazel and Primrose return with Captain Broom and Hazel announces he's going to be a father. Fiver returns to the warren once he's persuaded that some of his visions have happened before he's seen them. He does not cause them.
A Tale of a Mouse: Bigwig wants to raid the farm for flayrah. Dandelion tells an El-Arah story of cunning and trickery, the principal of which they try to use on Chester the farm dog, the only obstacle between them and flayrah. Hannah mouse has raid plans of her own but becomes trapped by Tabatha Cat in a bread bin. Alerted by Chester's bark, Tabatha becomes more interested in the rabbits, Hannah tries desperately to warn them. Tabatha leaps at the rabbits, Fiver becomes trapped under a wheelbarrow. Tabatha waits by the wheelbarrow for her prey.  Hazel has a plan, Hawkbit diverts the cat, Hannah tries to tell Fiver their plans, but gets caught by Tabatha, Fiver bangs the wheelbarrow shocking the cat into letting her go. Fiver is told to dig under the fence and under the dog. Chester's watching Tabatha, Tabatha is still watching the wheelbarrow. With Chester diverted, Bigwig digs into the carrot field, passing flayrah through the fence. Fiver pops up too close to Chester, Chester chases Fiver and Hannah, they escape just in time down Bigwig's hole. They return to WATERSHIP DOWN with lots of carrots for everyone.
Lost: Hawkbit discovers the beginnings of an opening in one of the burrows. On showing it to Hazel and Fiver they fall through into a secret cavern. They can't     find a way out but Hazel senses a flow of fresh air and they follow it in hopes of an exit. Bigwig is giving Owsla training. Efrafan captains, Campion and Vervain, are on wide patrol search for the WATERSHIP DOWN warren when they pick up the rabbits' scent.   Kehaar spots the Efrafans from the sky, but they follow him thinking he'll  lead them to WATERSHIP DOWN. Kehaar cleverly takes them the wrong way.  Blackberry and Primrose are worried about Hazel, Fiver and Hawkbit. A search is organised, the only explanation is that they must have fallen underground. Kehaar informs Bigwig of the Efrafan patrol, Bigwig fears        they have Hazel, Fiver and Hawkbit. Bigwig confronts two Owsla guards, demanding to know if they have Hazel. On Owsla honour they say they don't. Bigwig makes to leave and bumps straight into Vervain. A chase ensues. Bigwig looks doomed, just as Hazel, Fiver and Hawkbit pop out of the end of the cavern, hidden by the stream. They see Bigwig's in trouble, he hides with them until the Efrafans give up. They now have a secret passage way into the heart of Efrafa.
Friend and Enemy: Bigwig watches an exhausted Efrafan patrol. Their orders, to find and destroy WATERSHIP DOWN. Woundwort will not rest until Hazel, Fiver and Bigwig are found, pushing his troops to the point of collapse. WATERSHIP DOWN is very close to discovery. Hazel decides to lay false trails. They monitor the patrols as they lay their tracks.Hazel and co stumble upon a greenhouse and stare in wonder at the strange building. Close by, the Efrafans are attacked by a hawk and Campion is badly injured. A terrified Vervain pulls out his troops and deserts Campion. Hazel drags Campion into the greenhouse and stays with him through the night to aid his recovery, sending the others back to WATERSHIP DOWN. A gardener shuts them in. Two parrots warn them of a dangerous snake. Campion recovers enough to attempt an escape. Back at WATERSHIP DOWN, Fiver senses Hazel is in trouble and they head back to the greenhouse. They arrive just in time to get them out before the snake catches them. Hazel has saved Campion's life and he will not forget this. Vervain is reprimanded by Woundwort for deserting an officer.
Kidnapped: Kehaar dives on a wide patrol, again searching for WATERSHIP DOWN.  The Efrafans are sick and tired. Kehaar warns Hazel of the patrol. They all fear for their warren. Hazel hopes he has made an ally in Campion - perhaps he'd help them from the inside. They set out to approach Campion, via their secret cavern. Campion tries to reason with Woundwort that the troops are being pushed too hard but Woundwort doesn't want to listen. Campion is disillusioned and Hazel asks for Campion's help.  He has until sunset to decide. They are spotted by Vervain and are chased. Vervain accuses Campion of consorting with the enemy. He confesses they asked him to betray Efrafa, but only to gain their trust and double cross them. Hazel and Bigwig meet with Campion and Vervain and his troops jump them from the bushes. Campion sides with Hazel and Bigwig and helps them escape.  Campion returns to Efrafa as a double agent for Hazel, but to look convincing it has to appear Campion had to fight his way out.  Pipkin, keen to see if Hazel and Bigwig are safe, gets swept away by the stream.  He's captured by Woundwort. A trade is requested, Woundwort wants Hazel, Fiver and Bigwig in exchange for Pipkin.  
The Market: Kehaar is homesick and wants to visit the Big Water. He and the WATERSHIP DOWN rabbits set off and finding a van on route filled with food, stop for a feed. Suddenly, the van moves off and the rabbits are along for the ride! Kehaar follows, desperate to save his friends. The van pulls up at a market where the rabbits discover a new bustling, busy, terrifying place - full of food and flayrah but also people, dogs and all sorts of elil. Escaping from a dog, the rabbits hide in the luggage compartment of a coach… bound for the seaside. Kehaar promises he'll follow them, but as he lags behind, the rabbits wonder if they'll ever see their friend and home again.
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akatsuki-iiiiii · 4 years
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【02/22】TASAGARE あかつき!!!!!! vs. UNDER Freaks
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2020/02/22(Sat)
OPEN 14:00 / CLOSE 20:00
中野heavysickZERO
■LINE-UP Masayoshi Iimori/NGHTHYP SEKITAKA/umhr/おやつ/わたりがに(Kento Watanabe B2B zygani) あかつき!!!!!!Crew/UNDER Freaks Crew
アニメとクラブミュージックの両方を愛する「あかつき!!!!!!」と「UNDER Freaks」が『TASOGARE』として世紀のコラボ!アニメカルチャーの音楽を中心にジャンルは関係なくに大騒ぎしていきます。
ENTRANCE
DOOR:2500円+1ドリンク(600円)
SPECIAL GUEST
Masayoshi Iimori (TREKKIE TRAX)
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1996年生まれのトラックメイカー。トラップを中心としたトラックメイクが目に止まり、日本の気鋭ダンスミュージックレーベル「TREKKIE TRAX」より2015年にデビューEP「Masayoshi iimori - Break It EP」をリリース。その後レイヴィーなベースミュージックを中心に様々な楽曲を制作し、Skrillex, Diplo, Major Lazer, DJ Snake, Mija, Carnage, Anna Lunoe, Nina Las Vegas, UZ, Ookayなど世界の著名プロデューサーからサポートを獲得した。 「KAN TAKAHIKO - NRG (Masayoshi Iimori Remix)」きっかけにSkrillexが主宰する「OWSLA」のファミリーレーベル「NEST HQ」に日本人として初めてインタビューとMini Mixが掲載され、同レーベルより「Masayoshi Iimori - Whirlwind」をリリースした。
さらに2017年9月にはDiploが主宰するMad Decentより「SpydaT.E.K. & White Gangster - Duro Bass (feat. Ma-Less & DJ Blass) [Masayoshi Iimori Remix]」、2018年1月にはA-TRAKが主宰するFool's Goldより「Masayoshi Iimori - Hardcore EP」、2018年2月にはYellow Clawが主宰するBarong Familyより「Juyen Sebulba - Labbits Cage (Masayoshi Iimori Remix)」、2018年9月にはDJ Snakeが主宰するPremiere Classeより「Masayoshi Iimori - Flow」をリリースした。またヒカキンが代表を務める人気Youtuberプロダクション UUUMに所属するアバンティーズのデビューシングル「アバンティーズ - アバみ」をプロデュースし大きく話題となった。 2018年1月にはMad Decentを主宰するDiploがホストを務めるBBC Radio1の人気プログラム「Diplo & Friends」にも出演を果たしたほか、デビュー1年目にしてULTRA JAPAN 2015に出演や2015年12月には所属するTREKKIE TRAXがセルフプロデュースで行った全米ツアー4箇所6公演を大成功させているほか、日夜東京を中心とした世界各国の巨大ベニューにてプレイしている。
Twitter : https://twitter.com/masayoshiiimori Soundcloud: https://soundcloud.com/masayoshi-iimori facebook: https://www.facebook.com/MasayoshiIimori/ spotify: https://open.spotify.com/artist/0pdvKDKFxwUerd6uaYHqkU
NGHTHYP
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pìccoloとsanmalによる、高速クラブミュージックを主体としたDJユニット。LADY’S ONLY - Digital Tattoo (NGHTHYP Remix)を皮切りに楽曲制作活動を開始する。代表作は「Vuki」「5G」。
Twitter : https://twitter.com/nghthyp Soundcloud : https://soundcloud.com/nghthyp
GUEST
おやつ
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2014年よりアニメソングを軸に各種クラブミュージックまで、ジャンルを問わず関西を拠点に活動を開始。2019年より東京在住。
Twitter: https://twitter.com/akiyoyo oyatsu-work: https://oyatsu-work.tumblr.com
SEKITAKA
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ゲーム会社でのサウンドクリエイターとしての経験を経て、 現在個人での楽曲制作、ゲームミュージックを主体としたDJ等音楽活動を行う。 Dubstep, Trance等のエレクトロミュージックを得意とし、 2019年には声優・岩男潤子への楽曲提供を行うなどコンポーザーとして注目を集める。
Twitter: https://twitter.com/HxCx_RSN Soundcloud: https://soundcloud.com/takashi-seki
わたりがに
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感情とグルーヴにこだわりを持つKento WatanabeとzyganiによるB2Bユニット。 「やな△゙なぎさん」を軸に愛に満ちた青春アニメセットを中心にお届けする。
Kento Watanabe Twitter: https://twitter.com/Kent044_1012 Soundcloud: https://soundcloud.com/kento_watanabe
zygani Twitter: https://twitter.com/zygani_emgc Soundcloud: https://soundcloud.com/zygani
umhr(Ctrl+A)
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2015年5月からオーガナイザーとして秋葉原MOGRAにてCtrl+Aを開始。 J-POPやエレクトロニカからジャンルの幅を広げていき、ジャンルレスでスムーズにミックスするスタイルを展開している。
Twitter: https://twitter.com/umehara
CREW
― あかつき!!!!!! CREW ―
kemusi
kemusi (あかつき!!!!!!/音快 -onkai-)
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バチバチ音を鳴らすDJに負けないようにビカビカした映像を流して、皆さんの視覚を破壊します。
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のゆ
のゆ (あかつき!!!!!!/音快 -onkai-)
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某サークルの先輩に薄暗くデカい音が鳴り響く場所へ連れて行かれた事を切っ掛けに2018年6月よりDJとしてのスタートを切る。A-POPを中心に原曲とremixを上手く織り交ぜていくプレイスタイルが得意。 大学生活のタイムリミットに怯えながらも、毎日アニメを見ることにより心の修復をしているらしい。
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Kyo
Kyo (あかつき!!!!!!/紫紺の宴/音快 -onkai-)
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Resolumeを使いアート映像とエフェクトでVJを展開する。
Twitter: https://twitter.com/kyo_takane
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ケトン
ケトン (あかつき!!!!!!/渋いNight)
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Drum&Bassとの出会いから、2017年よりDJを開始。現在はアニソンRemixを中心とした何でもありのイベント「あかつき!!!!!!」を主催し、2次元アイドルソングやアニソンRemixを中心に活動している。
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ざわじろう
ざわじろう (あかつき!!!!!!/音快 -onkai-)
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2017年の「あかつき!!!!!! vol.1」でDJ活動をスタート。 大学入学と上京を機にクラブに通うようになり、今やデカい音が鳴るだけで笑うようになってしまった。 いろんなジャンルでプレイしたいお年頃だが、ついついHardcoreをかけてしまいがち。 デカい音を鳴らして人を笑顔にすることが生きがい。
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しまじろー
しまじろー (あかつき!!!!!!)
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一年間、某サークルの声がデカい人達に近づいたらいつの間にかDJになっていた一般人。 『一部の人にぶっ刺さる曲』を大切にしながら独自のムーブをかましていくぞ!!! けいおん! では澪が好きです。
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I・G・A
I・G・A (あかつき!!!!!!)
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2016年あたりからDJ活動開始。 アニソンDJとして活動を続けており、また「あかつき!!!!!!」をきっかけにremixやクラブミュージックとアニソンの融合を目指したDJも始めた。 2次元アイドルを好み、特にアイドルマスター、ナナシス関連の楽曲をよく流す傾向にある。 Trance、House、Hardstyleも聴いており、現在も勉強中である。
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No taste
No taste (あかつき!!!!!!/Sound Drops/twig!)
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声優の歌う四つ打ち楽曲が好きで、原曲だったりremixだったり好き勝手にDJしてます。谷川柑菜、川嶋亜美、青山七海、永瀬伊織など「かわいそうなティーン美少女」愛好家
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― UNDER Freaks CREW ―
T. Kazesawa
Takeru Kazesawa (Yocean Voyage!/UNDER Freaks)
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風沢タケル。 アニメのキャラクターの特徴を抽出した生誕祭パーティに感銘を受け、横浜を拠点にorganizer/DJとしての活動を開始。 船上で某アニメのキャラクターの生誕祭”Yocean Voyage!”を、渋谷を中心にアニメ等のサブカルチャーをクラブミュージックに解釈するアングラカラーイベント”UNDER Freaks”を主催する。 名古屋で”White Label”、北関東では”音遊戯会”に所属しながら、アニソンRemixの楽しさを広めるために奔走している。 DJはbass,future等のhouse musicやfuture bass等のbass musicを広く好み、魂を込めてプレイボタンを押す。 声優の芹澤優さんを応援しています。
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YUΣ3K4WΔ
YUΣ3K4WΔ (UNDER Freaks)
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2019年からDJ活動を開始。 自身によるBootlegを含めたアニソンRemixを中心に、原曲やクラブミュージックを交えたDJプレイを行う。
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Müxek
Müxek (UNDER Freaks)
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【プロフィール】 2017年8月からDJ活動を開始。 アニソンのブートレグを中心に楽曲制作もおこなっている。 またトラックメイク/DJユニット「Rexium」としても活動中。
Soundcloud: https://soundcloud.com/muxek_390
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Haruno
Haruno (UNDER Freaks)
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VJ REI TOMINAGAにあこがれ高校二年生からVJを始め、文化祭でのDJイベントでのVJ以来、レーザー照明など日々活動中。
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FLYER DESIGNER
衒田
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Twitter : @trmtmo
TIME TABLE
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CAUTION
お飲み物の持ち込みはご遠慮ください。
未成年者の飲酒・喫煙は固くお断りしております。
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危険行為、迷惑行為はおやめください。場合によっては退場いただくこともございます。
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skrillex · 5 years
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@owsla x @lukevicious pop-up in mexico city this weekend 🇲🇽
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bloodcodemusic · 5 years
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Mega cute fan art of my OC Haru! I’m blessed with the best fans 😭🥰🙌🏻 . . . #Chiptune #chiptunes #edm #8bit #dubstep #music #gameboy #chiptuned #techno #rave #trap #trance #nintendo #kawaii #retro #pokemon #otaku #zelda #videogames #plurlife #plurfamily #plur #gaming #gamer #edmlife #dj #anime #nintendo64 #speedoru #speedosausage (at OWSLA Pop-Up Store) https://www.instagram.com/p/B1mlPs4HFEr/?igshid=mx6a2y1fqgg8
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elicitations · 5 years
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Fuck it, I love you🍒 #lanadelrey #lanadelreysurfshop #lanadelreypopupshop #lanadelreypopupstore #ldrpopup #ldrsurfshop (at OWSLA Pop-Up Store) https://www.instagram.com/p/B14l6jkFt0T/?igshid=1se1wvcs1edsi
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‘Worlds’ by Porter Robinson (8/10)
This debut album arrived from Porter Robinson - a young and rising (at the time) electronic producer from North Carolina.
Before this magical and ethereal piece of art was released in 2014, Robinson was busy dropping various singles through the online music store - Beatport. Through the traction gained from these popular singles, Robinson eventually signed to a one-EP deal with the Skrillex-led music label, OWSLA. With this new deal, Robinson released his eleven-track EP titled ‘Spitfire’, which subsequently crashed Beatport’s website and topped the iTunes Dance charts. Only at 19, Porter Robinson had accumulated widespread popularity in the EDM scene and this created more pressure for the young producer to release more ‘drop-based’ songs he was popular for.
After the release of Spitfire, Robinson became busy touring with his fellow OWSLA members at the time - Skrillex and Zedd. Along with this, he dropped the single ‘Language’ which albeit, was more dreamy and melodic than his previous records but still gained the same popularity and more; his music was played on various popular radio stations across the world. This single, along with ‘I’m on Fire’ would the last piece of work we hear from Robinson (excluding the Mat Zo collaboration) for two years, until the release of Worlds in 2014.
To begin with, I have to admit that there will be some bias in this review. I’ll try to remain as impartial as I can but I just wanted to make it clear that Worlds was the album that made me branch out into other subtypes of EDM, rather than staying with the usual dubstep/brostep Skrillex music.  ‘Worlds’ was one of the first and very few EDM albums that I loved from start to finish. It goes to say, however, that this album was not perfect.
We start the entire album off with the first track - ‘Divinity’, featuring Amy Millan.  This opening track blends the usual festival hype anthem with the electronic magic of artists such as M83 and Madeon. The hard-hitting kicks, beautiful synths, structured melodies, accompanied by Amy Millan’s angelic voice coexist to create a nostalgic and endearing atmosphere.
‘Sad Machine’ is definitely my favourite tracks in this album. Who knew a robot could have a duet with Porter himself and it could sound so good? The track follows the relationship of a human (most likely, Porter) and a robot AI who has the ability to converse with Porter. The lyrics hint at some sort of unknown disaster that has struck the planet and this track is an illustration of a human’s first interaction with the robot. This could be really wrong but that’s what I’m getting from it. The chorus with Robinson and the robot shows a recurring theme of dependence with (obviously) the lyrics - ‘She depends on you’, ‘We depend on you’ and ‘I’ll depend on you’ and this adds to the idea of dependence; how the robot and Porter need each other! Moving on from the lyrics, this song is once again a collection of glittery synths and echoey claps. Robinson has created something much more atmospheric and inspiring. ‘Sad Machine’, despite its title, is a happy track and it makes you want to smile and this is why this song is one of my favourites from this album.
Some other of my favourites include:
- ‘Hear The Bells’ featuring Imaginary Cities: 
- ‘Sea of Voices’: This song is honestly one of the most beautiful tracks I’ve ever heard. I remember telling one of my close mates when I first heard this song that I would like this to be played at my funeral because it’s so damn good! This track was released as a single before the album which caused a lot of confusion from his fanbase. It was very different from his previous work and while many fans accepted this track with open arms, others were unsure and didn’t want this track to be the aesthetic of the entire album. Clocking at nearly five minutes of playtime, it features uncredited vocals from Breanne Düren and works with an emotional and nostalgic style. Starting with tinkling bells and the build-up of the harmonious voice of Düren, complemented with Robinson’s usual magical synths. This build-up continues for about three minutes, keeping us hooked for all of it and eventually ends with the lyrics - “We’ll see creation come undone’. This is quickly followed by the heavy hits and the previous collage of synths and twinkles. Breanne pops in with her vocals once more and this only adds to the spell we’re already cast under. This track is definitely not something to play at a festival but something more lowkey and personal. I can picture this track playing at the end of one of Robinson’s own concerts where the entire crowd is ‘in the moment’ and rejoicing for their love of music. One of the best tracks I’ve ever heard and this is the track I recommend if someone asks me about Porter Robinson. 
- ‘Goodbye To A World’: I feel as if this track was the perfect closer for an album like this. the song begins with another robotic voice provide a lullaby-like addition to the track. This is followed by the 
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juliadirectz · 6 years
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OWSLA Goods | Check out my sample-sale recap (x) 
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iheartmoosiq · 6 years
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youtube
Los Angeles-based musician, producer, and all-around visionary creative Elohim is back with a huge new tune today, one that simply must be shared straight away. EL has been on a roll with her collaborations recently, ranging from The Glitch Mob to AWOLNATION to Louis The Child. Today, she teams up with superstar producer Skrillex on new single Connect, released on his label OWSLA. “I’m just here to connect with you,” she sings sweetly on the spry skirring electronica and pop anthem. We connected with Elohim from her very first single, and this phosphorescent gem with warm fractured synths & distorted vocal segments only couples us tighter to her all-encompassing aura of acceptance and love. Take an intergalactic trip with Elohim and Skrillex in the animated video for Connect, an endearing representation of distance and diversity defying connection.  Speaking on Connect, Elohim notes, "my goal as an artist is to connect. i not only strive to connect with other humans but to connect other humans to each other. i want to create a world, an atmosphere, an experience that is inclusive to anyone with a loving heart. This song is that world. It is an electric moment of joining together . i started performing Connect in my set this summer. it quickly became one of my favorite parts of the show because it feels like we all become one. oh i forgot to mention.. Working with skrillex was also unreal! :) ! he is a very talented humble being with a true artists heart and i am lucky this song helped to connect us while creating a lovely friendship." Stream/download Connect, here.
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Download RetroVision - Tomorrowland 2019 (Weekend 2) (Boom, Belgium) for free now!
Artist: RetroVision Show: RetroVision – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Quality: 320 Kbps 48000 Khz Genre: Electronic
  Discover more Tomorrowland 2019 live sets & radioshows here
RetroVision – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Tracklist
[0:05] RetroVision – ID [HEXAGON] w/ Coco Star – I Need A Miracle (Acappella) [GREENLIGHT]
[3:54] LMFAO ft. Lauren Bennett & Goonrock – Party Rock Anthem (RetroVision Remix) [INTERSCOPE]
[6:54] Laidback Luke & Keanu Silva – Oh Yes (Rockin’ With The Best) (RetroVision Remix) [MIXMASH]
[8:35] JAUZ & Ephwurd – Rock The Party [SPINNIN’]
[9:24] Keanu Silva – King Of My Castle (Don Diablo Edit) [HEXAGON]
[9:54] Tokyo Machine – Play [MONSTERCAT]
[10:54] Daft Punk – Harder Better Faster Stronger (RetroVision Remix) [VIRGIN]
[12:54] TV Noise – Rave [STMPD]
[13:40] ID – ID w/ Shapov vs. MEG \ NERAK – Everybody (Acappella) [AXTONE]
[14:55] RetroVision – ID
[16:35] Don Diablo – On My Mind [SPINNIN’] w/ Don Diablo – Anthem (We Love House Music) (ID Remix) [HEXAGON]
[18:10] ID – ID w/ Modjo – Lady (Hear Me Tonight) (Acappella) [SOUND OF BARCLAY]
[19:27] RetroVision & Domastic – Sicc [NCS] w/ Galantis – Runaway (U & I) (Acappella) [BIG BEAT]
[20:40] RetroVision – House Beat [HEXAGON] w/ Knife Party – Parliament Funk [BIG BEAT]
[22:13] ALRT – Front To Back [IRAD BRANT]
[23:22] RetroVision – Bring The Beat Back [HEXAGON]
[24:08] Avicii – Levels [LE7ELS] w/ Mo Falk – ID [HEXAGON]
[25:32] Landis – Nobody Like You (RetroVision Flip) [HEXAGON]
[27:05] RetroVision – ID [HEXAGON]
[28:32] RetroVision – ID [HEXAGON] w/ Mark Ronson ft. Bruno Mars – Uptown Funk (Acappella) [SONY]
[29:55] RetroVision – Get Down [MUSICAL FREEDOM]
Raven & Kreyn On Stage
[33:21] RetroVision X Raven & Kreyn – Nobody Else [HEXAGON]
[34:51] RetroVision – ID [HEXAGON]
[37:20] Jewelz & Sparks – Bring It Back (Afrojack X Sunnery James & Ryan Marciano Edit) [WALL] w/ ID – ID
[38:30] RetroVision – Get Up (Small Edit) [HEXAGON]
[41:40] Mylo – Drop The Pressure (ID Remix) [BREASTFED]
[43:07] RetroVision – Found You [HEXAGON]
[45:35] Pegboard Nerds – Steel [MONSTERCAT]
[46:24] Porter Robinson ft. Bright Lights – Language (Domastic Remix) [BIG BEAT]
[48:35] Skrillex & MUST DIE! – VIP’s (ID Remix) [OWSLA]
[49:07] JOYRYDE – The Box [FREE]
[51:00] RetroVision & Dirty Palm – ID w/ Ultra Naté – Free (Acappella) [STRICTLY]
[52:07] Don Diablo – Cutting Shapes [HEXAGON]
[53:25] RetroVision – We Like To Party [MUSICAL FREEDOM]
[54:55] RetroVision – One More Chance [HEXAGON]
[58:07] Flume ft. Kai – Never Be Like You (RetroVision Remix) [MOM+POP]
    RetroVision – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Video Set
youtube
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edmlivesets4u-blog · 5 years
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Listen or download RetroVision - Tomorrowland 2019 (Weekend 2) (Boom, Belgium) for free now!
Artist: RetroVision Show: RetroVision – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Quality: 320 Kbps 48000 Khz Genre: Electronic
  Discover more Tomorrowland 2019 live sets & radioshows here
RetroVision – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Tracklist
[0:05] RetroVision – ID [HEXAGON] w/ Coco Star – I Need A Miracle (Acappella) [GREENLIGHT]
[3:54] LMFAO ft. Lauren Bennett & Goonrock – Party Rock Anthem (RetroVision Remix) [INTERSCOPE]
[6:54] Laidback Luke & Keanu Silva – Oh Yes (Rockin’ With The Best) (RetroVision Remix) [MIXMASH]
[8:35] JAUZ & Ephwurd – Rock The Party [SPINNIN’]
[9:24] Keanu Silva – King Of My Castle (Don Diablo Edit) [HEXAGON]
[9:54] Tokyo Machine – Play [MONSTERCAT]
[10:54] Daft Punk – Harder Better Faster Stronger (RetroVision Remix) [VIRGIN]
[12:54] TV Noise – Rave [STMPD]
[13:40] ID – ID w/ Shapov vs. MEG \ NERAK – Everybody (Acappella) [AXTONE]
[14:55] RetroVision – ID
[16:35] Don Diablo – On My Mind [SPINNIN’] w/ Don Diablo – Anthem (We Love House Music) (ID Remix) [HEXAGON]
[18:10] ID – ID w/ Modjo – Lady (Hear Me Tonight) (Acappella) [SOUND OF BARCLAY]
[19:27] RetroVision & Domastic – Sicc [NCS] w/ Galantis – Runaway (U & I) (Acappella) [BIG BEAT]
[20:40] RetroVision – House Beat [HEXAGON] w/ Knife Party – Parliament Funk [BIG BEAT]
[22:13] ALRT – Front To Back [IRAD BRANT]
[23:22] RetroVision – Bring The Beat Back [HEXAGON]
[24:08] Avicii – Levels [LE7ELS] w/ Mo Falk – ID [HEXAGON]
[25:32] Landis – Nobody Like You (RetroVision Flip) [HEXAGON]
[27:05] RetroVision – ID [HEXAGON]
[28:32] RetroVision – ID [HEXAGON] w/ Mark Ronson ft. Bruno Mars – Uptown Funk (Acappella) [SONY]
[29:55] RetroVision – Get Down [MUSICAL FREEDOM]
Raven & Kreyn On Stage
[33:21] RetroVision X Raven & Kreyn – Nobody Else [HEXAGON]
[34:51] RetroVision – ID [HEXAGON]
[37:20] Jewelz & Sparks – Bring It Back (Afrojack X Sunnery James & Ryan Marciano Edit) [WALL] w/ ID – ID
[38:30] RetroVision – Get Up (Small Edit) [HEXAGON]
[41:40] Mylo – Drop The Pressure (ID Remix) [BREASTFED]
[43:07] RetroVision – Found You [HEXAGON]
[45:35] Pegboard Nerds – Steel [MONSTERCAT]
[46:24] Porter Robinson ft. Bright Lights – Language (Domastic Remix) [BIG BEAT]
[48:35] Skrillex & MUST DIE! – VIP’s (ID Remix) [OWSLA]
[49:07] JOYRYDE – The Box [FREE]
[51:00] RetroVision & Dirty Palm – ID w/ Ultra Naté – Free (Acappella) [STRICTLY]
[52:07] Don Diablo – Cutting Shapes [HEXAGON]
[53:25] RetroVision – We Like To Party [MUSICAL FREEDOM]
[54:55] RetroVision – One More Chance [HEXAGON]
[58:07] Flume ft. Kai – Never Be Like You (RetroVision Remix) [MOM+POP]
    RetroVision – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Video Set
youtube
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thesinglesjukebox · 7 years
Video
youtube
KIMBRA - EVERYBODY KNOWS [6.14] The New Zealand singer-songwriter hangs in there...
Kat Stevens: It's been a good two months since the 2017 World Athletics Championships, during which BBC Sport were using Jean Michel Jarre's "Equinox V" as bed music while displaying the schedule graphic. In any right-thinking universe this would have triggered a worldwide Euro-electronica/arpeggiation revival, but in our sad excuse for a reality it seems only Kimbra got the memo. In the meantime I can console myself by rewatching the incredible Equinox V video, which is the vision of the future millennials want (JMJ inspecting skyscrapers then trying not to corpse while twiddling the knobs of a giant synthesiser in a field). [6]
Nortey Dowuona: Limp drums, echoing, glassy synths, mild bass, removed marimba -- wait! nope, just slightly better, pedestrian drums. Kimbra sings coolly in the middle of towering glass synths, and her echoes run through filters. Cool, I guess. [5]
Alex Clifton: I've wanted to like Kimbra for so long, but I've never been able to figure out why her fanbase is so dedicated. Two and a half minutes into this song, I suddenly got it: layers upon layers of sound create a gorgeous, trippy soundscape, where Kimbra's voice swims in and out like a dream. The problem is that it took more than halfway through the song to get there in the first place. I'm still more underwhelmed than I want to be, but I see where the magic comes from. [5]
Will Adams: In the years since the middling The Golden Echo, Kimbra's been dabbling in OWSLA collabs. It's a good fit: the soul simulacra she'd been doing had begun to turn stale, and the weirdness OWSLA's sound has been trending toward suits her voice well. "Everybody Knows" continues this new turn. It's the traditional slow-building template, Kimbra's voice a murmur at first, but the ensuing release is less cathartic and more agitated, static flooding the track as the heat of anger floods Kimbra's vision. At the end, she returns to where she started, having completed the process. [7]
Alfred Soto: I thought the New Zealander had essayed a Leonard Cohen cover, which would not have been charmless. The way in which Kimbra syncopates her melancholy to the synth rhythm gives "Everybody Knows" its mild tension. [5]
Rebecca A. Gowns: A song about the entertainment industry, fame (or semi-fame) and all the trappings. We've heard it hundreds of times before, but the timing feels especially prescient. The song isn't original in its message, nor really in its sound, but it's got a hypnotizing allure, and Kimbra sings with a wounded-but-guarded urgency. [7]
Katherine St Asaph: If you're keeping track at home alongside my inner editor, this is the third Jukebox track I've likened to Mandalay's "All My Sins." Here, the likeness is clear: a glassy, polished intro barely holding back a buzzy, arpeggiated squall, where every time you think you've gotten the trick more layers break forth. It's an apt metaphor for the misdeeds of the unnamed, finally shamed creep in the lyric -- a lyric that reads particularly bitter this month. (Several people have independently come up with "pustules" to describe these folks: after the first burst of misdeeds, more and more crap comes out.) Could do without the cod-soul vocal affectation, but otherwise, this is the sort of alt-pop I wish got traction. [8]
[Read, comment and vote on The Singles Jukebox ]
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bloodcodemusic · 5 years
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Frito looking real good in his PAWSLA / @owslagoods fit 🐶👕 . 📸: @grazcore 🥰 . . #pugs #owsla #pugsofinstagram (at OWSLA Pop-Up Store) https://www.instagram.com/p/B2fmSXcH9Kw/?igshid=crer00vq9h5w
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