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#momo and aizen not getting individual pans
recurring-polynya · 1 year
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captains and lieutenants
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Hitsuhina Weeks 2017: Day 14 - Nobody but You
Here it is, folks. The fruits of five months of labour. The condensed version of the Hitsuhina bond and the important moments for them as individuals. I worked on these in the spare time I had during studies, and seeing as we organised the two weeks of Hitsuhina, I figured that would be a good time to post this. I’ll put explanations of what’s going on in the background panels below the ‘keep reading’ for anyone who’s interested.
Otherwise, it’s been a great two weeks, and I wish everyone a happy new year. Let’s keep Hitsuhina alive next year too :D
Please DO NOT repost this anywhere outside of Tumblr without my permission.
Childhood – I had the most fun drawing this one out of all the five. It’s the one I had the clearest vision for from start to finish. The pattern on Momo’s kimono was inspired by this material.
1st panel: This is one of the many scenarios I have imagined for how Toshiro and Momo first met. Basically, Toshiro would go out during the Winter season while it was snowing (as very few Junrinan residents dared to brave the cold weather), but one day, he see a girl he doesn’t recognise standing under a tree, looking at the silhouette of the Seireitei in the distance. She notices him and starts talking to him, and the whole time he is confused about why this girl would talk to him.
2nd panel: This is just a depiction of Junrinan, specifically Toshiro’s house. It’s meant to be a part of the coloured piece of them in the foreground (I guess you could take it as a typical day in the lives of Toshiro and Momo prior to the latter going to the Academy)
3rd panel: I never realised how much I needed to draw Toshiro as a baby until I started this XD I headcanon that Granny found Toshiro as a baby and decided to raise him as though he were her biological grandson. Ha to use a lot of anime references for Granny.
4th panel: This is one of the many times they’ve watched the sunset together.
Academy Days – I couldn’t think of many Academy moments they’d share together, considering Momo was in a different year to Toshiro and graduated before Toshiro finished (according to this track), and Toshiro was only in the Academy for a year. I based Momo’s pose in the foreground on her colour cover for the Academy chapter with Renji and Kira.
1st panel: This is based on track 8 and was partly inspired by Tama-chan’s rendition of the scene. I had planned to draw this moment much earlier in the year, but I never got around to it. Thankfully I got to do it for this!
2nd and 3rd panels: These from the same moment, where they just happen to pass each other in the hallway. I wanted to make use of the gaps between the panels, so I used it here to show that, despite being in the same place, they’re growing distant…at least, I hope that’s what it managed to convey ^^; Also decided to include a Kusaka cameo for anyone who likes the DiamondDust Rebellion.
4th panel: Momo getting her Shinigami uniform, a day Toshiro recalled while confronting Aizen and was a massive turning point for Momo herself.
Soul Society, Arrancar, & Fake Karakura Town arcs – This was the hardest one to do. This is the period of in the series is where they had the most moments together and it was so hard to choose from the many scenes these two had on and off screen/panel. Ultimately, I went with the moments that I was able to fit into the narrow spaces.
1st panel: Chapter 224/ episode 126 from Momo’s perspective when Toshiro forgives her and tries to brush off the weight of what happened between them. Didn’t quite turn out how I wanted, but I’m happy enough with the result.
2nd panel: Chapter 131/ episode 47 where Momo expresses her grief and confusion to Toshiro about Aizen’s final wish. It is also a redraw of a panel from one of the first fanart pieces I posted on here. I was very close to drawing the scene where Aizen reveals his true nature to her, but I found it difficult to crop that moment into the narrow panel.
3rd panel: Out of every panel I drew, this was hardest to draw because of how emotional it got me (the angst, the angst!) and it challenged me with trying to fit the moment into the panel ;_; Chapter 392/episode 293...gosh darnnit!
4th panel:Toshiro working away at becoming stronger for Momo’s sake in the cave from chapter 423. I forgot to add in the vapour for his breathng now that I look at it >o<
Lost Agent & The Thousand-Year Blood War arcs – Only one on-screen moment between these two during these arcs, so I had to get a little creative with this one. For the coloured part, I used the anime scene in episode 34 where their bond is first introduced for reference.
1st panel: It’s the moment I wish Kubo had drawn – the moment where Toshiro and Momo reunite months after the Winter War. I imagine it was an emotional moment, to say the least, with several tears shed from both parties and a long discussion about what happened and where they’ll go to from there.
2nd panel: This was a hard one to decide on, but in the end I went with Toshiro’s Vizard form, because leading up to this scene, Toshiro went through the trauma of losing one of his closest companions, trained to compensate for the loss, only to lose his battle and Rangiku, but then regains Hyourinmaru and defeats the person who took one of the most important beings in his life away. Other moents I considered for this were Zombie Hitsugaya, Momo’s reaction to Toshiro’s reiatsu disappearing, and Toshiro and Rangiku coming out the tanks.
3rd panel: The one moment where they’re in the same scene...and I just end up drawing Momo XD I tried to find a way to fit both Toshiro and Momo in, but nothing worked. In the end, I figured just Momo [carrying Shinji] was enough to represent the scene. Ever since BLEACH ended, I got the impression that Kubo had intended to have a big moment for them during the Thousand-Year Blood War arc (i.e. perhaps Toshiro making a more obvious effort to protect Momo, who sees how far he has come since Aizen’s defeat, or maybe a flashback on how Momo recovered and reconcilled with Toshiro); but because of his declining health, he wanted to wrap up BLEACH and gave us the small moment in 659 instead. I’m grateful for this scene and only wish it were animated T_T
4th panel: Momo healing Toshiro, a moment I headcanon happened after Yhwach was defeated; I was tempted to draw Toshiro in his matured form, but decided for his original form because it felt right for this scene. Also, I tried to make his hair a bit fluffier because of all the action he just went through XD
10 year timeskip and beyond – Got creative for the final one. I came up with way too many scenes, but some of them I knew I wouldn’t be able to draw with my current skill level at drawing. In the end, I decided to show them during the seasons (i.e. the first panel is in Summer and the last one is in Spring) in moments of peace and quiet.
1st panel: Toshiro’s reaction to Momo’s new haircut. I imagine he was a little surprised at how matured she suddenly looked, and basically said something along the lines of [while blushing] “Uh...yeah, it looks great! Why the heck do you want my opinion? Can we just get out fo the sun? It’s hot out here!” Momo’s hands didn’t turn out how I wanted them to, but oh well.
2nd panel: A typical autumn day when they can spend time together. The Soul Society is finally at peace, so they can now chill out and take long naps under the trees :P Momo’s reflective here, thinking about the long peace they’ve had and happy memories of her childhood.
3rd panel: This is meant to represent a lot of momets. This is the moment after they confess their feelings for each other. A typical moment on one of their first dates. The moment after they’ve  shared their first kiss. More specifically, the tender and sweet moments that come between them as their love each other grows and grows.
4th panel: The two of them a century later as adults. Their love for one another is fully realised and they now spend everyday together [outside of work] as a married couple. I was hoping to show a wedding ring somewhere, but I wouldn’t think of a natural pose for it. Also, I have a few interpretation about how Toshiro would look as an adult. As you can see, the one I ended up choosing involved him having long hair, mainly inspired by Hyourinmaru’s design.
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