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#mauro staccioli
garadinervi · 8 months
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Mauro Staccioli, Triangolo, Martina Franca (TA), 1979 [© Studio Archivio Mauro Staccioli, Volterra (PI)]
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"Der Ring '96" Munich
Photo: Dieter Krehbiel
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jokeanddaggerdept · 7 months
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straccitemporanei · 8 months
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Mauro Staccioli, Triangolo, Martina Franca, Italia 1979.
via: https://i2.wp.com/www.carrierinoesi.it/wp-content/uploads/2020/11/1-Mauro-Staccioli.jpg?ssl=1
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fashionbooksmilano · 2 years
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Immaginazione aurea
Artisti-orafi e orafi-artisti in Italia nel secondo Novecento
Catalogo a cura di Enrico Crispolti
SilvanaEditoriale, Cinisello Balsamo 2001,176 pagine, 300 ill.colori,  23x28 cm., ISBN  9788882153014
euro 30,00
email if you want to buy [email protected]
Mostra Ancona - Mole Vanvitelliana 21 aprile - 29 luglio 2001
Opere di: Carla Accardi, Afro, Getulio Alviani, Mario Ballocco, Renato Barisani, Aldo Calò, Carmelo Cappello, Eugenio Carmi, Pietro Cascella, Alik Cavaliere, Mario Ceroli, Bruno Ceccobelli, Riccardo Dalisi, Lucio Fontana, Omar Galliani, Lorenzo Guerrini, Edgardo Mannucci, Eliseo Mattiacci, Fausto Melotti, Bruno Munari, Arnaldo Pomodoro, Giò Pomodoro, Mimmo Rotella, Emilio Scanavino, Ettore Sottsass jr., Daniel Spoerri, Mauro Staccioli, Vladimiro Tulli, Giulio Turcato, Giuseppe Uncini, Luigi Veronesi e molti altri.
Attraverso la ricostruzione dell'attività dell'oreficeria italiana nella seconda metà del XX secolo, il volume mira a rompere l'usuale schema bipartito di artisti-orafi e orafi-artisti, istituendo un confronto aperto e paritetico tra le opere d'oreficeria realizzate da artisti plastici oppure da artigiani orafi. I più interessanti maestri della scultura contemporanea e dell'oreficeria in Italia, presentano le forme loro suggerite dall'immaginazione e dalla fantasia, nelle prezione materie dell'oro e dell'argento. Nel lavoro sull'oro (ma in realtà è in gioco una vasta gamma di materiali), ciascuno riversa le proprie esperienze e le proprie sperimentazioni: per l'artista l'impegno nell'oreficeria non è mai un trasferimento di ricerche già elaborate, ma l'occasione di una nuova e affascinante avventura espressiva; per l'orafo si tratta di portare intenzionalmente la propria realizzazione a un livello di elaborazione di valenza anche plastica.
02/06/22
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derebussardois · 2 years
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Mauro Staccioli, Nuraghe Burghidu, Ozieri, 1995 - red concrete, Ø300 cm @archiviomaurostaccioli 📷fonte sconosciuta . . #remodelista #arch #collectingdesign #midcenturymodern #artcollective #piasa #theworldofinterior #admag #pacecollection #voguemagazine #archdigest #dwellmagazine #wabisabi #idmagazine #interiordesign #1stdibs #architetturasardegna #derebussardois #domus #deezen #architecture #archlover #maurostaccioli #ozieri #artecontemporanea #contemporaryart #concrete #artconcrete (at Ozieri) https://www.instagram.com/p/CiH7BkjMJSz/?igshid=NGJjMDIxMWI=
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unabashedyouthenemy · 3 months
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Triangolo. Mauro Staccioli. Italia 1979
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pikasus-artenews · 1 year
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MAURO STACCIOLI. Scultura come pensiero che trasforma Mario Staccioli è famoso per le sue Sculture intervento, grandi installazioni a scala ambientale, la cui genesi è direttamente legata al luogo di realizzazione.
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brarez · 1 year
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Abstract thoughts
In November 2021 I went to Fiumara D’Arte in Sicily, an open-air museum created by the patron Antonio Presti. It was a unique experience that filled me with emotions and inspiration Upon my return, this collection was born.
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Small & Giant
Small & Giant was inspired by the work La Materia Poteva Non Esserci by Pietro Consagra (1986) The original work is a majestic sculpture composed of two elements, leaning and parallel, coloured black and white, in a delicate harmony of empty and full. When I was going to visit the work, I began to see it from the road, small and isolated, and the closer I got, the bigger it became. It is like the perception of one's own problems that turn from small into giants and only with hindsight do we realise that it all depends on the perspective with which we look at things. Collect on OBJKT
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Days Of Chaos
Days of Chaos was inspired by Pietro Schiavocampo's Una Curva Gettata Alle Spalle Del Tempo (1990). The original work consists of a concrete and iron monolith, placed at the edge of a curve, which curls in on itself imitating the movement of a sail struck by the wind.
It is here that I imagined not a light wind but a storm reproducing the chaos of the days I was emotionally going through. A black river of thoughts lost in a maelstrom.
Collect on OBJKT
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The Way
The Way is inspired by Mauro Staccioli's Piramide - 38° parallelo (2010). It is a work that captures sunlight through a long slit in the surface, storing within its geometric interior the light reflections from zenith to sunset.
What struck me, however, is one particular detail: the completely dark tunnel that takes you inside the pyramid and symbolises the passage from darkness to light. I symbolised it with the black curves by feeling the path taken to get to the heart of the pyramid.
Collect on OBJKT
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Zero
Zero was inspired by Il Labirinto di Arianna by Italo Lanfredini (1990). Those who enter the labyrinth ask themselves questions about their own existence, in a timeless place and dimension in which it is impossible not to think. The labyrinth is reflection, it is spirituality derived from a kind of 'motherhood', expressed in a concentric tangle of circles culminating in an aspiration to the sublime.
This is what I felt as I approached the route and which came to an end at the moment of my exit, when finding an enchanting panorama in front of me, I felt the bad mood leave as if that moment was a zero day.
Collect on OBJKT
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garadinervi · 8 months
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Mauro Staccioli, Triangolo, Martina Franca (TA), 1979 [LIGA espacio para arquitectura. «Artribune». © Studio Archivio Mauro Staccioli, Volterra (PI)]
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marcolikestowatch · 4 years
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Mauro Staccioli
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theframelines · 5 years
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Ring by HorstS
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milenaolesinska · 6 years
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Exposition Art Blog   Mauro Staccioli
Mauro Staccioli (11 February 1937 – 1 January 2018) was an Italian sculptor After studying at the Art Institute in Volterra, Staccioli started teaching and in 1968 joined the Academy of Fine Arts of Brera in Milan. At the end of the 1960s, Staccioli decided to dedicate himself to sculpture. His idea is to meet people where they live which leads him to create sculptures for urban places. His sculptures are “marks”, traces of a passage; he wants to affect the people who are usually found in a place and prompt them to experience that place in a different way. His sculptures always have a strong relationship with the place where he works.
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cento40battute · 2 years
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A Soliera le sculture di Mauro Staccioli
A Soliera le sculture di Mauro Staccioli
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elegantiaearbiter · 7 years
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Portal, by Mauro Staccioli, Volterra.
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jaimsilva · 7 years
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Santo Tirso (Portugal) - Museu Internacional de Escultura Contemporânea [Sculptures are scattered around the city]
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