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crazyfox-archives · 6 months
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A view along Third Avenue in Nara in 1969
Photo by Nagaoka Jirō (長岡二朗)
Image from the photography collection of Nara Prefectural Library
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hiroseyuko · 4 years
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WORK
◼︎ 奈良食べる通信 / Nara eating communication magazine 隔月届く、おいしい奈良の食材と、生産者のストーリーを伝えるマガジン
「奈良食べる通信」とは、奈良で育ったおいしい食材と、それを作る生産者のストーリーが綴られた誌面が、 定期購読している読者へ隔月届くという、食べ物の新しい買い方を提案するサービスである。 このサービスは、東北ではじまり、奈良以外にも全国41ヶ所取り組まれており(※2019年2月現在)、 一種ブームのような盛り上がりを見せるサービスだ。
奈良には特産品や美味しいものがないと言われることが多いが、そんなことはないと私は思う。 ���う思えるようになったのは自分のクライアントや、知人、近所の人、自分が作ったものを食べるようになってからだ。 たとえ農薬がかかっていようが、変な種で育てられていようが、自分の知る範囲で育てられている食べ物が 自分にとって”いい”と、判断し始めるようになると、いい食材=値段が高い、無農薬やブランドなど、 他者が決めた価値でなく自分の判断基準で「食材」を購入することができるようになる。 そして、そうすることが食に対する満足度をグンと上げてくれることを身を以て実感したのだ。 その経験のもと「食」に対する自分のモノサシも持つ人が増えるといいなと願い、 毎回「奈良食べる通信」の紙面作りをさせてもらっている。
関わらさせてもらっている「奈良食べる通信」は、編集部のみなさんの生産者への深い愛と、 思いを伝えるためのたゆまぬ努力と行動によって、他地域にはない独自の一体感のあるチームづくりをしている。 毎回毎回、生産者に寄り添った誌面づくりをさせてくれる泥臭い「奈良食べる通信」のチームが わたしは大好きであり、そして今後も編集部のみなさんと、生産者の思いがマルっと伝わるような 誌面作りに磨きをかけたいと思うのである。
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Arrived once every two months, magazine telling delicious Nara's foods and the farmer's story. "Nara eating communication magazine" is arrived once every two months, magazine telling delicious Nara's foods and the farmer's story. Japan has plentiful nature, great technology and traditional wisdom, and many good farmer. But, many foods depend on imports, and we throw away a lot of what I have left. Is it correct? "Nara eating communication magazine" is asking such a question, and this service proposal a new way to buy foods.
This magazine is supported by a wonderful editorial department. Choose farmers, interview, and carefully made a magazine, and finally they send foods and magazine. I am helping to create that magazine. I proud of member this team.
Japanese food culture and, consumers who have to change. I believing will change, we will continue making magazines.
奈良食べる通信 / Nara eating communication magazine HP fecebook
Magazine(2016-2019) Cliant : 奈良食べる通信 / Nara eating communication magazine Editor chief : Takahide Fukuyoshi Deputy editor : Hazuki Minaguchi Editorial department : Natsumi Tanaka / Yuya Matsuishi Movie editing&designer : Jiro Uemura Editor : Yoshino Kokubo / Tatsuya Ohgake Art direction : Ken Nogami / Yuko Hirose Designer : Hiroki Takizawa / Ayako Nagaoka Photo : Atsushi Kitao Illustration : Ami Matsuo Food designer : project Awa
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idodon · 7 years
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長岡の次郎こと、麺や松 普通盛りの野菜多めです! Japanese junk noodle JIRO ramen. Photo is Nagaoka’s JIRO ramen. Shop name is MATSU!
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Judo Without Grips
We regularly observe drawings or pictures of judokas with twisted arms keeping in mind the end goal to guard themselves of assault, at a first look one may consider jujutsu as opposed to judo. Experiencing a portion of the papers it is intriguing to discover, that Kano Shihan was chipping away at an investigation of procedures without the customary grasp.
Indeed Kodokan Judo does anticipate tosses and ground methods, as well as strikes, the purported atemi waza, which incorporate kicks, punches and hits. Obviously every one of these activities are restricted in "Olympic Judo" as present day game's appearance, where regularly the two rivals go for the grasps keeping in mind the end goal to toss the other.
Through concentrated practice they build up musles' energy with a specific end goal to control the other for the last triumph. Such sort of movement is rehearsed everywhere throughout the world, yet it is just a single piece of judo, right away additionally characterized as "randori don".
The individuals who just know the opposition angle experience considerable difficulties comprehend, that judo as portrayed by Kano is not the one they hone and that as of now in 1918 he communicated a few questions on this issue:
Inside Kodokan everyone rehearses randori, going for the lapel and the sleeve of the adversary. This hold ought to be performed by the learners so as to enhance ther abilities. In any case, it must be managed without utilizing power, should that be the situation then it is difficult to go for quick developments.
Such perception infers two measurements:
1) A method for educating "randori brandish";
2) The presence of a technique that is not quite the same as the randori.
The father of judo communicated his stresses over the disintegration of randori's idea and of its customary standards. He needed to consolidate Kodokan Judo procedures with those performed at a separation, the last point was to make a perfect judo which incorporated the custom as jujutsu's posterity.
Besides he needed additionally his school to end up plainly the one with the information of old jujutsu, making a document where to keep every one of these procedures and strategies, however without doing the error to only construct his school just in light of those methods fundamentally the same as jujutsu. The old learning of this teach was more imperative than the shiai rivalry.
In 1918 Kano Shihan began another preparation technique, that was a mix of judo and kendo, which included karate, boxing and other hand to hand fighting. He stated: I pondered it. I need to educate the youngsters a judo kata where one gets a fabbric or elastic blade loaded with air, rather than a bamboo sword, where they cut or wound their rivals amid preparing and the accomplice needs to maintain a strategic distance from the assaults. To make a long story short I wish to include a kata created from kendo.
Lamentably because of his sudden passing he never figured out how to complete this particular framework.
It is valuable to recollect, that before WWII preparing with weapons was an ordinary practice at the Kodokan. Among a few strategies to be recalled: the kime no kata, the ippon yo goshinjutsu no kata,the koshiki no kata and various renkoho no katas. Besides it has not to be overlooked, that Kodokan Judo was chosen as military workmanship for the Japanese armed force and the police associations.
Kano Shihan kicked the bucket instantly before the WWII began and in 1939 his nephew, Jiro Nango, turned into the leader of the Kodokan. The last was a child of one of his sisters, he was his understudy since he was a child both at the Kodokan and in his tuition based school Kano Juku. In 1922 Jiro Nango turned into an Admiral of the Japanese Imperial Navy.
In 1941 he began a board of trustees to think about "judo methods performed at a separation". The executive of the board of trustees was Kunio Murakami (eighth dan) and the individuals were Hidekazu Nagaoka (tenth dan), Kaichiro Samura (ninth dan), Kunisaburo Iizuka (ninth dan), Kyuzo Mifune (ninth dan), Genji Ogata and Kenji Tomiki (1900-1979). The panel met four times at the third floor of the Kodokan, in 1941, 1942, 1943 and in March of 1949.
In April of 1941 Kano Shihan's third passing commemoration occurred amid which numerous kata exhibitions were finished by the Masters of the old jujutsu schools. Tomiki played out an aikijutsu show, which was very valued by Jiro Nango. He at that point discovered in May 1942, that Tomiki was examining judo systems performed at a separation, ie. without the conventional hold and stated:
Judo is better than all other hand to hand fighting, yet at a separation we need to confront an equipped adversary. Accordingly we need to prepare for it. Subsequently kata's practive is vital with a specific end goal to gain dynamic abilities. It is the primary tim, that "rikaku" shows up in judo,meaning to keep up the separation.
In august 1943 Jiro Nango declares, that in pre-winters of that year there will be an extraordinary execution at the Kodokan with assault and guard methods with the utilization of atemis. He was persuaded, that these sort of methods, ie. executioner systems from a separation were totally essential on the combat zone amid WWII.
Toward the finish of it Japan surrendered in the wake of losing and the Americans instantly shut every single military workmanship schools including the Kodokan. Experiencing serious difficulties pass on to the occupation troops, that judo was not a military craftsmanship and because of the military Budo thoughts of Jiro Nango, he lost his administration at the Kodokan and was substituted by Kano Shihan's supportive child, Risei Kano, who was a Chinese writing educator abd who did not know anything about judo. As indicated by a few papers, that were thought that it was appears to be even, that he despised this sort of training.
Because of the administration of Risei Kano Kodokan Judo achieved a defining moment, persuading the Americans that it was an instructive game's movement and not a military workmanship. This perspective was acknowledged by the occupation troops permitting to begin its training once more.
After the war Tomiki turned into an imperative individual from the commission, that began the Kodokan Goshinjutsu, the kata of self-protection methods of the Kodokan and around 1969 he proposed by and by to the board individuals to begin a moment randori framework fundamentally in view of strategies performed at a separation, ie. without the conventional "kumi kata", as it was the will of the originator. The proposition was never thought about.
Kano Shihan has turned out to be the main individual with a cutting edge vision, however sadly he was at that point dead.
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