KIM KITSURAGI - “Is that. My kineema.”
COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.
EMPATHY - And it’s not going to be pretty, do something!
- DRAMA [Formidable] - Everything is fine!
- “Sure is.”
DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?
YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”
DRAMA - Pause, my liege! Ixnay on the Ineemakay!
YOU - “It could even be our *mysterious* joyrider!”
KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.
INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…
PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.
ENDURANCE - This is the shuffle of a tired, tired man.
HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!
VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.
KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”
YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”
LOGIC - He's not stupid, he knows that it's not that.
KIM KITSURAGI - “57.”
YOU - “What about 57?”, you brace yourself.
KIM KITSURAGI - “Precinct 57.”
YOU - You wince. “Kim, look-”
KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."
He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”
EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.
YOU - “People are more valuable than machines, Kim.”
KIM KITSURAGI - “Not people like me.” He rasps.
YOU - “…”
KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.
YOU - “Kim?”
KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.
YOU - “KIM!!!!”
uhhh bonus stuff? sorry i have swap au brainworms pfttt
(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)
also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes
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idk. i read an article the other day about how the structure of pop songs is changing. how producers advise artists now to put the best part--choruses, hooks--right at the beginning, or at least within the first 30 seconds of the song, because otherwise people will scroll right past on tiktok and instagram.
idk. the same article explained that songs are getting shorter and shorter because you need people to loop you on spotify to make any money at all, and of course a 2 minute song is looped more than a 5 minute song, just sort of due to how time works.
idk. can i fault artists for wanting to make a living? but how dreadful to make art like this.
idk. i've always been a defender of pop music despite feeling at home in punk, because i don't think there's anything bad in humans sometimes wanting something simple, something easy to listen to, something immediately relatable. it's an idea that dates back all the way to romanticism. sometimes all we want is to dance and sing along and know that everyone everywhere feels heartbreak.
but idk! that's the consumer end of it. do we really want to be catered to like this? do we want to be presented with music that is cut and rearranged and bastardized and bastardized and bastardized all so it can catch our constantly waning attention? who needs to change first? one of us will have to.
and idk! the article somewhat nonchalantly ended by saying that "of course," there are some genres where people will still appreciate longer songs, "like rock and techno," as if rock artists aren't struggling to pay bills all the same.
idk, man. i'm old enough to remember hearing a song on the radio, or even fucking mtv, and going out the next day to buy the full album with my pocket money, just hoping it'll be as good as that one song. and if it wasn't, was that really so bad? i'd rip my favorites off the cd to burn my own mixtape, and then i'd sell the cd to someone else, for them to enjoy. but those were different times. sometimes i find artists that don't offer cds anymore at all.
idk. idk. i'm going to uninstall every app and handwrite a letter to sony to demand all songs be a minimum of 8 minutes long. figure it out.
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Heyyyy, what’s up, guys? I’m not dead! :D
It’s been a while, I’ve had to take a little impromptu hiatus to get myself on track and focus on other things. But I’m back and I have a ton of new stuff to share with you all!!
Starting with these gals right here.
Some of you may be familiar with these two already (especially if you’ve visited my Insta or are in a Discord server with me), but for those who aren’t--
This is Eliana (left, “Ellie” for short) and Iona (right) - they’re two of the 2nd Gen Tangled kiddos that @koilada and I created. I’ll post more details about them in the near future, but for now, just enjoy these few little tidbits:
- Ellie is the “eldest” child of Eugene and Rapunzel; she has a twin brother named Laurie, but was technically born first, which she insists makes her the oldest. Ellie looooves to dance - she rarely goes anywhere without her dancing shoes (even though they’re not the most practical attire for every situation.) While generally very polite, compassionate, and responsible - she can have a bit of a bratty streak at times and, much like her father, takes a good deal of pride in her appearance.
- Iona is the daughter, and only child, of Cassandra and Varian; she’s nearing two years younger than the twins, but that doesn’t stop her from playing ring leader and getting them into trouble on a regular basis. Iona is Ellie’s best friend, the two have been inseparable since the day their parents introduced them. In stark contrast to Ellie’s more mature and ladylike demeanor, Iona is Corona’s little wrecking ball; she makes trouble wherever she goes (not always intentionally) and very often gets herself, and the twins, into sticky situations. She’s as cunning and mischievous as she is sweet and lovable, and is well aware of her own adorable charm.
More info on these little ladies (plus the rest of the Kiddo Group) to come...
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