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#mexican artists
sictransitgloriamvndi · 9 months
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piroshky · 1 year
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Tarot cards by Mexican-British painter Leonora Carrington, 1955.
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nobrashfestivity · 5 months
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Book Drawings by Aurora Reyes Flores
from Bibliofilia novohispana
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thefugitivesaint · 1 month
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Roberto Montenegro (1885-1968), 'Saint Sebastian', ''Emporium'', Vol. 29, #169, 1909 Source
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Please reblog for bigger sample size :)
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pazzesco · 6 months
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🌸 Arreglos Florales
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Alfredo Ramos Martinez | Rosas / Roses - ca. 1930
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Alfredo Ramos Martinez | Flores en un Jarro de Guadalajara / Flowers in a Guadalajara Vase - ca. 1930
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Alfredo Ramos Martinez | Azul con Flores / Flowers in a Blue Vase - ca. 1934
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Alfredo Ramos Martinez | / Calla Lilies - ca. 1930
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Alfredo Ramos Martinez | Flores en Cristal / Flowers in Crystal - ca. 1930
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Alfredo Ramos Martinez | de Verano / Summer Bouquet - ca. 1930
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Alfredo Ramos Martinez | Camelias Blancas / White Camelias - ca. 1930
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Alfredo Ramos Martinez | Azul con Flores / Blue Jar with Flowers - ca. 1935
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Alfredo Ramos Martinez | Flores / Flowers - ca. 1935
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Alfredo Ramos Martinez | con Flores / Vase with Flowers - ca. 1936
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Alfredo Ramos Martinez | Ramos de Dalias / Bouquet of Dahlias - ca. 1938
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diana-andraste · 23 days
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Detail, The Spirit of Fire, Diego Rivera
Photograph by Tina Modotti, 1920s
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kirbykendrick · 1 year
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“The Frame” (1938), Frida Kahlo
Frida Kahlo is considered to be the first surrealist painter and was the first Mexican woman artist to be represented in a major European institution, The Louvre, Paris. This was the painting they acquired in 1939!
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Frida Kahlo by L-E-N-T-E- S-C-U-R-A
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the-cricket-chirps · 6 months
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Frida Kahlo, Girl with Death Mask, 1938
Diego Rivera, detail, Dream of a Sunday Afternoon in Alameda Central Park (Sueño de una tarde dominical en la Alameda Central), 1947
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octomint · 1 day
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uwmspeccoll · 1 year
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Fine Press Friday! 
Our Limited Editions Club Shakespeare series keeps giving us more artists to look for in our collection! This week we found Carmen, by Prosper Mérimée (1803-1870) illustrated by French-born American painter and illustrator, Jean Charlot (1898-1979), published by the Limited Editions Club, New York, in 1941 in an unstated limited edition of 1500 copies signed by the artist. We learned about this edition because of the post we did a couple of weeks ago on Charlot’s illustrated edition of Shakespeare’s Henry VI, Part 3.
Mérimée’s 1846 novel about the eponymous Romani beauty, is most popularly well known from Georges Bizet’s famous opera of the same name, which is based on Part III of Mérimée’s story. The action is set in 1830s Andalusia, but Jean Charlot’s illustrations gives the story a Mexican flavor. Charlot worked mainly in Mexico and was a member of the Mexican Muralist Movement, sharing a studio with Fernando Leal who is considered to be one of the first Mexican Muralists. It was after the Mexican Revolution (1910-1917) that the new government sought to use murals to educate the public on social justice issues. From a young age, Charlot was fascinated by Mexican art and pre-Columbian artefacts and his mature work reflects this fascination, including in these illustrations.
The thirty-seven multi-layered color lithographs, which Charlot drew directly on the printing matrix, feel like miniature frescoes. Charlot laid down quick marks to color large areas of the image, which layer in overlapping color to give the image a lively energy. One could easily imagine one of the illustrations used as a page header as a mural above a doorway, signaling a transition. Or, one of the larger full-page illustrations as a mural on a large wall. I am taken by how these illustrations function well in both architectural and book spaces. The book is architecture.  
The lithographs were printed by Charlot’s friend Albert Carman in New York and the type is 18-point Linotype Bodoni printed by Aldus Printers in New York. . The paper was made by the Worthy Paper Company, was watermarked with the name of the book and the covers are wrapped in a vibrant hand-blocked color silk.
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View more Limited Edition Club posts.
View more Fine Press Friday posts.
– Teddy, Special Collections Graduate Intern
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piroshky · 1 year
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The Devil, Leonora Carrington, 1955.
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oliviaalexandraamores · 8 months
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Frida Kahlo and her painting, “The Two Fridas”, 1939
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diana-andraste · 2 months
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Flower of Life (Flame Thrower), Frida Kahlo, 1943
"In Frida's eyes, blossoms have an indication of sexuality and emotions. She always implies her sexuality in her paintings. Sometimes the sexual references are subtle and not all that obvious, as in her earlier painting Fruits of the Earth, and other times they are the essential, the main thing, as in this painting.
Here she paints a bombshell mandrake plant as male and female sex organs. As the sun beyond anyone's ability to see produces life, sperm shoots from the phallic stamen and vagina-like leaves structure the petaled womb that guarantees the creating infant.
Notwithstanding the way that this painting is dated 1944, it was truly painted in 1943. Its special title was Fire Flower."
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