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#maybe it was youngblood went to therapy after all
edge-oftheworld · 2 months
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okay i know youngblood (song) is super popular and we love the shuffle beat and the bass line and all the other funky sounds they put in there but. can we talk about it lyrically for a second. 'i'm just a dead man walking tonight'/'i'm just a dead man crawling tonight' like. how exhausted (by this relationship, and everything i guess) you'd have to be to feel like this. the way it captures the process leading to that feeling in the verses. of this relationship, was it really ever that because it's sounding more like a concept you long for and idealise and keep coming back to to your own detriment like an addiction, dying and just being unable to accept its death. in fact the whole album is like that. and it feels like your life is ending or has ended that's how much you've attached yourself to it, when it's gone, walking around in a daze you might as well be dead yeah your body is going through the motions but you're not there. dissociated to who knows where. and then. there's another chance. crawling in desperation, dignity all gone, and you'd think you feel alive but no, you're still dead, too dead to realise this is bad for you your body is just crawling back to this person on its own accord. so much pushing and pulling away has left you so shaken there's nothing left that can see the bigger picture and decide more than one thing into the future. holding onto the hope of this failed relationship which isn't even a hope it's just an illusion, the connection you think you want but it's never going to be that. it's not capable of ever being what you need. this relationship is dead. and when you attach your whole self to it, so are you.
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cals-sunflower · 4 years
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gonna get better (a.i)
summary: a relationship is worth way more fighting for then giving up.
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“ashton, all i fucking asked was for you to be there! i’m basically living alone at this point. why can’t you see that i just want to spend time with you,” your voice slightly strained from yelling. this was the fourth fight that you had with ashton that week. nonstop you’ve been going at each other’s throats not caring about the words that could hurt the other.
“have you ever thought maybe i stay out with the boys because i don’t want to come home. that i’m tired of the same dumb shit,” his voice raising by the minute. your head dropped low while you nodded.
“so my feelings are dumb, huh?” the silence between you two was loud. your heart thumping against your chest. “you know that’s not what i meant or said.”
you sighed and looked at ashton who stood on the other side of the counter in the kitchen. “look maybe we should call off the-“
“don’t go there please. i don’t want to throw away our relationship because of petty arguments. i don’t regret proposing to you.”
“then what are we supposed to do ashton? we can’t keep going like this. we say words to hurt each other, we fight, and i don’t know how much more i can take.” ashton slowly walks over to you to pull you into a hug, instantly you wrap your arms around his waist.
“i think we need some time apart. then go to therapy to really work out our issues. what do you think?”
“as much as i don’t want to be separate from you, we probably should. ash i wanna get back to how our relationship used to be,” you looked up at him to see the tears in his eyes that matched yours. “me too honey, me too.”
-
your friends could tell the tension between you guys. you and ashton hadn’t told anyone in the group what was going on but it was painfully obvious. you guys no longer sat together cuddled up at hangouts, didn’t hold hands or even touch and most of all, your faces no longer held happiness instead letting the gloom take over. being away from him made it worse, he was so close yet so far.
to ash: i need you.
from ash: i’m on my way rn.
“are you okay?” upon hearing ashton’s voice, you immediately speed walk to hug him. “no, i don’t want to do the distant anymore. i need you more than ever right now,” he rubs your back letting you cry on his shoulder.
“i’m right here love,” you guys hugged for a few minutes just resting in each other’s presence and it felt good. it felt good to be near your fiancé in the most vulnerable state because clearly that was lacking.
“so what do you want to do?” he laid his hands on your cheeks, rubbing away any lose tears. “can we go to therapy together like you suggested? to really figure out what’s wrong. i missed you so much. we’re usually glued to the hip.”
“let do it. i mean it when i say i don’t want to break up over our miscommunication. you’re it for me and i missed you too.”
-
you woke up with ashton in the morning to head to the therapist. having a silent breakfast didn’t help any. it wasn’t that you felt awkward but you felt like anything could happen and next thing you know, you guys aren’t together anymore. you feared that.
“hey, you ready to go babe?” ashton’s hand rested on your back. “yeah yeah, sorry. ready when you are.”
“there’s no reason to apologize. i’m scared too if we’re being honest but we’ll never get better if we don’t get to the root of the problem.”
“i know,” you wrapped your arms around him to pull him into a hug. you hugged him as if you were gonna lose him.
-
“so what do you think actually went wrong in the relationship? y/n, you can go first.”
you let out a breath, “I feel like after he proposed, he stopped giving and putting in the effort to our relationship. it felt like he was basically saying ‘hey i got the girl. no need to do anything more’. don’t get me wrong, for the first two months it was amazing and now it just turned to shit.”
“ashton? what you feel about what y/n said?”
“i feel bad i made you feel like i don’t care. why didn’t you tell me?” you scoffed at his words.
“really ashton? i tried to tell you and you told me to fuck off.”
“i did not say fuck off, if anything i-“
“then why are we here ashton? we would not be in this mess if you would just listen to me.”
“don’t put this all on me, you’re just as guilty.”
“oh fuck you ashton, i can’t do this,” you wiped your face with the back of your hand and stood up to walk out the door. “yeah run, run like you always do.”
“me? you’re the one that pushed me away! you’re the one who refused to get vulnerable enough to talk to me.”
“i’m here aren’t i?! i’m here trying to fix what we have but look you’re running.”
“because you refuse to take any fucking responsability. do you even want to get married or did you just propose to me because you thought it would make me happy?”
the therapist didn’t know what to say, clearly there was more to it then just miscommunication. when ashton didn’t say anything, you thought you figured it out. and to be quite honest, you wanted no part in it.
“so you only proposed because you thought that would make me happy? i would have been happy without the ring ashton. i only wanted you,” you looked down at the ring before pulling it off and handing it to him.
“i can’t do this if you aren’t going to be fully in it. i love you ashton but i can’t do this. i can’t keep going with the back and forth. i guess call me when you’re ready? or not that’s up to you,” you placed a gentle kiss on his cheek and walked towards the door.
ashton felt stuck, had he actually just lost possibly the best thing that happened to him. all because of his pride and he didn’t want to admit it was him out messed up. it was in fact him who pushed you away not the other way around.
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the time you spent apart from ashton was a very hard healing process. you had to really work on your happiness again. you couldn’t stay in the house you once called home because it reminded you of ashton. it was the house you were going to build your lifes together in as one.
from crystal <3 - hey girly, me and si are gonna pick you up from work. we need a lunch date!
to crystal <3 - sounds good crys, i missed you guys :)
from crystal <3 - we missed you too lovely! can’t wait to see you
time flew by fast and before you knew it, sierra and crystal were there at your job picking you up for lunch.
“babes! c’mon we’re going to your favorite restaurant,” sierra pulled you into a hug laying a quick kiss on your cheek.
“it’s nice to see you guys too. man i missed you guys,” you pulled crystal into the hug too. you had isolated yourself from everyone in the friend group. you felt like it would hurt too much. but it’s been months since you seen them.
when you guys arrived to the restaurant, you seen all the guys but ashton sitting in the booth. you felt nervous, like you had abandoned your friends. immediately your eyes watered.
“no no, please don’t cry,” calum was the first to wrap his arms around you. “i’m so sorry.”
“there isn’t anything to be sorry for, we understand why you stayed away. it’s okay,” the other boys now joining your hug.
“i missed you guys.”
“we missed you too short stack,��� you chuckled at luke’s nickname for you.
after the hug, you guys all sit down and catch up with each other. you wanted to ask where ashton was but it made you scared. scared that he moved on in those short months. scared that he didn’t want to pursue the relationship between you two again. you’d probably never be able to get over him. you’ve been together since you guys first met while they were writing youngblood.
“now, i hope you don’t mind and you can leave if you want to. but there’s someone who really wants to talk to you,” michael spoke making everyone else at the table stop talking.
“hi doll,” the voice you missed hearing. the voice to the person who has always been there for you. you turned your head and body towards ashton.
“hi ashton.”
you took the time to study his face and he did the same to you. you missed seeing his face in the morning when you woke up. the smile he gave you when you’d make breakfast together or even stay in bed.
“i’m so sorry for-“
you cut him off by hugging him and squeezing him tightly. you missed moments like this. he had really changed your life for the better and to not be with him killed you. he kissed the top of your forehead and mumbled apologies.
ashton let go of you for a moment to get on one knee like he did when he proposed to you.
“baby, i love you so much and i know i can’t ever let that love for you go. you’ve there for it all and i don’t want to let that go. i know i haven’t been the most present when i proposed.
i’m sorry i made you feel like you were alone in this. this isn’t me reproposing because i want to work on our relationship first but this my promise to you. my promise to a better person for you. my promise that you’ll never be alone again. honey i can’t do it without you. i’m sorry that i placed blame on you for my mistakes. and do not feel any pressure to take me back. it’ll hurt but i want you to be happy.
even if it’s not with me. i love you so much that-“
“you’re rambling,” you wiped your tears and kneed down to face him, “ashton irwin, i love you so fucking much and i missed you. thank you for even taking these months to figure out what you really wanted. I want to give you another shot because you really are the only one for me.”
it was like you’re friends didn’t matter in this moment, just the two of you getting lost into each other’s eyes.
“i thought you were going to move on if we’re being honest,” he wiped the stray tears from your cheeks and wiped his.
“move on from you? baby there isn’t anyone i rather be with but you. you’re my motivation. my sunshine on a cloudy day,” you chuckled at the corny words because it was your inside joke behind you two.
“i promise to communicate more and i can’t express more how sorry i really am.”
“we’re gonna okay now, right? you’re not going to isolate yourself from me again?”
“we’re gonna be okay my love. i promise to not do that to you again. and i want you to know, i proposed because i’m madly in love with you. i’m sorry i stopped putting in the effort.”
your friends felt happy for you guys. they knew how much you loved each other and couldn’t wait to see your rekindled love.
“is this the part where we kiss to seal the deal?” ashton laughed and nodded at you. he was quick to meet your lips in middle and place a kiss on them. “gosh, i missed that.”
“i missed that too sweetheart but i missed you even more,” he helped you stand up and brought you into a proper hug. you guys have a long way to go but you knew for sure that it was gonna get better from here on out.
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angelofberlin2000 · 5 years
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by Natalie Finn | Fri., May. 17, 2019 3:00 AM
When Keanu Reeves was asked the other night, "What do you think happens when we die?" interviewer Stephen Colbert probably wasn't expecting such a deep—or assured—answer from the movie star.
"I know that the ones that love us will miss us," the 54-year-old actor said sagely, rendering the Late Show host unusually speechless.
It was a sincere, thoughtful response—vintage Reeves, really—from someone who's had reason to think about such things.
"I haven't really thought about my career future, or what was going to happen, until really recently," he also told GQ in February. Asked why he started thinking about it, he replied, "Death!"
Watch https://www.eonline.com/videos/289305/how-keanu-reeves-training-for-john-wick-3-compares-to-the-matrix
How Keanu Reeves' Training for John Wick 3 Compares to The Matrix
The still eerily youthful-looking Reeves, who's back in theaters Friday in the third installment of the blockbuster John Wick franchise, has become a brand unto himself, the name "Keanu" signifying not just movie stardom but also a certain kind of performance and even a state of mind: chill, zen, blissfully checked out ("Sad Keanu" meme notwithstanding). His name—which has lent itself to a comedy about a cat and a recent hit song by Logic, and which of course a studio exec wanted him to change when he first came to Hollywood—does mean "cool breeze over the mountains" in Hawaiian, after all.
But still waters run deep, and despite being in the public eye for more than 30 years, he's one of the least-known people whose chiseled face you would recognize anywhere. Few play it as close to the vest as Reeves, who, though he does the occasional interview and shows up to fulfill his side of the bargain in promoting his films, does not talk about his personal life. And not in the way that most celebrities don't really talk about their personal lives.
As in, it's entirely unclear if he even has one, although—look at him—he must.
"I came to Hollywood to be in movies," Reeves told Parade recently. "I feel really grateful that I've had that opportunity, but I'm just a private person, and it's nice that can still exist."
He doesn't even publicize his charity work, but his causes include children's hospitals, fighting cancer, the arts and the environment. 
"I always find it surreal that complete strangers come up and ask me personal questions," he told Parade back in 2008. "I don't mind speaking about work, but when the talk turns to 'Who are you?' and 'What do you do off-screen?' I'm like, 'Get out of here.' I've been in situations where people have felt they had a relationship with me or something and I didn't even know who they were."
Not that Reeves is an anti-star. He lives in the hills above West Hollywood, spent plenty of time enjoying the local nightlife in his youth and has starred in countless quotable action movies—and gets paid handsomely for them, enough so that he can take off and do passion projects like his first (and only, to date) directorial effort, 2013's The Man of Tai Chi, or show up unheralded on a Swedish sitcom (Swedish Dicks, now on Pop) or in any indie film he so desires, like the recent Destination Wedding, an acerbic comedy that reteamed him with Bram Stoker's Dracula co-star Winona Ryder.
He's perfectly congenial yet usually looks somewhat serious, but not because he's taking himself seriously—more as if he wants to answer even the most lighthearted of questions with respectful gravity. But hey, as Stephen Colbert just found out, if you ask Reeves a potentially loaded question, prepare to get an answer.
Asked by Parade in 2008 if he believed in aliens, because he was playing the alien Klaatu in a remake of The Day the Earth Stood Still, he replied, "Some days I do. Some days I don't. There's so much unexplained and unexplainable phenomena that's presented to us. But beyond that, the cosmos is so vast. We can't be the only sentient entity. It might not look like us, but it's going to be out there."
His signature Keanu cadence used to be mistaken for a sign of vacuity, but Reeves attributed however he came off in interviews to his overall discomfort with talking about himself.
"I've never played stupid to keep someone distant," he told Vanity Fair in 1995. "I don't play stupid. Either it's been a failure on my part to articulate, or my naivete, or ingenuousness, or sometimes it's the nature of the form... And you know, I find myself more able to give an explanation of a project five years later than in the middle of it. It's so present-tense! I can tell you how I feel, but its context is harder to explain... Sometimes when I'm interviewed I'm not ready to do that. So you say...'excellent!' And you know what, man? It's OK."
It certainly was.
Ted Theodore Logan, Johnny Utah, Jack Travern, Neo, John Wick: all characters that had to be played by Reeves. He's done everything from Shakespeare to sports flicks to A Scanner Darkly, and soon you'll be hearing his voice as Duke Caboom, a motorcycle-riding stuntman with a wistful backstory, in Toy Story 4, which will probably sneak in to top The Matrix Reloaded, which made $742 million worldwide, as his single highest-grossing movie.
"So I made Duke a little more gravelly but still tried to give him energy and a big personality," Reeves shared with Entertainment Weekly in March. "I just thought that Duke should love what he does. He's the greatest stuntman in Canada! I wanted him to be constantly doing poses on the bike while he was talking, to have this great extroverted passion."
He turned down Speed 2 to play Hamlet onstage in Canada. He was one of the first big stars who memorably jammed on the side with his own band, Dogstar, in the '90s and now he co-owns a custom bike shop called ARCH Motorcycle in Hawthorne, Calif, because he loves motorcycles as much as you think he does.
"Riding can be a place to think and feel. It's a way to work things out," he recently told Parade, noting that inclement weather doesn't stop him. "I like riding in the rain. It's a little more sketchy." He rides mainly alone, but he and the ARCH crew cruise Pacific Coast Highway on Sunday mornings.
And if motorcycles provide one soul-soothing salve for Reeves, acting provides another.
"In acting, you're constantly discovering new feelings and thoughts and exposing yourself to them," he told Parade in 2008. "I guess it could be considered psycho-therapy. All I know is that, as an actor, I can tell you a story that you'll listen to. Maybe it won't just entertain you, it might also teach you something. I think film has the power to change your life if you want to let it.
Combine his real-life inscrutability with his is-it-genius-or-does-he-just-do-the-same-thing-every-time approach to acting, and he's become more myth than man—and that, too, is a huge part of his appeal. He's just so Keanu.
"I don't own a computer and I don't e-mail," he said in the 2008 
Parade
interview. "I'm fascinated by people who freak out when they don't get an instant response to an e-mail. It's like they expect as soon as they send an email to get the answer back and if they don't it's like awful. I just hope people won't totally lose the ability to write letters because it's a good way to communicate."
He preferred typewriters, Reeves said—and we can only hope he and Toy Story star Tom Hanks had a chance to talk about typewriters together.
"I only have good things to say about him," Swedish Dicks star Peter Stormare, who met Reeves doing Constantine in 2005, which led to the actor's role on his show, told GQ. "Once a year, we'll have a beer together and talk about life and things. He's very private. He leads his life the way he wants to lead it. And I guess it can be lonely sometimes. But I think he's just like me. There's a comfort in being alone sometimes, especially when you're working on something."
"We bonded over motorcycles, bass guitar, and Harold Pinter," Alex Winter, the Bill to his Ted, also told the magazine. "Reeves had a really good book collection."
Reeves was born in Beirut, to a Hawaiian father and English mother, but they divorced when he was about 2. Mom Patricia remarried in the US., but after that didn't work out she settled with a 7-year-old Keanu and his younger sister, Kim, who was born in Australia, in Toronto. Reeves reportedly hasn't spoken to his dad since he was 13. 
"We were latchkey kids," he told Esquire in 2017. "It was basically 'leave the house in the morning and come back at night'. It was cool." But, he told Parade, "Even for a runaway English girl, my mother gave us a proper upbringing. We learned manners, respect for our elders, formal table settings. I also learned a nonprejudicial, nonjudgmental acceptance of other people."
His favorite part of school was doing plays and studying Shakespeare in English class, so he dropped out at 17 to try his hand at acting.
"My attendance record was very bad. I was lazy," Reeves told Vanity Fair. "I knew I wanted to act when I was halfway through grade 11, I guess, and school wasn't important."
His first acting job came on the Canadian series Hangin' In in 1984. Then he moved to Los Angeles and made his big-screen debut in the Rob Lowe-starring drama Youngblood in 1986. Later that year he won his first major role in the gritty teen crime drama River's Edge, which went on to win Best Feature at the Independent Spirit Awards.
So it was off to the races for Reeves, who in the next five years made a wildly diverse array of movies, including the very-'80s comedy The Night Before, Dangerous Liaisons, Bill & Ted's Excellent Adventure (and its sequel, Bogus Journey), Parenthood, Point Break and My Own Private Idaho.
He was very much living the fast Hollywood life, and it wasn't all charmed.
In 1993, River Phoenix died of an accidental drug overdose—another painful thing Reeves didn't want to talk about, but he spoke fondly of his friend and My Own Private Idaho co-star.
"I enjoyed his company. Very much," Reeves told Rolling Stone in 2000. "And enjoyed his mind and his spirit and his soul. We brought good out in each other. He was a real original thinker. He was not the status quo. In anything."
As for Phoenix's death, "It's something he thinks about all the time, something he never really talks about," a friend told People. "Friends know not to go there with him."
In 1994 his estranged father, Samuel, was sentenced to 10 years in prison for drug possession in Hawaii, but was released in two. "Jesus, man. No, the story with me and my dad's pretty heavy. It's full of pain and woe and fucking loss and all that s--t," he told RS around that time. In 1995, he told Vanity Fair, when asked why he didn't want to know more about his dad's case, "Why would I want to find out what I didn't know?" He called the situation "pretty incredible," and that was that.
Reeves has a massive scar on his abdomen from when he suffered a rupture spleen in a motorcycle crash while riding in L.A.'s Topanga Canyon in 1988. He went into a hairpin turn going about 50 mph.
"I call that a demon ride," he reflected to Rolling Stone. "That's when things are going badly. But there's other times when you go fast, or too fast, out of exhilaration...I remember saying in my head, 'I'm going to die.'"
"I remember calling out for help," he continued. "And someone answering out of the darkness, and then the flashing lights of an ambulance coming down. This was after a truck ran over my helmet. I took it off because I couldn't breathe, and a truck came down. I got out of the way, and it ran over my helmet."
Also while his star was on the rise, his sister Kim battled cancer for years starting in the late '80s. "He helped me through," she told Vanity Fair about her brother. "When the pain got bad, he used to hold my hand and keep the bad man from making me dance. He was there all the time, even when he was away."
Actor and Dogstar bandmate Roger Mailhouse told Rolling Stone about Reeves in 2000, "He's a really giving person. He'd give you his last shoe. Really smart, too. He's incredibly booksmart. He's a really interesting person who doesn't talk a lot of s--t."
Asked how his friend had changed over the past decade, i.e. the '90s, Mailhouse said, "I don't worry about him as much. I used to worry about him. Because I think of him as one of my best friends in the world, was he going to crash his motorcycle, or this or that. We did some wild things. I guess it's just growing up. I don't know—maybe it had something to do with River Phoenix, maybe. Losing someone close to him. But now I'm just proud of him. He's getting to do it the right way."
For years you'd be much more likely to see Kim or Patricia on Reeves' arm at a premiere or other big event—such as when he got a star on the Hollywood Walk of Fame in 2005—than any girlfriend, and the actor hasn't been publicly involved with anyone for years.
Not that he hasn't been linked to a bevy of his co-stars, including Sandra Bullock and Charlize Theron, but if he's in a serious relationship, it's not with a celebrity.
On The Tonight Show Starring Jimmy Fallon in 2013 he was wearing what anyone would take for a wedding band on his left ring finger, but no revelations ever sprang from that accessory choice.
When Parade asked recently if he remained a bachelor, Reeves replied (squirming a bit, according to the magazine), "Well, I'm not married."
Through the interviews he's given over the years, a theme running through them is the visible discomfort he starts to evince when the conversation veers toward the too-personal. And some topics are just off-limits altogether.
Reeves started dating actress Jennifer Syme after meeting her at a party in 1998 and they were expecting a baby together—but the child, a girl they named Ava, was stillborn at 8 months. They laid her to rest in January 2000, according to People, and broke up weeks later.
Read
Sandra Bullock Almost Starred in The Matrix Instead of Keanu Reeves
They remained close up until Syme, who suffered from severe postpartum depression, died in 2001 when she crashed her Jeep Cherokee into several parked cars on a L.A. street and was thrown from the vehicle. In 2002, her mother, Maria St. John, sued Marilyn Manson, who had thrown a party that Syme attended that night, for wrongful death, alleging he had given Syme  the cocaine that an autopsy found in her system. 
"After Jennifer was sent home safely with a designated driver, she later got behind the wheel of her own car for reasons known only to her," Manson, who knew Syme through filmmaker David Lynch and had worked with her on Lost Highway, said in a statement.
The rocker continued, "This lawsuit, which is completely without merit, will not bring back Jennifer's life. It serves only to reopen the wounds and the pain felt by all who loved Jennifer. It is a pity that St. John sullies her own daughter's reputation by filing this baseless claim."
They reportedly reached a settlement out of court, but Manson maintained he had nothing to do with Syme taking drugs that night. 
Reeves has never spoken publicly about his relationship with Syme, which certainly fits right into how he was before, let alone since. But he grieved. And he eventually had something to say about that.
"I think, after loss, life requires an act of reclaiming," he told Parade in 2006. "You have to reject being overwhelmed. Life has to go on."
The actor continued, "Grief changes shape, but it never ends. People have a misconception that you can deal with it and say, 'It's gone, and I'm better.' They're wrong. When the people you love are gone, you're alone. I miss being a part of their lives and them being part of mine. I wonder what the present would be like if they were here—what we might have done together. I miss all the great things that will never be."
So he knew exactly what he was talking about when he told Colbert, "I know that the ones that love us will miss us."
Calling it "unfair" and "absurd," Reeves told
Parade
, "All you can do is hope that grief will be transformed and, instead of feeling pain and confusion, you will be together again in memory, that there will be solace and pleasure there, not just loss."
"Much of my appreciation of life has come through loss," he concluded. "Life is precious. It's worthwhile."
He said at the time that he would like to have a family, and reiterated the sentiment a couple years later, but Reeves told Esquire in 2017 with regards to "settling down": "I'm too… it's too late. It's over." Asked to clarify, he added, "I'm 52. I'm not going to have any kids."
Famous last words from a litany of 50-something men, and he was reminded of that. Reeves just said, "That's a whole other… But no. I'm glad to still be here."
"I'm every cliché," he continued. "F--king mortality. Ageing. I'm just starting to get better at it. Just the amount of stuff you have to do before you're dead. I'm all of the clichés, and it's embarrassing. It's all of them. It's just, 'Oh my God. OK. Where did the time go? How come things are changing? How much time do I have left? What didn't I do?' I'm trying to think of the line from the sonnet… 'And heavily from woe to woe tell o'er / The sad account of fore-bemoaned moan / Which I new pay as if not paid before.'"
"So, yeah," he added, reportedly with a smile. "I'm that guy."
In turn, Reeves can't help but come off as the solitary figure he so often plays in his films, from Constantine to The Matrix to John Wick. Heck, even Duke Caboom sounds a little melancholy.
At the same time, you're just as likely to see him in a romantic tear-jerker or a quirky comedy as a shoot-em-up. He's played heroes and hustlers, sweethearts and cruel villains, teachers and  slackers, doctors and lawyers.
"For me, it's just continuing to be able to work with great artists and tell stories that people enjoy," Reeves told Parade. "I was always hoping, even when I was young, that I could do different things," he says. "I'm really grateful for that. I'm
Though he had no idea John Wick would be such a hit, Reeves was in top form in the 2014 action extravaganza as a retired hit man who goes on a revenge spree after gangsters kill the beloved dog that was a gift from his late wife.
It made almost $89 million on a reported $20 million budget. Sequel time!
"You hope and you dream but the reality is even sweeter," he told E! News in 2017 about the first film's surprise success when he was promoting John Wick: Chapter 2. "It's great to be involved in a project that has so much affection."
Chapter 2 made $172 million worldwide.
Now back for John Wick: Chapter 3—Parabellum, Reeves has revealed that he started training heavily about three months before filming began to get back into dynamo shape, and he still goes whole-hog (or horse, in this movie's case) in the action sequences, right up until a car runs into him.
"I'll do some fight scenes and then John Wick will get hit by a car," Reeves explained to Colbert on The Late Show, "and that's Jackson Spidell, who's an amazing stuntman." Spidell has been Reeves' stunt double in all the John Wick movies. "He gets hit by the car, then I'll get up from the car, then I'll do a whole bunch more of, like, gun-fu and whatever, jujitsu, judo—and then, if I get thrown off something, Jackson does his thing."
Even more exciting for some fans, however, depending on whether you like your Keanu dark or more dude-like, is the news that he and Alex Winter are finally set to start shooting Bill & Ted Face the Music, the much-discussed follow-up to 1989's Bill & Ted's Excellent Adventure and sequel Bill & Ted's Bogus Journey, which came out in 1991. The years-in-the-making comedy is tentatively due out in 2020.
And so on his latest press tour, Keanu Reeves left his usual trail of breadcrumbs. They may not lead you straight to his door, but they'll definitely keep you on the path.
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allthetribbles · 4 years
Text
Rare Downtime
03.02.2085
Liv fluffed her hair after her shower, tucking the towel around herself. She picked up her pip and tagged in the safecode as she slipped it on her wrist. The last week had been routine as far as the OIS was concerned - cultists were up to their usual shennanigans. It was soothing to be put to work on regular cases.
Office rumours were nil regarding the rescue of the Alderwood teens - it was a case closed and on to the next. The last update she had received from New York was a repeat  - not much improvement; continued therapy and drugs. They had recovery ahead for them; some of them had longer roads than others.
Her fingers swirled on her pip, the music and sound effects from the game pinging her interest as she thought. She had asked Te'ani if he had seen what she had that night - and he had neatly glossed it over.
Perhaps she hadn't asked the right question at the time - maybe it was not what she had seen, but what she hadn't. She hadn't seen either of them turn into monsters, after all. She certainly hadn't seen a mortal being crushed in the club. And she certainly didn't want to call Te'ani a monster.
... Had his offer of brotherhood been genuine? He had not mentioned it again and she suspected he might have been too drunk to recall.
The level was left unsolved and she closed the game closed. Her journal opened - last entry 02.23.2085.
03.02.2085
A short entry before I have to go into work. Routine is back in play - get up, run stairs, shower. Breakfast on the way to work or when I arrive, depending on the traffic.
Update on the fire goblin problem - it doesn't seem to be flaring as often. I still get an urge, but not nearly as badly before. It's almost as if being in high-risk situations aggravates it.
I didn't call the brigade - been a bit too busy. At the least I need to take a cake by the station. Would be good to see the guys and catch up even if I can't set something on fire.
- - -
She saved and closed the journal, then headed to the bedroom to get dressed, straightening her hair as she ran her fingers through it.
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03.03.2085
Finally caught up with the 5B crew. Strawberry cake went over well; Vraka's fireball chili paired well with it. That man can cook. I'm going to have to get the recipe. I keep saying I will but I got to be honest - I burn more things than I cook.
Vraka has a girlfriend now. Hope she realizes what a catch he is - sweet, a cook, and the ability to toss someone over their shoulder like a bag of flour. Maybe I missed out, but I just couldn't connect to him like he did me. It wasn't like I didn't try - I am fond of him. But milestones from the movies - the tender, caring moments that signified the next step of our relationship - what they should have been... weren't.
I felt like I was lying to him constantly - stuttering, blushing, and stunned into silence. He took those as being tongue-tied in love... I wish it had been. The break-up was intense - I couldn't give him a reason WHY... just that it wasn't working out. One of the reasons I was avoiding the station, I guess. I still don't have an answer. I kept his gym-bag. I think it's still in the back of my closet... or somewhere. Maybe I'll take that next time.
Veronika broke up with Stuart. Started dating Peitra, started dating Blanche, broke up with both of them and started dating twins... and after that I stopped listening. She's a sweetheart, but a busy social life for a firefighter. I don't know where she finds the time, but she seems happy.
Chief's marriage is still on the rocks, but I was cut from that gossip. He must still be trying - he was wearing his ring.
There were a few youngbloods present - including one arsonist named Aodh serving community service. The hopes of a judge willing to give a teen a second chance...
They got a call while I was there - Chief invited me along... and surprisingly, the kid as well. Suit up, roll out - not much different from the OIS. The blaze was going strong. Aodh seemed just as fascinated with the flames as I felt.
They divided into their routine - hoses, hookups, house sweep. Chief should have known better... or maybe that's why he invited me along. I've grown in power since joining the OIS - the fire wasn't a match to my candle and was quickly snuffed.
It's easier to sweep a house when flames aren't licking at your boots, but the fire and smoke aren't where all the danger lurks. It's also when the flame takes out the supporting beams and the structure collapses.
Strange though.. when I was putting out the flames, I sensed resistance as some refused to extinguish. I mentioned my observation to the Chief and he'll put in a suggestion for testing for the kid. It isn't my place.
All in all, a good way to spend a few hours.
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