#liza.txt
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"kill them with kindness" WRONG. wild boar.
🐗🍁
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wow it's wild how people can be "alicent didn't tell rhaenyra about viserys cause she was afraid and forced into this shit" which is completely true and fair but then they turn around and act like nyra betrayed alicent's trust because she didn't tell her about the night that her groomer almost got sexual with her? like girl you can't have it both ways
#anti daemon targaryen#anti viserys i targaryen#pro rhaenyra#anti alicent stans#hotd#anti daemyra#liza.txt
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please feel free to discuss in the comments!
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#coquette girl#female hysteria#hell is a teenage girl#it girl#y2k aesthetic#waifcore#black swan#cyber y2k#trashy y2k#early 2000s#lana del rey#lana del ray aesthetic#lizzy grant#tracy and evie#thirteen 2003#thirteen movie#jennifers body#megan fox#liza.txt#slay girlboss#girl blog#girlblogging#daddy's good girl#girl interrupted#girl interupted syndrome
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setting has it's own pinterest account now.
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honestly im just happy they confirmed hl2vrai at the end of the stream because the discourse was already starting to get stupid so imagine how bad it would have been if that didn't happen
#liza.txt#rtvs is absolutely allowed to mess with ppl about hl2vrai given how annoying some fans have been about it over the years
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the issue is i can't see the phrase 'the beast' in any context without thinking of my dog. it's bad. saw an edgy text over painting image on pinterest that said 'the beast comes for us all eventually' and just thought about this fucker
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"you don't have to coordinate with your dm about your character"
INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE INCORRECT BUZZER NOISE
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not romantic not platonic but a secret third thing (comedic)
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have a migraine and was hoping the caffeine and cold of a 7 eleven coke slurpie could fix me.
top ten most tragic texts to recieve. however, probably the funniest series of words i've seen strung together in weeks, nay months
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the children yearn for the chalice dungeons
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i really think a significant portion of dms just have no clue how to actually pitch their games to get their players on board with the story they want to host which results in. 600 issues. bc you're so absorbed in keeping secrets about the plot that you don't fucking tell them what genre the game is and get mad when they are having a hard time engaging with the genre you made up in ur head.
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i think reframing 'writing a campaign' or 'writing a plot' as writing beats has dramatically changed the quality of my dming. for me personally, i work best when i have a world with pieces that would be moving (regardless of whether the players would be there but obviously, you put the players in the crosshairs to effect change) and plan each 2-4 sessions as its own small story and i've developed a method that really works for me that i use for oneshots, mini campaigns, and in arcs for longer games.
[ID: a screenshot of a bullet point list with template headers: Location, Framing Plot (subheaders Social, Exploration, and Combat), Key NPCS, World Plot Progression, Player Hooks (subheaders repeating Player to be replaced with a PC's name)]
to further explain:
Location(s) — where the sessions will likely take place, so I have a manageable list of places to develop further in terms of worldbuilding.
Framing Plot — What is happening, what is the inciting the incident and what are the things the players cannot control. Then the subheaders are the three tiers of play. I think it's important to have an idea to tap into all of them or lean heavier into what your party is interested in but consider all of them for fun and exciting Mechanical gameplay as well as story and roleplay.
Key NPCS — Who are the NPCS that are going to be important to the framing and to the players. This is usually just a handful.
World Plot Progression — How does / how will the events of this scenario push forward what your players are working towards?
Player Hooks — Specific thoughts for how to connect the framing plot to each player character and make each player feel invested and like their choices matter.
and that's what I do to plot out my games. It's never "this is how things will resolve" it is, "this is what the situation is and this is how i want to connect my players to it and see what they do"
#liza.txt#trying to do a better job w/ ids apologies if it's trash#my d&d posts#personal d&d tag#dm tag
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THEY GET ME. THE REAL CURSE OF STRAHD IS YOU NEVER FINISH CURSE OF STRAHD.
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