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#mitski dancing with the light has not left me i fear i would
navyblueart · 3 months
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but here in our place we have for a day,
can we stay a while and listen for heaven?
haven't drawn in months and months due to the Worst case of art block i've ever had, but i saw videos of mitski dancing with the light and it made me feel so much that i wanted to try and paint it. i would kill to see her live, i'm so sad people are being disrespectful at her concerts :(
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jacobsneed · 1 year
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4 in 1 quizzes!
thank you @trench-rot , @inafieldofdaisies and everyone else for tagging me :D
I'm like super behind on tags so consider this an open tag <33
Uquiz #1: What's your OC's darkest desire?
Uquiz #2: What’s your OC's underlying motif?
Uquiz #3: What type of protagonist is your OC?
Uquiz #4: How is your OC's soul perceived?
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for it to never end
you're slow dancing with someone you know will ruin you. maybe they already have. but you've been holding on for so long, your arms don't know how it feels to fall from this embrace. it's dying, this little, tragic love, but it made you feel alive once. maybe it was all inevitable. maybe it's better that it couldn't last forever. (you deserve someone who loves you as much as you do, let go)
the dog
whether it’s the way you bare your teeth when backed in a corner, your loyalty, or your tendency to act on instinct, your reoccurring theme is the dog. like mitski said “i get mean when im nervous, like a bad dog” or how halsey said “i won’t smile but i’ll show you my teeth” even when migos said “dance with my dogs in the night time” the essence of the dog runs through you. you’re tough and a quick draw on the outside, but if we got down to it we’d see you’re acting the only way you’ve ever known how. it doesn’t make you bad, survival is natural, your loyalty and determination is commendable. i don’t blame you for the way you act when your back is against a wall, but please remember to not bite the hand that feeds.
the prodigy
now this is most like the child protagonist who witnesses complete incompetence and feels so trapped in it that they have to find their way to a better tomorrow (all by themselves). whether it's wit, intelligence, creativity, privilege, or skill, you use your assets to their utmost, usually under the guidance of someone who knows how to hold you back just enough. you've earned your triumphs, and your adventures help you find power and control where before there was none. and sure, the arrogance can be quirky, but like, in very small doses.
the strong-willed
your soul has touched darkness and so you learned to wrap yourself within it. you felt fear and decided you would never let it control you again. you're not always all sharp edges and cool stares, but you refuse to be prey again. you turned your teeth into fangs so you would be the one to bite. you learned to growl louder than all the predators who stole your innocence. it may seem like you don't care, sometimes you try to pretend you don't, but i see the way you sharpen your knives when the ones you care about are hurting.
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to be saved by someone
the hurt you carry in your heart is a heavy burden to bear. you dream of someone, a figment of light and beauty, to heal your scars. but i promise, you are not as broken as you believe. (let me kiss it better.)
the orange
whether it’s your sweet nature, breakaway cover, or your natural displays of intimacy, you have the undercurrent of the orange. a love language in itself, your nature makes others want to take a bite and enjoy the tang that you leave behind with your laughter. you remind others of a summer day, hot air, long nights, always hopeful you’ll never go away. in her poem “the orange” by wendy cope she said “i peeled it and shared it with robert and dave, they had quarters and i had a half” you’re generous and have much to give. she also said “this is peace and contentment, it’s new” well i say, it’s you.
overpowered sweetheart
you were probably gifted from birth, but humble about it. whatever it is--alien sun, parents with powers, or what i like to call the taco tuesday special (fell at breakneck speed into a radioactive vat of chemicals immediately upon birth)--your origins played a big part of your journey. that positive attitude and those grassfed morals sure aren't something you see every day! it's no surprise that you're a natural, but you have a lot left to learn about responsibility, and…it's probably not gonna come easy (sorry)
the kindred spirit
your soul is like a mirror for others to find their own beauty. you see the best in people and you strive to bring it out in them. you draw all sorts of people to yourself and you make them feel seen. but who sees you? you try so hard to take care of everyone else, watering everyone else's garden until there's nothing left for your own flowers. when will you fight for your own heart as strongly as you try to nurture others?
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razzmooncake · 3 years
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  Hi! So I decided to write another fanfic! Also I just wanted you guys to know that this story is from my pov:
When my lovely friend, Cadence Blackburn invited me to have a sleepover at her house with some friends; the last thing I was expecting was the night to end in complete chaos. I had known her for ages and she had never pulled anything like this. It all started at midnight. Morrigan and I were watching tik toks while Jack kept daring Hawthorne to do silly and stupid stunts. Jack knew that Hawthorne would do it because Hawthorne is practically the definition of chaos. I was pretty sure that Jack wanted to see how far Hawthorne would go with these stunts. Right now, Hawthorne was attempting to climb a tree.
    “Hawthorne!” Morrigan cried when she realized what Hawthorne was doing, “Get down from there!”
    “I’m fine!” Hawthorne replied from the top of the tree.
    “Yeah,” Jack responded with a snicker, “He’s fine, Morrigan.”
    Morrigan ignored him and pleaded with Hawthorne for the next few minutes. It was funny to watch Morrigan and Jack’s interactions. The two were like cousins or siblings, depending on how you looked at it. Morrigan’s guardian was a man by the name of Jupiter North. Jupiter North was Jack’s uncle, but he could also be seen as a father figure to Jack. Because of this, they knew each other very well. For example, Morrigan told me earlier that night that she was positive that Jack was going to dare Hawthorne to do something stupid tonight. She warned him that he shouldn’t, but yet here we were.
    Finally, Cadence convinced Hawthorne to come down. She persuaded him by promising him candy bars in the morning. We spent the next few minutes relaxing on the grass and trying to come up with what else we should do. Honestly, at that moment, I was thinking about calling it a night and going to sleep. The green grass beneath me was tempting me. It was very soft and calming. And the air was perfect! There was a slight breeze that carried the voices of bugs. And knowing that my friends were right beside me made me feel at peace. I had just started to close my eyes when Cadence asked the question that led to this whole mess.
    “Do you guys want to look for Mothman?” Cadence asked.
    I could hear the grass rustle on my left. This told me that someone had gotten up. I opened my eyes and saw that it was Jack. He was sitting up and staring at Cadence. Meanwhile, Morrigan, who was on my right, got up and looked confused. I peered over at Hawthorne. I was horrified when he had a mischievous look in his eyes. That’s when I knew that something was definitely going to go wrong. 
    Hawthorne replied with an eager “Yes!” as Morrigan, Jack, and I asked “Who’s Mothman?” at the same time.
    Honestly, I was glad that I wasn’t the only one who was confused. Cadence smiled and then began to explain. 
    “The Mothman is said to be a cross between a man and a moth,” she said in a storyteller voice, “Legend has it that he stalks these woods at night. Wanna go look for him?”
    “Girl,” I said. 
    I found that in that moment, that was the only thing I could say. After all, I was in disbelief. Why would we go after a scary man (or moth I guess?) who stalks the woods at night. Luckily, Jack said the same thing that I was thinking. 
    “Why would we do that?” Jack asked as he raised an eyebrow.
    “Because it would be fun!” Hawthorne exclaimed.
    I stared at Morrigan.
    “Morrigan, bestie,” I asked, “You don’t want to do this, do you?
    Morrigan refused to meet my eyes as she whispered, “I kind of want too,”
    “Jack,” I said as I turned to him, getting ready to ask him if we should really allow them to do this. After all, we were the oldest. We shouldn’t be letting them do silly stuff that could get them hurt. 
    Jack sighed before speaking.
    “They would run away to do it the moment we go to sleep,” he replied.
    I sighed. Of course, he was right. And that’s why at 12 a.m., a bunch of teenagers were looking for the mothman. After 10 minutes, I started to believe that this whole thing was just a hoax. I kept peering at Jack to see if he would tell the rest of the group that we should turn around and go to sleep, but he never did. I was disappointed. Not because of him, but because we had decided to do the thing that those silly characters did in horror movies. How did we sink to this level? I was about to tell the group that we should turn around when the tree to our right started to rustle violently. I began to back away from the tree. 
    “We shouldn’t have come here,” I muttered out loud.
    “Show yourself!” Hawthorne said with way too much excitement for this situation.
    I turned to see how the others were reacting. Morrigan was positioning herself behind Jack. On the other hand, Cadence looked excited. For a moment, I overcame my fear and rolled my eyes in disbelief. Some group we are. The tree continued to shake. Like a flash of lightning, something jumped down from the tree and landed in front of us. All of us screamed as the thing stood up. It was a man. But it was also a moth. It was the Mothman. 
    “Hello children!” he exclaimed. “I’m here to make your worst nightmares come true!”
    He turned to me and said, “Starting with you.”
    Suddenly, “Nobody” by Mitski started playing. 
    “This isn’t so bad,” I said and started dancing to the music.
    Then, it happened. Just as Mitsk’s paradisiacal voice began to sing the chorus for Nobody; she was cut off by a man saying “What you know about rolling in the deep?”
    I screamed in horror. This was a tik tok trend in which songs were interrupted by a man saying “What you know about rolling in the deep?” Sounds fun, right? After all, it’s nice that teens are creating remixes! Except there was one downside: it ruined the song. 
    “Clover!” Cadence cried while covering her ears, “Try taking a picture of him and using the flash! I want a picture of him and you can use the flash to scare him away! He hates lights!”
    Luckily, the Mothman couldn’t hear us because he was too busy singing along with the man. I opened up the camera app. I turned on flash mode and took a picture of Mothman. He screamed and began to use his wings to fly away. 
    “That’s for Mitski!” I screamed.
    Then I turned to Cadence. 
    “How does the picture look?”
    “Good.”
    “Ready to go back to the site?”
    “Sure.” 
    We walked back to the campsite in complete silence. When we arrived at the campsite, I got ready to lay back down on the grass and sleep. But Cadence stopped me.
    “Are we going to share the photo?” She asked.
    After a few seconds, I replied with “I don’t think we should.”
    “Why?” Hawthorne asked as he titled his head.
    “Well, number one, then our guardians will know that we were wandering the woods at night and we might get in trouble. Two, we might gain popularity and that isn’t always a good thing.”
    “Wow. I didn’t even think about that.”
   
    “I’m tired. Can we continue this conversation in the morning?”
   
    Everyone replied with “Yes” or “Sure”. 
    Then, we got ready to go to sleep. The sound of rustling sleeping bags filled the air as my friends got ready for bed. Eventually, everyone else was soundly asleep.There was a mix of breathing and snoring that joined the chorus of bugs.There was a slight breeze that made the summer evening pleasant. I felt my eyelids grow heavy. Finally, I was starting to fall asleep. But I could have sworn that as I was drifting into a state of unconsciousness, I heard a faint, “What you know about rolling down in the deep?” in the distance. 
Tag list: @wundersimp
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dolphinshark · 6 years
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[SPOTIFY PLAYLIST LINK]
25. J Hus feat. Burna Boy - “Good Time”
I started writing something about how well this song encapsulates J Hus’s London upbringing, his Ghanaian heritage, and the current dancehall boom through it’s canny blending of Afrobeats, bashment riddims, and a just a sprinkle of grime…but then I realized that that is what’s interesting about the song, not why I love it. The reason it’s stuck in my mind is really simple: it’s a suave, unassuming earworm of the highest caliber.
24. Alice Glass - “Without Love”
I really can’t express how heartbroken I was to learn about the abusive relationship that existed during Alice Glass’s time in Crystal Castles, who were my entry point into the entire world of electronic music. But that sadness pales in comparison to how glad I am that Alice is now out of that situation, making art on her own terms, and dropping alternately eerie and whiplash-inducing Fuck You’s like “Without Love.”
23. Stormzy - “Big For You Boots”
The song that took Stormzy from the guy who was making charming videos with  his mum on a shoestring budget and getting tagged as “grime’s next big thing” to making arresting, big budget video epics and getting dubbed “the biggest thing in grime.” What a leap. And he did it while rapping about how “You’re never too big for Adele.” 
(Oh and if I had made a Top 5 Pronunciations of 2017 list, his pronunciation of “boots” as “boooouuuus” would definitely be #1.)
22. The xx - “I Dare You”
Here’s where Taylor writes a really hacky paragraph by saying you should listen to this song and then ending it with, “I dare you.”
Or it’s where he just says that this song may be the perfect xx song, an ideal swirl of a silvery, romantic duet.
21. Drake - “Gyalchester”
There is only one way to improve this song.
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20. St. Vincent - “New York”
A few weeks ago, my aunt (who mostly attends Fleetwood Mac and Marshall Tucker Band concerts) and my sisters (who mostly attends Miranda Lambert and Kelsea Ballerini) somehow wound up going to a St. Vincent show together. They liked parts of it, but didn’t like others. (The fact that her “opening act” was the middling horror short she directed for the anthology film XX, for instance, was not well received.) And although they couldn’t remember the names of any of the songs they liked, I’m sure they liked “New York,” because I’m pretty sure it’s impossible to dislike “New York.”
19. Boy Harsher - “Motion”
You know that feeling you get when the blacklights sweep over skin as you’re on slinking your way through a German industrial dance club, on a mission to assassinate a double agent who crossed your secret government organization for the last time? Well, I guess I technically haven’t either. But I’ve listened to Boy Harsher’s song “Motion” so I basically have.
18. Chief Keef - “Can You Be My Friend”
2011 Taylor looks though the Future Sight Machine.
2011 Taylor: Chief Keef and Young Chop made one of the best songs of 2017? Nice! I’ll bet that’s one helluva headpunch of a drill track, right?
2017 Taylor: Actually, it’s a playful, romantic dancehall jam.
2011 Taylor’s monocle pops out.
17. Perfume Genius - “Slip Away”
You know how some songs can go from “I like this. This is good. This a good song,” to, “HOLY SHIT I LOVE THIS OH GOD WHAT YES THIS IS A MOTHERFUCKING SONG MOTHERFUCKERS,” in single pivot point? Well, “Slip Away” has the best pivot point of any song this year. If you’ve heard it you know exactly what I mean; if you haven’t, you will as soon as you do.
16. Amber Coffman - “No Coffee”
Even though I ranked other songs above it on this arbitrary and poorly defined list, I don’t think there’s been a song that’s made me happier this year than “No Coffee.” Though Amber made her name with vocal fireworks, her voice is still every bit the wonder in subtler, smoother settings like this. And when it’s paired with a chorus as utterly inescapable as this one, the result is pure contentment.
15. DJDS feat. Amber Mark and Marco McKinnis - “Trees On Fire”
After their album Stand Up And Speak left me cold, I was worried about DJDS’s transition from working with vocal samples to actually collaborating with singers. But after hearing the Jenga tower of R&B hooks and house shuffles that is “Trees On Fire” (and that Charlie Wilson collab from last year) consider any fears I had to be wholly dispelled.
14. Dirty Projectors - “Little Bubble”
There was no more aptly named song this year than “Little Bubble” a perfect, self-contained miniature nestled in the center of Dirty Projectors’ deeply petty and fitfully brilliant self-titled album. While most of that record revels in deeply specific personal detail, “Little Bubble” touches on something more abstract, the ultimate impermanence of all things, no matter if it’s a shadow, a relationship, or (as the video suggests) man’s place on earth. It’s all just a little bubble, for a while.
13. MUNA - “I Know A Place”
Dancing to pop music at a club is often used in films and television as visual shorthand for carefree joy, the sort of thing that people to celebrate happiness and success. But in the real world, it’s just as often something that people do to escape the troubles and fears that burden them. MUNA’s “I Know A Place” is expressed about that experience, dancing yourself free from whatever inescapably looms in the daylight. The result is uncanny: a joyful pop song that’s also a shoulder to cry on.
12. Lydia Ainsworth - “The Road”
Sometimes when I write these things, I hope that I can come up with some sort of perfect three-or-four-word summation of a song or album. But sometimes I encounter a description so perfect that there’s no need for me to even try. So, mad props to Lydia Ainsworth’s friend who described this song as “a marriage of Enya and The Weeknd.” As soon as I read that, I threw in the towel.
11. Cardi B - “Bodak Yellow”
If this list were based solely on which song I rapped along with the most during my commute, we all know what song would be #1. If this list were based solely on how dramatically a song increases the hype of any party that it’s played at, we all know what song would be #1. If this list were based solely on how likely a song was to come up in any given conversation I had this year, we all know what song would be #1.
…wait…
Did I just completely invalidate this list?
10. The National - “The System Only Dreams In Total Darkness”
Six notes. That’s all it took to announce that this was new kind of The National song. Sure, all of their hallmarks were there (Matt Berninger’s rich baritone, swelling strings, their brooding rhythm section) but there were also those six notes, a quick electric guitar riff, like an engine desperately trying to turn over. And when it finally does and Aaron Dessner rips into a massive solo midway through, the mold is shattered forever. “We’re in a different kind of thing now,” indeed.
9. Miya Folick - “Give It To Me”
On this list last year, I said that Mitski’s “Your Best American Girl” was the best soft-loud rock song ever written, so be aware of the import that the next sentence holds: Miya Folick’s “Give It To Me” should be the lead in to “Your Best American Girl” on your next mixtape.
8. Posse - “Horse Blanket”
The title track from Posse’s final album is a glorious contradiction: a slacker rock epic. A towering, laconic achievement for people who hate achievement, with ringing guitars that echo to infinity and dead pan vocals drifting through a duet. Then as the whole thing ambles aimlessly up the mountain, the guitar solo starts. And then the other guitar solo starts. And the whole thing tumbles toward nirvana.
7. Lorde - “Green Light”
A few years ago, I once jokingly handed out The Lorde Memorial Award For Most Infuriating Reaction™, to artists that I thought were fine, but that everyone else needed to just chill out about. While I still stand by that evaluation of the award winners (Are you still hyped about Raury?) I have come here to officially announce that I’ve changed my tune about the award’s namesake. Oh and also to say that “Green Light” is a delightful romp of a song.
PS: Clicking that Raury link will also let you travel back to a time when I had to explain who the Chainsmokers were before I railed at length about how much they sucked. Simpler times.
6. Haim - “Want You Back”
“Want You Back” aka the exact moment that Haim’s blend of 1970s soft rock and 1990s R&B finally (FINALLY) hooked TWG and he finally chilled out and finally got on the same page that like 99.9% of cool humans on the planet have been on for, like, y-e-a-r-s at this point.
5. The War On Drugs - “Strangest Thing”
Adam Granduciel’s m.o. as The War On Drugs has always been to take the classic rock of Bruce Springsteen and Tom Petty and smear it across the cosmos.
“Strangest Thing” is when the whole thing goes supernova.
4. Migos feat. 2 Chainz - “Deadz”
Man, remember when Migos made fun, disposable, chintzy music that evaporated from your brain the minute it ended? Who would have ever thought that they’d eventually wind up making rap music that’s approximately a billion times more grandiose, baroque, and bombastic than their early recordings? Or that it would somehow also be about a million times more fun than anything they’d ever made before? It’s enough to make everything they made before this year seem like juvenalia.
3. Carly Rae Jepsen - “Cut To The Feeling”
How great is it that we’re just going to spend the next decade getting cast offs from the best pure pop album of the century, and then people are going to ask why they weren’t included on the album, and CRJ’s just gonna keep giving explanations that all kinda sound like “because it was too good…?” See you guys next year when some other terrible French animated movie snags a piece of undiluted pop gold for its soundtrack!
2. Creek Boyz - “With My Team”
A while ago, I had a conversation with a fellow student at my grad school about how his pick for the best movie ever is Forrest Gump. His rationale was that that film makes you feel every emotion at one time or another. Although I remain unpersuaded that Forrest Gump is the greatest film ever made, I do think he has a pretty good definition for great art. And “With My Team” does it one better. It doesn’t just make you feel the entire spectrum of emotions one by one; it gives you every single one at the same time. The joy of friendship. The sting of loss. Anger and resignation and resiliency. But the real secret of the song is this: those emotions hit so hard by the fact that the song is about sharing them. Humans are inherently social creatures and the only way that we can survive is by sharing them with our friends, with our family, with our team.
1.  Charli XCX - “Boys”
Why didn’t a get around to listening to a bunch of major albums?
I was busy thinkin’ ‘bout “Boys.”
Why did I forget to pay my gas bill in December?
I was busy thinkin’ ‘bout “Boys.”
Why isn’t my master’s thesis in better shape?
I was busy thinkin’ ‘bout “Boys.” 
What was I doing at any given point this year?
I was busy thinkin’ ‘bout “Boys.”
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