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#maybe even puns but they gotta be evil or smth
chitteringcicadaeyes · 2 months
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hc Malleus just has an evil laugh, his little giggle in game is only the beginning to his maniacal evil ass
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lia-nikiforov · 7 years
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Weekly Anime Rambling Re: Creat...ive Conceit
Another week of getting everything mixed up because my viewing schedules are a disaster hahaha! is it very obvious i’m running out of puns
The season’s drawing to a close, and it looks like every show is rushing at full-gear to wrap up all their loose ends or end on a good place before the season break. Which means a lot of shows are doing shitfests and I have A LOT OF WORDS
I haven’t talked much about Fate/Apocrypha in this feature but I must shamefully admit I’m enjoying it way more than I expected. I’ll talk more about that in my final season rundown, so for the time being I’ll just say Astolfo is my waifu and if you use the T slur to refer to them I’ll gut you alive. 
One show clearly struggling to meet its planned middle-point is Altair, with the past two episodes breezing through plot points like a speedcourse on acquiring new party members for Mahmut. The production itself is also clearly suffering, finding an in-model shot of any given character woud be a challenge. I did like the latest episode because we’re finally getting to see more political nuances beyond “Evil empire wants to conquer the world”. I also really liked how they brought the Prenses into the fold by emphasizing her importance in the political moves they’ll carry out next, and that she was the one to come up with them was specially great
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Giving female characters agency? What, Like it’s easy?
I’m not even gonna talk about episode 10 of Ballroom because it was so boring I hardly remember anything about it except thinking “is there ever gonna be any dancing” (the answer was no). But I am going to talk about episode 11 because god was it frustrating.
Firstly, this was the episode that featured the most and probably best dancing animation of the entire show. Unsurprisingly, even then it’s overshadowed by the abuse of stills and audience shots. Whatever little magic and good-will they manage to create with, for example, a neat shot of Tatara and Mako hopping is almost instantly voided by a full minute of still frames. Let 👏 me 👏 see 👏 the 👏 fucking 👏 dance 👏 gdi 👏
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Of course it wouldn’t be Welcome to the Ballroom without at least a very fine layer of casual sexism and neglecting the female characters entirely, this time awfully noticeable in the second half where all the focus is on Tatara and Gaju having a load of fun with their dick measuring contest! Wait, what do you mean ballroom dancing is a pair sport?
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If you ask this show, Ballroom dancing is a sport about men being cool while dragging around women who have no fucking idea of what the fuck is even going on. Add to that all the harping on how “it’s the lead that makes or breaks a pair” “if the leader is bad the pair will look bad” because I guess the follower doesn’t ever matter.Or how only the boys are dead tired after the event, because I gues the girls weren’t dancing at all, what a relaxing job it must be to be a female in competitive ballroom dancing, you don’t have to put in any effort at all!
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Also the music choices are atrocious which is finally explained by the Production team revealing they thought the audience would not like “old” music -because I guess the audience is too stupid or smth- so instead they went for completely inappropriate pop-rock themes instead! Maybe don’t underestimate your audience if you want them to buy your produc! (source)
But okay, after god knows how many episodes, the Tenpei cup finally ends, Gaju and Shizuku win but Mako wins Queen of the Dancefloor! At least some recognition fo Mako’s dancing skills, that even in spite of Tatara’s sloppy dancing she managed to outshine Shizuku through her own talents! Wait, hold on, what’s that?
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FUUUUUUUUCK YOUUUUU SHOOOOOOW
Adding insult to injury, Gaju doesn’t even apologize to Mako for treating her like crap. In spite of his scummy attitude, Gaju seems to be a good sport, so I thought at least he’d “officially” ask Mako to become his partner again, but no such luck, it’s her who approaches him first. Fuck you again, show.
I also have a lot of thoughts about the garbage treatment of Shizuku, but I’ve talked about the show enough in this week, so that’s another post.
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Oh yeah, Vatican is... the expected mess I guess lol. I have literally no idea of what is going on anymore but...
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I want some of that cocaine too bruh (i’m kidding, don’t do cocaine my friends)
Also, Made in Abyss is great but can we please drop all the pee jokes.
I’ve technically already watched the final episode of Re:Creators, but I want to address the penultimate episod which is the actual resolution of the conflict because it’s not only a convoluted mess (and if I went into that in detail I’d write thousands of words), it’s ultimately a betrayal of the show’s opening promise.
To elaborate, Sota’s first dialogue is something along the lines of “I’m not the protagonist of this story. This story is about her”. At first I thought it meant Selesia too bad she died meaninglessly and without really doing anything for the story like 99.99% of the creations :’D, but we later learn he’s talking about Setsuna, for whose death he feels guilty yadda yadda Potato McBoring manpain.
But then the show decided to make Altair so ridiculously and unbelievably overpowered that the only way to defeat her is the very predictable “create Setsuna” and this is where the show betrays itself
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Because even if the resolution is that Setsuna and Altair go off into this some other world to live as abstract creations happily ever after, the actual emotional climax of the episode is after they disappear:
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This is a massive slap in the face to everything the show was trying to do and to Setsuna’s character. Basically she’s stripped of her agency and becomes a figment of Sota’s creation. Sota who abandoned her when she was going through the hardest of times, now gets to be -even if briefly- her creator, her god, and he takes the credit for being the amazing creator that save the world. He even says it out loud in a culminating moment of disgusting conceit.
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The whole purpose of the story, of the show, as it turns out to be, is to satisfy Sota’s ego. Setsuna is literally fridged for the sake of Sota’s manpain. This was never a good show, but until now it just felt like a lot of poorly executed great ideas. This, though, is basically giving up on any pretention of being “different” of stepping away from “Blandy McBoring protag saves the world because no one else but him can do it, he is so special”, and it’s made even worse because of the context of Setsuna’s death and the meaning of being a creator. Ugh, I’m coming short of words so I’ll just leave it at this was already a mediocre show and somehow they managed to go all the way and make it terrible.
And now another show that is sadly crapping the bed for its last hurrah, and one I’m very sad to be dissing like this. Yup, I’m talking about Virgin Soul
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It’s like 10 episodes late and all the reward we get for waiting so long to hear Charioce’s motivation boils down and awfully rote and predictable to “Bahamut killed my mommy so now I kill Bahamut”. Next we know Charioce’s mom was also named Martha I guess. The explanation is also delivered in the most transparently expositional dialogue possible and seems like a very last-minute attempt by the writers to paint Charioce in a sympathetic light because they realized too late they hadn’t given him anything for the audience to like him beyond his romance with Nina. Somehow their explanation doesn’t even address the genocide against the gods or the enslavement of the demon race, and it seems every insinuation of Gabriel being shady has been forgotten too. Okay...
It’s sad because this feels like a hugely missed opportunity. The first half of the series painted the possibility of a tri-racial conflict in which all sides were to blame, but instead it seems like it was all a fabricated conflict to pad the way so they could have a three-way confrontation bombastic finale, but with none of the nuances and grey morals it initially promised. The characters are still great, but I’m very sad that the story has been reduced to an uninteresting, predictable cliché that doesnt even quite work with all the previously established ideas.
Oh well, the season’s almost over. Next week should be my last Rambling of the season before my Final Review and I also somehow gotta find time to post about my most anticipated shows for the fall. Fun!
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