new audioreactive open patch for @c74connect Max/MSP/Jitter DOWNLOAD IT: https://www.patreon.com/posts/audioreactive-82544404

#audioreactive #audiovideo #max #msp #jitter #patch #visualizer #music

i made a simple drum machine :D

it's very simple but some of the stuff i've learned is exactly what i need for my music :D also, all sounds are synthesized within the machine itself

OUT NOW!! Shipping to pre-orderers imminently!!

blue forty-six: Dane Law

Exquisite, intricate minimalism from acoustic guitar vs Max/MSP

Get it here:

I love him and his gay lil outfits

the cardigan? the vests?? the crops??? He's everything to me

My new EP, Simulated Microcosm, is now available for pre-order on bandcamp! It releases March 2nd!!!

album cover by my friend Amfivolia (it's amazing):

mistakes have been made

it's 1am and i made max fucking headroom on moviestarplanet

Max 4 Live Devices

Here I'll be posting max 4 live devices that may be useful to the community. If you have feedback, or if you need specific modification to suit your needs, feel free to contact me at : vair . nicolas at gmail . com

NV_disable_on_export

Download here

Fairly simple. During export, the next device will be disabled (next device to the right of this one). Work before or inside Effects Racks. Super useful to disable the EQ of your monitoring while exporting.

I tried various methods that resulted very unreliable (plugin would stay on with 1 in 10 exports), so I finally chose to keep it off as default state and goes on while "playing and not exporting".

Todo next week (probably; I’m just throwing stuff out there) - gifs of guitar close ups of Reapers live with the caption ‘Only girl in the world alert’ because honestly that riff. Only girl in the world.

If you use Ableton sign up for the Isotonik 17 week christmas giveaway, really good stuff.

2020.11.17

very recent Autechre bootleg. pretty good recording for that kind of thing. awesome set. masters of their thing.

Realtime HD video synthesis at 60fps with #max/#msp/#jitter and #vsynth automated with #ableton using #maxforlive to improvise a music video for the forthcoming #spiritofgravity collaboration with @ievadpiano (at Brighton, England, UK) https://www.instagram.com/p/CltVqH3NROm/?igshid=NGJjMDIxMWI=

Max msp gswitch for signals

#Max msp gswitch for signals Patch#

#Max msp gswitch for signals professional#

#Max msp gswitch for signals Patch#

Multiple variations of a sound effect are made into separate files, and the patch would play back a sound file at a controlled but random interval. The MONO and STEREO FX modules use this granular approach. Much like the common approach for sound design for games, these samples could then be played back at a random interval, with slight variations of speed/pitch and volume to create the variety and avoid repetition. As an example, the sounds of a dog baring could be broken up into individual samples and made into a small library. These are sounds that could be broken down into smaller granular pieces and played back in such a way that a considerable variety could be achieved with the right amount of randomisation and variance. The Variation knob would then cross-fade between these sound files, creating the illusion of a gradually increasing amount of rainfall as the dial is turned. These “STEREO LOOPS” modules consist of continuously looping layers, with multiple stereo sound files of varying intensity (in the case of rain, from light drizzle to heavy downpour) playing continuously. These would be sounds that by their very nature would be difficult to break down into component parts due to having a lot of random unpredictable behaviour. I identified three main types of implementation: From this list, and began making notes on different approaches these sounds would need in terms of their methods of implementation, depending on the nature of that sound. I began by noting down a list of common sounds that would be included in such an application, such as wind, rain, waves, thunder, traffic, bird song, dog barks, crickets, crows etc. And apart from anything else, I liked the challenge of creating it and was curious how it might turn out.

#Max msp gswitch for signals professional#

While I knew that this type of system would never have sufficient flexibility or variation needed to accommodate the subtle nuances of most professional sound design, it seemed a useful tool for hobbyists and had interesting educational potential. My thinking was – could I create something where you could design ambiences using a modular approach, where common sonic components of ambience creation were made available and could be tweaked using an intuitive UI for stereo placement, distance and intensity? I’m a big fan of working with ambiences in sound design and the interview with Tim Nielsen a couple years back on Designing Sound nicely articulates the importance of well-crafted backgrounds. So I started to imagine other possible ideas that I could use for my final project and my mind eventually settled on an idea for an “Ambience Designer”. In doing so, it really opened my eyes to how endless the possibilities could be with DSP and how the only real limitation seems to be ones imagination. The first thing I created was a variation on a sampler keyboard, a sort of homage to my trusty Casio SK-1 and Yamaha VSS-30 keyboards. Having dabbled briefly in Pure Data and coming from a background of computer programming, it didn’t take long before it got me completely hooked. Last year, I undertook a one-year Masters in Sound for Moving Image at the Glasgow School of Art, which got me properly introduced to the wonderful world of DSP and the seemingly endless possibilities of Max/MSP. Guest article by Andreas Jonsson DSP beginnings

Last MSP lotto 2Sure For Today 25/07/2022

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