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#mitsukuni asamine
ydotome · 2 months
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I made gyoza with my brother once, but they all got burnt and didn't taste good at all. Your brother sucks at it, too? Then why don't you teach him? - Bucchigiri?! - Episode 8
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we know where that smile comes from now
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shiruba-tsuki · 2 months
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Listen, Ara-chan. Hmm? Do you remember my big brother? Yeah, you mean Mitsukuni? Sure I do. How is he? Actually, he's in juvie right now. Huh? Juvie? Two years ago, he beat up a cop who was forcing his buddies to sell drugs. When he said goodbye, he told me something. "Keep working at becoming a Honki Person. I know you've got what it takes." Those words have kept me going all this time. I guess you've been through a lot, too. Anyway, my brother's coming home next week. Oh, yeah? That's great. Yeah!
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princeasimdiya12 · 1 month
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Bucchigiri Utena Parallel-Wannabe Heroes and the Illusion of Fairy Tales
Apart from the NNL segments, I've also had some thoughts on the Bucchigiri storyline and it's parallels to the themes of Revolutionary Girl Utena. And this time my focus as been on Matakara, who has often been hailed as being the true protagonist and hero of the story because of his honorable, kind-hearted and proactive qualities. Much like Utena herself.
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And like Utena, the two share a somber backstory where they held on to fairy tale beliefs to help them overcome their hardships and grow into the heroic figures they wish to be. But what they don't know is that they naively followed these tales without realizing the misinterpretations of those beliefs that have been passed down for generations and would soon become victims of the fairy tale figures that once inspired them.
But before I can delve into that story, we need to talk about this story.
Note: This post will contain MAJOR SPOILERS from the Revolutionary Girl Utena anime. If you still haven't watched it and want to be unspoiled, then please refrain from reading this until you've seen it. If that doesn't bother you, then go on ahead. Also, I would strongly recommend speaking with a friend or a reliable user about the dark and trigger-worthy content featured in Utena before watching. It's a great show but it does get DARK.
Also, there's another user who's planning on making an analysis post comparing Matakara and Anthy Himemiya so keep an eye out for that if you're interested in more Bucchigiri-Utena parallels.
Part 1: Origins of an Orphan
To start, Matakara's backstory and his idolization of Arajin has multiple similarities to Utena's backstory. For the purpose of this section, I'll be using the version that was shown to us in Episode 1 and not the true version.
"Once upon a time, many years ago, there was a little princess and she was very sad. For her mother and father have died."
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The first piece of info that Utena gives us is that she was an orphan and was in despair because of her parents' deaths. Though Matakara's own parents haven't been brought up nor has it been explained what became of them, it's clear that he lost them at an early age. And while he did have his older brother and his presumed relatives to watch over him, this did very little in helping Matakara overcome his grief or escape the shadows that haunted him since he was little.
"Before the princess appeared a traveling prince riding upon a white horse. He had a regal bearing and a kind smile. The prince wrapped the princess in a rose-scented embrace and gently wiped the tears from her eyes."
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While lacking the regal bearing and white horse, Arajin was the traveling prince who came into Matakara's life and inspired hope and light within him. As shown in their flashbacks, he was always a friendly and cheerful boy who radiated confidence and spirit. A true hero that Matakara could look up to and help him overcome his sorrow.
"Little one, he said, growing up alone in such deep sorrow, never lose that strength and nobility. Even when you are a young lady. I give you this to remember this day, we will meet again. This ring will lead you to me one day."
The crux of Matakara and Arajin's friendship was their desire to train and grow into becoming true Honki people. Warriors with strong hearts and did not flee from battle. Arajin genuinely saw that Matakara had that potential and encouraged him to train alongside him.
And what's more noteworthy is that the two are given a token to immortalize the moment. Utena is given a rose ring to remember the prince and her own nobility while Matakara is given a friendship stone to remember their bond as future Honki People. Even as their fated princes leave, the two heroes carry those precious tokens well into their adolescence years, never forgetting their mission of becoming the people they want to be.
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It could also be argued that Mitsukuni, his older brother, could qualify as the prince in this scenario as he inspired him to stay strong in the face of adversity. Such as in Episode 8 where he explained the creed of the Honki and how he inspired his little brother to be brave like them. He even brings up their creed to Matakara just before he's hauled away to the big house.
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"Perhaps the ring the prince gave her was an engagement ring. This was all well and good but so impressed was she by him that that the princess vowed to become a prince herself one day."
So the cherished prince rides off into the world leaving Utena alone, much like Arajin and even Mitsukuni would leave Matakara alone because of their respective issues. But rather then succumbing to despair, the two heroes resolved to maintain the noble spirit that those heroic figures saw in them. Utena went on to become a prince herself while Matakara would become someone worthy of being a Honki person. Though Matakara struggled more on his journey given how he threw himself into bloody battles while being alone, he would eventually be adopted into the Minato Kai Gang and become closer on his path to becoming a Honki person.
And just before we can go straight to Utena's story in the present, the fairy tale closes with a question to the viewer.
"But was that really such a good idea?"
For first time viewers, it's easy to interpret this question about Utena, a girl, becoming a prince since it defies traditional gender roles and what is expected in classic fairy tales. But as the RGU story progresses, we see that the concern comes not from a girl becoming a prince but more on the problems that come with being one.
Two in particular stand out. The first is that men who become princes usually use those roles for the sake of superiority and having control over women. They lack the nobility a true prince should have and relish in the title because of it's power and privileges. The second problem, and the one that this analysis post will focus on, is how princes who live up to those roles are exploited by the people they try to protect.
Part 2: The Truth That is Twisted by Time
All fairy tales, legends, myths and stories which have been passed from one generation to the next. And as the years go by, those stories are often subject to adaptations based on the preferences of the storyteller or how society uses those tales to explain their respective beliefs. A common criticism is how most fairy tales have more imaginative elements in play and avoid the grittier elements that the tale originally used (Ex. Cinderella got her dresses from a tree instead of a fairy godmother and her stepsisters chopped off parts of their feet to get the slipper to fit, Aladdin used African slaves as part of his prince con).
And we see those changes in adaptations in the fairy tales Utena showcased that omit or warp the truth to the ones who hear of them.
Such as in Utena's origins, we're told that it was only a prince who inspired her to become one so she can reunite with him one day. But the truth was that her decision was because she met Anthy who was suffering from the hatred of humanity. And the only way to rescue her was to turn into a prince whom she could believe in.
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We also see a new adaptation in the backstory of Anthy and Akio which is now known to the world as The Tale of the Rose. The world remembers their story involving a powerful and perfect prince who was stolen from them by his sister who turned into a wicked witch out of jealousy. But the truth was that Anthy sealed him away not out of spite but out of love and concern as her brother was being exploited and over exhausted by a massive, unsatisfied world who overly-depended on him.
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So as Utena demonstrates, the fairy tales we start out learning about aren't exactly as true as their origins demonstrate. They often omit or do away with the more tragic and gray aspects of the characters in those stories. This is all well and good, but what does that say about the Honki People?
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Right in Episode 1, we're told that they're courageous and valiant fighters who train nonstop and pour their heart and soul into battle. Despite being brushed off as a simple old story in the present day, their legends and battles prove worthy enough of recognition. They have a temple in their honor, Arajin and Mataraka trained to become like them, and even the city is named after them. The narrative does a decent job in explaining the concept of the Honki People, but what about the people that inspired those legends?
As we see in Episode 9, we learn that Senya and Ichiya actually started out as ordinary humans who dedicated their lives to training and fighting one another, hoping to become a true Honki Person. It's stated that Ichiya was training himself to be a Honki Person so the legend was already around when the two of them were only boys growing up in a Middle Eastern town. And fitting the Aladdin parallels, Senya started out as a simple street rat with no family or home to call his own. And after meeting someone as cool, powerful and inspiring as Ichiya, he decided to spend his life alongside someone he could call his friend.
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A rather somber element is that while the whole world grew up learning and embracing the Legend of the Honki, none of them actually knew who those Honki People were or what their past lives were like. Would it even matter to them how they started as humble street urchins with no family or home to call their own? They knew what they turned into, but they never stop to think about who these legends started out as or what their backstories or even their names are.
But what's more tragic is what became of Ichiya, the one who inspired Senya. Though we still don't know the exact details for what Senya did that tarnished their friendship, it ultimately impacted his best friend for the worst, corrupting his heart and letting him be filled with hatred and contempt. He no longer valued friendship like he did when he was human and views it as a weakness that must be purged. Perhaps becoming a true Honki Person wasn't all it's cracked up to be given how they're bound to pistols and made to serve whoever finds him for thousands of years.
It's akin to the Rose Prince who's powers were sealed away by Anthy in a desperate act of love leaving him unable to save the world like he used to. Only because of his powerless state did the Prince lose his heart and became a cruel, manipulative and spiteful monster who longed to reclaim what once belonged to him. He would even resort to inflicting every form of abuse imaginable onto his sister as "punishment" for what she did to him. (And yes I do mean every form so please keep that in mind if you haven't seen Utena yet!)
The hero who was glorified and admired in their respective tales loses their nobility in real life, allowing themselves to be corrupted and be filled with new desires of revenge and power. Transforming into the opposite of what they represented in the generations that told their stories. Simply put, they become a villain.
A villain who is...
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Part 3: The Virtuous Victim Turned Vile Villain
Bucchigiri and Revolutionary Girl Utena are shows that share the themes of fairy tales while deconstructing and subverting tropes associated with them. One of which that the two share is playing on the idea of a heroic or fairy tale archetype (the genie and the prince) becoming the villain of their respective shows. It's even more ironic that the true heroes of those series would start out being inspired by adaptations of them that portrayed them in a positive light only for to fall prey to their schemes when they meet them in real life. Bucchigiri has Ichiya, a true Honki Person that Matakara heavily looked up to, and Utena has Akio, the Fallen Prince Dios who led the sad princess on the path to becoming a noble prince.
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Each of them started out as the ideal fairy tale figure that helped the heroes when they were only children who confronted sadness and loneliness at a young age. But now that they're older and are meeting with them, they end up falling victims to the fairy tales they initially admired and tried to become. And neither of them realize that they're being used as it happens.
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Ichiya's goal is ultimately to merge with Matakara to take over his body and exact his revenge on Senya. As to what Ichiya's motives are after taking his revenge aren't clear, but what is clear is that Matakara will lose himself after being completely possessed. And because Matakara is suffering through his feelings of loneliness and his childhood friend's true nature, he doesn't even notice how Ichiya is manipulating him to improve the merge rate.
Akio's goal has been to groom Utena into producing a noble heart that can help him reclaim his original powers, even leading her in an intimate relationship to further manipulate her. Should he succeed, then he'll discard Utena and move with his life as Prince Dios once again. If not, then he'll discard her and find another person to groom. And Utena doesn't realize this as she's led to believe that he's the prince who once saved her from despair and she'll get the happily ever after she believed will make her content.
The scary part about this, is that they're not the first victims to fall prey to their wicked schemes.
Though it hasn't been confirmed on Ichiya's side, it's heavily implied that he's bonded with other people who found his magic pistol before taking full possession of them. Given how he's lived for thousands of years and initially resided in a public Honki temple, there's no way he would have not been found by some unlucky sap. His common knowledge of possession would suggest he's done this before and has seen the unfortunate results of the person he takes control of, which he mentions to Akutaro.
As for Akio, he also has lived for thousands of years and organized constant Rose Duels in the vain hope of choosing one lucky winner to steal their heart so he can break. Using his sister as a prize to be one, there have been countless tournaments held with the hopes of finding the right target that can help him regain his powers from the Rose Gate.
Alas, neither villain was successful with their attempts given that they've turned their sights on the new generation of heroes to continue their cursed wishes that have lasted for centuries.
And speaking of wishes, remember how I brought up in Part 2 how fairy tales were much darker compared to the more enchanting stories we grew up with?
Well thanks to a peculiar finding by @mahoromouse, I came to realize something about Ichiya and possibly Honki people in general. They're not even genies, they're djinn.
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Contrary to the Western media's adaptation of genies as whimsical, playful, wish granting spirits who are voiced by beloved comedians, djinn were actually neutral spirits who were born from fire and were able to wander the Earth like humans do. That said, there are some djinn who grow stronger when interacting with negative emotions found in a human being. It's even said that they can inspire greater levels of negative emotions in a human that they target. Much like how Ichiya is cultivating Mataraka's anger towards Arajin and his fears of the shadows that haunt him.
And how fitting it is that from the moment Senya was introduced to us, Arajin and the audience interpreted him as a genie. Especially given that Senya even offers him a wish while proclaiming that "Honki" can also be spelled to make "Majin" 魔ま人 which in Japanese means "demon person" or "magical person". But have we actually seen Senya grant Arajin's wish of losing his virginity? While he does help the boy in getting stronger and boosting his image as a man, that doesn't mean it's gotten him very close to losing his virginity (thank goodness). And it can be inferred that Ichiya never granted Akutaro's wish despite having stayed by his side during his reign as the NG Emperor.
Given how the Western's portrayal of genies have been popularized and glamorized for years, we have easily forgotten the true origins of genies or djinn and the grittier aspects associated with their backstories.
Conclusions
The theme that the two shows share is how a child who was in a dark moment in their life was inspired by a fairy tale to help them find the light. And so touched were they by the heroes in the stories that they decided to become just like them. But as their respective shows demonstrated, that wasn't a very good idea. The Prince and the Honki Person they once admired turned out to be monsters who resolved to exploit them and reclaim something that was lost to them many years ago. And because they grew up with the romanticized and ideal versions of their idols, they never realized the truth about them which was lost in time mixed with ongoing adaptations that omitted their pasts making them more acceptable to the world.
As for whether Matakara will be saved from Ichiya's corruption while still gaining a heart that does not flee, I cannot say. But as it stands, it looks like Arajin will need to be the one to come in and save the boy he once inspired and who still holds dearly in his heart. And just like I mentioned in my last NNL segment, maybe their friendship won't be the same anymore despite defeating Ichiya. Maybe Matakara will still harbor negative feelings to his friend for how he was mistreated and abandoned for so many years. But much like how Utena ended on a hopeful ending, I believe the same thing can happen in Bucchigiri.
And those are my thoughts on the matter. It's been a great while since I wrote an analysis post this big so thank you if you committed to reading all of this. So what do you think of these themes? If you agree or disagree with anything I've written, please feel free to reblog and/or comment with your own ideas. Thank you and may you have a great day/night!
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rubywolf0201 · 1 month
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One last post on Matakara before I log off so that I don’t have to be reminded of his predicament in next episode but I sort of noticed how a lot of Matakara’s mannerisms is just him trying to emulate Mitsukuni.
Like look at Matakara’s initial appearance when he was just 13-14 years old:
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Then you see his current appearance at 15-16:
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And then you compared it to Mitsukuni:
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I think it’s a neat detail to show how Matakara is trying to be like his brother in many ways such as cutting his long, fluffy hair and styling the fringe to be similar to Mitsukuni’s but still keeping the fluffy hair at the back, the way he build himself to be tall and imposing despite being just around 15–16 years old, the ear piercing on the similar spot (though it could be that both brothers want matching piercings with one another).
Like it seems to me that it is more or less foreshadows how Matakara isn’t as emotionally mature as the audience thinks he is and that part of Matakara trying to copy his older brother both in physical appearance and demeanour is just him trying to keep the spirit of Mitsukuni alive in an emotional sense.
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miyuskye · 20 days
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the only one that matters
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ecargmura · 1 month
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Bucchigiri?! Episode 9 Review - Matakara's Bad Day Continues
That ending…. While I am worried about what will happen to Matakara in these last few episodes, another part of me is excited because I want him to beat the crap out of Arajin. I am fully on Team Matakara on this one.
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This episode is basically Ichiya fully possessing Matakara and how Matakara copes with the possession while still stressed and emotionally broken over Mitsukuni’s “death”. Unlike Arajin and Senya’s rather harmonious cohabitation, Matakara and Ichiya are anything but. Ichiya, as a character, is manipulative and vengeful. He manipulates Akutaro so that he will bring him towards Matakara in order to have full possession of him via bullet. He then casts him aside as he’s now inside Matakara. I do wonder what had happened for Ichiya to become the way he is. Senya’s flashback with him and Ichiya showed that they were once long-time friends but had a falling out.
Then there’s the issue with the black shadow figure. I thought the black shadowy figure was Ichiya, but I guess it’s something else entirely. Ichiya describes it as a figure of weakness that looms over Matakara as he is a weak-hearted person underneath. Matakara may seem sweet, but there is a bit of darkness that looms within his heart that has been there since he was a kid. Despite having friends and a place where he belongs, it still lingers. I do have a feeling that Ichiya could be lying about it. Watch the black shadow be a twist villain.
I can’t believe the Mitsukuni story arc ended with him getting killed off-screen. Wait, is he even dead? His funeral is not even shown. I’m on the boat of ‘pics or it didn’t happen’. If he is dead, then it’s serious wasted potential. I know that Mitsukuni is mainly used as a sort of lifeline of Matakara’s mentality, but for him to have a face, name, background and even a voice just screamed ‘important character for the story’ and he got yeeted off-screen. Why do I get the feeling that someone’s going to yell to Matakara that Mitsukuni is at the hospital and not be actually dead? I can feel that happening and I’m not going to like it at all.
Oh boy, Arajin… While it is nice that Arajin is thinking about Matakara, the fact that he still sort of finds him an annoyance and still doesn’t fully check up on him annoys me. He still simps for Mahoro and even she calls him out over his incompetence. She learned that Mitsukuni is in critical condition, or even dead and she tells Arajin if he has ever considered Matakara’s feelings for once. At least Mahoro knows how to sympathize while Arajin cannot. On top of that, Arajin starts wondering if Mahoro has a thing for Matakara. WHY IS THAT THE FIRST THING ON YOUR MIND? We’re 9 episodes into the show and there’s still no redeeming quality of this guy.
I do wonder what Akutaro’s role will be in this portion of the story. As he got abandoned by Ichiya, he wants revenge. However, the anime still doesn’t answer how he managed to stumble across Ichiya in the first place and why it’s possible for these djinnis to possess someone without a bullet.
I enjoyed the comedic parts of this episode the most. It was a nice way to get my mind off of the angst and pent-up annoyance towards Arajin. What are your thoughts on this episode?
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sunspots-non-sorts · 1 month
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Bucchigiri?! - episode 10.
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mangshadow · 2 months
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I CANT HELP IT I WANT TO MAD AT MITSUKUNI TOO
WDYM BRO GONNA GET HOME FROM THAT JUVIE A FEW HOURS LATER BUT DECIDE TO JUMP INTO THE OTHER PRISONERS FIGHT
FR BRO YOU ARE NOT THE ONE😭😭 THEY NOT GONNA STOP WHEN YOU SAID GUYS STOP THIS ISNT YOU😭😭
BE FOR REAL😭😭😭 LIKE NO WAY
CANT HE JUST BE A GOOD BOY AND WAITING FOR HIS BROTHER TO PICK HIM UP
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thecraftyninjacat · 2 months
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on the topic of mitsukuni, him coming back and being the perfect nice brother would be TOO EASY. either he’s evil or something horrible is going to happen to him just before he’s back
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pinkroseblooms · 2 months
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What is happening to Matakara is breaking my heart.
Damn my man is going through it.
SPOILERS:
Also, I didn't realize until Arajin said it outloud that Matakara didn't actually know this whole time he ran away from those bullies. Was that just me? I feel like that wasn't really explained prior. But whatever, as someone who lost an older sibling who was (always will be) my best friend, I legit started crying thinking Mitsukuni was already dead. Like wtf, when did this show get so real?
Also, also, totally off topic...but damn was Ichiya worth the wait. 🥵
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ydotome · 2 months
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What does that say? "A Honki Person is one who finds a heart that does not flee." Does "Honki" mean you're strong and a good fighter? Not just strong, but strong and pure. What's that thing watching from the back? It's something that sneaks in through the cracks in weak people's hearts. Being a Honki Person...means that you never run away. Never run away. - Bucchigiri?! - Episode 8
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"Then why don't you teach him?"
"Huh?"
"Aren't you going to live together again?"
"Yeah! When I save up enough money, we'll rent an apartment together! When we do, you've gotta come over!"
"I'm going to busy with Mahoro-chan, so no way."
"Then bring Jin-san with you!" "Not a chance!"
I have so, so many thoughts on today's episode. all i can say is this- they cooked in more ways than one. expect some posts on rambles and theories i have soon, one of which is definitely an analysis on the fight between matakara and arajin, because that stood out as a pivotal moment to me.
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rewordthis · 23 days
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Watching Bucchigiri?! and waiting for the last episode to air can be conflicting.
Do I want it to end or do I hope for a second season for some more explanations (highly unlikely btw)? Do I let it go, because from the get go it was an incoherent attempt from the producers to connect dots randomly put on the paper? Or do I stay for the music, some cool characters (ok 2— but still) and the ‘what may be’? Genuinely asking here...
Arajin, as an antihero-type (more like pathetic) mc sure isn’t the first one I’ve seen, but good god he’s the stupidest!
He’s so blissfully blind and singleminded that to be honest, I see what Senya felt attracting him and possessed him. lmao Even he mentions that this is the way of life and a innate trait of those aspiring to become honkibito; to singlemindedly pursue their goal: to become honki.
Notice how it is shown, that the crypt in the temple opens the same time that Arajin rehearses his introduction for his female classmates in his new school. Peak confidence moment for him, if you ask me! 🤭
Following that logic, of genies being attracted to specific traits of their vessels, the bullet hit Arajin because Senya had chosen him. He actually says first thing when he sees him: “またはずれか” aka: “another miss?”, which means that he’s already tried to posses people many times before.
But, I want to point out some things that are showing through in the series, and this is going to be one long-ass and winding post, so buckle up I guess, if you dare to read further down below the cut!
◆ As for those of you that have a short fuse and still opened this, I’ll be kind and tell you that you can skip to the last paragraph (green colour) for what my expectations are for the final episode. Cheers~
◆ So here we go:
1. Honkibito: 本気人 or マジン (majin) as Senya says and Usagi-san has already very coherently explained here, are spirits that are free to posses whoever they feel more attracted to or consider strong enough for their goals and can equally, easily abandon anyone that doesn’t have it in him. It: is the overpowering desire/will (nozomi) that one holds in his heart. Also, in my boop-induced stupor, I commented on a post, that honki may have been a word play for stars, seeing how the theme is 1000+1 nights and Senya’s symbol is the sun while Ichiya’s is the moon, but love, I am not sure when my moments happen correctly… I was just thinking that 本(hon) can invoke a recall on 本能(honou) instinct -> 炎(hono) flames -> 星(hoshi) stars (because they burn) -> 欲しい(hoshi-i) desire (this is completely inaccurate though, in terms of how the actual pronunciations are and the kanjis… I’m sure the kanjis don’t stem from the same sources either) and I also, actually thought that 本鬼 or 本生 could be other ways to write it. Because 本鬼 could be read as honki: real/wood demon (Akutaro refers to Senya as oni (demon)): and in the Chinese astrology there’s the demon star (7killings and represents the warrior — though it represents the wrong way of using power) and I mostly based what I said about stars on the thought that, what if it means it falls under a wood master since wood grows tall to reach the sky and they fight to reach their higher/true selves? Because aspiring to reach your higher state is like aspiring to get a seat on the sky, appointed by Zeus(!) and that meant you had to die in battle as a true warrior for that to happen (also the spirit probably needs to be free and not “sealed”, too) — hence why they turned into genies instead. (Still new to Chinese astrology here though, and honestly very fucking confused… 😵‍💫 Sorry… ) But there is actually, arcane knowledge about how someone could become a Hero in ancient times which was happening during time intervals in correspondence with the zodiac cycle, however one had to be initiated through a ceremony; one such being The Eleusinian Mysteries. And 本生, can it be read as honki, too (huge stretch here. Help!)? Because that may apply to the spartan/straight-way of life the warriors live, but apparently there’s also a famous buddhist work that is titled Jataka Tales, which I had no clue until now, when I tried to search the kanjis... Ok. I think I exhausted my stupidity quota with this one, I should be studying a lot more consistently than just brain-dumping everything in a mixer and expect a smoothy later. Haha 😅
2. Senya and Ichiya were once humans. And by the time they were killed they were very much vulnerable and well, human and killable. Ichiya, especially was very much in anger at that time without managing to solve the issue he had with Senya…
3. They were sealed (Senya’s words) when they were killed after the wars had ended. (Poor guys did their mission and didn’t get to play after… 🥺) This actually leads me to believe that their souls ie: spirit (気) was bound by a spell to not the bullet (because how else was Arajin able to reshoot himself? the bullet never gets lost or the pistol refilled…), but rather the crystals on the pistols. Each one was killed by only one pistol with their corresponding colour on its crystals. By the way, it is said that crystals can be bearers of supernatural powers or cages of spirits, because of their close relation to the earth and therefore all the energies that run through her. If you have seen anything from Jujutsu Kaisen, these pistols are what is considered a “cursed object” practically.
4. The fact that nobody can see Senya or Ichiya (they can’t even see each other, please! 😫), unless they touch the bullet makes me think that their spirit gets projected into the material world through there but it’s otherwise only seen by their vessel because they are part of its aura. Also, I don’t think ichiya ever really possessed Akutaro because he probably didn’t shoot himself. I mean, we don’t see him having a bullet on him, ever. And if he did have, he would have been alarmed by Ichiya asking him to put the pistol in Matakara’s hands and shoot himself, no? Sir, I think Ichiya only rode him until he could find Matakara, but I’m not sure how. 🧐 Maybe the black spirit was how he possessed him. Or maybe not. Also, maybe because Ichiya wanted to leave but couldn’t until someone he wanted more would use the gun (and Akutaro wasn’t dying atm) he just stayed to search for someone strong. Ichiya has been out at least half a year before Senya found Arajin. Upon finding out about Senya he can feel the clock ticking. And he sure didn’t know about Senya’s state until Arajin punched Akutaro. He realised that this was his chance! He was also pressed, to force Matakara into using the gun because he’d never do it on his own…. And Ichiya really wants to fight Senya… And maybe genies are able to stay as long as either of them wants to merge… I mean, both Senya and Ichiya tried to leave mid-fight to let their vessels die during it or to force them make up their minds maybe, but somehow they were both still connected to them and stick around because they wanted for their vessels to make a resolution in their heart and use their power. Arajin didn’t want Senya but Senya wanted him, so he stayed until Arajin literally felt betrayed by him. I think Senya was able to leave the whole time, he just chose to stay. He was amazed that Arajin was even able to initiate a merge all by himself. He’s one special idiot, if you ask me. But after finding out what merging meant, there was no point in staying with someone that didn’t trust him anymore… 😕
5. Why did I mention aura earlier, though? How is it into play here? Because Matakara could see Ichiya’s darkness lurking in the temple ever since he was a little kid. And I’m steadfast on my belief that this darkness stems from Ichiya, because not only was it on his side in the panel picture but it also seemed to form a writing of his name when it settled…. But, back to the point. Why could Matakara see it? Could his brother see it, too? Well, I’m not sure about Mitsukuni, because he didn’t seem to notice it, but Matakara could definitely see it. It’s because he has a pure soul. There’s honestly nothing better — and worse at the same time — than someone having a 100% pure soul. They are kind, bright and a treasure (ironic — I know…) to those around them, but darling, they are hell broken loose when they get a change of heart and play for the other team. Matakara’s pure, kind side is a lot like Makoto’s from Free! but at the same time I get many Keisuke/Kurosuke vibes from him! (I mean, I still have beef with NitroChi for never releasing official birthdays for that vn! 😤 I always feared that Keisuke could be a Libra, but he’s far more likely to be an Aries at this point.) I also had flashbacks at how Marito called Matakara Arajin’s dog, of how Kurosuke was mad at Akira because he thought he treated him like a dog! 😭 As n said: “stagnant water gets dirty and can’t return to its original state again…’.  Dear god! This must be one of the most beautiful allegories I have seen in anime, if not in general. Water cleanses, is the source of life, but when it pools it gets dirty and dangerous… It’s how powerful a weapon true purity can turn out to be… (Stray thought, btw, but why do you think angels are portrayed as ferocious warrior beings but are still the most pure, huh?)
6. Also, Matakara’s birthday is a day that signifies constant change in the person’s life. It’s frustrating that these individuals are supposed to realise later in their life how the family they originated from hadn’t really helped them at all at evolving or how they need to make ‘amends’ of sorts with their mom especially, to feel comfortable to forge bonds. Yeah… I don’t think so, darling. They are considered saviours of some sort, which in turn puts pressure on them, but in a good way. What triggered me the most reading this, is that they are loners in their core and only consider like one or two people ‘theirs’. Anyone noticed how he only calls Mitsukuni, nii-chan or Arajin, Ara-chan and how fixated he is on ‘saving’ Ken-san for last? Anyone? I’m accepting offers! It’s because these are the two most important people in his life. They are his bonds. His only, truly, fully acknowledged bonds! Kenichiro, is only tangentially important to him, because he was the only one that was second to his brother. Nothing more. So, very sorry for those who got upset when he told Zabu that he doesn’t really know him, because he absolutely meant it. It’s the truest thing in the whole freaking series. There is this darkness that Ichiya latched onto, which honestly must be SO deep, that it makes me feel powerless knowing there are people out there who do feel like this… He knows full well, that no one of his “buddies” knows how deep this darkness runs — they can’t even begin to imagine there is darkness in him to begin with — he doesn’t really even know how deep, himself. He felt oppressed for keeping it under wraps all this time, because it first got out when his brother went to juvy, and that was just him lashing out, mind you. Now he has a magical being telling him that he needs to be this way— he needs to turn into a monster himself and embrace this darkness to become truly strong. He won’t get over it until he realises that nothing is his fault and everything changes because that’s just how life is supposed to be.
7. Here I want to speak about that shadow/darkness that follows Ichiya, that from the beginning I honestly though it to be his “human despairs” that he had tried to get rid off; but for someone to separate and reject parts of their soul can produce incredible frustrations and pain that can result in those energies manifesting in a separate entity of sorts but which is still fed by the broken counterpart, so it stuck close after his death. I genuinely believe this fraction of his soul is still on the loose because he didn’t want to acknowledge it and that he’s not whole even as a spirit. But it’s also possible as it was pointed out, that it is an entirely different entity that possesses him, I still, beg to differ though…
8. I have a huge fear that Mitsukuni was a Libra. Libras and Aries are opposing signs and energies. No matter how good a relationship they had or how much Matakara admired and loved his brother, he’s bound to feel frustration around him. Because Libras can be exhibited as extremely righteous, which to be fair is highly subjective; I’d probably categorise them into the self-righteous bunch. Imagine an Aries now having to live up to these standards. Fucking hell… Not to mention that feeling this way, can also make someone feeling like they are being ungrateful towards the Libra person who showers them with attention and tries to spoil them by doing as many favours to them— even favours they didn’t ask for… 😒 This is an incredibly tentative power balance that can tip over super fast super easily. 😬 In one word: HELL.
9. I also just remembered how there’s a huge difference in how Senya and Arajin are activating their merge to the way Ichiya and Matakara do. As I mentioned above, Arajin is the one reluctant to merge but ends up being the one asking Senya and even activating it on his own during the time he faces Akutaro; he is the one with the overpowering will in their merge. Matakara on the other hand is accepting Ichiya inside him and surrenders his body to him, completely relinquishing and entrusting his everything to him, making himself to be the one with the weaker will despite how he naturally is before Ichiya possessing him.
Just look at him here, how he takes Ichiya in him: eyes closed and stance wide open… 
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Again, completely giving himself over to Ichiya and in a sense, self-sacrificing in order to find the strength he’s so desperately wishing for. Oh my gosh, he’s such a beautiful character… *I hate them producers* (´༎ຶོρ༎ຶོ`)
10. Now that I remembered this, his blood type is O. In Japan most politicians or company directors etc, are people with blood type O and so they are also considered “the leader”… just so you know. 😑
11. Also, also! I haven’t really understood the reason the genies ask for “what is your wish” in this anime in particular, because it’s not like their going to make it happen, but it probably is required in order to establish a connection to the soul and the desire of their chosen fighter. I mean, how can you connect and even “merge” with someone, unless you know what their heart truly yearns for?
12. One more thing. Along with Arajin being themed by chinese tradition, there are other elements throughout the series, like some of the character names and even at how they arrange time. For example, Matakara asks Ken-san to meet him at “the hour of the rooster”, which is about 17:00 - 19:00.
◆ Change of heart; change of… clothes: What is the significance of Matakara being designed to have a hoodie? It must be convenient for someone his size. Hm. 
I believe that being interested in fighting as a “sport” or a “self-defining” means (as is the case here) is extremely unlikely one would make such a choice in real life. How so? Because wearing chains, piercings, hoodies and generally having loose items on your person, could prove a weapon or a leverage in your opponent’s hands and be used against you during the fight (sort of when being a goalkeeper and shooting the ball to your own nets kinda thing…). So in a way that, unconsciously, makes those characters look far more assured on their strength. Besides Matakara, other known characters that habitually wear hoodies despite their involvement in close combat are Akira (TnC) and Yuuji (JJK), who are also considered exceptionally strong and they also know it. One other example in the series that stands out, is Marito. The chains and piercings he’s wearing are all a means to say he’s got nothing to expect from those facing him. There may be that there’s just enough respect among those fighting that they wouldn’t resort to such tactics, but then again, Matakara did throw dirt in his eyes when he became desperate, so this is just to say that Marito is insanely strong and also insanely assured about himself— if not just plainly insane. In other words, the design is such that evokes characters with confidence and awareness of the gap that separates them from their peers, something to which it can be ascribed the why and how Matakara tries to be fair during fights up until Ichiya enters him.
Now, I’m sure it’s quite noticeable how Matakara’s light blue hoodie and white undershirt has given its place to a dark navy blue one with a black undershirt. This is because “darkness” is the theme metaphor here. Ichiya said when he transferred to Matakara that Matakara has a deep darkness in him to which he could fit in more better. That was what Ichiya was drawn to— like how Senya was to Arajin. Also, I’m pretty confident that Ichiya had his eyes on Matakara ever since he was a child and could see the “monster”… I also think, that the way Senya thought this to be a sign when he found out about Arajin and Matakara training as kids to become honki, is an indication of the genies being drawn to souls with this desire. Matakara, to be sure, also never left the town and kept visiting the honki temple, which means Ichiya could probably “sense” that original darkness he was drawn, evolving. He rode Akutaro when he had the chance, to manage and get out to look for that darkness. I kind of think, that maybe this has to do with the fact that spirits cannot be seen or be able to see since they don’t have eyes. Spirits are energies that you can feel, however. In that same vain, Ichiya must have recognised Matakara’s darkness during the gang war and was finally able to see for himself how really strong the kid was. The fact that he was able to strategically draw him out while using Akutaro’s grudge against Kenichiro was a very pleasant moment of success for him, I’m sure… 
Matakara as Ichiya keeps urging him to do, has to “throw away his weak (kind) heart” to become truly strong. There is an underlying point to this as well… One where he is currently learning to be more proud of himself, therefore exposing the bullet on his chest. It’s not a dark secret. It’s something he’s embracing and honestly in Matakara’s case, I’m happy he does. The most important thing for me though, has to be the location of the bullet. It’s smack right in the middle of his chest. Close to his heart. And therefore very strongly and deeply rooted in the one place he is stronger (or weaker, depends on how you perceive this). Matakara’s pure heart has center and spotlight. Unfortunately, this very same heart is being broken time and again and that is his biggest frustration. This is why he was wearing an undershirt that was covering his chest before. Because his darkness is in his heart. It’s where he feels weaker, unsure of himself, where the genie can patch a hole in his host’s soul. Does he have an inferiority complex? Most probably. Does he blame that on others? No. Not even Arajin. All he wants, is to become stronger. Strong enough to beat the monster. It’s not even a monster in my opinion — it’s misplaced frustrations that got too strong and got a life of their own (note 7 above).
Also, darkness: apex predators are blending in and lurking in the shadows, hidden away until they spot their prey. Then they make their move, kill, and leave. Does that behaviour remind you someone? Yes, it does. It’s how Matakara has started facing his opponents. “Again”, as Zabu comments. He goes up and challenges them out of the blue, plants them into the ground and then just walks away… 🥺
The really hard part though, is how he had to beat Zabu, because he clearly didn’t want to as is shown in the scene before Zabu catching his leg to stop him, where he doesn’t look at him as he lies on the ground; he just knew he had to overcome his “softness” and actually beat to death someone that was a “companion” to him in order to not falter in his pursue of “himself”. This kid is fighting to find his place not just in the world around him, but in the world within him. He’s always looked into the world without being able to point where he fitted in and once Ichiya challenged this (“friends are for the weak”), he was forced to go against his instinct of fitting in and forging bonds and move into a state of standing for himself. When Ichiya said that “the thing you lack is anger”, so he could initiate a merging process and urging him to lose himself in his anger, wasn’t to say that Matakara just needed to be angry at everyone, but more likely that he had to acknowledge his frustration and be able to draw out a real desire in him to fight not just for the sake of fighting and being accepted but for him to finally stand up for himself, for what he wants— how he should not be feeling guilty for who he is, because let me tell you, he feels so fucking guilty for himself. For being weak. For being a burden. For being angry at himself for never being ENOUGH! He needs to be blinded to be efficient, so the fact that anger is what can trigger this blindness is needed for him to not think and hold back anymore. And the fact that he’s so kind means that he’s never held a grudge. He never felt entitled to get angry at someone. He always, always wanted for things to be peaceful. Super ironic if you know anything about Aries. He’s literally the odd one in the bunch. But pure Aries really don’t hold grudges; they boil and fight and forget about it on the spot. For his birthday especially, there’s a tendency to ignore rules and have issues with authority (looking at Ken-san 👀) but generally being the warrior type individuals, that are seen as the heroes of the group. Kid never had the chance to built self-esteem, though or a defence mechanism. And this acceptance of his darker parts is actually a very important foundation that he’s laying out for himself to learn that some times change is inevitable. Darkness is inevitable. Negative emotions and shitty situations are part of being alive and it’s absolutely valid to feel bad and frustrated and to want more… And that (accepting his darkness) it will make him stronger. “But he’ll be unable to live with himself afterwards”, you’ll say… Yes, he will be tortured afterwards for what he did. He will bitterly regret beating Zabu and anyone the way he did, but he will have proof that he’s not weak. He’s not a burden. He’s not less!
★ I also keep seeing people talking about how the series refer to idolisation and honestly, I don’t think that’s the case at all.
Idolising someone means that you have put them on a pedestal and consider them far out of your reach and eventually give up on trying to reach those individuals. And that it’s simply not what’s happening with Matakara. 
Now, if we’re talking about Mahoro, sure; she even refers to Marito as “god” and has an extremely unhealthy obsession with him to the point where he even has to treat her like a pest to push her away— even though I’m sure he loves his little sister; I mean, who’s brave enough and eats that horror of a bento if they don’t love their sibling who prepared it for them? Especially if they have the chance to throw it out without anyone seeing them??? 😨
★But with Matakara it’s a different story. His whole negativity and frustration doesn’t come from idolising Arajin. I mean he does look up to him but he’s not thinking of him being out of his reach. He just thinks that he’s the weak one of the two.
We see him actively (aggressively, more like it) trying to become stronger. We see him aspiring to reach Ara-chan. 
Trying to get close and live up to his brother’s legacy, who was even considered a living legend among these yankies (and now I want you to try and imagine having to grow up next to a literal demi-god (look point 8 above) among common mortals, I seriously want you to imagine the pain and frustration of never measuring up to them for a moment here… because you see them in their everyday; how they move and hurt and live and breathe into this world… and you still can’t be like them… imagine the inhibitions and doubt this plants into someone’s psyche…) and now that he’s dead, Matakara will never be able to reach him no matter how he tries, because bro has ascended without him, before he ever tried to fight him even as a joke. There is a recurrent theme through the series that you become stronger and acquire power by continually challenging and winning over gradually stronger opponents. You literally “build up” your strength and your way to the “top” as it is mentioned in the series from even as far back as episode one, whatever meaning that “top” may has.
He even, still, wants to be a honki person, who from what we know so far, is questionable anyone ever managed to actually achieve it. (We just don’t have the requirements to know how honki-ness is achieved! 🙄) And the only thing that is actually wrong with Matakara is that he’s miserably failing to objectively asses himself and perceive how he appears to the others, and that’s because he was never in an environment that gave him the opportunity or the tools to build a strong sense of self. His parents literally abandoned their children, with Matakara seemingly not even in the age to start attending grade school. His brother, who by the looks of it was about 9-10 (they have roughly a 5years difference— depending on whether Mitsukuni was the same age as Kenichiro (Arajin, you bitch, come and say to my face that a 21yo is an old man and I’ll rip you a new one! What are we 30-somethings supposed to be huh?! Grr! ( *`ω´)) or if he became an early leader), was also a kid that had to look after him even as he had no means to provide for even himself since he was underage and couldn’t work. They both had to be taken in and live as a “burden” to the new owner of their family’s old bathhouse…
How the fuck does any of you saying that, can’t realise that this kid literally grew up to consider himself inadequate and unworthy and being fucking torn and tormented so deeply in his soul, that he actually believes he’s just NOT ENOUGH!!! is beyond me. And you dare fucking chalking it up to simple idolisation… (● ˃̶͈̀ロ˂̶͈́)੭ꠥ⁾⁾
How can someone have such a single-angle-view perception to get so blind? This is “Arajin blissful blindness” on your part and I’d like you to think twice before you come into my house talking shit like that. (Not that the producers gave a fuck either to think this through, apparently…) _(:3 」∠)_
※ We are a Matakara & Ichiya wildlife safehouse and we don’t serve tea to haters and surface-tension-level character supporters here, the doors are open for you to go away if you don’t like that. 🐾 * gently boops you out the door*
We also don’t want to hurt anybody, just to achieve enlightenment. 💖
˚✧₊ As for why Ichiya acted like a dick in the first place, I am inclined to suspect, that this was probably because he realised that this was the end for him… 
I mean, he was angry at Senya for holding back, and generally it is showcased that when real friends compete for the same goal they need to do that seriously so that the other gets the satisfaction that they lost to someone stronger than them at least and even more so that they won because of their own powers and not because they are viewed as either too respectable or weak enough to be let to win. 
In the same vain, Senya is indeed like Matakara, because he’s not just holding back from Ichiya for being friends. He’s shown so far, to have such a strong respect for Ichiya, that he at times seemed to be ambivalent about wether he’d be able to really win over him. He’s unknowingly downplaying himself in front of Ichiya which in turn is also a form of weakness to boot, too. 
He’s making Ichiya double the mad he actually is this way because a) Ichiya wants to know who’s the stronger between them for real and b) Senya is risking his becoming of a honki, since he’s essentially running away from fighting seriously. If you’re not able to face all your opponents equally, you are not able to become a true warrior/fighter/whatever and stand alone. The top has room only for one, and one must always be prepared for the loneliness he’ll have to face. You need to rise as someone that has no human weaknesses.
But Senya knowing how serious Ichiya is, is also probably afraid of how much Ichiya will push himself during the battle and that’s why he said “if we fight seriously, one of us could die” to which Ichiya actually said that he’s prepared for even that outcome. And what is Senya supposed to do, then? Do his — so far, one and only (gege when I catch you gege) — friend the favour and grand him his deathwish, without even understanding “why” himself or try and talk him out of it while finding out the problem and meeting him halfway?
Here I should probably add what I wrote in a reblogged post, where I state that I think what Ichiya is also concerned for, is that they need both Ichiya himself and Matakara to push harder in order to achieve perfection, but that can only happen when you overcome your humanity. Ichiya sees being human as a hindrance and therefore pushes for all three of them to abandon that aspect of themselves. Ironically, while doing so he falls in the same trap he initially tries to pull his friend out from and now his vessel, too. Being angry and frustrated is a sign of humanity, therefore a weakness.
Ichiya’s birthday, represents people born on this day, usually having an innate “darkness”, as Ichiya said in anime, too where they can feel the pain and sorrow of this world. In order for them to achieve their higher goal, which is to stop feeling so powerless to save this world from its sorrows (because Virgo is the perfectionist and the helper of sorts of the zodiac), they end up hating their own humanity and trying to overcome it (see note 7 above) even if that means that it is to their own detriment. They pursue this with great zeal even if they die, because death will eventually come for all and they know it. They understand that the time anyone has in life is finite and they internally mourn for this. They also feel pressed by this knowledge, because they want to achieve as much and as best as possible by that time.
I also love how Matakara is an Aries and Ichiya a Virgo, because those two signs are traditionally incompatible but they can work out and polish each-other if they happen to interact. 😊 As signs in aspect, Virgo and Aries are also considered to have a “karmic” relationship, exactly because of the hard lessons they will force on each-other. Surprisingly, or maybe not so much, the cool, collected Virgo will stick around and work with the usually hot blooded Aries to teach him patience and methodology, especially if they have already chosen the Aries. If the Virgo finally forms a bond, it's usually reluctant to leave later. Aries on the other hand can remove themselves the minute someone bores them, but since the Virgo is aggressively independent, they can be kept in a state of continual mini-wars that push the Virgo to open up bit by bit and thus bring the Aries before unexpected discoveries and truths they didn’t even imagine. From outside, they seem to both stick with each other out of sheer stubbornness but the truth is that they take important lessons that hone their less evolved traits of their characters and they are keen enough to recognise that. ie. The Virgo learns to be more honest in sharing their feelings (tenfold in Ichiya’s case btw— imagine how much better he’d be at communicating with Senya after being with this kid for a bit more time…) and Aries learns how to objectively asses and look at themselves. Of course, a fall out is always possible if their energies and other planet aspects are not in favourable positions but, I’d say in this case it’s safe to assume that a soul-that-lived-centuries-ago-turned-magical-being, was somehow fated to be compatible with the soul that needed its guidance the most. (Honestly, this has so much potential and pain and hope to unpack that the fact the series were so half-assed, literally pains me as an astrology enthusiast. Ah, the greatness we could witness had the producers been a fraction more serious and enthusiastic about this project… 🥺😔)
Ok. At this point, I’m sure I have forgotten a shitload of things I wanted to mention when I started and also have messed up somewhere and made mistakes, but mercury is retrograde and the last episode is this Saturday, so I’m writing this knowing that’ll probably be smacking myself and wanting to edit it in a month from now but for now— fuck it, we ball! 🫠😎
I also want to thank anyone who had the steel nerves to be able to read this far… You truly are a force to reckon if you managed to tolerate my incoherent ramblings until this point. I’d like to thank you from the bottom of my heart and hear your thoughts in return~ 🥰
▼For closing, I really want to say what I expect from the last episode before it airs! So here it goes…
I believe both Senya and Ichiya will fully merge with the kids for the fight. They will battle to the brink of death. I hope it’s bloody and satisfying to Ichiya because he won’t rest otherwise. But I think, like Senya said that he “has no intention of staying longer with Arajin after he found out the reason behind Ichiya’s change”, that they might actually not be able to fully return to their original forms and so, maybe the genies will eventually be integrated into Arajin’s and Matakara’s bodies and consciousness completely. Maybe they’ll even be forced to do that because, what if Matakara ends up being near death and the only way to survive is for Ichiya to fully give up into him? Hmmm??? (I’m looking forward to hitting this one! 😎 they could even resume their training to become real honki people; both the kids and the genies) The fact that merging is dangerous enough for someone to die in itself is very important to consider, but as hinted by Senya’s words there is a possibility to retain or even return a vessel’s soul— which has me thinking Sukuna of sorts... Now, if we were looking at a tragedy genre, Matakara would end up dead no doubt, btw. The other option seems to be that Ichiya finally gets defeated and so maybe his soul is able to rest with Senya actually managing to achieve becoming a true honki; I… wouldn’t particularly mind this outcome but I’m not sure how it’d be for the boys… especially Matakara. I honestly think it’d be a little cheesy. I also think Arajin will get a bit taller as a result of that merge and I think that the shadow we see in the ending theme, it’s going to be his new self after that fight. And hey~ Maybe he’ll even get the girl… no matter how shitty a personality she displayed so far… 🫤 We may even get a glimpse of what happens some 3 or 10 years down the road. Who knows?! 
Now guys, I hope you had a good read. <3 If you stumbled on something that confused you, feel free to ask about it. Or tell me I’m wrong. Works either way! :P
Asks are open for all if anonymous is your thing, too. 📥
Let’s see what the last episode has in store for the fandom this Saturday together, shall we? 🤗
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mahoromouse · 2 months
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Bucchigiri?! Name Meanings Part 3
Continuing some name analysis with the other Minato Kai members, present and past:
Douman Kenichirou / 道満拳一郎
拳 ("ken") means "fist" and is often as a suffix in the names of martial art moves. 一 ("ichi") means "one", and related terms like "first", "best" and "only". 郎 ("rou") means "son" and is a common ending in typically male names. 道 ("dou") means "road", "way", or "path" and can include concepts such as "method" and "principle". 満 ("man") means "full" or "complete". This same character is used to spell out the first name of Matakara's brother's name, Mitsukuni (the character is read as "mitsu" here) and I'll talk a bit about that in a bit. As a complete name, Douman Kenichirou makes sense in that invokes his belief in hand-to-hand combat without weapons ("the way of only fists").
Zabu Kakeru / 座布翔
The characters that make up his last name, 座布 ("zabu"), are usually read as the common word "zafu", the term for a specific type of seat cushion used in Zen Buddhist meditation. 翔 ("kakeru") can also be read as "shou" meaning "soar" or "fly". His full name being along the lines of "Flying Cushion" probably relates to the magic carpet that features in the Disney version of Aladdin.
Sakigake Komao / 魁駒男
魁 ("sakigake") can mean "one who charges ahead of others", which so far seems to be Komao's general approach to situations. 駒 ("koma") can mean several things:
(rare) foal, young horse (or generally) horse
(shogi, chess) piece, man
someone controlled by another: a pawn, a puppet
男 ("o" or "dan") can also be read as the word "otoko" meaning "man" and is a common ending in typically male names.
Asamine Mitsukuni / 浅観音満邦
As mentioned earlier, 満 ("mitsu" or "man") can be read most directly as "full" or "complete". This is the same character used in the last part of Kenichirou's surname (Douman, 道満). This probably relates to the fact that both have been leaders of Minato Kai. 邦 ("kuni") means "home country" and usually refers to Japan itself.
As I said in a previous post, "Asamine" can be divided into two parts, 浅 and 観音. 浅 ("asa" can mean "shallow", "superficial", "frivolous", "wretched", or "shameful" while 観音 ("mine") translates to "Guanyin" ("Kannon" in Japanese), a goddess-like figure in Chinese Buddhism associated with compassion and mercy. Since Mitsukuni has yet to appear in the story, it's difficult to know exactly what is meant by this name, though I personally think something may not be as it seems with either Mitsukuni or Matakara.
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rubywolf0201 · 2 months
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One thing I really want to know is where matakara's parents are - they're not even mentioned. I thought that was a bit strange - we're on episode 8 and no mention of them.
To be perfectly honest, even Mata’s bio says that he only has his brother as his only living relative. Episode 2 says that he and his brother were lucky enough to have relatives to take care of them.
And then there’s the one flashback of the Asamine bros making gyoza:
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Which more or less confirms that they only have each other to rely on.
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