it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.
like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.
I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.
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I'm touching y'all's hands when i say this - it's important to me that you know two things:
1. you can always stop playing a game if it's not for you
2. you can change routes if you aren't enjoying the character you're playing
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as someone from appalachia, i think about katniss’s father and his death a lot. i grew up in a coal town and i saw firsthand what a difficult and dangerous job that could be. but also how important it was to my people and culture.
i remember hearing the news stories of miners trapped in the mines. i remember when my best friends father got an awful injury after a rock fell on him. i remember that fear that comes with mine accidents, even if you don’t know the people inside personally.
i just think about katniss’s father a lot and how that accident must have shook the whole district. i think about the aftermath and the anxiety of the other miners and their families when they had to go back.
i think about what it must have been like for hazelle hawthorn when her oldest son had to go into the mines after having after lost her husband to them.
and i think about how the mines got shut down after the war. and how that is both good and bad. but that’s another post.
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So I've been thinking.
Icarus and Arachne clearly have some situationships going on (Arachne's is triggered when Mel gives her ambrosia and it looks to be mutual unless something else changes). They are both shades LIs (2)
Eris and Nemesis both clearly also have situationships with Melinoe. They are both female god LIs and daughters of Nyx (2).
Moros is highly implied (like the foreshadowing is very thick) to be a potential LI for Melinoe. He is a male god and son of Nyx (1). If we look at the pattern going on so far, we're missing one male god love interest. Who could that be?
Now, it's entirely possible that it's a god not yet included in Early Access and has to be patched in with development. But also. Melinoe has had a parasocial relationship with Hypnos going on since forever. She gives him great reverence/interest with him. She clearly is into babygirl" men. It would be wild, and I say wild, if the final male LI established is Hypnos. Once you wake him that is.
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k so slay the princess is rotting my brain but currently one big thought is chilling in my brain, and like- hear me out (sorry if my wording doesn't convey my thoughts well skskfjdjg)
but I don't think the damsel is entirely as shallow as some may see her as. HEAR ME OUT- compared to the other princesses, yes, she definitely more shallow. and she is also (at least when looking at deconstructed) poking fun at those trying to have an easy and work free romance route where the princess does whatever you like and loves you so, so much. i'm not saying she's supremely deep and that no one understands her but me, but I also don't think she exists solely to mock players with absolutely nothing to say about the nature of human permanence either.
does that make sense? more thoughts below- they're a bit disjointed though so warning ^^;
I personally think the damsel can also represent a very real form love, so to speak.
gimme a min to explain. I think what initially led me to this is a line from the narrator equating the smitten and the damsel to acting like teenagers in love. and that line sorta shifted my perspective a bit on her a little? seeing that kinda made me go "ohhhhhhh makes sense" like it really did remind me of two kids who don't entirely get what dating entails but still want to be together, and given the endgame sequence the damsel's section just kinda cemented this mindset for me.
for clarification the damsel has two(?) bits of dialog depending on whether she's deconstructed or not. If she isn't she says something along the lines of (iirc) "you had a desire and you set that desire free/not caring about what it took or costed you in the process" annnd?? like that's kinda wholesome to me?
like the damsel's love with the player isn't nearly as in depth, complicated, or complete as say the thorn, but it's a passionate love. it's also a naive love. the sort of love you'd find with, well, teenagers having a crush. of course when people get older they see those old crushes as frivolous and flat, but to the people experiencing them in the moment, it's real! it's serious! they were still willing to risk a lot just to be together. and at least at the start, you're willing to be killed by the princess if it means she's safe after having a battle of control against the narrator. it just reads as very human to me. they truly felt that their love could conquer anything.
I feel the thorn is a more 'adult' version of the damsel. it's that passionate love taking on a more mature form. it has more hardships to go through and way more pitfalls and mistakes that one can make compared to the more childish love like the damsel's. there's less theatrics and fanfare, and to me it feels more somber and quiet. it's a contrast between the high stakes emotion filled damsel, and the more intimate, tense, and self-aware thorn. ultimately in the end for both of them, they come to a realization that love is a powerful tool almost in a way that mirror each other.
some of the same occurrences leading up to the route are also shared between the two. like having the princess stab you in the prior route. I also think it's worth noting that in the thorn, the thistles can be seen as/can be referred to a prison of her own making. something she can leave if she was willing to make the effort to do so. it's similar to the damsel's shackles being easily slipped off her wrist. she could free herself.
also by extension, say what you will about the smitten but he loves the princess no matter what form she takes. even when she kills him he still adores her. he is content with being cooked alive by the princess if that's what she wants. i think he's a lot like the damsel in that sense. whatever she wants, she will have. if the damsel is molded to love the player, the smitten is absolutely molded to love the princess in the same way.
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