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house-of-stone-at-sunrise · 7 days

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Fortnight - post mortem

"Fortnight"

(feat. Post Malone)

"I was supposed to be sent away, but they forgot to come and get me

I was a functioning alcoholic till nobody noticed my new aesthetic

All of this to say, I hope you're okay, but you're the reason

And no one here's to blame, but what about your quiet treason?"

To be sent away is to be committed to the psych ward, or sent to jail. From the music video (MV) it seems that in this case it's a reference to an involuntary stay in the psych ward - she's chained up in a bed being made to take pills, however, asylums and prisons are a theme throughout the album as a whole.

In the opening scenes of the video she is dressed up to look like 1920s movie starlet Clara Bow (who is referenced directly as a song title later on the album.) Her hair is pinned up with an extreme number of upside down bobby-pins which on the right side of her head make the roman numeral for 13, and she is wearing a wedding gown.

Clara Bow is known to have engaged in lavender marriages while having secret affairs with women during her stardom. "dropping hairpins" is a piece of historical queer slang, meaning dropping hints that one is queer, and the inverse, having your hair pinned up means that you're pretending to be straight. Hair pins reference back to the lyrics of Right Where You Left Me "Dust collected on my pinned-up hair." I read this scene as "maximum closeting," by force.

The entire room is shown to be upside down and at an angle which reminds me of the classic Emily Dickinson poem "tell all the truth but tell it slant" Given Emily is a favorite poet of TS the Dickinson reference is likely intentional and it's fair to assume that there are red herrings and metaphors in abundance throughout this song and this album. Remember the 'redherring' error code on the website pre-release.

This song and video also reference A Tale of Two Cities by Charles Dickens, which tells the story of a person released from prison who has mental health issues due to being tortured during their prison stay, who is then taken by their family from Paris(!) to London (!!) Book 2 of A Tale of Two Cities is titled "The Golden Thread" which reminds me of Invisible String "one single thread of gold tied me to you," and in the second book we're told the tale of how the golden haired daughter provides financially for her family in addition to repairing and maintaining their good reputation. A Tale of Two Cities feels oh so very appropriate as a touchstone for listening to this album.

"I was a functioning alcoholic" is this metaphorical, literal, or both? Other mentions of use and abuse of drugs and alcohol in her discography include Closure "I'm fine with my spite and my tears and my beers and my candles" Clean "Ten months sober" and Don't Blame Me "My drug is my baby I'll be using for the rest of my life" I think in this case I think it might be both metaphorical and literal. The loss of her love drove her to drink, but also, she was addicted to her illicit love and maybe got away with it until others noticed-?

"All of this to say, I hope you're okay, but you're the reason. And no one here's to blame, but what about your quiet treason?" reminds me again of the song Closure "It wasn't right the way it all went down looks like you know that now. Yes, I got your letter, Yes, I'm doing better. I don't need your closure" It's just as direct, but less aggressive in tone. She hopes her muse is well but they are the reason that she is where she is.

"And for a fortnight there, we were forever

Run into you sometimes, ask about the weather

Now you're in my backyard, turned into good neighbors

Your wife waters flowers

I wanna kill her"

A fortnight is two weeks, though, it may be a metaphorical stand-in here just meaning that for awhile it seemed like they were going to be together forever, but now they are acquaintances who make small talk.

"Now you're in my backyard, turned into good neighbors" reminds me of the ever so quotable line "Good Fences Make Good Neighbours" from Robert Frost's poem Mending Wall, the irony of the poem is that while setting clear boundaries with a wall prevents petty disputes over property lines the constant need to maintain the wall they've built brings the neighbours together to talk. The line is often quoted by people who've never read the poem without heed for the irony. As a reference here it seems very sarcastic - we're good neighbours look how polite and appropriate we are with our boundaries set in stone.

There are many references to gardens and flowers in the TS back catalogue but for me this in particular recalls the lyrics from Clean "The drought was the very worst. When the flowers that we'd grown together died of thirst." and this line translates to me as I hate your partner because they're growing a relationship/family with you, whereas ours is dead.

The MV shows TS wiping her face to reveal tattoos that almost match those of Post Malone who plays the part of love interest in the MV. The differences are the addition of two tattoos that spell out DDP, an extra heart, and a change from a playboy bunny to what looks like a diamond. The tattoos seem to have been covered with make-up while she was chained up in the asylum, and they disappear as soon as she steps out into the other room - only to reappear onto the face of Post Malone. I don't have any theories about what DDP stands for I would love to hear other peoples. Seeing TS with secret tattoos reminds me of Dress, "made your mark on me a golden tattoo." another song about secret love.

"All my mornings are Mondays stuck in an endless February

I took the miracle move-on drug, the effects were temporary"

Mondays being the most notoriously hated day of the week because it's the start of the work week for many people, and Feb being post-celebration winter in the northern hemisphere, I read this as - all I do is work I'm stuck in a bleak winter that won't end. I've tried every option available to get over you but it didn't work.

When she enters the writers room she's wearing a mourning dress, which could lend another layer i.e. all my mournings are mondays i.e. all of my break-ups are work/business.

The whole video is in black and white except for the sparks that fly off the pages into the air between their desks, and the fire once she sets things ablaze.

"And I love you, it's ruining my life

I love you, it's ruining my life

I touched you for only a fortnight

I touched you

But I touched you"

This is pretty direct but in context I read it as - I'm still in love with you, I feel stuck, I can't move on and my public image won't let me let you in, we may have only been together for a short time but we were together and I can't/won't forget it.

In the MV there are an endless array of masked figures also in black mourning attire, all with masks and hats sitting at identical desks disappearing into the horizon. Are these the other tortured poets from history, made to mask and hide behind their typewriters in a black and white world?

"And for a fortnight there, we were forever

Run into you sometimes, ask about the weather

Now you're in my backyard, turned into good neighbors

Your wife waters flowers

I wanna kill her

And for a fortnight there, we were together

Run into you sometimes, comment on my sweater

Now you're at the mailbox, turned into good neighbors

My husband is cheating

I wanna kill him"

"My husband is cheating I wanna kill him" This could be literal cheating, however, she is not literally married so maybe that's a hint - maybe he's violating the terms of a contract? After all she's probably not in love with him since she's pining so badly after the muse of this song-? So, why would she still want to murder him? Maybe they were supposed to get lavender-married but he cancelled the wedding and now everything is in upheaval?

She is laying on the ground with PM in the middle of an image of herself made up of pages reading from "The Story of US" book, "So many things that I wish you knew. So many walls up, I can't break through" they seem to be stuck there and then they break free, pages flying in the air, and hold each other laughing. The tattoos are now gone from both faces.

"I love you, it's ruining my life

I love you, it's ruining my life

I touched you for only a fortnight

I touched you

I love you, it's ruining my life

I touched you for only a fortnight

I touched you

I touched you"

In the MV she's back in the asylum now, hair undone/pins gone, strapped to a table surrounded by men about to have electro convulsive therapy (ECT) administered, a black dog runs through the frame. The ECG read-out is showing "I love you it's ruining my life" in the read out of her heart beat. One of the panels in the background reads "Master Control." In literature The Black Dog represents depression.

So, when her hair is unpinned she wants to be publicly out as in love with a woman, and the men who surround her and control her and her music deem it inappropriate, they want to 'fix' her. But, when the ECT runs sparks fly, the machinery overloads, she screams, and PM runs over to release her from the table.

"Thought of calling ya, but you won't pick up

Another fortnight lost in America

Move to Florida, buy the car you want

But it won't start up till you touch, touch, touch me"

"Thought of calling ya, but you won't pick up. Another fortnight lost in America" You won't answer my calls so we've lost another fortnight of our lives to the American culture wars - reminds me of Miss Americana & The Heartbreak Prince and Paris, which are also songs about running away.

They are now outside in a raging storm stuck on top of a mountain with treacherously steep sides, TS sits atop a phone box in a dress that looks like chain-mail, while PM is inside the box making a call begging..

"Move to Florida, buy the car you want but it won't start up till you touch, touch, touch me." TS has said in interview that moving to Florida in this album is a reference to people running away from their mistakes and starting fresh. She's telling the muse to ditch their partner and runaway with her, this ties back to Getaway Car which opens with "It was the best of times, the worst of crimes" which is a direct reference to A Tale of Two Cities which opens "It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way".

"Thought of calling ya, but you won't pick up

Another fortnight lost in America

Move to Florida, buy the car you want

But it won't start up till I touch, touch, touch you"

TS is back in the writers room, tearing open the draws, letting the pages fly into the air, crying, then stone faced in her mourning dress while the pages swirl around her burning. It reminds me of Dear Reader "Dear reader, burn all the files desert all your past lives" The version of her in the asylum smashes down the window.

And finally the version of TS on top of the phone box reaches down and holds hands with PM. She's created imagery of herself stuck inside cages, boxes, glass boxes, etc over and over through the years and this is the first time we've seen her outside and making contact with another human.

Conclusion: our protagonist has been held by force in the image of a virginal heterosexual bride, going slowly insane while she pretends that the woman she truly loves is just a friend, and she's now completely fed up and her bearding situation has gone to hell, she's asking her love to runaway with her and she's willing to metaphorically set fire to her history/her body of work to be with the one she loves.

#gaylor #lgbetty

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darkstar225 · 8 months

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Twice's 10th member visits Nayeon on her solo's set

A/N: Hey guys, I'm sorry for disappearing but I got my wisdom teeth out so yeah- lol. Anyway- I got an ask on Tumblr and I loved writing it, ty anon! :D

The request: Can I request something, you know nayeon solo pop behind the scene, nayeon was so sad because 10th doesn't come because she's in hiatus, she sad but suddenly staff ask her to go out and said something 'fresh air'. She's grumpy because her favorite member is not coming and what she saw is the dancer who help her in mv but it turned out is 10th member. She suddenly feels embarrassed (nayeon) because she didn't notice her until now

PS: Tysm for everyone that reads what I write, I hope I can bring a smile to your faces every time I post! I'd like to thank whoever sent me this idea 'cause I loved to write it <3

__________________________________________________________

Nayeon stared at her reflection in the dressing room mirror, her usually bright eyes dull with disappointment. She took a deep breath and tried to shake off the heavy feeling that had settled over her heart. Today was supposed to be a special day, the behind-the-scenes shoot for her first solo music video. But it felt incomplete without Y/N, the 10th member of TWICE, by her side.

Y/N had been on hiatus for the past few weeks due to health concerns, and Nayeon missed her presence more than she had expected. The maknae's energy, laughter, and the way she could effortlessly brighten up any room were missed a lot, especially today T-T.

As the camera crew bustled around her, adjusting lights and arranging props, Nayeon's mind kept drifting back to her kid. She wondered how her fellow member was doing and if she was feeling any better. Nayeon had always been protective of Y/N, despite the girl's unwavering independence. She felt a pang of guilt for not being able to be there for her angel during her hiatus.

At that moment, one of the staff members entered the room and snapped her out of her daydreaming.

Staff 1 - Nayeon, we're ready for your solo shots now!

Nayeon plastered a smile on her face and walked onto the set, giving her best performance despite the absence that weighed on her heart. Hours passed, and the shoot continued. Nayeon pushed herself to focus on her performance, giving her all to every take. But every now and then, her mind would wander back to TWICE's sunshine, wondering if she was watching the live stream of the shoot or if she was resting and recovering. She deserved to rest but perhaps...

As the day wore on, Nayeon couldn't shake the melancholic feeling that had settled over her. She had been hoping to share this exciting moment with Y/N, to see her smiling face on set, cheering her on. But her babygirl's absence cast a shadow over the entire experience.

The word Cut! that the director called out signalled the end of another take. Nayeon let out a breath she hadn't realized she was holding and walked off-set, retreating to a corner of the studio. She pulled out her phone, scrolling through her messages in hopes of any news from Y/N.

A voice called out to the eldest member and Nayeon looked up to see one of the backup dancers approaching her.

Backup dancer - Hey, Nayeon, you did great out there!

Nayeon managed a small smile, grateful for the dancer's kind words but her soft voice betrayed her as she tried to hide her emotions.

Nayeon - Thanks. It's just... I wish Y/N could be here.

The dancer nodded understandingly.

Backup dancer - I heard she's getting better. Maybe she'll surprise you soon. (little does she know lol)

Nayeon sighed, her shoulders slumping.

Nayeon - I hope so *frowns*

Just then, another staff member approached her.

Staff 2 - Nayeon, how about you take a break? The fresh air might do you some good.

Nayeon grumbled inwardly but forced herself to nod. She walked out of the studio and into the corridor, leaning against the wall. The cool air did little to alleviate the heaviness that had settled in her chest. As she stood there, lost in her thoughts, the sound of laughter reached her ears. Nayeon frowned, recognizing the voice but not quite believing it. She turned towards the source of the sound and blinked in disbelief.

There, surrounded by a small group of staff and dancers, was Y/N, her girl. She was wearing a casual outfit, her smile radiant as she chatted animatedly with those around her. Nayeon's heart skipped a beat as she took in the sight of her younger sister, looking healthier and happier than she had expected.

Nayeon's initial shock quickly turned into a mixture of disbelief and embarrassment. How had she missed Y/N's arrival? She watched the girl's every move, feeling a warmth spread through her chest as she realized that Y/N had come to surprise her.

As if sensing Nayeon's gaze, the maknae looked up and their eyes met. For a moment, time seemed to stand still as they locked eyes. Then, Y/N's smile widened, and she excused herself from the group, walking towards Nayeon as she started talking, her voice soft yet full of warmth.

Y/N - Hey, Nayeon unnie.

Nayeon felt her cheeks heat up, a mixture of embarrassment and joy flooding her system.

Nayeon - Baby, you're here.

Y/N chuckled, her eyes sparkling.

Y/N - Yeah, why wouldn't I be? Are you surprised? Lol

Nayeon nodded, a wide smile spreading across her face.

Nayeon - More than surprised. I can't believe I didn't notice you until now! *pouts*

Y/N shrugged playfully.

Y/N - Well, I guess I can be pretty sneaky when I want to be. And... You're old lmao

Nayeon laughed, the heaviness in her heart lifting with every second she spent in Y/N's presence even if she was being teased by her kid.

Nayeon - You have no idea how much I've missed you, love.

TWICE's honey's gaze softened, and she stepped closer, wrapping her arms around her older sister in a gentle hug.

Y/N - I've missed you too, unnie. But I'm here now, and I'm so proud of you!

Tears welled up in Nayeon's eyes as she hugged her youngest back, holding onto her tightly. The months of worrying and missing Y/N melted away in that embrace, replaced by a profound sense of gratitude and happiness. As they pulled back from the hug, Nayeon wiped away her tears and looked at Y/N with a teasing smile.

Nayeon - YAH! You know, you should've warned me. I've been moping around all day.

Y/N chuckled, her eyes sparkling mischievously.

Y/N - Where's the fun in that? Besides, seeing your reaction was totally worth it.

Nayeon shook her head in mock exasperation, her heart feeling lighter than it had in a long time. As they stood there, exchanging laughter and stories, Nayeon realized that even in her absence, Y/N had a way of brightening her world. And as they headed back to the studio, arm in arm, Nayeon knew that her solo shoot was no longer incomplete because Y/N was right there by her side and that made her have only one thought:

I love our dear maknae.

A/N: I apologise for any errors, English is not my first language. Pls, let me know if there's something wrong, ty for reading <3

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salineroses · 8 months

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yo i feel like i’ve sent you like 5 asks in the past 2 days (idk how accurate that number is) so sry about that, my brain just has random thought and thinks “yo i should ask someone this on tumblr :D”

anyway: idk if it’s just me but i feel like i haven’t really seen much love for Warsaw on tumblr. whats ur thoughts on the songs, and could i possibly get like a tier list of WU&IO?

hi mate i just checked this is the 4th- but compared to my response of 1, i gotta get back to those (as always, love your asks)

I don't think i've talked about warsaw enough on here. if i get an earworm for any wu&io song, it's warsaw. 90% of the time, this is my comfort song from the entire album. does that have anything to do with the fact that my own vocals are imo better than wil's vocals for this one? ...maybe. in it's own right, it's a really good song. also i can connect it to my favourite movie '7 anos', bcos i spotted a smeg fridge on a rewatch and pointed at the tv screen while going "SAT AROUND A NEW SMEG FRIDGE SINGING WE'RE OH SO APATHETIC'. speaking of which, most uses of apathetic in a single song- warsaw wins by a landslide. also, it's the song that matches most with the album cover, very pog.

for the ratings, i've been meaning to get to that for a while, thanks for reminding me!

back in May, this was the order:

Portrait of a Blank Slate (if i could call a song my wife, it would be this one)

Scum (my los camp!-esque paramour)

CMWYL (couldn't put it any lower, this shit consumed me in Feb)

It's Golden Hour Somewhere (brilliant song. very based.)

Consequences (the first two seconds>>>; also relatable)

Warsaw (trust me the only reason it's down there is cos of the vocals; same reason i give sex sells og a hard time)

now, however

1. Call Me What You Like (nope. can't even put it on the list. too much bias. entirely cos of the music video. planes are so freaking cool. did you know that the plane in cmwyl is a boeing 737-600? the boeing is replaced by wu&io, but still. only 69 of these- the actual plane- were ever made. about 24 are still in operation as of 2021, so must be lower now. the model is very similar to the actual plane. the 737-600 was the smallest of the new generation 737's, and was made for short distance flights. didn't work that well economically that's why a lot of the got scrapped. it's curious that the model in the mv is flying over a vast water body, cos that would only happen over coastal domestic flights. most of the current 600's are used in Canadian domestic flights, forgot the name of the airline but-)

(can you tell i have a lot to say about this)

2. Scum (due to my current los camp! obsession)

3. Portrait (i'm sorry my wife)

4. Warsaw (for aforementioned reasons, it's a bop)

5. ighs (sorry, don't think bout it that often, still incredibly based)

6. Consequences (the first two seconds still>>>. still very relatable. too relatable. one of my most popular posts used to be a lame reference to consequences. i'm trying to get my irl friends to listen to lovejoy through this one)

also i've been collecting all the rankings lists for wu&io i could find on tumblr dot com in a tag, #train wrankings. if you'd like to check it out :]

#train wrankings #this was long #i am on a laptop so i can type more #asksks #how to spel wiblur #<- i think this was the tag??#tumblr's not helping me out here

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biblicalhorror · 1 year

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Zaylor Midnights, Part II

And we're back! If you haven't yet, please peruse the disclaimers I covered in Part 1.

Let's jump right in!

8. Vigilante Shit

Here's where we start to get some more Catwoman vibes on this album.

"Cat eye sharp enough to kill a man"

Also some generic Gaylor lyrics:

"I don't dress for women / I don't dress for men" Oh so you're bisexual? Okay got it. Case closed.

"Picture me thick as thieves with your ex-wife"

Also the implication she fucked Scooters wife is too funny to not mention. She loves a divorcée ;)

9. Bejeweled

Initially I was fully prepared to write this one off as a song about Jake or John or even Calvin and therefore irrelevant to Toë, but holy crap is this MV gay as hell.

Opening, of course, with the scene where Laura Dern satirizes the concept that a proposal from a prince being "the best thing a girl could hope to achieve"

Note this Kravitz quote from the earlier GQ article:

We'll come back to this later.

Anyway, Taylor plays Cinderella in this music video, who rejects the proposal from the prince (played by Jack Antonoff, who has the same initials as Joe Alwyn), impresses the Princess (played by Zoë Kravitz) with her burlesque routine she learned from queer burlesque icon Dita Von Teese, and ends up taking the castle for herself.

Basically, another song that has nothing to do with Zoë but is extremely gay (in context of the music video, at least)

10. Labyrinth

I go back and forth on this song. I've heard other people theorize that it's about trying to end a relationship and then falling back in love with the same person again, which I think is a totally valid interpretation. It could be that.

However! It sounds to me like it's about the feeling of finding yourself falling for someone new and your traumatized brain is so focused on what could go wrong that you get completely ahead of yourself and start mourning a relationship that hasn't even started yet. Taylor is a Cancer moon, which is a moon sign that is deeply introspective and retrospective. The "labyrinth of my mind" could be referring to the twists and turns her mind takes to convince her that every relationship will end in catastrophe based on the way past relationships have panned out. Past becomes present becomes future in this song. Maybe it's about finding her connection with Zoë after the fallout from a Karlie or Lily breakup? Maybe Joe cheated on her and she found comfort in the arms of Zoë and they became a polyamorous couple? Who knows.

11. Karma

EDIT: I've found some articles claiming Zoë is a songwriter on this one and others that do not mention her. I believe there was initially a mistake on the Apple Music pre-release info, so for now we'll say she's not in a fact a cowriter for this song.

Taylor Swift clearly has a complicated relationship to gender and womanhood. Many of her friends called her "king" in their 2021 birthday posts:

In Dear Reader, she explicitly refers to herself as a "cursed man."

Queer women also tend to have complicated relationships with gender due to heteropatriarchal society. Some lesbians and queer women use he/him or they/them pronouns for any myriad of personal reasons. It's not too far-fetched that these women could possibly call each other by male pronouns/adjectives sometimes.

Zoë had this interview where she talks about High Fidelity, identifying more with male roles because they're often written to be more complex and nuanced due to misogyny in film/tv, and how passionate she is about how "women can be fuckboys, too"

"Karma is my boyfriend" but also "Karma is a queen" >>> "Karma" is both genders and neither gender. (Note: Zoë has a tattoo of a crown on her finger)

"Sweet like honey, Karma is a cat" First of all, that's pussy babe

Also, these two stone cold weirdos apparently have the same method acting technique:

"Flexing like a goddamn acrobat, me and karma vibe like that"

What else could "flexing like a goddamn acrobat" refer to other than Zoë playing a superhero famous for her acrobatics (and/or Taylor being in Cats (2019))

these two weird Sagittarius girls love to simply vibe together as cats or otherwise

"Karma is the guy on the screen coming straight home to me"

Not "Catwoman of my dreams" but "CAT WOMAN OF DREAMS" this girl is horny as hell and loves dreaming about women

Sweet like JUSTICE = another batman reference, of course

12. Sweet Nothing

Written by William Bowery who we think could be Zoë

Zoë also lived in London from 2020-2021, she could possibly have gone on holiday to Wicklow (in Ireland) after filming for The Batman wrapped

Taylor made her meals throughout covid isolation and a birthday dinner in December of 2020. Nice to Have a Friend in your pods with you, huh ladies?

Also, remember when Zoë crossed the picket line for the Oscar's party and then made a "joke" about the Will Smith situation being uncivilized? This is a song about a couple of out-of-touch insanely rich girlies who just Can't Be Bothered and also happen to be in love

Speaking of which, if this is in fact a song about Joe Alwyn, it's a (pretty) lie. "All that you ever wanted from me was nothing." Being in a relationship with Taylor has gotten him movie/tv roles, a Grammy, etc. He's gained so many accolades just by being associated with Taylor. If he doesn't want any of that, why does she keep jeapordizing her own image as an artist to get him awards? Zoë likely genuinely wants nothing from Taylor because she's been famous her entire life. She doesn't need Taylor to pull any strings for her to get roles or accolades.

13. Mastermind

This song is Taylor being very tongue-in-cheek about how this lover she's been singing for four albums about is actually a target she decided on long ago

Starts with a hand touch in a crowded room (obvious Gorgeous reference), that Bowery hangout did look awfully crowded, didn't it?

Dominoes cascaded in a line >>> hair falls into place like dominoes (Gold Rush)

All the wisest women had to do it this way / WE were born to play the pawn in every lover's game (as in, WE women are forced to play these roles)

Two lines that could reference Zoë's tattoos:

"I'm the wind in our free-flowing sails">> Zoë has several pirate themed tattoos

"And the liquor in our cocktails" >> "être toujours ivre" (always be drunk) tattoo

-----

And that's it for the 13 original Midnights tracks! Part 3 will be looking into the 3am tracks.

Part 1 | Part 2 | Part 3

#gaylor #zaylor #toë #taylor swift x zoe kravitz #gaylor analysis

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petrichorpetals · 3 years

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So from the evidence I've collected, I'm very sure my Yeosang came here from another timeline/world theory is correct.

This mostly stems from what we learned from fever part 3 and the deja vu mv but honestly the Yeosang being sus about this had already been foreshadowed in his diary entry of fever part 2. (You'll have to forgive my terrible pictures I have fever part 3 in front of me and I'm too lazy to grab fever part 2 to take better pics)

Basically our setup to this was how at the end of the diary film we switched dimensions into the world of fireworks which I'm fairly sure is called Strictland. Everyone basically says how much the new world feels like their old one but different. The first time I read this I wasn't sure what he meant by "Everyone says this is a new world but somehow, I'm familiar with the scenery here. " line and just took it at face value to be metaphor. But given his repetition of staring down the camera to say "I remember" in Deja Vu, it would make a lot more sense if we take it quite literally too mean I remember this place because I'm from here. There's also a lot of talk about the word world in "wanting to escape the world I've lived in, the world I've been trapped in" as well as "the friends who have willingly invited me to their world". Basically the tldr of the matter is that yeosang escaped from the world of Fireworks into the world of school!Ateez using a chromer that breaks. (IMO we see this exact moment where it breaks at the end of Deja Vu) I say it's likely a chromer since Yeosang shows an at least approximate knowledge of what would happen if he breaks one when he breaks the one the black pirates/halateez gave to hongjoong while the android guardian/white mask holds him hostage.

Yeosang seems to have an approximate knowledge here of what would happen if the Chromer broke, to the point where he doesn't even call it the Chromer when he's thinking about what they know about the object, he specifically calls it a sandglass when any other mention of it has been the Chromer.

There's also the matter of him going out of the way of saying "My friends would not have been all scattered if I had not met them at first". This could very well be talking about where they lost Yeosang and scattered in the hallway but given his wording of at first, I'm putting this as evidence that Yeosang was a newcomer to their world when he got here with the chromer and wasn't a part of their friend group originally.

This theory gets backed up by the ending bit of Not Too Late playing at the end of Deja Vu and if you do a quick look into the lyrics, Not Too Late comes across very much as the beginning of school Ateez where they're all lamenting about being lonely before they all get together to make friends.

Except for two things.

One of which is Wooyoung and Yeosang talking about not being able to get out or escape (Which lines up for Yeosang if he's trapped in this new timeline and adds some interesting implications for Wooyoung I'll get into on a post about him later).

The second of which is Mingi's part. Mingi brings up killing and saving, both things that happen and we see happening during Inception and Thanxx in Fever Part 1 when Hongjoong keeps resetting the timeline using the chromer. There's two implications here: one, Mingi is aware of the timeline resetting (something that I already suspected but is now confirmed) and two, while this might seem like a song from the very beginning of school Ateez, Mingi gives us the added context that it is very much not. (It's also interesting that Yeosang's the one that pulled out Mingi's headphones to make him past attention to the world around him in diary film but like Wooyoung, I'll get into Mingi later in another post)

Since we're assumedly several timeline cycles in, why is this song playing over Yeosang breaking the Chromer? I posit that instead of this being the moment where Yeosang breaks the Chromer while escaping the white Android, this is instead either the moment Yeosang crash lands into school Ateez's world via his own "sandglass" for the first time or this still is that moment, but due to time shenanigans, the Yeosang that escaped just so happens to have escaped back to when he first got to their world making him trapped not only in school Ateez's world, but in an endless cycle of breaking the Chromer to get there in the first place.

We see that Yeosang doesn't go back to their original world and warehouse with them afterwards. Likely because he wasn't a part of their world to begin with to return back with them.

There's other bits of evidence that say that Yeosang with the broken Chromer at the end of Deja Vu is going to school Ateez like the hand that reached for Yeosang had a sleeve similar to their school uniform in Inception.

(Interestingly enough, Yeosang has an emblem that isn't like anyone else's on his uniform and Wooyoung has several emblems. Not necessarily relevant to my current point but food for thought.)

I'm not one of those people that obsess over hands, so idk whose hand that is exactly, but I do have suspicions.

If we're looking at the rings and at how one hand kind of mirrors the other, we can come to the conclusion that it might be the same person. We can go so far as to think that maybe, that hand might even belong to another version of Yeosang. Potentially even the hala!Yeosang that we catch a glimpse of in the diary film giving Hongjoong the chromer. (Side note: I only just realized that it was actually hala!yeosang that gave hongjoong the chromer and not hala!hongjoong like I thought going in. Yeosang really does just have a longstanding history with the Chromer huh.)

Edit: it's now basically been confirmed by the making of deja vu mv that the hand is Hongjoong's so basically depicting the moment Hongjoong reached out for yeosang when the timelines reset. I still standby the rest of my theory. Here's the screenshot I grabbed off the alternate hand angle in the mv making video:

For me personally, a lot of things start to click into place when we consider the possibility that Yeosang is actually from another world. Even his like a bird in a cage stuff makes sense when viewed in this light. He has the freedom of song and dance that he didn't have in Strictland, which banned any form of music or dance thinking it would lead to human emotion, but is stuck in this new world with no other option but to potentially repeat the cycle of when he got here.

#ateez more like aquila shut up #aquila shut up no one cares #ateez theories #ateez #Casper was the one that told me hongjoong got the chromer from himself back when I was first getting into ateez #and I didn't know the members enough when I watched diary film the first time to know any different #like yea hongjoong stole the chromer in the beginning but yeosang gave it to school hongjoong #the stuff I've seen researching into this just further proves my point and doesn't refute it #stuff like the girl in the beginning of diary film saying this is how the story of how we get split into eight pieces again #emphasis on the again part #sorry if this is rambly I'm just excited that I'm pretty sure I'm right since everything points towards it

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