The Cedars of Lebanon Hospital in The Missing Juror (Budd Boetticher, 1944)
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Future Los Angeles in Blade Runner concept art by Syd Mead.
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Hey, Mike! Did moving to Los Angeles at the start of your career turn out to be all that you thought it would be? It’s a big step that a lot of people take, and I’ve never really heard you talk about those early years before. Did you ever contemplate quitting? And if so, I’m glad you stuck to it - we love your work!
Oh, I contemplated quitting many, many times.
I moved to Los Angeles in January, 2003. I had just graduated the previous summer from Towson University, and a group of five of us moved out together. Some wanted to be filmmakers, some wanted to be actors. We shared a 3-bedroom apartment in Glendale.
The adjacent apartment was occupied by four other Towson alums. Between the two apartments, we called it "Little Towson."
I didn't own a car at the start. I had no health insurance. I'd saved a few thousand dollars to get me through the first six months, but none of us had jobs at the beginning. I remember applying (and being rejected) for a job at Walmart. I combed Craigslist looking for non-union editorial gigs.
I had told myself I'd give it five years, and if I hadn't gotten any traction, I'd move back to Maryland.
People started dropping out pretty quickly. One of my roommates (and one of my best friends) had moved out here to be an actor, and only lasted a few months before he decided to go back.
It's overwhelming and terrifying to take a leap into a city as expensive as LA, and you're surrounded by people who all want the same career that you want. But it feels like there is a thousand foot wall circling the industry, and it seems impossible to scale it.
I found work doing odd editorial jobs before working as a logger, than an assistant editor, then an editor on a few reality shows. I shot and cut those local car commercials you see on late night cable. And I frequently ran out of money and overdrafted my account.
As more and more of our original group gave up and moved back East, I started to feel more and more crazy. A lot of my friends from school were getting married, buying houses, having kids. I felt pretty delusional as my 5-year deadline came and went, and I still hadn't found any way over or through that wall.
When we started to talk about making Absentia in 2010, I had been in LA for more than 7 years. I was working two jobs as an editor. I found out I was going to be a father. It felt very much like whatever I'd wanted to happen by moving to LA was not going to happen. Absentia was kind of last-ditch effort.
Ultimately, the five year plan I'd allowed myself when I moved to LA turned into a 9-year plan. I started shooting Oculus - my first "real" movie - in the fall of 2012, just shy of my 10th anniversary in Los Angeles. That movie wouldn't come out for a while after that, so by the time I actually had a career as a filmmaker, well over a decade had passed struggling in LA.
For most of that time, my refusal to move back to Maryland looked (and felt) like a delusion. Only afterward did it start to look like "tenacity." And it never felt like "persistence" or "determination"... it felt insane. It felt like constant, daily frustration and rejection. And when I couldn't pay the bills, or couldn't land a job, it felt downright embarrassing.
For what it's worth, the only difference I've seen between people who "make it" out here and don't are that the ones who made it all stayed long past their expiration dates. I've seen wildly talented people pack it up and head home. Talent helps a lot once the door is open, but really the only thing that opens the door is persistence. To the point of feeling insane.
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The future-noir buildings of BLADE RUNNER. Classic downtown Los Angeles architecture with inside-out conduits crawling up the facades.
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