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#ofc i wanted to do it
bishy437 · 3 months
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he won
bonus:
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ruushes · 11 months
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dancing lessons! have to pass the time at camp somehow 💃
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I can't wait for the day when trans women can finally get pregnant/give birth. We'll finally have the answer to if being kicked in the balls or giving birth is more painful.
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rosieyart · 1 month
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some very specific headcanons with an experimental painting style
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ghostbsuter · 5 months
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Danny got comfortable on the roof, leaning froward with anticipation.
A silent thump and a person slid next to him, Danny barely gave the red head a glance.
"Any reasons to be on the roof at night?"
He shushes the vigilante, eyes not leaving the spot. It has Roy crouching next to him, watching as well.
Out of nowhere, a vampire looking fella flew around wildly, not far behind a ginger woman on a hoverboard, flying after him.
The Lady is shooting lasers with deathly accuracy, the man (?) dodging barely. It had Arsenal hum at the show.
"That's my mom." Danny points at the lady. "The guy she's hunting keeps harassing me so she took matters into her own hands."
Cheshire Cat lands not far away from the two, head tilted with a silent question that had Roy nodding and she is leaping away to the next roof once more.
"Why not call the authorities?" He asks, appearing less tense and more friendly to the teen.
The kid whistles sharp with a grin before answering.
"Tried, unfortunately, he's super rich with influence and connection. So here we are." He shrugs.
While they watch the chaos a bit longer, Roy ignores the insisting buzzing from his comm, Cheshire Cat probably alarmed Oliver by now.
He looks up when Danny stands, stretching.
"What was your name again?" He quirks his brow with a smile.
"I don't remember telling you."
Roy rolls his eyes, joining the teen to his feet. "So?"
"Danny."
He steps off the roof before Roy can react, a shout building up, until he sees the kid sitting on the hoverboard of his mother, her hand ruffling his hair.
"See ya, Arsenal."
They're long gone when Arsenal huffs, laughing.
"Until next time, Danny."
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ruubesz-draws · 4 months
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Shin would be so proud! Their youngest is growing up so fast!!
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mtsodie · 1 year
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made them into gifs
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nataliesscatorccio · 7 months
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YELLOWJACKETS
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crazy-fangirl2524 · 11 days
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My biggest flex will always be how I knew Neil was the more feral and dangerous one than Andrew this whole time even before tsc and seeing the entire fandom freaked out makes me want to kiss and hug Nora and just thank her for finally finally showing everyone and I’m not just crazy
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cherrirui-official · 26 days
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"You know... You didn't have to take that with you."
"But I promised him I'd take him out to see the ocean one day."
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#for context uhmm how do i explain this#so around a few weeks after Jd arrives Bruce is like “Hey... where are the others?”#and Jd is like “ooooh 🤪🤪 he doesnt know...”#Since at this time JD believes that the entire tribe is dead. including his brothers and grandma#so Jd has to take Bruce to the now abandoned troll tree and give him the bad news#Bruce doesnt believe it at first. even if the tree is abandoned they cant be dead? right?? they cant be#so he rushes over to their grandma's pod. thinking that theyre just in hiding and waiting for them to return#and all Bruce is able to find in the empty pod is Branch's old stuffed toy Croco#which solidifies to Bruce that everyone is dead. their friends their family. everyone#Bruce is obviously devastated by the news. he doesnt show it a lot but he doesnt take it too well#he ends up bringing Croco with him back to Vacay Island and patches Croco up#since Croco is a bit worn out due to being left in the pod for years#and since then Bruce always keeps Croco hidden in his hair. both as a memoir of his baby brother#and also a reminder of how he failed as an older brother... ouch#ofc the others arent dead. its just that now both Jd AND Bruce believe that the rest of the trolls are dead#also King Trollex is there bc i wanted to put him there. I like Trollex :]#a knee ways more bb au art i promise the next bb au art will be lighthearted#tho now im gonna work on the next violet gijinka batch bc ive been starving my friendlocke audience for too long#sorry friendlocke fans ill feed u next dw#cherris canvas#trolls#trolls band together#trolls john dory#john dory trolls#trolls bruce#bruce trolls#king trollex#beach bros au#sorry for rambling in the tags i hope u dont mind ahaha
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i had them sign my favorite fanart of all time!!!!!
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sage-nebula · 1 month
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"Suffer No Fools" - Shiver vs. Marina Analysis
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It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.
So! Here we go.
Exchange 1:
Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."
Analyzing from dialogue only:
Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.
Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.
HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.
Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.
But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.
Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?
And Shiver noticed, hence:
Exchange 2:
Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"
Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.
Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.
Exchange 3:
Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."
This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.
It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.
But those are just my thoughts! Everyone else is free to have their own.
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arunneronthird · 9 months
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two different flavors of absolute menace
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turbo-tsundere · 1 year
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Kokichisake-onna
*Happy anime narrator voice*: “And thus, Kokichi has once again successfully evaded the dread of emotional openness!”
Also here’s a random selection of derpy concept doodles for this comic :)
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Thank you byeeeeee
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g0nefischin · 6 months
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GO TEAM SKELETON!!!!
sponsored by my favorite skeletons <3
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ruubesz-draws · 2 days
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It's really not his hand.
Mothra shouldn't have left them alone together...
From this:
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