"K" stands for King... of Terror - Pt.2
«If we think about his audacity and the fear he instills especially on the aristocrats he robs (but also about the masks he uses to carry out the thefts), then he took a lot from Giussani sisters' Diabolik, who also inspired Paperinik, so much so that I could define Fantômius and Dolly Paprika as the "Diabolik and Eva Kant of Duckburg".» Marco Gervasio
(HERE's the full interview if you wanna check it out... mind you it's in italian, sorry ^^")
As I mentioned in the previous post, who's more akin to Diabolik (starting from his look with the very characteristic V shaped hairline) is Paperinik's source of inspiration: Fantômius, known internationally as Fantomallard.
Romano Scarpa gives us a first glance at Fantômius (actually Gladstone in a costume) in "Paperinik alla riscossa" by Guido Martina.
Duckburg's gentleman thief is named after Fantômas, the serial killer and elusive criminal mastermind created in 1911 by Marcel Allain and Pierre Souvestre, but he’s definetely more alike to Diabolik (just, not a cold blooded murderer, he’s not 😅).
Unlike Paperinik, Fantômius is a thief through and through; a masked criminal who terrorized the city of Duckburg in the 20s and who's first mentioned by Guido Martina in Paperinik's debut story "Paperinik il diabolico vendicatore" in 1969.
In Paperinik's second story, "Paperinik alla riscossa", we get to know Fantômius' girlfriend Dolly Paprika. The two are a homage by Guido Martina to the diabolical duo Diabolik/Eva Kant.
Eva from Diabolik year XLV #10 and Dolly from "Dolly Paprika!"
Lady Kant, whose name comes from Immanuel Kant (philosopher loved by Angela Giussani since school), is considered one of the most beautiful women in the world and she's the perfect specular match to Diabolik. Eva Kant's character is inspired by Lady Maud Beltham, Fantomas' lover who saves him from the guillotine in a way much akin to what happens to Eva and Diabolik.
A cunning, cold hearted and skilled thief, Lady Kant appears for the first time in 1963 in Diabolik third issue "L'arresto di Diabolik" and since then she's been Diabolik's perfect partner in crime and life.
Lady Kant from the back cover of Diabolik R #668
When Marco Gervasio takes up Fantômius' character and starts the creation of his personal Gervasio-verse, he gives him an entourage of secondary characters which is heavily based on Diabolik's and he focuses heavily on Dolly, delving into her story and tightening even more the laces that bound her to Lady Kant.
But Gervasio also provides Fantômius with his personal institutional nightmare: Commissioner Pinko, obvious parody of Diabolik's nemesis inspector Ginko (and who is my favorite character, I just want him to win so badly every time!!! 😭😭):
Commissioner Pinko from "L'evasione di Fantomius", and inspector Ginko from Diabolik year LVII #2 back cover and played by Valerio Mastandrea in 2021 "Diabolik"
Commissioner Alcmeone Pinko is certainly not the sharpest tool in the shed and it's easy game for Fantômius to elude him. Ginko, on the other hand, is totally another league.
Appearing alongside Diabolik in the first issue of the series, he's an upright policeman and a brilliant and canny detective who can easily stand up to Diabolik's genius. We are after all talking about a character inspired by Sherlock Holmes, pipe and all.
Ginko is Diabolik's good alter ego. He's actually so similar to Diabolik some speculate they may even be related, I for instance wouldn't be surprise if we end up finding out they're twin brothers like Fantômas and Juve! After all we don't know Diabolik's real name since it's unknown even to him, and Ginko's not the inspector real name either: he changed it for... reasons.
Tell me this is not a beautiful shot of commissioner Pin- err, I mean... inspector Ginko from 2022 "Diabolik - Ginko all'attacco!" (I am not in any way shamelessly fangirling over the inspector 🙃)
Needless to say, despite his bravery and intuition, Ginko never manages to arrest Diabolik because, well (let's put it bluntly) he's too fair and honest. Ginko refuses to act outside the law in any way, and stubbornly wants to rely only on the police means... though he does sometimes use some gadgets confiscated to Diabolik and puts them to use with extreme astuteness (like when he cut two masks in two and joined the two halves to create a totally new face and actually managed to fool even Diabolik himself!)
But yeah, Diabolik's the title character... he just can't be arrested for good (just think of them as Mickey Mouse and the Phantom Blot, just with the Phantom Blot as the protagonist)! Anyhow, the respect between the two runs deeply.
"Hands up, Diabolik!"
Actually, Commissioner Pinko is not the first parody character of Ginko to appear on Topolino. In "Paperinik e il ritorno a Villa Rosa", our masked vigilante stumbles upon a newly appointed police inspector named Pinko "il Pallino" ("Pinco Pallino" in italian is an expression to define a random guy, I think in English it'd translate as "Joe Soap"), who might actually be a grandson of Fantômius' commissioner:
Inspector Pinko "il Pallino" from "Paperinik e il ritorno a Villa Rosa"
There’s one more main character in Diabolik comics who does appear in disguise in Fantômius’ stories. I’m talking about the duchess Altea of Vallenberg, secret love of Ginko, who appears for the first time in 1964 on Diabolik #22 “Il grande ricatto”.
Altea von Waller duchess of Vallenberg from Diabolik #22 and portrayed by Monica Bellucci from 2022 "Diabolik: Ginko all'attacco!"
Just like Altea, Pinko’s wife Adelaide Grimani comes from a noble family, venetian in this case. Unfortunately for Ginko and Altea, who could never be really together because of the social gap between the two (Altea’s the widow of the duke of Vallenberg, cousin of the king of Beglair), Pinko and Adelaide are happily married.
Adelaide Grimani and Altea of Vallenberg: you can't buy class!
I realize I've talked more about Ginko than Diabolik or Fantômius... I'm definitely not sorry! 😛
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Sitges2023 - ¡Películas confirmadas!
Sitges alza el vuelo con el anuncio del programa completo
Los últimos trabajos de Hayao Miyazaki, Yorgos Lanthimos, Takeshi Kitano, Hideo Nakata y muchos más, anidarán en nuestras salas. Queda menos de un mes para el inicio del SITGES – Festival Internacional de Cinema Fantàstic de Catalunya y sabemos que tenéis ganas de conocer todos los títulos para ir poniendo apunto vuestras listas. ¡Ya no tenéis que esperar más! Os traemos una larga batería de nombres y títulos, con la que cualquier fan del género va a estar salivando, ya que llegan algunas de las películas de terror, ciencia ficción y fantástico más esperadas y prometedoras del año.
Sección Oficial Fantástico Competición (SOFC)
‘ACIDE’ - Just Philippot (Francia)
‘BEST WISHES TO ALL’ - Yûta Shimotsu (Japón)
‘CLUB ZERO’ - Jessica Hausner (Austria/Reino Unido)
‘CONANN’ - Bertrand Mandico (Francia/Luxemburgo/Bélgica)
‘CUANDO ACECHA LA MALDAD (WHEN EVIL LURKS)’ - Demian Rugna (Argentina)
‘DIVINITY’ - Eddie Alcazar (Estados Unidos)
‘EL REINO ANIMAL’ - Thomas Cailley (Francia)
‘IN FLAMES’ - Zarrar Khan (Canadá/Pakistán)
‘VIVE DENTRO’ - Bishal Dutta (Estados Unidos)
‘KUBI’ - Takeshi Kitano (Japón)
‘LA ESPERA’ - F. Javier Gutierrez (España)
‘LA MORSURE’ - Romain de Saint-Blanquat (Francia)
‘LATE NIGHT WITH THE DEVIL’ - Colin Cairnes, Cameron Cairnes (Australia)
‘LES CHAMBRES ROUGES’ - Pascal Plante (Canadá)
‘MOSCAS’ - Aritz Moreno (España/Argentina)
‘OMEN’ - Baloji Tshiani (Congo/Países Bajos/Francia/Bélgica/Alemania/Sudáfrica)
‘RIDDLE OF FIRE’ - Weston Razooli (Estados Unidos)
‘ROBOT DREAMS’ - Pablo Berger (España/Francia)
‘ROMANCE ASESINO’ - Lee Won-suk (Corea del Sur)
‘SALEM’ - Jean-Bernard Marlin (Francia)
‘SLEEP’ - Jason Yu (Corea del Sur)
‘SORCERY’ - Christopher Murray (Chile/México/Alemania)
‘STOPMOTION’ - Robert Morgan (Estados Unidos)
‘THE SEEDING’ - Barnaby Clay (Estados Unidos)
‘THE THEORY OF EVERYTHING’ - Timm Kröger (Alemania)
‘THERE’S SOMETHING IN THE BARN’ - Magnus Martens (Noruega)
‘TIGER STRIPES’ - Amanda Nell Eu (Malasia/Taiwan/Francia/Alemania/Países Bajos/Indonesia)
‘VERMIN: LA PLAGA’ - Sébastien Vanicek (Francia)
‘VINCENT DEBE MORIR’ - Stéphan Castang (Francia)
‘WAKE UP’ - François Simard, Annouk Whissel, Yoann-Karl Whissel (Francia)
‘WHITE PLASTIC SKY’ - Tibor Bánóczki, Sarolta Szabó (Hungría/Eslovaquia)
Sección Oficial - Sesiones Especiales
‘ALIENS ABDUCTED MY PARENTS AND NOW I FEEL KINDA LEFT OUT’ - Jake Van Wagoner (Estados Unidos)
‘AMELIA’S CHILDREN’ - Gabriel Abrantes (Portugal)
‘AWARENESS’ - Daniel Benmayor (Estados Unidos/España)
‘BLOOD DE BRAD ANDERSON’ - Brad Anderson (Estados Unidos)
‘EL CHICO Y LA GARZA’ - Hayao Miyazaki (Japón)
‘LA ERMITA’ - Carlota Pereda (España)
‘LA SOCIEDAD DE LA NIEVE’ - J.A. Bayona (España)
‘POBRES CRIATURAS’ - Yorgos Lanthimos (Reino Unido)
‘THE TOXIC AVENGER’ - Macon Blair (Estados Unidos)
‘UFO SWEDEN’ - Crazy Pictures (Suecia)
Oficial Fantástico - Especial Mitjanit
‘LA BALA DE DIOS’ - Nick Cassavetes (Estados Unidos)
‘THE DEEP DARK’ - Mathieu Turi (Francia)
Òrbita
‘BLACK FLIES’ - Jean-Stéphane Sauvaire (Estados Unidos)
‘CONCRETE UTOPIA’ - Um Tae-Hwa (Corea del Sur)
‘DIABOLIK: GINKO ALL’ATTACCO’ - Marco Manetti, Antonio Manetti (Italia)
‘FUERZA BRUTA: SIN SALIDA’ - Lee Sang-yong (Corea del Sur)
‘JACKDAW’ - Jamie Childs (Reino Unido)
‘JERICHO RIDGE – Will Gilbey (Kosovo/Reino Unido/Irlanda del Norte)
‘LA EXTORSIÓN’ - Martino Zaidelis (Argentina)
‘LOS OJOS DE LA NOCHE’ - Ahn Tae-jin (Corea del Sur)
‘LUMBERJACK THE MONSTER’ - Takashi Miike (Japón)
‘MAD FATE’ - Soi Cheang (Hong Kong)
‘NIGHT OF THE HUNTED’ - Franck Khalfoun (Francia)
‘PRORIEDADE’ - Daniel Bandeira (Brasil)
‘SMUGGLERS’ - Ryoo Seung-wang (Corea del Sur)
‘THE CHILDE’ - Park Hoon-jung (Corea del Sur)
‘THE LAST STOP IN YUMA COUNTY’ - Francis Galluppi (Estados Unidos)
‘WHERE THE WIND BLOWS’ - Philip Yung (China/Hong Kong)
Panorama
‘#MANHOLE’ - Kazuyoshi Kumakiri (Japón)
‘APPENDAGE’ - Anna Zlokovic, Alex Familia (Estados Unidos)
‘BLACKOUT’ - Larry Fessenden (Estados Unidos)
‘BROOKLYN 45’ - Ted Geoghegan (Estados Unidos)
‘EL EXORCISMO DE EASTFIELD’ - Nick Kozakis (Australia)
‘HOOD WITCH’ - Saïd Belktibia (Francia)
‘LAST STRAW’ - Alan Scott Neal (Estados Unidos)
‘LET IT GHOST’ - Hoi Wong (Hong Kong)
‘NINA DEI LUPI’ - Antonio Pisu (Italia)
‘ONYX THE FORTUITOUS AND THE LALISMAN OF SOULS’ - Andrew Bowser (Estados Unidos)
‘PROJECT SILENCE’ - Kim Tae-gon (Corea del Sur)
‘RABIA’ - Jorge Michel Grau (México)
‘RESTORE POINT’ - Robert Hloz (República Checa)
‘SUPERPOSITION’ - Karoline Lyngbye (Dinamarca)
‘THE FORBIDDEN PLAY’ - Hideo Nakata (Japón)
‘THE SACRIFICE GAME’ - Jenn Wexler (Canadá/Estados Unidos)
‘YOU’LL NEVER FIND ME’ - Josiah Allen, Indianna Bell, Josiah Allen (Australia)
Panorama – Fuera de Competición
‘CUANDO LOS AMOS DUERMEN’ - Santiago Alvarado (España)
‘IMMERSION’ - Takashi Shimizu (Japón)
‘THE PRIMEVALS’ - David Allen (Estados Unidos)
‘TOKYO REVENGERS 2: PART I’ - Tsutomu Hanabusa (Japón)
‘TOKYO REVENGERS 2: PART II’ - Tsutomu Hanabusa (Japón)
Noves Visions
‘EL DESPRECIO’ (4K) - Jean-Luc Godard (Francia/Italia) (Sesión Especial)
‘EMBRYO LARVA BUTTERFLY’ - Kyros Papavassiliou (Grecia/Chipre)
‘EN ATTENDANT LA NUIT’ - Céline Rouzet (Francia)
‘HALFWAY HOME’ - Madarász Isti (Hungría)
‘HUMANIST VAMPIRE SEEKS CONSENTING SUICIDAL PERSON’ - Ariane Louis-Seize (Canadá)
‘HUNDREDS OF BEAVERS’ - Mike Cheslik (Estados Unidos)
‘IN MY MOTHER’S SKIN’ - Kenneth Dagatan (Filipinas/Singapur/Taiwán)
‘LA ÚLTIMA NOCHE DE SANDRA M.’ - Borja de la Vega (España)
‘LUKA’ - Jessica Woodworth (Bélgica/Italia/Países Bajos/Bulgaria/Armenia)
‘MIMÌ - PRINCE OF DARKNESS’ - Brando de Sica (Italia)
‘MONDAYS: SEE YOU “THIS” WEEK!’ - Ryo Takebayashi (Japón)
‘MONOLITH’ - Matt Vesely (Australia)
‘MOON GARDEN’ - Ryan Stevens Harris (Estados Unidos)
‘MOTEL MELATI’ - Mike Wiluan, Billy Christian (Indonesia, Singapur)
‘MY ANIMAL’ - Jacqueline Castel (Canadá)
‘PANDEMONIUM’ - Quarxx (Francia)
‘RAGING GRACE’ - Paris Zarcilla (Reino Unido/Irlanda del Norte)
‘RIVER’ - Junta Yamaguchi (Japón)
‘TELA DE ARAÑA (COBWEB)’ - Kim Jee-won (Corea del Sur)
‘THE FUNERAL’ - Orçun Behram (Turquía)
‘THE INVISIBLE FIGHT’ - Rainer Sarnet (Estonia/Lituania/Grecia/Finlandia)
‘THE LAST ASHES’ - Loïc Tanson (Bélgica/Luxemburgo)
‘THE UNCLE’ - David Kapac, Andrija Mardesic (Serbia/Croacia)
‘THE VOURDALAK’ - Adrien Beau (Francia)
‘WHERE THE DEVIL ROAMS’ - Zelda Adams, John Adams, Toby Poser (Estados Unidos)
Anima’t
‘DEEP SEA’ - Tianxiao Peng (China)
‘FOUR SOULS OF COYOTE’ - Áron Gauder (Hungría)
‘HEAVIES TENDRES’ - Joan Tomàs, Carlos Pérez-Reche, Juanjo Sáez (España)
‘KOMADA - A WHISKY FAMILY’ - Masayuki Yoshihara (Japón)
‘LONELY CASTLE IN THE MIRROR’ - Keiichi Hara, Takakazu Nagamoto, Keiichi Hara (Japón)
‘MARS EXPRESS’ - Jéremie Perin (Francia)
‘ROBOT DREAMS’ - Pablo Berger (España/Francia)
‘SAND LAND’ - Toshihisha Yokoshima (Japón)
‘TONY, SHELLY AND THE MAGIC LIGHT’ - Filip Posivac (República Checa/Hungría/Eslovaquia)
‘WHITE PLASTIC SKY’ - Tibor Bánóczki, Sarolta Szabó (Hungría/Eslovaquia)
Anima’t - Sesiones Especiales
‘PHOENIX: REMINISCENCE OF FLOWER’ - Shojiro Nishimi (Japón)
‘THE FEAST OF AMRITA’ - Saku Sakamoto (Japón)
Anima’t - Sitges Clàssics
‘LES MAÎTRES DU TEMPS’ (4K) - René Laloux (Francia/Hungría/Suiza)
‘THE SOLDIER’S TALE’ - R. O. Blechman (Estados Unidos)
‘100 AÑOS DE WALT DISNEY ANIMATION STUDIOS: UN HOMENAJE A SUS CORTOS’ - Varios Autores (Estados Unidos)
Sitges Clàssics
‘ACCIÓN MUTANTE’ - Álex de la Iglesia (España)
‘ANGUSTIA DEL SILENCIO’ - Lucio Fulci (Italia)
‘CALÍGULA - THE ULTIMATE CUT’ (4K) - Tinto Brass (Estados Unidos/Italia)
‘LOS NUEVOS EXTRATERRESTRES’ (4K) - Juan Piquer Simón (España)
‘EL RESPLANDOR’ (4K) - Stanley Kubrick (Estados Unidos)
‘EL EXORCISTA’ (4K) - William Friedkin (Estados Unidos)
‘ENTER THE GAME OF DEATH’ - Tso Nam Lee (Hong Kong)
‘LAKE MICHIGAN MONSTER’ - Ryland Brickson Cole Tews (Estados Unidos)
‘PSYCHIC VISION: JAGANREI’ - Teruyoshi Ishii (Japón)
‘KING KONG’ (1933) - Merian C. Cooper, Ernest B. Schoedsack (Estados Unidos)
‘EL HOMBRE DE MIMBRE’ (THE WICKER MAN) (4K) - Robin Hardy (Reino Unido/Irlanda del Norte)
‘LA MÁSCARA DEL DEMONIO’ - Lamberto Bava (Italia)
‘DRAGON LIVES AGAIN’ - Chi Chih Lo (Hong Kong)
‘MUNDO CANÍBAL, MUNDO SALVAJE’ - Ruggero Deodato (Italia)
‘THE RAID’ - Gareth Evans (Indonesia)
‘STAR TREK – THE MOTION PICTURE – THE DIRECTOR’S CUT’ - Robert Wise (Estados Unidos)
‘SIESTA’ - Mary Lambert (Estados Unidos)
Sitges Documenta
‘A DISTURBANCE IN THE FORCE’ - Jeremy Coon, Steve Kozak (Estados Unidos)
‘DARIO ARGENTO PANICO’ (4K) - Simone Scafidi (Reino Unido/Irlanda del Norte)
‘DREAM TIME’ - Claudio Lattanzi (Italia)
‘ENTER THE CLONES OF BRUCE’ - David Gregory (Estados Unidos)
‘KAIDAN. STRANGE STORIES OF JAPANESE GHOSTS’ - Yves Montmayeur (Francia)
‘KIM’S VIDEO’ (4K) - David Redmon, Ashley Sabin (Estados Unidos)
‘LIVING WITH CHUCKY’ - Kyra Elise Gardner (Estados Unidos)
‘LOCH NESS: THEY CREATED A MONSTER’ - John MacLaverty (Reino Unido)
‘MUJERES SIN CENSURA’ - Eva Vizcarra (España)
‘OTRA PELÍCULA MALDITA’ - Alberto Fasce (Argentina)
‘THE HISTORY OF METAL AND HORROR’ - Mike Schiff (Estados Unidos)
‘SATAN WANTS YOU’ - Sean Horlor, Steve J. Adams, Sean Horlor (Canadá)
‘SHARKSPLOITATION’ - Stephen Scarlata (Estados Unidos)
‘SPOOKTACULAR!’ - Quinn Monahan (Estados Unidos)
‘THE DARK SIDE OF SOCIETY’ - Larry Wade Carrell (Estados Unidos)
‘THE J-HORROR VIRUS’ - Sarah Appleton, Jasper Sharp (Japón, Reino Unido)
‘UN MILLÓN DE ZOMBIES: LA HISTORIA DE PLAGA ZOMBIE’ - Nicanor Loreti, Camilo de Cabo (Argentina)
‘YOU CAN CALL ME BILL’ - Alexandre O. Philippe (Estados Unidos)
Retrospectiva - Ciudad Pánico
‘AMENAZA EN LA SOMBRA’ - Nicolas Roeg (Reino Unido)
‘HOLLYWOOD 90028’ (4K) - Christina Hornisher (Estados Unidos)
‘PÁJAROS DE CIUDAD’ - Jose María Sánchez Álvaro (España/Italia)
‘EL ALMUERZO DESNUDO’ (4K) - David Cronenberg (Canadá/Reino Unido)
‘LA CASA SIN FRONTERAS’ - Pedro Olea (España)
‘GOD TOLD ME TO’ - Larry Cohen (Estados Unidos)
‘LOS ÚLTIMOS DÍAS’ - Àlex Pastor, David Pastor (España)
Midnight X-Treme
‘ALL YOU NEED IS BLOOD’ - Cooper Roberts (Estados Unidos)
‘KILL’ - Nikhil Nagest Bhat (India)
‘MAD CATS’ - Reiki Tsuno (Japón)
‘OS REVIENTO’ - Kike Narcea (España)
‘THE WELL’ - Federico Zampaglione (Italia)
‘THE WRATH OF BECKY’ - Matt Angel, Suzanne Coote (Estados Unidos)
‘TRIGGERED’ - Richard V. Somes (Filipinas)
‘WE ARE ZOMBIES’- François Simard, Anouk Whissell, Yoann-Karl Whissell (Canadá)
‘WINNIE THE POOH: MIEL Y SANGRE’ - Rhys Frake-Waterfield (Reino Unido)
Brigadoon
‘IL BOSS’ - Fernando Di Leo (Italia)
‘OTRA PELÍCULA MALDITA’ - Alberto Fasce & Mario Varela (Argentina)
‘ALGUIEN TE ESTÁ MIRANDO’ -Gustavo Cova & Horacio Maldonado (Argentina)
‘AUXILIO’ - Tamae Garateguy (Argentina)
‘UN MILLÓN DE ZOMBIES: LA HISTORIA DE PLAGA ZOMBIE’ - Nicanor Loretti & Camilo de Cabo (Argentina)
‘PLAGA ZOMBIE’ - Pablo Parés & Hernán Sáez (Argentina)
‘LA DAMA ROJA MATA SIETE VECES’ - Emilio P. Miraglia (Italia)
‘THORNS’ - Douglas Schulze (Estados Unidos)
‘SHARKSPLOITATION’ - Stephen Scarlata (Estados Unidos)
‘MONSTER HEAVEN: GHOST HERO’ - Makoto Tezuka (Japón)
‘CUT AND RUN’ - Ruggero Deodato (Italia)
‘MUJERES SIN CENSURA’- Eva Vizcarra (España)
‘TAKE A HARD RIDE (POR LA SENDA MÁS DURA)’- Antonio Margheriti (Italia)
‘MARIA’S STOMACH’- Hideyuki Hirayama (Japón)
‘LOS INVASORES DEL ABISMO’ - Ruggero Deodato (Italia)
‘TINTORERA’ - René Cardona Jr (México)
‘ALLA RICERCA DEL PIACERE’ - Silvio Amadio (Italia)
‘SAMURAI NINJA ONIMANJI’ - Yoshihiro Nishimura (Japón)
‘TIBURÓN 3 - L’ULTIMO SQUALO’ - Enzo G. Castellari (Italia)
‘DOOR’ - Benmei Takahashi (Japón)
‘MILÁN CALIBRE 9 (MILANO CALIBRO 9)’ -Fernando di Leo (Italia)
‘BLOOD SUCKING TREE’ - Shunji Iwai, Masaharu Ota & Akira Yoneta (Japón)
‘EL PANTANO DE LOS CUERVOS’ - Manuel Caño (España)
‘THE DARKSIDE OF SOCIETY’ - Larry Wade Carrell (Estados Unidos)
‘MARIA’ - Gabriel Grieco & Nicanor Loreti (Argentina)
‘LA VENGANZA DE LA MOMIA’ -Carlos Aured (España)
‘IL MUSEO DEGLI ORRORI DI DARIO ARGENTO’ - Luigi Cozzi (Italia)
‘THE BARN PART II’- Justin M. Seaman (Estados Unidos)
‘OLDBOY’ - Park Chan-Wook (Corea del Sur)
‘LA TARÁNTULA DEL VIENTRE NEGRO’ - Paolo Cavara (Italia)
‘SANTO CONTRA LOS ZOMBIES’ - Benito Alazraki (México)
‘HUMANOID PUPPET’ - Hidehiro Ito (Japón)
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