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drawnaghht · 11 months

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tag guide anyone? + differentiating between usagis (thinkpiece)

I'm really just curious now if something like a "tagging guide" would help? If you would like this, or know if anyone else has posted something like this, sound off in the comments or like/reblog to agree ^^

I posted a poll about this on twt and it looks like 13 so far really want one, so I’m putting a lil test post around here too. I also found while researching for this post that apparently on tumblr, the first 20 tags show up in search! so I guess they changed that from 5 to 20 at some point. huh. that’s a bit more helpful than just 5 tags!

I’ve noticed sometimes people have no idea what to tag with a show like Usagi Chronicles that is less than 2 years old and is based on existing IP, but also that ppl use a lot of tags in general, perhaps confused about what is the “main tag” or most used tag for a character in rottmnt for example. So I started writing a little tag guide, which I’ll post the draft of at the bottom this thinkpiece. The main issue around tumblr seems to be excessive mis-tagging or multi-tagging i.e when a character isn’t there. I think I’ve seen this in some other fandoms too (primarily bigger fandmos), but I’m not gonna get too deep into it. You can skip to “tagging guide” via CTRL+F to search it on the page. I’ve also included a little character “separator” part with graphics, cuz it seems some are having trouble seeing the characters differently from fanart alone. I thought it would help to post more of the “source” materials ^^

Also if you have problems differentiating between the two in general…aside from both being white long-eared rabbits they are almost as different as night and day, at least on the surface ^^;; Here is a helpful post by Freakova, about how to tell the difference between Miyamoto Usagi and Yuichi Usagi, ancestor and descendant respectively:

https://freakova.tumblr.com/post/707461151549702144/i-made-this-for-my-besties-to-help-explain-the

But I kinda get it! Especially if characters are intentionally obfuscated a bit (e.g. there are characters in the show who can’t tell between Miyamoto and Yuichi Usagi, but it is mostly used as plot hook/humor). But they have different names and characteristics and slightly differing fanbases on a site like tumblr, so separating them in tags is helpful. I think part of it also comes from the name confusion, but I already wrote a post about that. Imo, if you have your own design already and it looks like neither of the two characters, you can just use “Rise Usagi” or “rottmnt Usagi” or other variations as tags, those are popular and used enough already that you don’t need to use the main character tags ^^

Personally, I would only like to see Yuichi Usagi in his own tags when it applies (he’s in the pic/fic), but if he’s not, well, what are you doing tagging him there?

I also get that some newer/younger TMNT fans apparently didn’t know the Usagi characters are from their own franchise for a short while last year (but ppl probably learned, right? I’ve literally only seen posts/tweets asking what the series is abt and unrelated posts exasperated that ppl don’t know) but visually they’re quite distinct, even if they are all white rabbits. I’ll post these comparisons just so I can use the tags properly and not piss off anyone else.

We have the original Usagi and his 1000-years later descendant.

Stan Sakai based Miyamoto Usagi largely on his childhood inspiration of samurai films, mainly “Samurai Trilogy” starring Mifune Toshiro playing Miyamoto Musashi, a real-life samurai who inspired many other films and adaptations. You can hear more about how Stan created Usagi here in this Portland Art Museum video where he explains and draws his Usagi. The story usually goes that he drew a rabbit with a chonmage (the edo-period top-knot) and suddenly, Usagi was born.

In the show he has a slightly older-looking design? but in the comics his look varies slightly because the series has been going for 40 years and the character has developed over the pages. so he can look slightly different cover to cover, page to page, but mostly it’s all him, the same character, just different situations, life periods and emotions. So he can look different in official material depending which publication period you start reading from, but mostly the same.

Then we have both the Miyamoto Usagi’s in different animated mediums,

And Yuichi in different media (show itself in 3D and 2D and merch by Stan)

And then there’s also Jotaro (very important Usagi Yojimbo character introduced early on/vol 1) and Yamamoto Yukichi(introduced in later stories/vol 4), who I think people aren’t mixing up with any of the previous rabbits yet, but who knows, i don’t look through absolutely all the tags myself after all and tumblr seems to have a problem of not showing much older posts in the public tag search anymore, so I can’t find older posts I used to see anymore ^^;

More thoughts on tagging + being a fan under cut.

This … is not really a vent or analysis post, I can't get that upset about it myself. with real life worries etc - fandom is supposed to be a fun outlet for creativity, at least for me. So I try not to feel anything about it. But tagging has always seemed fairly straight-forward to me and it’s mostly to organize a blog/find other people with similar interests. Writing non-structured non-essays is basically how I interact with a piece of media when I feel like fanart is not enough. And because tumblr posts now apparently Do Not HAve Limits, this is a better alternative to tag rambles.

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So when I saw the post about the Miyamoto Usagi tag I remembered that this was why I didn’t use the “follow tag” feature + the “your tags” tab as much myself (aside from not having it before and not being used to it on tumblr). Because usually with bigger fandoms, people do mis-tag or tag their other shows/fandoms into it without including the main character, this happens on occasion because there are a lot of people using the tag. I also don’t follow the Leosagi tag anymore for the same reason, that people can’t seem to differentiate between the characters and it becomes hard to tell what they want to post or which character they are talking about/drawing ^^;

As pointed out by Tamalinvonpineapple's post about it, people mis-tag Yuichi Usagi and Miyamoto Usagi and that’s a problem for people who would like to see just one of those characters but not mis-tagged as the other. I’m not gonna assume these are made in bad faith e.g. intentionally to piss off other fans, cuz there can be so many different reasons for people doing this. This post is also not gonna get into ship tags much because that is a contentious topic and tbh, left for a separate thinkpiece (I also already wrote smth abt tags for myself).

I tried to find out more possible reasons for mistagging in general or what the general consensus on tumblr is about tagging but it seems (or we can assume) it is a “bad practice” from how social media sites have given a slightly different use for tags tiktok/instagram/twitter - “tag for reach” - so like those social media accounts for companies that spam other tags. I do see this in anime/manga fandoms occasionally. Not just for the different spellings of characters (e.g, when a dub would give the character a new name; japanese vs western way of writing names) but specifically when 1 character is the only one there and the tags then have 30 other characters listed as well so the post/media would show up in search. But I wonder where this habit is from? Aren’t people curious to see what other tags their character/show have? I remember that on sites like blogger, we only tagged so that we could find things later, so people often made their own custom tags, i.e. "my work on the show" or "midnight doodlies". if a show got tagged, for example TMNT or Usagi, it would probably get 1-word/1-phrase tag (i.e. “turtles” “turtlies” “mutant turtles”) or just the series title tag - either the abbreviation or full name of a series/comic/cartoon depending on content. When it comes to tumblr tags, I remember getting annoyed at NOTPs permeating the tags as well. Or just posts about other seriesM multi-crossovers where your blorbo is only there to die, but then is still tagged after that; edits that have no relation to the character but they share a name or tag for whatever reason and you keep seeing these unrelated posts in the tags. I’ve seen more than enough from almost any of the fandom tags I’ve visited on tumblr. So I get how annoying mistagging itself can be.

But basically in regards to tags on tumblr itself, it seems people misuse them mainly because they don't know or don't like the tags for the other shows. Folks also like to see their posts get to as many people as possible, which I understand, I do the same on instagram, cuz that’s what I’ve learned by other artists example. Seems to make sense that more tags = more views. On tumblr, this sort of doesn’t always work this way. I could post a drawing from a popular cartoon and get maybe 5 notes total in 12 years, while a scribble I deemed too ugly to tag properly might get 54 notes on it’s first day. It’s almost like a Murphy’s Law of Tumblr that what you expect to do well, doesn’t. It’s just how it is here and I’m so used to it, it feels weird to complain about it, even on other sites with actual algorhitms and working apps etc.

Well, as a fan of the Usagi Chronicles show, perhaps what makes me more sad is that this has had the adverse effect of older TMNT/Usagi Yojimbo fans being so angry that they can’t stand the show/character itself now, even if they already disliked it before seeing other fans post about it. Which is just plain sad because some people even make up stuff about it just to discredit it as a show that Stan Sakai worked on. I understand that people have different reasons to dislike the show, most probably valid, but they also assume many things about it, to the point of stating them as fact when the opposite is true. I have… a different post about it. In general, we can say that being online seems to be the common thread between fans annoyed at fans.

In some ways, what’s even sadder however is an empty or unactive tag. Imagine that the last post you saw in that tag is still the one from 2013 you made yourself. It’s a bit annoying seeing people mistag or post unrelated fanart in it but hey, maybe this means they also read the tag? A chance to educate or get more views on your own fandom? Just a chance for communication? I know that doesn’t seem very appealing when those same fans are the ones mis-using the tag, but it just seems better than something completely empty. Of course, this is not a problem for TMNT fandoms perhaps, but from my experience in smaller fandoms, or being a fan of smaller/less popular media. And with how much there is mainly ship-related posts in almost all the Usagi Chronicles tags, this seems to be a matching experience I’ve been having so far in the Usagi tags. The comic series tag itself is also often full of other things, or only ship things, or sometimes only TMNT things for a short bit, but overall, I guess at least people use it?? But I would still like it that Samurai Rabbit, SRTUC, etc stuff gets tagged with those tags so I can actually find it instead of combing through multiple tags at a time just to see something new. While the newer “Your tags” feature on tumblr makes this a bit easier, I can see the easy annoyance at when people tag a character but then don’t include the character. and to add insult to injury, they tag a different character, but without acknowleding the first character at all.

But this is now like a joint fandom for a crossover for two franchises which have had crossovers before and now… there’s sort of a joint fandom? Sort of? So because it’s a bit bigger, it feels nice when other fans are considerate of small things like tagging. Now, on the whole, while many do still mistag and the leosagi tag is still mainly yuichi x leo for many, I’ve also seen in my own tagscrambles that not as many do this as much anymore, or going through a tag in time, the newer stuff seems to do this less. So like I’ve written in previous posts, my honest hope is just that fandom will adapt and grow into healthier online habits. Still, there are a few other things in the tags that I just can’t help but notice each time. it’s also why I don’t bother too much with repeat-viewing tags unless I’m looking for something specific.

It often feels like people just make up their own versions of any Usagi and/or write off the show as “too bad to watch”. And. idk, this just makes me feel sad about it because as mentioned above, I’ve seen it before in other smaller fandoms I’m in. In transformative works, it’s fairly normal that people make their own versions of a show or it’s characters, because that’s something fun to do with fanart and fic. But to openly hate a character? idk man, just feels weird to me personally. Like I don’t have the energy for hatedom. I know my little sibling really gets into hating one series that really disappointed her as a viewer, but even she now says that it’s an odd way to spend time, when she could be making fanart of something she likes instead. And I get that. I also spent my earlier non-internet days being more hateful of new media I disliked at the start, and while expressing that isn’t always bad (it’s just an iopinion), it became weirdly detrimental to me actually enjoying stuff in my tweens. Everything me and my friends and their friends ever talked about, was related to somehow being more above others or knowing better than others, being hateful of anything new or popular. And without quite realizing it right away, that was really tiring. Even if I spent time on things I did like, hobbies I enjoyed, that hate and childhood snobbishness sorta simmered there. I remember that for me it mainly came from “oh, I want to be a real animator one day, I should act like a real profesional adult and always be critical of the media I view, because that’s how I see adults treat real serious film.” Fast-forward 15 years, I’ve been through making comics as a tween, making fanart as a teen, I’ve been making a lot of different kinds of “cartoon art” in general as well as some actual art education, thinking, maybe I want to have some more general art schooling too. Later in my mid-twenties, I met someone with this similar mindset to my childhood self, who at first I got along with. We laughed at cartoons we didn’t like and made fun of the bad endings of those we did. At some point, I listened to them talking about getting to visit a big animation festival. And how they completely unironically expressed their hate directly at a leading crew member of a cartoon they didn’t like. And then I realized like. Wait a fucking minute. I don’t wanna act like this to other people! And this is why I don’t really “shoot the shit” about cartoons I don’t like as publicly anymore as I maybe once would have online on tumblr etc. Like I just don’t get it anymore. At most I’ll write down my thoughts somewhere private or to friends and try to understand why I don’t like the thing. And if it’s a very simple dislike, I just don’t spend time on it.

So like, I don’t get the hate the show (SRTUC) and character(Yuichi Usagi) get. Like I can understand sort of where people are coming from. but I don’t get why they gotta publicly tag it, announce it, or put it in the reblogged tags sometimes. the og poster sees that after all? so that’s like a bigger thought for me when it comes to tags.

I believe people can learn to be nice about a show they don’t like, but if they start to feel annoyed at fandom parts of the web they see online, they also start to feel hate toward a specific show, even if the show or thing itself might not be as bad. Example - I have this toward Star Wars for example, it’s a big fandom. I feel indifferent now, but in my youth, I found it annoying that everyone was talking about it as if it was the best thing ever, when it was spoiled for most of my childhood for me, and also felt like a generic movie series after all that. Something growing in popularity, or being really popular in a niche fandom can make ppl dislike it in general and that’s fairly ordinary as fandoms go. Often, people just don’t like a popular thing. Just think of series of like GoT/ASoIaF or HP. But then again those go down the cultural road so easily, I suppose in countries where western-media is really popular/common, it becomes like a cultural osmosis and fans can assume *everyone* likes it, even if not everyone does. I’m thinking about the fresh 30+ dads from 10 years ago I read about who only interacted with their kids through their own nerd interests. Pokemon is such a culturally permeated thing, it’s everywhere and everyone seems to assume everyone has played it or at least knows about it, even if at some point, some of us were big fans of Digimon instead, or some don’t like it at all. At some point, my dad gifted me a Harry Potter book, even though I (non-vocally) disliked it, but it was in the cultural osmosis here so strongly that it was everywhere and he just assumed I was into it (bless his heart, he genuinely didn’t know). HP was something that I initially disliked because it was so popular, but the idea of a “basic magic premise, but extended” seemed interesting, and it was required reading in my middle school, so at 11, I went to see the movie and thought, alright, maybe I’ll give it a chance. But reading the book I found things that didn’t make sense to me, that didn’t match what seemed like the themes of the book (the whole slave freedom plot for example) so I always sort of kept it at arms-length - not quite getting into it, but also not turning it away if I found anything, not saying anything upsetting to people who were fans of it. Everyone at my school read it though to varying degrees, or at least everyone knew things about it even if they weren’t fans or weren’t invested at all. (This was all before we knew JKR is a vocal TERF, so now I feel a bit validated in my dislike, even if I feel sad for the fans who got something positive out of the series).

So point being, fandom can have different types of people in it. A type of media will often accrue a specific type of fan and sometimes it won’t match what the show itself puts out. E.g. fans acting in ways that go squarely against what the media talks about (Steven Universe is a popular show with many fans that comes to mind), or a show having an unexpected viewership next to it’s intended demographic (us 90s kids still being cartoon fans in our late 20s/30s/early 40s). It’s slightly unpredictable in a general way.

Of course, TMNT fandom is a bit different from those bigger properties because it was an indie comic made in the 80s that was so different and off-the-wall indie for a comicbook, it sold out and gave its creators Eastman and Laird a hefty legacy, lasting careers and actual money. Good for them! Personally I think it’s thanks to how genuinely creative and collaborative their work was then. Like Usagi Yojimbo, it’s an old comicbook/franchise now, so the “fandom” as such differs from generation to generation, from childhood to childhood. I met the turtles for the first time with the 87 series in the early 90s, then the next time w the 2003 series, which i initially hated as that angry, cartoon-critical tween, but was surprised at how much it seemed to take from the comics. I think I was initially angry about it for different reasons, mainly, “why is it so serious? why are the jokes so lame?” and also because I had invested so much emotionally into the idea of seeing something as good as the 80s cartoon again... but then found that it grew on me and now 20 years later I can look at it with nostalgia. As a result, my reaction to the 2012 series was mostly “wow another TMNT cartoon?” and “huh it looks interesting” and “oh I’ve seen this person work on another cartoon before”. My little sibling on the other hand only saw the 2003 cartoon and their reaction the the 2012 adaptation was “Wow, THEY’RE FINALLY TEENS” because as kids, we thought the 2003 TMNT looked and sounded “too much like boring adults”. But from many online fanspaces back then a lot of the more vocal reactions was around “THE 3D IS SO UGLY” and “WHY ARE THEY SO YOUNG”. You’ve probably heard similar sentiments of various degrees if you’ve been a fan or viewer of any TMNT cartoon.

Usagi Yojimbo is unique in this sense because Stan Sakai has been the only one drawing and writing the comicbook for 40 years. Some of the visual style and writing tone change from book to book, but it’s gradual because Stan has changed as an artist and writer too. If you look at any comic series like this, it’s actually a natural part of many comics i.e. webcomics used to be a prominent example of this, as the creators were often complete novices at the beginning and graduated to a more consistent style. But even from a surface level view, lets say, reading other people’s reviews, you can see that people really enjoy Usagi Yojimbo for how consistent it is with it’s treatment of its characters, story and Edo-period culture. Stan Sakai really does his research and puts respect back into fiction inspired by samurai. Even though guides will often tell you that you can jump into the series from any point in the series, there’s just something really consistent about it as a whole. Sakai gets to do whatver he wants with his books and what he does seems to be thought-out usually. Even if the early animated adaptations were a bit incorrect, comic readers in general have a lot of respect for Stan and his work. My favourite part about this all is how Usagi Yojimbo is actually used to teach about japanese culture in a college course in the US.

Because both TMNT and UY are originally creator-owned comics (still so with UY regardless of publisher or adaptations but not so much TMNT as Viacom bought the rights in 2009), perhaps the general fan experience is more similar to original comics fandoms in Japan. Although whether a series is creator-owned varies from series to series, the manga and magazines culture in Japan seems wholly different from what US comicbooks were in the 80s and even what they still are now in that regard. Because a series will more often be written and illustrated by the same creator/artist/team, there are less variations and book-to-book differences both visually and tonally. In the US, a comicbook series can start with an artist-writer team, but then switch if the editorial decides some change is needed. This is something that often affects consistency and a story or character’s canon eventually and in a convoluted way, it’s the reason why we got “alternate earths” and “multiverse crossovers”. Which, while fun, make american comicbooks hard to read for some newer readers. Even with TMNT, once Eastman and Laird started having less time to make the comics and their other problems, it led into breaking off their creative partnership and never speaking again. But they had to continue the comic. If before the feud, they would just have fun passing the pages between each other, now they actually so they wrote it he series became different based on who was writing it. One more sci-fi leaning and one more martial-arts and mysticism leaning. You can see this difference in the TMNT animated adaptations as well. The 2003 series namely is more based on Laird’s storylines in the comics and he was also consultant on the series. After the 2009 sale of Mirage to Viacom, we get the 2012 series, where Eastman acts as consultant, so it’s more heavy on his ideas of what the TMNT are. In 2019, the documentary series “Toys that made us” brought them together for the first time in almost 2 decades. And then we fans got to have The Last Ronin, a collaboration between the two again.

(What I’ve paraphrased here is mostly based on this video overview of how the comic became a franchise “How did a violent indie comic become a $15,000,000,000 franchise?” by matttt if you’re interested in seeing and hearing a more picturesque summary of this)

So getting back to fandom, because it’s mostly been one comicbook series, both the more avid and casual UY comics fans might not be used to there being adaptations of Stan’s Usagi. Yes, even with the visual examples I brought up above, perhaps some simply haven’t seen the animated adaptations because these are still marketed “for kids”. This is like the only reason I can think of that people who are 30+ adults, go online to complain about the Chronicles series online, even though it’s obviously for kids, meaning they probably didn’t even watch it. Folks are “surprised” Stan “let Netflix ruin his series” etc - even if it’s explicitly in a new futuristic setting to avoid affecting the comics canon. It will be interesting to know how people react when or if Sakai puts out his “Kagemusha” anthology, where the idea is about different creators telling different Usagi stories.

Even TMNT fans, many of whom don’t know Usagi beyond the animated adaptations, might jump in with this similar mindset of “different = bad”. Maybe there’s a manga/anime adaptation out there with the fans having similar concerns about their adaptations. Sailor Moon comes to mind, but as always, people’s grievances with an adaptation may have good reasons underneath. But also I’ve personally never seen an avid Sailor Moon fans be as annoying as the casual Star Wars fan. It might also depend on the age and lifestyle of the fan. Someone who is a teacher or parent, maybe they’ve met more people, put more thought into it, might feel milder about new or different things vs someone who is used to going online to see people angry and enjoys getting into arguments.

If I start to think about it, I can get a similar reaction out of myself. It was hard to look at mid-00s fanart of Usagi because it always felt a bit “extreme” like fans changed things about Usagi to suit their own understanding or image of samurai, which was always more based on popular movies or anime rather than the comic. I think this is just a general thing about fanart over the times. I still balk at some fanart, either UY or SRTUC, if for example the sides of the clothes are opposite - right over left, for burials vs left over right, like the letter ‘y’ - because it just means the fanartist didn’t bother to look up even references. Most times people just don’t know about this sort of stuff, they might be anime fans or they might even be part of a different asian culture, but it it’s not something that’s taught, of course it won’t reflect in something like fanart. But then, it’ll just be something new to learn. To me it also speaks of a wider annoyance of people liking things only for the surface-level appeal.

Usagi Yojimbo I’ve noticed has much more of a fanbase than fandom. I know fanbase doesn’t get used much as a term these days as more and more media gets an active fandom rather than staying at a fanbasem but it’s a term I’d like to use in this case. “The Wilkes Beacon” in 2014 defines the difference so: “Not everything with a fanbase has a fandom, because a fandom is a group of committed fans who are always vocally interested in their “thing,” usually expressing that on a social website such as Tumblr. Just because you’re a fan doesn’t mean the fandom will accept you.” Indeed sometimes fandom feels almost like being in a separate part of the club, only for people in the know about it. The origin for fanbase is attributed to early 20th century baseball fans. The origin of fandom, most well-known as a portmanteau of fan + kingdom, is often attributed to the original Sherlock Holmes fans who actually gathered to mourn the character when Arthur Conan Doyle decided to kill him off (bless your hearts and souls, sometimes it feels like fandom has never changed) but also from early 20th century sports fans and 60s Trekkies, who saved their show. A lot of different sources give different origins and histories for these words and many will also equate them as synonymous.

My own experiences tell me that a fanbase is more general - any fans of a thing, whether they attend conventions, buy the media or no (i.e. Sherlock Holmes readers, sports fans) and will comprise the “base” of any activity - the larger number of fans that exist for a piece of media/sport/celebrity. A fandom will be the more “active” part, more interested in being connected with each other within that fanbase. Of course, to any other person outside of fans, both of these will be synonymous and a fan will look weird and fanatical regardless of how little they invest themselves into a media. But I’’m making this distinction to describe what I see as more casual and more active “fanbase as a whole”. Fanbase as a word feels more general, while Fandom sounds more specific. So as an example, the One Piece “fanbase” might feel large and more everywhere, like with pokemon or Sherlock Holmes the book, but the OP fandom can feel more active and particitative, like the .It’ll depend entirely on what way each person interacts with the media. Do you have friends who are also fans of the series? it’s like a fandom. You just watch it but don’t participate as much? You’re in the fanbase, but you might partake in fandom activities if you feel like it. You might be a more casual fan, but you might have more avid feelings about the series as well, but you’re not that interested in making fanworks or posts or reacting to other fans at all. A fandom might be big, but more ubiquitous, more silent and conversely, some fandoms may be small, but still very active and vocal. I’ve often theorized that this is because So UY online fandom sorta feels like the latter, but more under-the-radar. Small and active but also more silent and appreciative. With the previous “big fandoms” example, it’s also the juxtaposition between Old and New that comes into play. An old Spidey fan from the 70s might have become an official Spiderman fanartist, but they might not partake in all the fan stuff they used to anymore. Still a fan, but maybe the newer and younger “fandom” as such is just not appealing to them in the same way.

The larger or more advertised a TV series or book is, the larger and more annoying its fanbase in general. If a piece of media has less popularity, it will ergo have a smaller fanbase and sometimes no “active fandom” at all. So now with the Samurai Rabbit: the Usagi Chronicles TV show as an animated spinoff-adaptation, we have a similar problem that TMNT fans have been familiar with over the decades. Thanks to the show, there’s a more active, slightly younger fandom who want to connect over the series and maybe even read the comicbook, know more about the source and origins, they might want to even know how the show was made, make fanart or fic. So fans like any other, but just that the media they’re a fan of now, is still relatively new. Maybe these newer fans act or write differently online from how older fans are used to. Maybe they even treat the original source comic differently or just don’t know anything about it. In any case, new series and new fans will generally seem annoying because culturally that’s what we’ve started to associate some of fandom with. Otaku culture etc. So it and it’s fans might get the “new thing” treatment as mentioned above with the TMNT animated adaptations.

The difference here is that Stan Sakai has been wanting his own animated adaptation for a long time (just look at the Space Usagi pilot for proof) and while many suggested projects to him before, this one actually piqued his interest bc they did something new with the characters. You could say that what people don't like abt this series are some decisions resulting from this being a netflix cartoon for kids. the decision to set it in a near-future with a new younger for example, was made in the beginning by netflix and I haven’t found any articles yet that’s found a legit reason for why it stayed this way. My guess based on interviews with Stan and crew is that Stan found it interesting as a possible new way to get more readers to the comic. Something for the younger generation. Although many readers and even parents will attest that the comic is child-appropriate (and really, it is), the TV-Y7 ratings and so on exist for a reason. And while I would love for more western studios to get funding for more adult animation in general (I’m not from the US myself and animation such a large medium, the way that genres are explored or what gets made for adults vs kids feeks so different elsewhere), I think it’s good that the first full series based on UY is this “non-violent” (your mileage may vary). Because a lot of the more vocal adult fans of UY seem more focused on the violence vs what kids might get out of it. A popular quote from Sakai is “Once, a mother asked me, 'What is Usagi Yojimbo about?' and before I could answer, her son said, 'It’s about honor.'" (Komai for JANM, 2011). Sometimes it seems like the “older adults” or the “more casual” fans of UY sort of don’t get it.

Even the naming of the series and character has reasons, which I’ve seen some Rise Leosagi shippers make their own reasons for. So the various hate from “older fans” I see about it is strange because all evidence points to the show having Sakai’s approval and his full involvement. Of course, I could also be wrong, but watching the series, it doesn’t feel to me like an “empty cashgrab” as one angry TMNT fan put it. It feels more like something made by other UY fans, those more familiar than I was at the time, with both Usagi Yojimbo lore as well as the culture and lore behind it. In their quest to properly honor the comic series they loved, crew put a lot research hours into making sure both edo and post-edo periods got to be part of their show. Like “trips to japan during a pandemic” type of research. The show is an interesting fusion of old and modern in futuristic setting and feels wholly unique as an experiment.

Another aspect of course is also the shipping parts of fandom. I can never quite get my head behind this “arguing about ships” because it just reminds me of my Grandma and her older sister fighting over their soap operas and who should get together with who. And alright, maybe this was fun for them...? I’ve never been that invested in this myself but it can be fun to have a pairing you root for in a show, when it’s just a bunch of connected ideas over the story, there really seems like a real genuine connection between the characters or if there’s a chance to connect with other fans over it. That’s kind of what fandom is for me in general, but with crossover ships, it’s like a strange and interesting combination of “oooh what interesting similarities and differences” and “lets find out” with fanworks.

This is the main way I enjoy making crossovers in general work, even if I’ve never finished an actual fic (I’m more of an artist) and even if the works sometimes don’t go together (it’s like a fun challenge). I wonder sometimes if the SRTUC crew also imagined crossovers with TMNT? As in this fanart post on facebook by Samurai Rabbit character designer Andry R, I wonder what that could have been like. After all, if many of the crew are fans too, it just makes sense to think about that? it’s fun to think of crossovers after all! And since it’s fanwork, I personally don’t feel as obligated to make some of the quality as insanely good as I would have in my younger days. I want to enjoy the art making process too, so putting research and sketches into a piece is sometimes my own “enough”. So I don’t really care about views either because I know even now, tastes might still just be not geared toward something sketchier that I make.

Even so, despite the experience with online sites and social media people have in general, or other artists/fans encouraging to feel a bit less worried about socmedia algorhitms, it might be frustrating that posts are not as popular even if your idea feels great.

So connecting all of that fandom talk, I can only assume people mistag between a popular and non-popular series for similar reasons. As said earlier, fans might assume everyone prefers the popular thing and that it’s better to tag that popular/bigger/older thing. Because at least that So in our case, I’ve noticed more that ppl tag Yuichi Usagi with the Miyamoto Usagi tag. From the surface, it seems like people don’t know about the Yuichi tags/show or they just don’t like it for some other reason. Now Tumblr is more a “home of fandoms” than casual fans, as most of the user-generated content is entirely by people who get much more invested in a series than a casual fan. Similarly I’ll see people tag their TMNT 2012 inspired fandesigns as ROTTMNT as well, because that is simply seen as the popular fandom at the time ergo, more attention on your post.

Maybe a solution for the mis-tagging could be smth as simple as fandom outreach, something active to unite the different types of fans into using tags correctly, but of course, something more active and social might feel more unnatural, as most of us are more wall-flower than social butterfly - working off the assumption here that most fans are shy. I used to be pretty shy as a fan and now I’m more active and out-going in general in my adult years, but at the same time, doing something socially more active is still a scary thought in my brain so I can understand that it’s easier to just tag and hope it’s correct. Or easier to make ticked off posts vs something with a different kind of effort. But then again, as brought up in my examples of other fandoms, being a fan can make people very active in taking part in similar fan activities. As we all enjoy the same thing in different ways or different media in similar ways, we are all still fans at the end of the day. Whether casual or more involved, that’s a unique experience that should unite us. So I’ll have my peace with the older cartoon-hating fans who only view Usagi Chronicles as an empty children’s cartoon etc etc.

So, because I’m an adult, but also an artist and animation fan, this is how I’ve been approaching TV cartoons for the past 5-10 years. Against my first reaction of “oh, this is too slow for me” the way I chose to view the series once I saw more of it was “I’m an adult, and this is a cartoon made my other older adults, for kids - let me see what it’s about”. It’s more about curiosity and seeing what other creatives have done to put connective tissue between one idea to another.

Personally when it comes to tagging I try to keep to a general amount of “minimum amount of tags possible” bc I’m a bit lazy but also, I will never find anything on my own blog later if I used more than 20 tags about a simpler fanart post. So maybe like 1-2 tags for show/series, 1-2 tags for characters and my own art tags. I am lazy but I also like being considerate with other people. But also because of my previous experience with blogging, I like to keep tags I re-use as consistent as possible so I have the same experience. Of course, sometimes I forget what I’ve actually used if there are many tags i.e. many characters. so keeping the tags short is a boon for that end.

Here is the draft version for the UY and Usagi Chronicles tag guide, i'm gonna change this more but this is mostly how I've been tagging stuff (or have tried to so far) and I wrote a small guide back in march before all this, but have been coming back to it now with more general and character tags in mind.

== Tagging Guide ==

Hello Rise of the TMNT and Usagi Chronicles joint fandom! Here’s a guide on how to tag Usagi Chronicles/Samurai Rabbit stuff! Mostly it’s my own view on how to tag things based on how I interact w the fandom stuff posted here but also from my experience of using tumblr and older blogging platforms - how I see the most common/make-sensical ways to tag characters/shows. But maybe you will find this useful too, fellow fan!

Usagi Yojimbo - the name of the original comicbook series - I decidedly reserve this for posts and reblogs ONLY about the Usagi Yojimbo comic (pages covers,, screenshots, memes), or general fanart of the comic or its characters. This helps me keep it separate so I can find posts about it later.

Usagi Chronicles - personally I use this for all content for the show, but especially the crossover stuff and my own art posts. This seems to be the most commonly used unique tag about this show.

SRTUC - acronym, good for short posts, for quick tagging. but I also use this to tag general reblogged posts about the show

Samurai Rabbit - I only try to use this if it is about the official stuff, like interviews and GIF/screenshots in bulk (more than 2). This tag gets used a lot for both the series but before that it was also used for posting general UY comics content and alternate covers by other artists, as well as for original samurai rabbits unaffiliated by UY. It is too general for me to use it on my own posts outside of text posts maybe.

Samurai Rabbit the Usagi Chronicles - mostly I use this tag for more general posts, but also reblogs if someone else has made something directly related to the series.

SamuraiRabbitNetflix - lol I only use this one on twitter, bc I saw someone from the crew use it and it has stuck for most of my more finished posts I guess ^^ Literally nobody else on tumblr uses it which is fine, but I think it’s a good way to separate the series and the more general posts people make about the comic or guest art of it (or sometimes original art unrelated to UY)

Characters:

Miyamoto Usagi - I try to mainly use it for just comic Usagi and fanart, but occasionally I will use it for fanart depicting

Rise Miyamoto Usagi - Any Rise!versions of comics Usagi. Usually these are fandesigns, but sometimes fans will adapt it wholesale (usually adapting him from his younger years). Sometimes it is unclear which version it is based on or it is a completely original version so I simply tag these as Rise Usagi.

Yuichi Usagi - pretty self-explanatory! I only use this for posts/fanart including Yuichi Usagi (but not when he is only mentioned in passing). Sometimes it is hard to differentiate between these versions however,

Usagi fandesign/Yuichi Usagi fandesign/Miyamoto Usagi fandesign - I use all these tags to organize the fandesigns ppl make of all these characters, reserving “Usagi fandesign” when it’s really an original design based on various canon Usagi concepts or more of a “general” Usagi than a specific one i.e. meant for the Rise or 2012 TMNT crossover AUs. This counts for me in reblogs also when the OP hasn’t really decided what the character is and has tagged both characters. Lol there is a lot of different fanart of these characters and for my own sake, I tag these separately where possible so I can find the fanart easier later (especially if the posts themselves have text which doesn’t use these names, or if tumblr search is not working on blogs)

UY character - I use “UY” as the common acronym before characters from UY, but I also generally tag their names in reblogs. idk, this just makes it easier for me to find them later in my own blog and that’s all (Kenichi and Mariko for example are quite common Japanese names)

Tomoe Ame - This character just deserves her own tag, but also, I think the 03 version, while quite different, can fit in the same tag because people don’t post about them as much ^^;;

And now for the TMNT tags!

Rise of the Teenage Mutant Ninja Turtles - the official name! long, but good if you are tagging official stuff i.e. screenshots, gifs, concept art, tweets from crew etc

ROTTMNT - good short catch-all tag, lots of ppl use this to tag their reblogs quickly, but shorter posts can also go under here

Rise of the TMNT - Slightly longer tag than the full acronym, but more descriptive, if you wanna make sure people know it’s a TMNT show

Rise TMNT - I’ve seen a few ppl use this as a tag and it’s a valid way to tag (short and unique) but it’s not as popular as the others

2018 TMNT - again, general tag for the series. Common way to make a tag for a TMNT series - adding the year of airing before the TMNT acronym. Same with TMNT 2018. Same for the comics! I’ll use IDW TMNT as a tag for example, bc it seems widely used and understood.

TMNT18 - same as the previous one, but shorter! There are a lot of TMNT media besides the comics, (movies, animated series, etc) so it’s a general easier practice to tag via year. Ppl also sometimes use the variation 18TMNT. Anything is basically fair game with these general tags as long as the author of a blog finds stuff later.

Characters![I’m not sure about the characters yet bc I use the tags differently than other people apparently. my blog my rules i guess!]

rottmnt [character] - reserved for when i tag this character in crossovers, eg rottmnt April, rottmnt donnie. I generally use nicknames for the rottmnt boys cuz I am lazy.

Rise [character] e.g. Rise Leo, Rise April - I try and use this just for

April O Neil (full name) - for when I’m tagging them in general and just want to see them in this tag with the other versions

12 April or 12April - for the 2012 TMNT versions of the characters. I often write the tags together bc I am just lazy but in the case of numbers, I can also forget. On tumblr I try to remember to use spaces cuz that is allowed here lol.

----

And that’s it! I have more in the list, but that is the gist of the style of it. Basically hust explaining what I’ve seen and if/how I use it on my own blog. Let me know if you have more thoughts about this. I’m curious to know what other fans of both series think!

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notyetneedcoffee · 4 years

Text

Assassin For Hire 6

Pairings: Steve Rogers x Bucky Barnes x Reader

Warning: not for this chapter, other than the angst that goes with this story

Bucky strode across the crowded room, the small congregations of people moving out of his path. They just cleared out of his way, either consciously aware of who he was or unconsciously aware of his desire to kill someone. Steve frowned at his approach, but you couldn’t help the dark chuckle.

“What?” Steve whispered just as Bucky stepped up to the two of you.

“Just enjoying the way that Buck makes all the big bad SWAT members skitter out of his way.” You smirked.

Steve pinched the bridge of his nose. Bucky didn’t actually smile, but you could see fury in his eyes turn to amusement. “This is an awful lot of people for a covert operation, Steve.”

“It’s not a covert operation, Buck.”

“I said to keep it quiet.”

“Arresting most of a local gang, their middle men to their buyers and contacts into larger criminal organizations, and serving the full warrants for everything else,” Steve sighed. “It’s taking a small army.”

“I could have kept it quiet.” He breathed quietly.

“That would have been fun.” Natasha silently slid between Steve and Bucky. “We could have kept score.”

You smiled at her. Nat volunteered to lead the second team after Steve approached her. The two of them would lead the raiding teams while you and Bucky went after Sarah’s family. Steve insisted a coordinated effort was necessary to minimize the risk to everyone.

Bucky wanted to go beat in the heads of the bad guys behind all of this. The desire to inflict some pain made his hands clench. Still, the protective urge for the little girl cool enough to hire an assassin to save her family had him stepping out of the main event. He’d insisted on being the one at Sarah’s house.

“I’ve got everything we’re going to need.” You showed Buck the thick file in your hand. “Although you may want to put a hankie in your pocket if you want to be a real gentleman. I think there may be tears.”

Nat laughed, thinking it absurd. However, Bucky pulled two neatly folded and pressed white cotton handkerchiefs from his pocket. Her mouth fell open. “Already figured on that, Doll.” He smiled at you. “Hope you don’t mind if I might give away the ones you got me for Christmas.”

You smiled, thumb running over the delicately embroidered double B’s. “Of course, I don’t mind.”

He tucked them back in his pocket. “I’m going to check on the surveillance team one more time. We leave in thirty.”

“Handkerchiefs?” Nat’s eyebrow rose.

You smiled. “Every time I cried, he always reached for one out of habit but never had any. So, I made sure he had some.”

“Back in the day, he always had two.” Steve said absently. “A nice one to offer a girl, and older one for me in case I forgot mine.” Nat shot him a questioning look. “I was sick a lot, or bleeding after getting my ass beat.”

You slipped an arm around his waist. “Tough guy.”

Steve pressed his lips into your hair and continued to read over the plan, triple checking the details.

“Thank you for this.” You whispered.

“It’s the right thing to do.”

“Getting us involved in a local Police matter, though, could be opening a can of worms.” Nat agreed.

“It’s still the right thing to do.” Steve insisted. “Let’s get moving. Time to pull the teams together.”

You got out of the car and walked with Bucky towards the blocky mid-century apartment building. It’d seen better days. Even though suburban city had good schools and neighborhoods, there were still pockets of neglect. Sarah lived right in the middle of one.

Bucky touched the com unit at his ear. “Report.”

“Unit One, no activity.”

“Unit Two, no activity.”

“Unit Three, all’s quiet here too.”

“Unit Four, they finished dinner and are settling in for,” a pause. “looks like The Simpsons.”

He’d set guards to keep an eye on the building and the family. “Good. I’m dropping off this channel. If you need to alert us, use Com 2.” You gave Bucky a sideways look. He explained, “This is going to get personal. No need for all of them to hear everything.”

“You’re such a softy.” You whispered.

“Shut up.” He whispered back, hiding his grin.

He punched in the four digit code for the crappy security door and held it open for you. The hall smelled of musty carpet and stale cigarette smoke. A collection of faded and well used kids bikes leaned against the wall by the stairs. You didn’t see an elevator.

“Come on.” Bucky led you to the second floor. He took a deep, cleansing breath before knocking on the door.

The door opened. A small woman in sweats, with her hair pulled up in a messy ponytail started to smile, but as she stared at Bucky, eyes moving from his grim expression to black boots and back up to exposed metal arm, she took a step back.

“Mrs. Jacobs,” Bucky tried to soften his voice. “May we come in? We need to talk.”

“You’re Barnes,” the lanky teenage stepped up behind his mother. “You’re the Winter Soldier.”

Mary Jacobs took deep breath, plastering a smile on her face that didn’t touch her eyes. “This must be about Sarah’s trip. Please come in. I’m sorry I’m not dressed. I must have missed your call. Um, can I offer you something?”

“No thank you, we’re fine.” You smiled back. The living room was tiny, just enough room for a sofa and small table and television. A cheap bookcase was overflowing with books in corner. They were well used, probably second hand, but were stacked neatly and taken care of. You noticed Sarah peeking out of doorway. “Hi, want to come join us?”

Sarah stepped out into the hall, hovering just on the edge of little living room. That calm, distant look sat firmly in place. You kept one on her as Bucky asked Mary Jacobs to join him at the little kitchen table pushed against the wall.

“Mrs. Jacob,” Bucky looked far too large at the little table.

“Mary, please.”

“Mary,” Bucky amended. “This isn’t about the Avenger Tower visit. This is in regards to something that Sarah brought...”

“No!” Sarah dashed forward, angry tears instantly filling her eyes. “You just said you’d fix it! You can’t tell, you can’t!”

“What did you do, squirt?” Josh put both his hands on his little sister’s shoulders, turning her around. “What?”

“It’s okay, Josh.” You tried to sooth, handing Bucky the large file. “None of you are in trouble.”

He opened it, sliding a photograph to Mary. “Two years ago in June you were working relief shifts in the ER at General. You treated this man for stab wound.”

“Sarah, go to your room.” Mary’s back went very stiff.

“She’s the one who led me to him.” Bucky said, sparing a glance for the brave little girl. “Had gathered intel like a pro.”

“What?” Her mother breathed

“She was looking for help.” You offered. “And she reached out to those who would best be able to help. She’s a smart kid.”

“When you treated him?” Bucky tapped Abruzzo’s picture. “What did do? Offer to pay you for extra pills?”

Mary looked away. Josh scowled.

“Your assignments were pretty regular up until this point, but after you because to take shorter and shorter relief assignments. Then there’s this.” Bucky slid another paper across.

Mary’s jaws clenched. “Those weren’t my bills. My ex-husband did that.”

“We believe you.” You said.

“What did you do, Mary? We’re here to help, if you tell me everything. This can be fixed.” Bucky insisted.

She shook her head, crossing her arms tightly over her chest.

“He held enough over you that you couldn’t stop, couldn’t back out.” Bucky continued. “Then he wanted more, even more than you could give. He threatened your boy. Got him involved.”

Tears slipped from Mary’s eyes. Josh barked. “Stop it.”

Bucky pulled out warrants and pages with dozens of photos on them. “As we speak, teams are arresting everyone and completely dismantling their organization.” He gave Mary a chance to let that sink in. “Now tell me everything and let me help with the rest of it.”

“All of them?” She almost touched the photograph, but pulled her fingers away at the last moment.

“All of them.” You smiled.

“Are you asking me to testify?” Mary looked up, frightened. “I won’t let my kids...”

“No,” Bucky shook his head. “Just a statement. We have enough evidence to keep you out of everything else. But, Mary, it’s necessary for us to get the complete story that led Sarah to ask for my help.”

Tears filled her eyes. Bucky took a handkerchief from his pocket and held it out for her. Mary took it with a watery laugh. Dabbing her eyes. “Thank you.” She took a deep breath. “They were going to garner my wages for the debit my ex ran up. I couldn’t afford an attorney and the amount they were going to take would mean choosing between rent and my student loans. I was already working as much as I could. If I defaulted on my loan, they would revoke my license and then I couldn’t work. I didn’t give him pills. At first it was a script pad.” Mary wept. “It was so much money. But then the threats started, he wanted more. The more I did, the more he wanted.”

“And the less you got.” Bucky offered.

She wept into his hanky. You watched the kids, hold on to one another. Josh looked anguished, embarrassed. Sarah just kept her face unreadable, though her body leaned into her brother. Mary told her story, confirming the information you’d uncovered and verifying the parts you’d speculated, including the threats against Josh and Sarah.

An hour and a half later, Bucky reached across the table and covered Mary’s hand with his own. “Thank you. I know that wasn’t easy.”

“Am I going to get into trouble for doing these things?” Her tears began again. “I know that I should, but I don’t want to lose my kids.”

“No.” Bucky shook his head. “We’ve negotiated terms based on special circumstances and,” he gave Sarah a sly look. “Informant status. However, a few things will have to change.”

“That stolen car goes back.”

“Yes sir.” Josh readily agreed. “Hate it anyway.”

“You’re nursing status will be subject to probation and you’ll be required to undergo regular reviews for two years.” Bucky looked at Mary. “I’m afraid picking up relief work won’t be sufficient. However, we do know a facility that’s hiring. You’ll report to work next Monday.”

She looked over the paper. “This is,” she breathed. “This is the Avengers Compound.”

“You’d be surprised how often we all get banged up.” You smiled.

“This is,” Mary paused. “You’re going to pay me this much?”

“Stark.” You shrugged. “He pays well. You need to be competent and confidential. Your records are good. We already know you can keep your mouth shut.”

“We’ve arranged to a zero-interest loan for you, enough for you to get out from under everything and replace your vehicles with something more reliable.” Bucky leaned back in his chair turning his face to Josh. “You have to do your part too. Lettering is all well and good, but I expect you to keep that GPA up.”

“Yes, sir.”

“And help your Ma.” Bucky ordered. “You’re likely be moving into someplace bigger and she’ll need help taking care of everything.”

“Yes, sir.”

“And you,” Bucky motioned for Sarah to step closer. She came forward, head bowed, to stand in front of him. “No need for any more lying.” Bucky brushed her bangs out of her face. “Keep a sharp eye out, though. You’re a pretty sharp cookie. I don’t want you to worry anymore, though. If you need anything, get into any kind of trouble, you let me know. Promise?”

She nodded, the calm finally breaking and eyes filling with fat tears. Bucky pulled out his other handkerchief. Sarah took it and held it to her face before leaning into him. He wrapped his arms around her slight frame rubbing her back. He caught your eye, looking much calmer than he had for days.

“It’s okay, Sugar.” Bucky cooed. “Things are going to be okay now.”

“How’d it go?” Steve walked out of the office as you and Bucky got home.

“Best assignment ever!” You kissed his cheek before sitting down to take off your boots.

“A woman cried her eyes out for more than an hour.” Bucky looked at you incredulously.

“Purging herself of guilt and secrets.” You sat up straight. “And then you offered her safety, and a new job, and a way out of debt, and most importantly a good future with her kids. Best assignment ever.”

Bucky looked over a Steve, “The sweep got everyone?”

You’d only gotten a short briefing in the car.

“Yes.” Steve nodded. “It’ll stick, too. Like you said, they’re stupid. The cops gathered enough evidence to take every down and then some. I’m still working on the paperwork.” He squeezed Bucky’s shoulder. “You better now?”

You watched the last of the tension slip away from Buck’s body. He got to go from being the assassin to the hero on this one. It was a foreign feeling, but one he would like to get used to. A sideway grin spread over his face. “Yeah, I am actually. Thanks for your help, punk.”

Steve pulled him into a tight hug. “Anytime, jerk.”

END

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#stucky x reader #bucky barnes x reader #stucky fic #bucky barnes fic #steve rogers x bucky barnes x reader

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ashesarrows · 3 years

Text

The Girl Who Soared Over Fairyland and Cut the Moon in Two by Catherynne M. Valente- FULL REVIEW

This review is the complete version of its counterpart on GoodReads.

This book really disappointed me. The roughest thing is that it’s right in the middle of the series, so you have to read it if you want to continue. There are bright spots (Ell! Saturday!), and I can sense the incredible book Valente was trying to write, but overall, this was a flop. Would’ve been a DNF if I hadn’t promised myself I’d finish the series.

So, firstly: I’m a longtime fan of Fairyland, and I commonly list the first book and Valente herself as my favorite book and author. I had no negative preconceptions about the book going in. In fact, I know I have an irrational fear of series, and at first I thought my struggles with this book could be chalked up to that.

But I loved the second book. It was entertaining, a good follow-up, and a unique new story to explore. When I picked up the third book and only got a chapter in before forgetting about it, I had a lot of excuses—I was burned out. I didn’t like the Blue Wind, and I didn’t want to read about her. I was busy with school.

As it turns out, having picked the book up three years later and finished it this time, none of that was true. This time, I was yearning for more of Fairyland, I quite liked the Blue Wind, and I had ample time to read in.

It just wasn’t a good book.

I talk about planning/pantsing a lot, and that’s once again relevant. I’ll excerpt from my review of another book:

There are two types of NaNoWriMo writers: the planners, & the pantsers. Planners have an outline ready before they write, and pantsers go "by the seat of their pants"—very few, or even no, plans. Both have pros/cons; here I'll focus on a common pitfall for pantsers.

Almost every Western narrative… follows something akin to the 3-act structure. There is a main conflict which builds to a climax and is then resolved (think Star Wars’s Death Star.) For any good narrative, you need MOTIVATION-GOAL-CONFLICT—and occasionally stakes[.]

This book does not have a conflict.

So where do you find 300+ pages of writing? Just have something happen & see what comes next as a response!

The problem is that this makes an unworkable first draft. Things Happening =/= Satisfying Plot Arc. In editing, you have to take everything you've written and organize it into a plot shape, often cutting things that don't fit. (Planning is the opposite; tons of work upfront/you usually end up UNDERwriting.)

...The most common method of writing on Wattpad is pantsing. 99% of the time, writers write & then post chapters on a set schedule. Can't edit plot structure when you upload one chapter a week.

Now, I knew that Valente was a pantser before I read this book, and that she originally uploaded Fairyland one chapter a week. I was very impressed when I first found out; I don’t recall sensing any of these pitfalls in the two previous books. It is hard to write a book with no editing—it is damn well near impossible. Whether I liked this book or not, the first two are a triumph just for that. Valente has been writing this entire series with both hands tied behind her back and her eyes taped shut, and I have to commend her. Even my feelings of frustration are almost overshadowed by how impressed I am that it took three books for her to fail.

Valente herself acknowledged editing concerns in multiple / interviews. From the latter link:

I remember being at a convention right after it really hit, and somebody in the audience asked, “Well, you realize you can’t go back and change anything, because you’ve already posted it online.” And I said, “Oh, shit.” It had never occurred to me that that was gonna be a problem. I kept a couple weeks ahead of the posting schedule, but again, much like writing The Labyrinth in ten days instead of thirty, I just ran ahead with something without knowing that I couldn’t do it and it worked out incredibly well.

Did it? I feel differently, and this review aims to explain why.

This book lacks plot. Valente is attempting a 3-act structure, which relies heavily on a central conflict. There has to be some big mission; some big goal. First book example: September has to beat the Marquess (goal and conflict) OR ELSE everyone in Fairyland suffers (stakes/motivation). Every moment of the book ties back to this larger goal.

The central conflict of this book appears about halfway through. You know the moon, and the yeti, and splitting things? This comes up over a hundred pages in. September, and the audience, has no idea about any of that for a hundred or so pages, and so for that amount of time, the book is unconscionably boring.

The beginning of the book sees September afraid she’s too old to go back to Fairyland, which is a great central conflict idea for the one chapter in which it exists. Aha! A book about growing up and the associated trials and tribulations. That’s a fantastic theme, and yet I forgot about it entirely until the end, where it briefly awakens again, after an entire book of Not That At All. More on this later.

For now, the book takes September back to Fairyland, which should be wonderful, but Fairyland seems to have become all exposition and no action. A whole chapter of The Blue Wind lecturing September, for example. This is a character we don’t know, have no reason to be attached to, and are being actively hindered by as she relentlessly slows the plot down. And then September gets talked at by an alligator or something, and then another something something… I don’t remember any of this, because it was not relevant.

This isn’t like Fairyland #1, where September might need to befriend someone to gain access to magic which would help her on her quest. In fact, for this first half of the book, September doesn’t even have agency! Someone hands her a MacGuffin (I refuse to recall its name) in the form of a box, and she Must carry it to some city or other on the moon. Why? Who knows. She just must. And she does. And you’re thinking to yourself, why isn’t September making her own ship and leading revels? We know, as an audience, that she’s more than capable. What on Earth has got her seeming so meek? She even sasses characters, but somehow always ends up doing as they ask.

The book also takes all this time to reach any characters we know and love. The readers want Ell and Saturday! We do not care about a horde of lecturing adults with no connection to a central plot or September! Looking back, I can see how Valente may have been hoping to pull off something similar to Alice in Wonderland, but in Alice nobody speaks for a full page. This is just one example:

direct link

I’m hard pressed to even call this exposition, because it tells us nothing about the world we’re in. It’s just a sermon Valente wants us to hear. And worse, because I’ve read the last two books, I know she can pull this off. It doesn’t have to be this way. Many people said many things in Fairyland #1, and it worked because there was a plot that the speeches were part of.

(If you just look at the quotes page for this book, you can see how many there are—and how repetitive they get. X is a Y, okay, alright…)

But this sort of thing reached its peak when it almost ruined Saturday. Don’t worry, he’s generally well-written, but when September meets him and he starts lecturing? It’s just awful to read. Suddenly it’s not Saturday talking but Valente speaking through his mouth, giving those sermons again, and it just makes you want to scream.

This made me recall an old writing rule—“never remind me of the author’s existence.” I want to feel as though real people are really saying these things, and when all of them speak identically, it’s really difficult to believe that. I won’t deny Saturday his right to say poignant things, obviously, but in this case due to the volume of lectures, and the proximity of his to the others, and the obvious preachiness of all of them, it really got in the way of my even enjoying the scenes with Saturday. And come on; that is unforgivable.

But there is a plot. There is an, ahem… other MacGuffin. A paw? A yeti’s paw. Something about time. Look, at this point I just wanted to finish the book. The original MacGuffin had become a new one, which would lead them to the third, and all this because at 100 pages in someone said “hey there’s this yeti we really hate around here,” and September went “sounds awful I’ll go hunt him right now.” And of course she can, because she has been DOING NOTHING FOR THE LAST HUNDRED PAGES. What is she going to do, something else? There IS nothing else to do in Fairyland apparently. Again, what this book does to the world & inhabitants of Fairyland is near criminal.

So the plot starts here, and it’s not great—September takes it up because there’s nothing else to do, and of course her friends come along, but (at least to me) it seems obvious that Valente invented the moon’s political situation and the Yeti just to come up with SOMETHING for this book. It never felt convincing that this had really been happening behind the scenes in the other books. On top of that, since we get very little context (despite the lectures!), it feels less like a vital quest and more like September (again) doing something because someone else told her to. We really don’t get any other perspective on the issue until the very end.

But talking about the end will require a spoiler tag, so I’ll avoid it for now. Let’s take a break to talk about how confusing the book was overall. I often didn’t know where the characters were heading or why, or what role a new character played, or even if they were there or not.

After seeing a GR query about this particular issue, I went back and researched it. The character Candlestick allegedly leaves the party on page 189:

Candlestick had not come with them after all, turning up her peacock tail and refusing to speak further with any of the lot of them.

But then shows up in not one but two lines in the next chapter anyway:

The Tyguerrotype, the thirteen bouncing Glasshobs, the quivering houses—and September and Saturday, A-Through-L and Candlestick—had a little thickness, but no more than a thick sheet of paper. (201)

“Did we see what?” called Candlestick. (204)

I understand why Valente wouldn’t want to make major plot edits to the books after posting them, but why didn’t an editor read through this even once? It would have been easy to fix—delete one line, or even just a word. It seems clear through surrounding context, looking back, that Valente intended to leave Candlestick out of these chapters, so why didn’t anyone confirm that for readers?

It’s just not fair to your audience to leave things like this in. It’s not professional. It makes me look down on the publisher, to be quite honest, because they apparently couldn’t take the few months necessary to re-read the draft and offer Valente edits on these bare minimum issues.

So you can understand why I wasn’t sure what was going on most of the time. Especially in the beginning, when multiple characters existed just to lecture, it was hard to get attached to any one addition to the party because I could expect them to be gone without incident or importance within two chapters.

For example, the Periwig (whose name I refuse to look up) who works with Ell in the library says she has cursed him to stop him from flaming around the books. Yes, Ell is having uncontrollable flaming issues now. As a reader pummeled by random lectures, watching September ferry around MacGuffins, this just felt like an “oh shit we have to come up with a NEW conflict for these characters” ploy, without much thought or logic. And I had no idea what the curse was for over fifty pages, until on page 173 there’s a specific reference to Ell getting smaller after he shoots flame. I’m sure there were more earlier on, but I missed them, and who can blame me after a hundred pages of content that was not relevant to the story.

This plot point is never satisfyingly wrapped up, either. Why did the Periwig think this was a good idea? Could she have undone it? Why did nobody address her about it? And why was it solved the way it was? Nothing made sense.

What’s really frustrating is what could have been. Near the end of the book, I turned to the back cover just to avoid continuing to read, and I looked once again in total bafflement at the two starred reviews of the book pictured there. Booklist’s back cover quote reads as follows:

As usual, Valente enlightens readers with pearly gleams of wisdom about honesty, identity, free will, and growing up. September often worries who she should be and what path she should follow, but the lovely truth, tenderly told, is that it's all up to her.

And, despite having read roughly two hundred pages of this book, it was only once I saw this quote that I understood what Valente was trying to do.

This is a great idea. And there are ELEMENTS of it here, and even elements I quite like. Occasionally, the lectures September hears do in fact correspond to some aspect of this theme (“you become what you are called” is one example of a line I could tell meant something, but needed to be expanded to accomplish anything.) It’s hard, as a reader, to differentiate between lectures addressing a vital theme in the story and lectures that are just talking.

Returning to Ell’s curse, it turns out that [SPOILER] Ell was just flaming for what is essentially dragon puberty, which is a GREAT opportunity to build on this theme! Somehow, though, we don’t get that.. I would have loved to see Ell have to deal with, essentially, a sexual awakening, and that did not happen, and it feels like the cure scene is random and therefore wasted. [END SPOILER]

It doesn’t help that Valente also wastes a scene with FANTASTIC potential where September literally destroys her fate by giving it no prior context, no weight in the plot, no relevance to the conflict, and fifteen tons worth of expositional lecturing to drown in. I want to love these scenes; some of these scenes utilize my favorite tropes! I just can’t get around all the ways Valente is leaving her story out to dry.

Then there’s the clothing September wears, her new designation, Aroostook the car, the attempted blossoming romance between September and Saturday: so many elements which could have made that theme great. It’s like a broken puzzle.

This brings us to the Yeti. I’m just going to go full spoiler, because I’m mad.

[SPOILER]

The Yeti is a reverse twist villain?? Can we stop with this? It’s not interesting & not an engaging surprise & also feels like going “ha ha I fooled you.”

From the moment September set off to beat him, I was wondering—are we really doing this? Based on one random person’s complaint? September has made it very clear that she doesn’t understand the politics of the world she’s inhabiting, and yet: this. Unlike in the first book, where the Marquess’s evil is confirmed by every person she comes across and September ends up fighting her out of personal connection, this just seems like meddling. September has no skin in the game; it’s almost a white savior trope—especially when the history of the Moon parallels colonization!

And then The Gang sees future-Saturday helping the yeti, and instead of thinking “maybe we got this wrong based on one person’s lecture” they think “ah FUCK maybe Saturday is going to be evil” and manufacture totally unnecessary conflict.

But it’s not even that they misunderstood, or that their source was biased; the end result is that the Yeti was seen as evil because he DIDN’T CARE THAT HE WAS. He gives this “none of their business” answer that is fundamentally unsatisfying (and makes no sense—had he explained, THEY WOULD NOT HAVE BOTHERED HIM) because at the end of the day, it means none of September’s actions in Fairyland were necessary. She just showed up and left. Nobody, not even the story, needed her. I guess September and Saturday have now kissed (twice!) which is great for them but not something that makes the whole book worthwhile.

[END SPOILER]

And on top of this, there are typos. I already covered the issue with Candlestick, so here are the others quickly:

“All of us,” September said gently, and held out her hands. “I know what you said, Miss Candlestick, but however you count it, our fates are stuck together and stitched up good.” She paused for a moment, looking down at her flowing black silks and her own small hands. “Closer than shadows, she finished.” (170)

“If you’re not to tired after your cannonades.” (179)

The full moon rose passed the high barn windows, spilling in like milk. (248)

(First sentence ought to have put the end quotation mark after the word “shadows,” but accidentally places it after September’s dialogue tag. The second sentence should use “too” instead of “to”. The final sentence needs to either say that the moon “rose past the high barn windows” or “passed the high barn windows”, likely the former.)

What gets me is that this last sentence is on the last page. Even if Valente and her editors never flipped through most of the book, surely someone would’ve noticed this? It just drives home how little anyone cared. About Fairyland, of all things!

And then Valente, who DID NOT EDIT THIS BOOK, has the audacity to include lines like these.

September reached inside and took out the red book. It was heavy. A girl’s face graced the cover, finely embossed, but it was turned away, gazing at some unseen thing. Perhaps it was her own face, perhaps not. A miniature version of herself, after all. Was it an answer? Was it everything already written? “You can’t argue with something that’s written down,” she said, stroking the red locks of hair on the cover. “If the heart of my fate is a book, there’s nothing for it. Once it’s written, it’s done. All those ancient books always say ‘so it is written’ and that means it’s finished and tidied and you can’t say a thing against it.” Oh, but September, it isn’t so. I ought to know, better than anyone. I have been objective and even-tempered until now, but I cannot let that stand, I simply cannot. Listen, my girl. Just this once I will whisper from far off, like a sigh, like a wind, like a little breeze. So it is written—but so, too, it is crossed out. You can write over it again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.

(page 184).

Like... all of that, and then she didn’t edit September’s story? I’m appalled.

At this point, you might well say I’m being far too harsh. I understand that. These next five paragraphs are for you.

For the first few months of (re)reading this book, I genuinely felt like I must be a bad reader, or my attention span was gone, or I just didn’t like Valente or her work enough. Looking at all the incredible reviews here, I felt jealous—and frustrated. Why couldn’t I just enjoy this book the way everyone else did?

Obviously, I never want to dislike a book, but this was one that I almost feel betrayed me. I know there’s a significant amount of entitlement there; Valente doesn’t owe me any stories, let alone good ones.

At the same time, I made every effort. I owned all the books, was working hard to read a series despite my long-time struggles with them, and, well, I LOVE Valente! I constantly talk about her work! And even someone like me—someone who’s usually a pretty fast reader, loves the series/author in question, and was determined to finish this book—struggled throughout.

So I’m frustrated that the book made me feel like an idiot. I’m frustrated that, for the apparent crime of being devoted to Valente’s work, I was put through this. This book would be one star if not for the world of Fairyland and the returning cast—if this had not been a Fairyland book, I would not have finished reading it. For that first half, I was bribing myself (with better books) to read one or two pages at a time. Really.

Like I said, it didn’t have to be this way. I know damn well that Valente can do better than this. If Valente had been given the opportunity to edit this draft into a polished book, she could have done it. It’s only because of these restraints that she chose—and she is a grown woman who may choose what she likes—that the book came out this way. It’s genuinely hard to review, because I understand why she wrote the book this way, and I understand why she did not later edit the majority of the text, and I also have the perspective of a disappointed reader. It’s hard to balance all of that.

So two stars it is. I’m a little sad it took so long to review this book, because I was REALLY pumped to review it when I first finished, but I hope that on the contrary letting it sit has allowed me to be more objective and less emotionally upset by it.

I hope to pick up the fourth book soon, but with the combination of it being unrelated to the main cast and the letdown that this book was, it’ll be a while before I feel up to it. Don’t worry, though, because I will come back to update you as to whether the series overall is worth continuing. I have every hope that it will be.

#full review #goodreads #The Girl Who Soared Over Fairyland and Cut the Moon in Two

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libermachinae · 4 years

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Schematics [Or, Another Chance] – Ch. 4, Sensory

Also available on AO3! Notes: Day 4 of @prowlweek and I went a bit squish. Scav’s a good-ish boy.

⏳ 🚧 🚓 ⌛ 🏗 🚧 ⏳

Scavenger apologized probably somewhere around a hundred times. Hook couldn’t keep track of them all, and even Prowl must have been satiated, because he gave up on his lecture halfway through and kept it to a crisp, “Do as you’re ordered.”

“Mixmaster and Scavenger, you’re coming through this time,” Prowl announced as he loaded up the terminal with their next set of coordinates. “Long Haul, you’re anchor.”

“What? Why me?”

“Because that’s your order,” Prowl said.

“Bonecrusher’s the one who caused problems the last time, shouldn’t he be the one stuck behind?” Long Haul’s shoulders were squared and his plating flaring. Though he resented the reaction, Hook could understand where it came from: after being put on guard duty twice in a row, their resentful transporter was probably starting to feel like his skills were being undervalued.

“I’m the leader of this mission,” Prowl said, turning to stare Long Haul down. “If you take issue with my command style, you’re welcome to leave.”

“I’m not gonna do that and you know it,” Long Haul snapped.

“Precisely.” Prowl turned back to the console, as though that constituted a satisfying end to the argument.

Hook tried to get a steadying hand on Long Haul’s shoulder but was pushed off, the larger mech stalking away. Not that there was far to go. The present had been confined to the space of the cave they stood in, their only indication that real time was passing the changing light that filtered in through the ceiling. Their chronometers had fallen out of sync with each journey, but it was pointless to reset them every time, when Prowl had them going back in just minutes after they returned.

He finished punching in the coordinates, the timestream shimmered to life, and the team lined up behind him. Only now, Prowl didn’t bother to specify the order they would travel in. He took the lead, Scavenger slipped in front of Hook, Bonecrusher and Mixmaster lagging behind, and a silent agreement was passed not to bring it up as an issue. If Prowl was relaxing his regulations a bit, that could only mean fewer opportunities for them to mess up.

Part of Hook wondered if they should take a break soon, give everyone a chance to fuel up and ease off, maybe even have a chance to get caught up on everything they had missed. That’s how they’d done it with Scrapper, but he stopped that line of thought before the pang in his spark got to be too strong. This wasn’t the right time to bring it up, anyway, so he put his focus to keeping his processor under control as he stepped into the timestream.

He did a better job of it this time, practice having made him more accustomed to the feeling of time rejecting their intrusion. He reached forward at once point and took Scavenger’s hand, keeping him from rushing ahead like he had the first time, and in response felt a squeeze that held until they nearly reached the exit. This time, Hook could see what they were approaching, but the only thing he was able to make out was that it was dark. Not like the cave, though. There was something familiar about it.

At Prowl’s signal, he let Scavenger slip free of his hand, then followed shortly after, emerging among the roots of another long-lost Cybertronian city.

“An abandoned sector?” Hook said as he peered around. Compared to their last stop, the streets here were barren, lights only distantly visible through the breaks between buildings. Someone turned on their headlights and illuminated the building across the way, its large doors slightly ajar.

“What would the time killer want with this place?” Scavenger asked as he crept closer.

“The what?”

Scav grinned at Prowl.

“The time killer,” he repeated. “We’ve got to call this guy something, don’t we?”

“He hasn’t killed anyone.”

“He’s Cybertronian?”

“Yes, but—”

“There you go! Killer.”

“It’s got a nice ring to it,” Hook said.

“No, it doesn’t,” Prowl said. “Come up with something better. Bonecrusher, you’re on guard duty. Scavenger, Mixmaster, Hook, with me.”

The named mechs followed Prowl into the nearest building, staring up at tall ceilings that only served to offer more room to an incredible collection of junk. Scrapped sheet metal, rusted beams, and all manner of useless spare parts filled the space, a warehouse that had been made to a cheap and convenient dump for some unofficial industrial venture. The whole thing rung familiar to Hook, but it was the rumble of and engine in need of a tune-up that caused his processor to alight in recognition.

“Wh—seriously? Since when do you all show up early?”

Hook whirled around, his spark spinning with way too many emotions to process at once.

“Scrapper?” Mixmaster choked out.

“But no Long Haul. Great. I guess we can just start building the arena on top of the scrap piles, that’ll stand just fine.” Scrapper wasn’t paying any attention to the mechs he was addressing, too wrapped up in his planning and calculations to notice anything amiss. The casual ignorance of a mech who was so profoundly gifted in his ability to notice details struck an emotion in Hook that he did not have the words to describe, and he found himself stepping forward.

“Scrapper—”

“Scavenger, stop standing around,” he said, possibly ignoring Hook, though more likely failing to notice him. “I need you to start sorting through this mess and figure out what’s useful. Mixmaster, help him excavate however he needs; your skills aren’t going to be any use until we get this cleared and Bonecrusher gets here to set up the foundation. Hook, you review the blueprints last night?”

“Of course, sir,” Hook said, forcing himself out of his stupor and back into the role of the perfectionist second-in-command he had played for four million years. The changeover was so natural, he forgot he was lying.

“Start laying out the perimeter. Give us a sense of the space we’re working with,” Scrapper ordered. “Once you’ve got that, I’ll need your help with the fine details, make sure everything’s to Megatron’s specifications. Got it?”

“Yes, sir.”

“Good.” Scrapper turned and walked off, optics fixed to the datapad he’d walked in with. Hook stared at his frame as it retreated, taking in the way his legs bent and arms swung, the cant his helm adopted when he was deep in thought. The last time he’d seen Scrapper functioning had seemed like such a non-event, it hadn’t occurred to him to savor it like this. Now, every frame was saved to his memory, copied to multiple folders and heavily encrypted.

There were so many things he wished he could do to that frame. But, if they really were all the way back to setting up gladiator arenas, then the team wasn’t really a team yet. There were rumors about Scrapper and Long Haul, evidence of Mixmaster and Bonecrusher’s late night ‘science projects,’ and a few nights spent fantasizing ceaselessly, but nothing at all like what would come later. Hook, he reminded himself, wasn’t even the second yet. At this point in the timeline, he’d only recently been assigned to Scrapper’s crew and made up for it with a kiss-up habit he was still struggling to break.

He wished there was time; the things he wanted to do to that frame. Scrapper disappeared through the far door, and Hook made to follow him, reclaim lost days he’d never imagined would be significant enough to miss. A hand caught his arm, he turned to Mixmaster’s optics, and was reminded of their reality.

“Prowl says we should go,” Mixmaster said.

“Oh.” Hook didn’t remember setting his vocalizer that low. “Where is he?”

“I’ve got him,” Scavenger said. He’d been leaned over a pile, sensitive digger arm extended in from of him, now revealing that Prowl had been hiding beneath it. “It’s good we got Scrapper while he was still in planning mode. I don’t know if this will work again if he comes back.”

“It’s not worth the risk,” Prowl said. “You’re all compromised and there is no sign of the target, so we’re going back.”

He led the way back out of the building. Mixmaster complied without much fuss, surprisingly eager to get back to the time portal, but Scavenger lagged, glancing over his shoulder to the place Scrapper had disappeared to.

Hook paused to wait for his teammate.

“Hey, c’mon, Scav,” he said, offering out a hand. It was all he could do to close the distance, because he knew if he went to Scavenger right then, he might not be able to stop his legs from carrying him all the way back.

Still, the mech hesitated.

“Is there a problem?” Prowl asked, back at his side.

“N-no, Prowl, uh, boss,” Hook said, trying to hide how the mech’s reappearance had startled him.

“It’s him,” Scavenger said, with a reverence that he usually saved for just one mech at a time. He glanced back at Prowl, optics bright with something. Realization? Hope? Primus, don’t let it be that. “Prowl, could we—”

In two strides, so quick and silent he might have teleported to Scavenger’s side, Prowl pushed himself into the mech’s space, silencing him with presence alone.

“No,” he said, his voice the blade that cut off Scavenger’s fragile buds of hoe. “No. Scavenger, on this day, four million years in your past, Scrapper had a normal day. He worked with you and the rest of the team, erected Megatron’s next arena, and forgot about it among every other day he spent doing the exact same thing. He did not get removed from his place in time, nor did he mention ever encountering a different version of you. This is how things happened, and we can’t change it, no matter how badly we—you want to.”

He was leaning far into Scavenger’s space, closer than Hook had known he was capable of. And although the display was apparently meant to be domineering, show that Prowl was the one in control, there was something else to it, captured in the way Prowl’s hand reached up and touched, so gently, the excavator’s wilting backhoe.

“That’s four million years ago. More recently than that, Spike Witwicky tracks him down, isolated in an Earth construction lot, and kills him. We can’t undo that, either. It’s not ours to change.”

Scavenger’s whole frame perked up under the surprise touch, subconsciously tilting his stick into Prowl’s hand. Hook watched Prowl’s gray fingers stroke with surprising care, a jealousy coiling in his spark that he was only able to tamp down with the knowledge that Scavenger would be delighted to share the memory when they next combined.

Prowl said something else, so soft Hook couldn’t hear it. When he leaned back, he and Scavenger’s optics were locked, the latter nodding in some private agreement.

“Now move it, both of you,” Prowl said, voice returned to its usual commanding timbre. He turned and proceeded out the way he’d been headed before, leaving Hook and Scavenger to follow. It wasn’t a problem this time, though they walked after him on legs that felt suddenly weak. It still took a great deal of will on Hook’s part not to cast a final glance backward as they left, but he managed it, keeping his optics ahead of him, on the doorwings that swayed with each step Prowl took.

#maccadam #prowl week #prowlastator #prowl #constructicons #transformers #my writing #longfic #schematics #sensory

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entamewitchlulu · 4 years

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lulu does flash reviews again

hey it’s been a while since i did one of these, anyway i just finished Princess Connect and I have some Thoughts so this is genuinely just me rambling about it

So, Princess Connect Re:Dive. It’s essentially a 12 episode long commercial for the associated role playing mobile game. It follows the adventures of the Gourmet Guild, a group of four adventurers whose goal is to investigate and enjoy the various foods of their fantasy world.

The Guild is made up of Yuuki, ostensibly our protagonist: a somewhat blank-slate sort of character who’s obviously supposed to be whoever your face character in the mobile game is, but who is actually, surprisingly, rather charming. He has lost his memories after some unknown battle he participated in with a bunch of former party members, and tends to respond to things in monosyllables, preferring instead to communicate with thumb’s ups and “mn!” in most cases. Despite this, he seems to be a very sweet boy who cares about his friends and is eager to do his best. Personally, I found him to be kind of a breath of fresh air in terms of male protagonists of fantasy shows otherwise populated by women. There’s not a single bit of “lucky pervert” tropes, he doesn’t seem at all interested in pursuing or flirting with any of the other girls, and only one of the girls is interested in him romantically. He’s generally pretty straightforward and good-hearted, so at worst I could call him boring - but even so, again, I found him charming.

Next is Kokkoro, an elf from a small village sent by someone who appears to be a goddess of some kind to find Yuuki and assist him as he recovers his memories. Kokkoro is, in a word, cute. She’s the only member of the cast who is interested in Yuuki romantically. Despite this happening immediately after she meets him, it sort of makes some sense to me, since she’s clearly been taught that he’s a special and important person whom she is duty-bound to serve, so it makes sense to me that she would hold him in high regard - and since he’s just genuinely so...genuine, it makes sense that it wouldn’t take long for a more sheltered girl to develop feelings for him. And, happily, she has a personality outside of this attraction as well: she’s reliable, patient, and good at sewing, and she enjoys spending time with the rest of the guild. Her silly faces she makes every time Yuuki gets chewed on by a wolf are hilarious, too.

Third up is Pecorine, who, while Yuuki is supposedly the protagonist, is pretty much set up to be the real protagonist of the show. Pecorine is not-so-subtly secretly the princess of this fantasy world, Landosol, however, it appears for some reason someone else is acting as ruler. Pecorine is ridiculously strong, ridiculously peppy, and always hungry. She’s literally made of nothing but love, joy, and excitement for whatever the next day will bring. She’s always helping people and seems to consider making others happy to be her life goal, alongside eating lots of yummy food. Everyone she encounters eventually becomes her best friend, even when they start off by trying to steal from her. She’s straightforward, doesn’t seem to notice when people don’t have her best interests in mind, and yet, beneath that, she is extremely lonely and vulnerable. If you couldn’t tell, she’s far and away my favorite character of the show.

And finally, there’s Karyl: a cat girl who is, in my opinion, the perfect example of a cat girl. She’s initially a loner who doesn’t see the need for friends, and is, apparently, supposed to assassinate Pecorine. As Pecorine doesn’t notice, she quickly inducts Karyl as her new girlfriend best friend, and Karyl, for all of her tsundere, don’t-touch-me cat vibes, absolutely starts falling for Pecorine’s kindness back. While she’s the one to call out the guild’s stupid plans and ideas, she generally ends up joining in on the shenanigans, much to her eternal chagrin.

So, I don’t mean to make this just a description of the show, because I do have thoughts and opinions, but I felt like setting up my feelings on the main cast was important before I got into the details of the show itself. From this point forward, there will be spoilers.

So, what this show does right:

As I mentioned in my talk about Yuuki, in terms of “1 male protagonist surrounded by girls”, it’s a relief to watch a show where the main cast is just all a bunch of good friends and they’re not just all hanging on the bland main character. Each of the cast is given their own time to develop their own personalities both with each other and outside of each other, and they’re all, genuinely, rather endearing. There are two characters who show up later who are a bit annoying about their care over Yuuki (calling themselves his big and little sister respectively), but since they aren’t main cast members and connect the show to a larger “what happened before this?” narrative, I didn’t mind it so much. Plus, despite a cast of all girls in a mobile game, outside of a few skimpy outfits and Pecorine’s occasional boob jiggle, there wasn’t a SINGLE bit of fanservice, which shocked me for this genre. No upskirts, no accidental boob touches, no lewd comments or innuendos. I was floored, and in a good way.

The character design really isn’t bad for a show based on a mobile game. Characters are distinct in design and personality. The best design is, of course, the girl who is Just a Llama.

I actually really liked being thrown into this world where it was very obvious that something had already happened Before, but you were only given pieces of it. It built a very intriguing premise by starting us off seemingly after the climactic battle goes wrong, and adds a sense of unease here or there about knowing that something is a little bit off, but you don’t quite know what. Not getting all of the answers at the end of the show wasn’t a dealbreaker, either, because I knew I wouldn’t going in - it’s a mobile game show. The story is still going in the mobile game, so they won’t play all their cards in the adaptation.

Karyl and Pecorine are definitely the main characters of the show, and while I’m sure it wasn’t intentional, their story very much feels like a love story, and I just really, really enjoyed that for what I expected to see going in, I instead got two girls who were allowed to have a complicated and yet very sweet relationship that developed slowly over the series into a truly beautiful climax. Speaking of Pecorine, as well, I have to give some props to the plot twist about her character. It was obvious to me for a while that she was the princess of Landosol, and I assumed that her parents were dead. I kept wondering why she was leaving her people to the whims of her impersonator instead of taking back her throne, and it was something that sort of bothered me throughout her seemingly cheerfully ignoring what her usurper was doing to her kingdom. Finding out that the fake princess had, in fact, simply replaced Pecorine with herself in everyone’s memories, leaving Pecorine with no idea what to do and deciding to disappear knowing that even her own parents didn’t remember her as their daughter was a shocking, and powerful, plot twist.

When it’s good, it’s really good. There are some genuinely heartfelt and powerful moments. The animation is surprisingly good, beautiful to watch especially during fight scenes. The final scene especially with its emphasis on Karyl and Pecorine really touched me, as it was clear they put a lot of effort into just the last few frames to make it really touching.

And here’s what this show does wrong:

When I said that when it’s good, it’s really good, the same can be said that when it’s bad, it’s bad. The main problem with this show is that it wants to be everything. It wants to be a comedy. It wants to be a drama. It wants to have deep character drama and heartfelt moments. It wants to have intense battles and evil villains alongside a story about four friends making sandwiches out of monster meat. The comedy bits and drama bits are both solid enough on their own, but smushed together, it makes for a tonally dissonant show that cheapens some of the more heartfelt moments.

The show takes way too long to even get into its main conceit, too. I think it wasn’t until episode 4 that they started their Gourmet Guild - and then even after that, the food hunting sort of disappeared in a lot of episodes so that you kind of forgot what their goals even were. And even when the food episodes happened, they almost felt like filler. Because of the show’s lack of focus, it was hard to truly enjoy any part of it.

And I cannot forget to mention that though I praised the character design in the good stuff section, there were some...concerns. Episode 3 introduces a fatphobic, borderline racist design. He is shown as cruel, violent, gleefully mean, and morbidly obese in a cast that is otherwise made up of skinny characters. And worse, he’s the only brown character in a sea of pale, white-coded characters. His appearance in episode 3 almost made me stop watching. He showed up briefly in several more episodes after this, and it sucked every single time. Despite a lot of the other things I loved about this show, I really cannot recommend it to anyone with a clean conscience just because of this character. He’s distressing and uncomfortable to me, so I can’t imagine how a POC might feel while watching it.

Genuinely, if even one or two of their “here’s a cute girl” designs had been Black or brown, I would have felt way better. But the juxtaposition of this guy being the only dark skinned character in the show combined with his abhorrent personality just really, really distresses me, and I think it’s a warning that people should be aware of before giving it a try.

That being said, overall, I don’t think Princess Connect Re:Dive was a bad show. As I said, there was a lot of elements I enjoyed, and I will probably go look and see if there’s any Karyl/Pecorine art out there, and since the app is Japanese only, I might even go and read the continued plot somewhere.

So this wasn’t much of a “flash review”, I had a lot to say, I guess lol. Anyway, if anyone else watched it, please let me know what you thought~ I’d be interested to hear anyone else’s take. For my part, I’ll give Princess Connect a solid 6/10.

#princess connect #lulu's flash reviews

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leejihoonownsmyheart · 5 years

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Chaos of Life

Summary:

Yoongi doesn't do things he doesn't like to do. He doesn't talk to people he doesn't like. He doesn't go to class if he doesn't want to. He doesn't even bother to look at those he doesn't think deserves his attention. So, Jimin can't help but wonder what on Earth he did to deserve this strange boys attention.

Chapter 1, 2, 3, 4, 5, 6, 7, 8, 9

Yoonmin University Fanfiction. Multiple Chapters. Warnings Don’t Apply. Good for General Audiences.

You can also read it on: Archive Of Our Own and Fanfiction.net

Chapter Ten:

Jimin wasn't self-absorbed or depressed per say. He was aware of his abundance of friends and wasn't trying to say that he didn't have any friends, but he was normally pretty self-reflective. In those moments of self-reflection, he had to note that other then his closest friends, people tended to tire of his company. Not to sound overly depressive or anything, but he could be found as something of a novelty to most people.

People absolutely loved to hang out around him at first, but after some time they no longer wanted to hang out with him. Jimin had learned to deal with this but he didn't want Yoongi to get tired of him. He had learned in the past to not hang out with new people constantly. If he did that then people wouldn't get tired of him as fast.

Yoongi didn't seem to care about that personal vendetta because he wouldn't let Jimin out of his sight over the week after the Facebook incident. He apparently didn't trust him to try and push people away after the damage on his "mental health" so he wasn't letting him do anything alone.

"I want your class schedule, you'll meet me for breakfast, lunch, and dinner. I'll be studying at your dorm with you. Oh, do you mind if I sleepover this weekend? If you ever need anything at all just ask."

"Yoongi, you sound like an overprotective boyfriend."

"Aren't I?"

To be completely honest, Jimin really appreciated all of the attention. He probably would have had a mental spiral by this point if it weren't for Yoongi's constant attention to him. Of course, if he grew tired of him he would fall pretty hard, but at the moment, he was just enjoying time with this peculiar boy.

He paused and looked up from his paper, taping his pencil against it. Yoongi was currently asleep on his arm, having dozed off after eating breakfast. They had a few hours before class was supposed to start so Jimin was just catching up on some homework.

"Hey, Jimin," Namjoon said. Jimin looked up at them in surprise.

"Oh, hey guys, getting breakfast?"

"Yeah, we're going to sit with you," Taehyung said softly. He slid into the booth next to Jimin, lightly elbowing him in the side. Jimin smiled at him.

"Alright, just keep it down a little, Yoongi is sleeping. He stayed up all night to study with me."

Namjoon, Seokjin, and Hoseok slid into the booth across from him. Seokjin's lips stretched into a smile.

"Isn't Yoongi cute when he sleeps?" Seokjin teased lightly, he reached across the table, likely to mess with the sleeping boy, but paused halfway across the table. He seemed to think better of it and sat back in his seat.

"He's been with you all week, does that mean you guys are finally official?"

All the boys began to spoon their food into their mouths, glancing at Jimin in between bites. Jimin gave his friends a confused look.

"Official?" He asked.

"You know, has he finally asked you out," Taehyung explained. Jimin choked.

"Yoongi doesn't like me like that," he said softly, giving Taehyung a timidly smile. Seokjin snorted.

"You really think that don't you?" He stated. "You're such an idiot. You think Yoongi just falls asleep anywhere?" Now it was Namjoon's turn to look somewhat puzzled. He turned to look at Seokjin.

"He does fall asleep anywhere."

"Okay, yes, but not on anyone, Jimin-y here is special."

Jimin looked down at Yoongi, intent on looking at him for quite some time, to just quietly observe this boy that made his heart pound so much, but when he looked down he was surprised to find that Yoongi was peering up at him, awake.

Jimin's heart skipped a beat, and his face reddened a bit. He felt like he had been caught doing something weirdly intimate and he couldn't quite piece together why.

"You're awake," he breathed.

Yoongi nodded.

"I am," he agreed. He sat up and sent a glare towards Seokjin. "I can't sleep when the loud mouth is talking." "You're just jealous," Seokjin responded without missing a beat. In response, Yoongi stole a piece of bread that was on his plate. Jimin tried not to let it show how disappointed he was that Yoongi was no longer using his arm to rest on. He now felt could where the constant pressure had been applied, and he wished that Yoongi would lay back down again.

He glanced up to catch Namjoon staring at him with a teasing smile. Jimin barely bit back an audible groan.

He knew. He didn't know how, but he could tell that Namjoon knew exactly what was going through his head.

"So, exams are right around the corner huh?" Jimin segued. He hated the way his voice actually quivered. He had to get a hold of himself, he was Park Jimin for goodness sake not a school girl with a crush.

"Might as well, kill me before they even start," Taehyung quipped. Jimin chuckled.

"Suicide pact?" He teased back. Taehyung's entire face lit up.

"You bet!" He agreed. They both enthusiastically raised their hands and gave each other a high five.

"Freshmen," Namjoon said with a sigh, looking over at Seokjin. "They actually think they'll go through with it." "I can't tell you the number of suicide pacts I've had that have fallen through," Seokjin agreed, pretending to be disappointed. Namjoon gave him a sympathetic pat on the knee.

"It's okay buddy, we'll get there one day."

Jimin laughed, and so did the others at the table. Hoseok started to lightly berate everyone for making such jokes, but Jimin missed most of it due to a sudden motion from Yoongi. His hand landed on Jimin's leg, stopping it from bouncing. He hadn't even realized that he had been bouncing his leg. His face reddened, and Yoongi caught his eye. His hand was still on his leg.

"You okay?" He mouthed. Jimin's cheeks burned, so all he did was nod. Yoongi's lips quirked up just slightly and he moved his hand.

"Good," he murmured.

Jimin resisted the urge to bury his face into his hands.

Maybe he was just a school girl with a crush.

God, a crush on someone as great as Yoongi? How had he become so unlucky? "Alright, I can't help it anymore." Jimin had never been more mortified to hear Namjoon speak. His head shot up as he made eye contact with the older boy. He was ready to beg Namjoon not to say what he knew he was getting ready to say. His expression filled with desperation.

Namjoon's lips turned up into a larger smile.

"How long exactly have you two been dating again?"

The jerk.

Jimin opened his mouth to tell of Namjoon politely, and then apologize to Yoongi profusely, but Yoongi beat him to speak.

"Well our first date was when we first got dinner together, so I'm assuming we've been together for about a month and a half now."

Jimin's jaw dropped and silence fell over the table.

He had nothing to say. No words to contribute.

Yoongi was oblivious to everyone else's shock. He seemed just self-reflective on how long exactly they had been together. Cause apparently he thought they were together.

Jimin's heart beat in his chest.

He had never had a boyfriend before. He had had male crushes before, but a male boyfriend? Never- not once. Sure, he was on good terms with his extremely flexible sexuality. He dare say he was even comfortable with it, so he couldn't really explain why he was so thrown off by Yoongi's insinuation.

Wait, did that mean?

"Does that mean-" Jimin started before he could really reflect over what he was about to say. He paused and nibbled on the bottom of his lips. "Does that mean that we are boyfriends?"

Yoongi tilted his head to the side, seemingly clueless about the silence that surrounded them as he thought over the question. He reached across the table as he thought over the question and picked a piece of fruit off of Seokjin's plate. He ate it, and then slowly, he began to nod.

"I suppose it does."

Jimin's heart pounded in his chest at the thought. He could barely keep a coherent thought in his brain. The only thing that he could think about was Yoongi's implication.

Implication.

It wasn't even an implication. There was nothing about it that didn't scream the truth in Jimin's face. There wasn't a single instance of queerbaiting, or being a simple misunderstanding. No. This was Park Jimin, sandwiched between Min Yoongi and one of his best friends in the world, while being informed that he was, in fact, dating a boy who he hadn't even quite wrapped his head around his crush on.

And then as if he were a kid again, his defensive mechanisms kicked right back in.

His brain swarmed with confusing thoughts, and all he could really get straight was that he had to get out of here. He had to get away from Min Yoongi.

He tried to think of some plausible excuse but nothing came to mind. He had to keep his outward appearance calm, he couldn't let Yoongi know that he was experiencing a spike in anxiety.

Luckily, Namjoon knew him well.

"Shit, Jimin, you have a math review today."

Jimin's eyebrows shot up.

"What?" He blurted. Beside him, Taehyung even reacted.

"Oh crap, wait, I forgot."

He looked at his watch.

"Crap, crap, we have ten minutes to get halfway across campus." Before Taehyung had even finished his statement, he was scooting out of the seat and pulling Jimin with him. Not that he needed to do any convincing to get Jimin to comply.

"I'm sorry to leave you so soon Yoongi but I'll see you later!" Jimin called as he and Taehyung rushed out of the cafeteria in a hurry.

Jimin was so admittedly distracted in getting away from Yoongi that he didn't even notice when Taehyung stopped.

He plowed into his friend, knocking them both to the ground.

Taehyung groaned a little under his breath but steadied them both once he had his bearings.

"You okay?" He asked softly. Jimin wrinkled his nose.

"Honestly? I don't know," he admitted. "I'm so stupid, I should be excited."

"It's not weird that you're freaked out," Taehyung replied, patting Jimin's back. "I mean we both know Yoongi didn't mean to do it, but we also both know that it is a little much to just tell someone that you are dating like that."

Jimin kept his silence.

"Is that even what he meant?" Taehyung asked after a moment of uncertainty. "I mean, you heard the same thing I did right?"

"He said, that we were dating, and then he said we were boyfriends," Jimin recalled. Taehyung pressed his lips together.

"Yeah, that's what I heard too."

Both boys got back to their feet and began to walk in an indiscernible direction. Jimin couldn't stand the silence. He stuck his arm out in front of Taehyung's body.

"Pinch me," he decided. Taehyung rolled his eyes.

"Jimin I promise you aren't dreaming," he said certainly, but he pinched his friend anyways. Jimin hissed as the pain shot through his arm.

"I'm not dreaming," he murmured. He pressed his hand into his face. "How am I not dreaming?"

"It's okay to freak out," Taehyung assured. He gently placed a hand on Jimin's shoulder, so Jimin glanced up at him with a pressed look. "But don't freak out forever. Yoongi seems to be a pretty good guy and he is super patient, but don't wait forever to talk to him about this."

"I won't," Jimin responded. He was surprised that he was so sure about that. He really meant it when he said that he wouldn't wait forever. He had every intention of seeing Yoongi again and facing what it meant to be his boyfriend. "Just, not until after finals."

"Fair," Taehyung agreed with a chuckle. He patted Jimin's back. "Now you're walking me to class for saving your butt back there."

Jimin chuckled and followed Taehyung down the sidewalk towards his class.

Chapter Eleven

#yoonmin #chaos of life

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plush-anon · 4 years

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plush reviews: pirates ahoy! (collected)

for my own personal reference, decided to collect the singular posts into one, w/ breaks between each original post below the cut

I will say this, the opening credits for this one are pretty dang good - nice visuals flow together with some wonderful music to create a compelling overview of the Bermuda Triangle and some of the wild theories commonly associated with it, as well as how far back these myths go. Kudos 🤗

also, I did not realize how short this movie is - paused it for a second and it’s only 70 minutes long apparently. huh

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oh man, good times - I forgot how stilted and choppy the WNSD animation could get in some shots.

annnnnd there’s the cotton candy fog. it moves like it’s on a skateboard being pulled across the screen XD

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finally cut to the gang - i honestly like this shot of everyone in the car. daphne paints her nails like my sister used to when we were young - on the dashboard on long car rides 😅 the nausea from the smell led to some “fun” trips, lemme tell ya

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oh Casey Kasem, even in old age your Shaggy was memorably good

also the joke on Fred’s age never gets old XD like, you guys grew up together as kids in this continuity, how could you not know his age, much less that he’s obvs not in his 40s? still a fun one tho

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another thing i forgot about WNSD continuity - Shaggy’s character model being like 2 feet taller than Fred in some shots

also the gang being legitimate friends and liking each other and getting along, unlike some portrayals *side-eyes sdmi*

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i think this is my fave version of fred’s parents, although i do love Professor Huh from be cool scooby doo. they are EXACTLY how i picture the people who raised the sdway/wnsd version of Fred to be

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holy crap, i forgot Kathy Najimy was in this

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actually, here’s a thought: why haven’t they graduated Frank Welker to playing Fred’s dad in a show, and hired someone else to play Fred?

granted, the man still (uncannily I might add) sounds exactly like he did in the 60s (hOW?!?) but it’s strange they haven’t tried to do that yet apart from maybe pup named sd, where he played fred’s… uncle, i think and i guess kind of with the new scoob 2020 movie, where he only plays scooby

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…i think the captain of the ship just got beamed aboard the Enterprise o_O

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the alien has the general head shape of the ones from Alien Invaders and the claw hands of dr claw from inspector gadget

also, whoever designs fred’s facial expressions in this movie is having waaaay too much fun (although kudos for actually… you know… making them. some characters have very minimal face movement and it’s rather unsettling, especially when the voice acting is actually pretty decent)

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i gotta say, good on fred’s parents for encouraging their son’s interests and talents, as well as getting him a birthday gift that he can not only enjoy, but also inviting his friends along for.

…unlike SOME incarnations *glares at sdmi*

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holy fcuk shaggy just brought back the ghost of captain cutler, glow-in-the-dark diving suit and all O_O

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dang, velma’s lounge wear looks cozy. i’m glad they haven’t tried to force her into something weird

camp scare put her in a white bathing suit, which was… really odd for her, color scheme wise. altho the storyboard artists reaaaaaally wanted to do a drawn out, slo-mo play-in-the-water thing with velma and daphne in that one, so maybe that contributed to it? idk

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i do like that the gang inadvertently solves every mystery on a mystery cruise - that cracks me up

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cripes, they keep cutting back and forth between a decently animated shot of the gang on a polished background, and this almost MS Paint looking rough animation of the castaway being guided on the deck, which is all flat colors and rough black lines. it looks terrible

the animation quality is all over the place here

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and suddenly man in a jetpack

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RON PERLMAN?!?!?

how the FRICK did they get him on this movie cast?! this is post-hellboy!

( also apparently arsenio hall voices the captain. who the heck had all these high rollers on speed-dial at the studio that day)

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actually, here’s a thought: given the voice cast we have, and how i’m actually able to follow this without having to look at the screen all the time (i’m folding laundry rn), this could make for a really decent comedy mystery radio show.

think about it! get a decent voice cast and writing team, and there’s a lot you can do with Scooby on the radio. you may not be able to do the chase scenes as well, but those can be worked around pretty easily with a solid writing team. i’d be interested in seeing that come to reality in all honesty - it could be fun!

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another thing i just noticed: Scooby hasn’t talked NEARLY as much in this one as he does in later shows/movies. I forgot how much I missed that from him

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wait a tic that’s Dan Castellaneta as the hypnotist

seriously, who was able to get all these people on board for a Scooby Doo DTV about pirates

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now here’s an interesting moment/snafu: Shaggy and Scooby canNOT be hypnotized, according to this movie, but the clown in SDWAY was able to hypnotize them both using the exact same method - a gold circular object on a chain swung back and forth.

then there was Legend of the Phantasaur much much later able to hypnotize Shaggy so successfully he overcame his panic disorder

was it because they weren’t allowed to eat prior? their meal was continuously interrupted before they were dragged onstage. maybe being actively hungry and denied food when it’s right in front of them blocks them from being hypnotized properly…?, idk but it’s food for thought, for sure 😁

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ehehe, one of the background guests is wearing a Tin Man costume from the Wizard of Oz

alas, this is prolly as close to a crossover as I’ll ever get between my first two fandoms ever and maybe that’s for the best

(honestly kind of surprised there's never been a scooby themed oz-related adventure tbh public domain and recognizeable)

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it took about half an hour into the movie for the title villains to actually encounter the gang, or almost exactly halfway through the movie. that’s actually pretty odd for a scooby movie, isn’t it? especially when they haven’t encountered any other mystery except the fake-y ones (a lot start off with an in-progress mystery to finish up before being introduced to the main)

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welp, villain’s been spoiled, it’s ron perlman’s character as the pirate captain…

*sighs* Pirate Captain Skunkbeard

like… you get freaking Slade from the teen titans, Hellboy Himself, to voice your baddy… and you give him a name like Skunkbeard.

could have been something cool like Capt Barnaby Bones, or Cuthbert Butcher the Red Pirate, or SteelHook Slater, or Morgan “Moonscar” McWright (okay, that one’s been used before, but the point stands dammit!)

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holy moly, one of the pirates just tried to cut scooby and shaggy’s head off with an actual blade

it cut clean through their costume heads with one swipe

jesus christ on a bike, what is WRONG with you?!?!

(sometimes these scooby dtvs have moments like this. moments that explain how it is shag and scoob have what is likely ptsd for days)

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*gang follows trail of oozy green liquid sheen to the pirate ship*

now see, i thought those wooden ships weren’t supposed to pollute the oceans back in the day

(tho it does work as a solid clue i’ll grant em that)

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shaggy, why aren’t you more excited to go into the cotton candy fog? it’s clearly grape and green apple flavored!

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…i think one pirate just killed another one during that sea shanty there

brutal

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so i didn’t mention earlier, but tim conway is fred’s dad, and i think he’s the only voice star in this i’m not surprised at - he’s been on the new scooby doo mysteries as their celebrity guest of the week, so him coming back is more like a belated reunion

that being said, his voice work here varies wildly between ‘what the heck take was that’ and ‘hysterical’ - it’s quite odd

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and suddenly the cruise ship is sunk, and the gang is on an island

alrighty then

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the captions are cracking me up right now - not a single one has spelled “bananas” right

it only spells it as “banas” 🤣🤣🤣

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“Prepare to suffer the wrath of Capt Skunkbeard!”

…nope, that’s still not intimidating. try again sir.

(truly i am made to sail the seas, for i am salty af on this name)

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‘Seize them!’

fade to black

come back in on gang tied to the pirate ship mast

…really? the gang has escaped far worse than a group of pirates before (and usually to some funky tunes), and you’re saying they were captured just like that?

fred, please tell me this is a plan of yours, otherwise this is just dumb

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sooo the pirates want to find a place that matches a painting of stars from 200 years ago… without ever stopping to consider that the painting could just be a pretty picture?

it’s a small painting, and i don’t think that star maps were really used like that back in the 1800s when it was purportedly made (at least not from what they look like on wikipedia… none of them look like pretty wall paintings)

these pirates are kinda dumb, methinks

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the ghosts of the bermuda triangle, including world war fighter places, old exploration ships, and a sea monster are apparently trying to stop the pirates

because the pirates want to time travel and rule the sea throughout time

and they needed the pretty pretty picture to lead them to the time travel macguffin they want to retrieve… which is also the sole reason the Bermuda Triangle is all bermuda triangly to begin with, when it fell to earth from space itself.

…say what now?

...that has to be one of the dumbest time travel plots i've ever heard and i sat through endgame twice

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the macguffin is a solid gold meteor

a giant hunk of gold literally as larger as twenty of the pirates put together, and you want to use it to time travel instead of selling that shit and being made for life

why are none of you smart

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yet again i see scooby shoot someone with an item that should have killed them outright and ended the mystery right there

moon monster madness had scooby shoot the alien with a missile on the moon, and pirates ahoy has him shoot a cannon at someone point blank with only a wooden door immediately between them

shrapnel should have shredded that pirate to bits, if even that much was left after that

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okay, the time travel thing turns out to be a hoax the hypnotist uses to convince the billionaire to finance his search for the literal meteor of solid gold located in the heart of the Bermuda Triangle

that’s a relief at least - Scooby Doo has done some weird shit in its days, but time travel does not need to be one of them

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well, at least we finally have the answer to who would win in a fight - homer simpson or scooby doo?

(obvs scooby, of course :D)

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according to velma, everyone on the cruise was hypnotized into believing they were pirates (including fred’s mom), but doesn’t hypnotism only work if the person actually subconsciously agrees with/goes along with the suggestions?

does that mean that at least one person on the cruise ship wanted to behead someone, since they nearly succeeded with Shag and Scoob? does that mean the fred’s mom secretly wants to kill her husband, since she tried to have him thrown overboard the ship while she was hypnotized?

the questions this raises, they are unsettling thoughts indeed 😨

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“Wouldn’t you like a nice ski trip to the Himalayas?”

“And risk a run in with the Abominable Snowman?! Forget it!”

exactly one year later (no joke, it came out exactly one year later):

“Join Scooby and Shaggy as they run in terror from the Abominable Snowman in the Himalayas, in Chill Out Scooby Doo!”

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And that was Scooby Doo Pirates Ahoy!

That was a relatively fun, if dumb, done-in-one mystery. What really saves this one (especially given the REALLY inconsistent animation quality, from acceptable to ‘someone used MS Paint didn’t they?’ levels) was the voice cast. I don’t know what blackmail they had on these guys, but the voice acting was really dang good.

Probably too good - the bad guys’ voices are so memorable you know immediately who they are when you hear them.

The time travel spiel was unbelievably dumb, only saved by the fact it was a hypnotic ruse, and some of the stuff doesn’t quite mesh that well? Like the padding on the desert island, and some of the really weird plot contrivances like the painting being the exact map to a giant ass solid gold meteor :/

Still, a solid set-up (mystery cruise in the Bermuda Triangle) with some new elements (Fred’s parents, an absolute delight) make it a fun film for the wee ones. I’d call this a keeper at the end of the day.

Then again, I really have forgotten how nice it is to see the gang as actual supporting friends and have it feel sincere. Be Cool Scooby Doo was mostly for humor, but the kids still felt like they liked each other well enough.

WNSD on the other hand really made them feel like actual friends, based on body language around each other, general closeness, and a warm comradery that’s hard to replicate. For the flaws this show has, this is certainly not one of them.

That’s all for tonight folks. Sleep well, me hardies yo ho!

#plush reviews #pirates ahoy!#plush reviews: final thoughts

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