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#like seeing how authors used symbolism or foils or whatever to make something complex and interesting can definitely give inspo !!
chryblossomjjk · 11 months
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You are so good at using literary devices in your stories. Pls 🤲 lmao idk what I’m doing most of the time
hi friend! thank you so much <3 definitely not great at it but i try, so thank you for noticing n being sweet n cute n muah love you v much!!
also i dont think anybody knows what their doing most of the times with writing lol! and lowkey thats so beautiful bc sometimes people will see/find stuff in your writing that you didnt even intend! theres no rhyme or reason or "correct" way to do things n the way ur doing things is great friend >:'( <3
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linkspooky · 3 years
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Shigaraki and Dabi
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Heroes hurt their own families in order to help complete strangers. Words said by Shigaraki, and lived by Dabi. If you haven’t noticed, there’s quite a lot of parallels between the two of them. Especially their childhood selves, dark haired hero hopefuls whose hair turned white due to stress and eventually fell and became villains. They were the children closest to the heroes, the son of Endeavor, the grandson of Nana Shimura, and yet both of them fell through the cracks the hardest. Let’s talk about the foiling of these two, under the cut. 
1. Father Says No
Both Shigaraki and Dabi are characters who grew up in a strict, patriarchical household where the father was the head of the household and determined all the rules. 
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The Shimura household was built by Koutarou, who held all the money, and therefore determined all the rules. The same can be said for the Todoroki household, which only came into being to fuel Enji’s ambitions. This is something Enji literally thinks, his first priority when having children was not to love and raise them, but to raise heirs that would carry on his quirk and make up for the weakness in it.
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Enji also literally used his financial wealth and status to pressure her family into arranging a marriage. In the households, the patriarch is the ultimate authority and cannot be questioned. Koutarou sets the rules of the household because he has all the money. Endeavor sets the rules of the household because these children are there to be his heirs. Toya and Tenko both break the rules in their father’s households in some way and become scapegoats. 
Ironically, they break the rules in opposite ways. Tenko, because he wants to become a hero. 
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Toya, because his flawof the flames being too harsh for his flame constitution and burning his own skin makes him unable to become a hero and carry on his father’s legacy.
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Quick tangent to explain what I mean with Toya. This is speculation, because we haven’t been shown the exact details, so feel free to point and laugh at me if I’m wrong. Endeavor says (incorrectly) that if Toya had reached his goal for him, that all of his pent up negative emotions would have disappeared just like that. (They wouldn’t.)
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Which means, Endeavor once again projected himself on his child. Toya was supposed to fix all Endeavor’s hurt feelings for him. So, when Toya failed at the training. When Toya wasn’t good enough. When Toya was flawed. 
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Which means it’s likely, Toya went in Endeavor’s mind from being the one who could carry his dreams, to being the one that Endeavor could scapegoat to blame for his negative emotions. Which meant, at some point he tossed Toya aside. At that point he started treating Toya differently. Toya probably pushed himself more and more to try to go back to the way things used to be, which is probably why his hair turning white, he started to crawl to Natsu every day. 
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There’s also a lot of similiarities and differences between their households. 
Enji wanted his children to be born heroes.  Koutarou’s rule was no heroes allowed. 
Shimura and Toya both had a sibling they would run to and confide in. For Shimura it was Hana, and for Toya it was Natsu. 
Shimura Tenko is the youngest sibling in the household. While Touya Todoroki was the oldest. 
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On the surface, the Shimura household seems more comfortable than the Todoroki household. Shimura receives a lot of comfort from his other relatives, his grandparents, his mother, his sister. However, none of them really confronted the problem in the household and at the end of the day Tenko was still getting beaten. 
The Todoroki household also doesn’t seem like it was a place of much comfort for Toya. It really does seem from flashbacks that all he had to confide in when things started going wrong was Natsu (again feel free to taunt me cruelly if I’m wrong). 
So, you have Tenko who is quietly and gently denied by his family, and Toya who suffers all alone in his household, either getting beaten himself, pushing himself too hard in training, or hearing his father beat his mother and Shoto. 
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However for both of them, it’s a gradual accumulation over time. The stress of the household overtakes them. Their hair turns from its original dark coloring to white from the sheer stress of it alone. They, as children, are made to bear the stress of their entire unhealthy household, because they are the scapegoat. 
Endeavor genuinely believes that if Toya had somehow lived up to his promise he would never have turned abusive. 
Kotaro believes that it was Tenko who was upsetting the peace of the household, because he would just not stop it with the hero talk. 
They both soak up all this stress until it explodes outward. However, the incidents that turned them from Tenko -> Shigaraki, and from Toya -> Dabi are entirely different. 
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Toya committed what was essentially a suicide. He either staged his own death, or failed at his own suicide and survived. Tenko didn’t kill himself, he killed everyone else around him. Shigaraki destroyed the household that was denying him. 
To simplify the manner in which they lash out. Touya destroys himself, Tenko destroys other people, especially the ones he believes are oppressing him or his friends. 
Well you say, Dabi is trying to take down endeavor. However, Dabi still sees Endeavor and himself as one in the same. His flames are Endeavor’s flames.
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One last thing, Dabi and Shigaraki are both marked by their father’s abuse. Dabi was burned by Endeavor’s flames. Dabi literally lives with third degree burns, looking like a living zombie. Then makes his burns even worse by using his flames in the self destructive manner Endeavor taught him. 
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Not only does Shigaraki still carry the lip and eye scars from being beaten up with a gardening tool, but Kotaro’s hand reaching out to his face is a symbol that Shigaraki keeps on him literally to this day by wearing a hand over his face constantly. 
2. Friendship and Ideals
So I think all the subtle differences in their backgrounds is what leads to them expressing themselves differently as adults. There are several similarities between them, but I think hardcore Shigaraki fans can tell you all the reasons they prefer Shigaraki, and hardcore Dabi fans can do the same with Dabi. 
I think a lot of it has to do with their relationships to their families. Families define how you connect with other people.
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Shigaraki was instructed to always keep his family close to him. He’s always confronting his own feelings about his family, his pain from his family, that’s why when he lashes out he also takes his own personal feelings and pushes them outwards. Shigaraki isn’t concerned with right or wrong, moreso, these are my feelings. I reject the society that rejects me. What Shigaraki is concerned first and foremost, is feelings. His own feelings of being rejected, and also the feelings of people who were rejected just like him. 
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Shigaraki is the heart of his group. He’s the person they all rally around, because they gave him a place of belonging. And, Shigaraki has also expressed several times murderous monster that he is that he cares about the individual feelings of those closest to him. I won’t let you trample on Twice’s feelings, his first thing to do when waking up is order the league to be close to him. 
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Unlike Dabi, we’ve also seen Shigaraki directly confront the feelings of his missing family once more. He forgives his sister, he tries to comfort his mom. He destroys his father again. He tells his family that he denies them. He tells his grandfather that he still hates her. 
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I would say that Shigaraki carries those feelings with him, while Dabi dissociates himself from his feelings.Shigaraki directly confronts those feelings because Shigaraki is the heart, feelings are what matter more to him. 
Dabi has feelings, obviously. Dabi has feelings even if he processes them in a way that’s not easy and palatable. Everyone in fact has feelings (though sometimes I wish I didn’t). Everyone expresses things in their own way if not in the typical way. 
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Dabi is completely closed off in regards to his own feelings. He’s not like Shigaraki who is open enough about them he’ll tell his backstory to the whole league on the spot. In fact that’s another difference, the league generally knows Shigaraki’s issues, when they had no idea about Dabi’s. 
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When really there was no good reason not to tell them. What are they not going to be up for murdering the number one hero? 
Friendship is a priority for Shigaraki. Individualism is a priority for Dabi. 
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Dabi’s feelings towards the league are a messed up jumble, but his behavior towards them is pretty consistent. He takes every oppurtunity he can to insist that he’s not a part of them, that they’re all crazy and he’s the only sane one, that he doesn’t care about their feelings. This can’t all be Dabi just being tsundere or whatever, it’s physical steps taken for Dabi to distance himself from others. 
Dabi’s individual goals are more important than his connections to other people. Shigaraki has no distinct goal besides empty lashing out and therefore connects to people with similiar hurt feelings than his. 
Remember, Dabi self destructs. It’s likely, Dabi sees himself as a martyr. An individual willing to burn himself to take down the society with him. He’s trying to die for some cause like stain. 
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So before I develop on this tangent one more difference in similarity between them. Shigaraki’s family is dead. He can’t really do anything but carry on their feelings with him. Tomarau means, to mourn. 
Dabi on the other hand, his family is still alive.He could have before the whole killing spree just shown up on their front doorstep. The reason he hasn’t, is because he can’t forgive Endeavor’s sin.
Whatever pushed him this far, whether it be a strong sense of justice, or a desire for personal revenge. Dabi values that, more than he values his connections with other people, even his own family who is still alive. This is once again the complex way Dabi handles his feelings, it’s likely he pushes his family away, the same way he pushes the league away and doesn’t process them. That’s why he says I thought about it so much I went crazy. He just insists he doesn’t care, and doesn’t think instead. Shigaraki lives constantly confronting his own feelings, Dabi lives by avoiding them. 
Dabi is impersonal, aloof, and only ever thinks of himself as an individual. He will cooperate with others if it suits his needs, but the bond of the league hasn’t quite reached him yet. There’s a consequence for this. 
So twice dying was Hawks fault. Because Hawks you know, stabbed him. 
However you could say, Dabi’s planning centering all around himself, and what he can accomplish as an individual, meant he failed to accomplish that Twice might get hurt as a result of him letting Hawks into the league as a Spy. It’s an unintended consequence, but still a consequence. 
Dabi showed up to save Twice but couldn’t. Then afterwards Dabi uses Twice’s death in the most gratuiotious way possible. Dabi insists once again he doesn’t care, that he never cared about Twice except as a tool that would have made fighting the heroes a lot easier. 
Shigaraki destroys everything around him. He destroys for the sake of the people around him. Dabi destroys himself, his own feelings, he self destructs. When people get caught up in his flames they’re sacrifices for his cause. 
Their priorities and the way they lash out are different. Dabi cares more for ideals than people. Shigaraki cares more for people than ideals.
However, they don’t have to destroy each other. Shigaraki trusts Dabi. Shigaraki of all the members of the league (with Toga as well) is the heart, is the best at sympathizing with the pain of other people because he is constantly in pain himself. 
Dabi made a mistake and as a result Twice got killed. He gambled with too high of circumstances. Twice let a secret slip and invited the heroes to the League’s compound. Twice brought Chisaki for a meeting and because of that Magne died. This kind of scenario has happened before. Of course Dabi insists that his motivations were less pure than Twice’s, he didn’t care what happened to the rest of the league as long as he got the dirt he wanted for his big reveal.
I’m not suggesting that Dabi is secretly a sweetheart, or a misunderstood angsting teddy bear. Just that Dabi is currently closed off from all of his feelings, that’s why he denies too the feelings of people around him and their attempts to reach out for him. Dabi has refused the compansionship of the league. 
It doesn’t have to be like this. Characters can develop. Shigaraki especially has been shown to reach out to people multiple times. Kurogiri is fond of him. Himiko and Twice in their moment of weakness, are convinced to stay on Shigaraki’s side because he shows their face to them. Spinner basically questioned why he was even staying with the league at his lowest point when he thought they had no reason to be there, and it was Shigaraki who he found his cause in. 
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Dabi is lacking something. He’s burned off and emotionally stunted his ability to develop connections with other people. 
Shigaraki is lacking something. He is, again and again, told that he needs a plan besides destroy everything. Shigaraki is very observant of the world, and understands the truth, but he can’t get people to listen. Unlike Dabi who planned to such an extent, that he literally made a live public broadcast to turn public opinion against Endeavor because that was more important than winning a fight. 
It’s true Dabi and Shigaraki could turn against each other, because Dabi doesn’t value people, because Shigaraki considers his lashing out more important than his ideals. They could also be the ones to balance each other out. We’re at an important turning point now, Dabi can either break off from the league now that his individual mission is compelte, or he can finally be reached by the league. 
I think Shigaraki might reach him, because even though they’re grown up so differently they started in the exact same place. They were both boys who wanted to be heroes, and just wanted one person to tell them it was okay, that they could be heroes too. 
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Boiling Isles Civil War Thoughts and Opposing Extremes
Throwing this out there as a last minute theory/idea list before the season finale, but as I’ve touched upon before in my Coven Artifacts post, the basic idea is that I suspect that over the course of the show, we could very well end up with a kind of civil war between two main factions on the Boiling Isles: specifically, between the Emperor’s Coven and a newly formed Bad Girl Coven:
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From what others like @sepublic​ and @anistarrose​ have noted, the show seems to be heavily leaning into the theme of conformism vs individualism, and with this plus the sinister undertones of Belos’ reign and the likelihood of there being plenty of people across the BIs - outside of covenless witches and rebels like Eda - who are dissatisfied with Belos’ rule, it has always felt to me that Eda’s advice to Lus to “teach them some of that Bad Girl Coven magic” at the end of Something Ventured, Something Framed could very well turn out to be more prophetic than either of them would have ever thought.
With that said, though the show so far has Eda - a large symbol of individualism in her actions and mindset - as a main character, I don’t believe that it will go the route of simply going “conforming completely bad, individuality completely good” as some sort of black and white divide, as this is the kind of complex and complicated topic that has an equally complex and complicated answer to figure out.
Not only that, but to boil it down to something as simple as that could very well leave out the chance for some particularly thought-provoking episode concepts and interesting character arcs/interactions across the show, particularly as a way to potentially push the main cast and supporting characters towards their opposite extreme.
After all, when you have characters at two opposing extremes, it can be particularly interesting character development to have them undergo challenges that force them towards the other’s side, that help them see the flaws in their own extreme and potentially even lead to striking a kind of compromise between the two.
That, and it’d make for some great parallels, foils, and contrasts across opposing groups like outlined down below:
For me, the Emperor’s Coven and the Bad Girls Coven could end up standing as complete foils to each other, enforcing laws on magic and fitting in as an official Coven compared to encouraging freedom in magic choice and personality as a “coven” instead of anything actually binding.
Just imagine the parallels between two pupils in magic, two powerful witches as their teachers, and two covens with access to all magic and said teachers at the helm. Both mentors and students are on different sides of conformity and individuality, and as the series goes on, both of their ideals and assumptions about the world they’re in get challenged in ways they never could have expected.
Obviously for Amity on the Emperor’s Coven side, there would be the obvious challenge of being torn between helping Luz break down the rules of her society and aiding her mentor maintain the world she is actually familiar with. But with Lilith on the other hand, she might have to face the possibility that the kind of ideology she’s bought into all these years is wrong - or at least, begin to realize some of the potential major flaws with it.
I mean, Lilith seems to me like the kind of character who doesn’t particularly actively concern herself with how Belos’ system treats the people under it unless it affects her more directly, and given that it sounds that Belos’ plans have changed in regards to Eda and how Luz will get Eda’s staff despite him commanding for it to be broken, we will likely see the start of these cracks in her beliefs and faith in the emperor this coming episode. 
Perhaps she might even try to go searching for other points of view in some kind of attempt to reassure herself that what she thinks is correct and that they are wrong, only to find herself actually agreeing with these perspectives and beginning to slip away from Belos’ grasp.
As for the side of the Bad Girls Coven, Luz could face the challenge of having to handle the full transition from an outcast on Earth to an unusual student at Hexside to a full blown revolutionary leader, unintentionally finding herself the “chosen one” of so many people to follow and maybe even emulate.
Heck, it’s one thing to imagine oneself as being an inherently special part of some destined prophecy, and it’s another to inadvertently wind up kicking off a societal upheaval from a likely mix of having befriended fellow outcasts that will help you like you did for them, accidentally inspiring people to step back and question the way magic works with your discoveries, and becoming the teacher of an unprecedented form of magic that ANYONE could use, even non-witches.
And for Eda, well, I believe we’ve already seen the start of this shift between extremes in her decision to let Luz have some structure in her education and go to Hexside. Furthermore, with the Bad Girls Coven, while Eda herself might lean towards rebelling against authority and being yourself, she could very well end up facing a similar problem as Lilith with their respective covens.
On the EC’s side, Lilith could have the positive and negative sides of extreme conformity shine through her coven members being able to mobilize and coordinate quickly with little to no dissent against the BGC, but also struggling to adapt on the fly to unforeseen changes and opposing ideas/ways of thinking. They could be well organized and ready to fall into line at any moment on her behalf, but lack the imagination and perspective to truly answer Lilith’s inquiries or come up with substantial suggestions of their own.
On the BGC’s side, Eda could deal with the likelihood of her ‘coven’ being open to anyone and everyone on Luz’s behalf, ranging from other covenless witches who want to support the cause to potentially even her past enemies and rivals. I mean, for as much as it may be a case of “Enemy Mine” with said enemies, I wouldn’t be surprised if Luz initially kickstarted the coven by publicly declaring that everyone deserves the chance to be free to do whatever magic they want and that her kind of magic is available to everyone.
With that, both Eda and Luz might have to deal with the ramifications of such in the form of people seeking to take advantage of her teachings for personal gain, those with conflicting personalities or bad history being grouped together and potentially causing trouble, having to collaborate with former enemies, and figuring out how to apply at least some structure to the BGC.
After all, while a group with too little structure can be suitably chaotic enough to possibly throw off the likes of the EC, it can also be disjointed and unable to really work together or agree on any plan. 
I mean, it would put Luz and Eda in the interesting and precarious position of having to tell all these people who came to them to be freed from Belos’ rule that they have to establish some ground rules of their own, and with that would come the issue of just how much is too much and how much is too little. 
Either way, while I can’t quite figure out anything about how Kikimora, Hooty, Belos, or King and the others could experience a similar kind of challenge at the moment, these are a couple of my thoughts on where such a civil war could lead and change these other four characters. 
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hamliet · 5 years
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Messy, Perfect Redemption: Dazai
My least favorite trope in fiction is probably redemption via death. It just seldom works for the best possible story and more often than not comes across as an author wanting to take the easy way out with having now made the audience like the character, but not having to deal with the repercussions with their relationships with other characters and actual work of changing. Which honestly is also fair. Writing is hard.
But one of the things I love about Bungou Stray Dogs is how the entire story is basically Dazai’s redemption arc in all its disastrous messy glory. Redemption is hard, becoming a better person is exhausting and it doesn’t happen overnight. Despite an often cavalier attitude towards everyone around him, Dazai never loses sight of Odasaku’s last words to him.
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"Listen. You told me that you might find a reason to live if you lived in a world of violence and bloodshed. You won't find it. You must know that already. Whether you're on the side who kills people or the side who saves people, nothing beyond what you would expect will appear. Nothing in this world can fill that lonely hole you have. You will wander the darkness for eternity. (...) Be on the side that saves people. If both sides are the same, become a good man. Save the weak, and protect the orphans. Neither good nor evil means much to you, I know... but that'd make you at least a little bit better. (...) Of course I know. I know better than anyone. Because... I am your friend."
Leaving the mafia and deciding to save people from now on is a good step, but it’s a process, as we see. It’s choosing every day to save orphans, to protect the weak, and even after making the overall choice to become a better man, there are still plenty of struggles along the way. It’s what makes Dazai such a compelling, powerful and ultimately hopeful character for me.
I know Atsushi is often seen as representing Dazai’s second chance after Akutagawa, his redemption in a sense, and that’s not wrong at all. Atsushi is definitely a major, even the main, part of it, but in my opinion it’s not the whole of it. Dazai’s mentoring of Atsushi is a double-edged sword: on the one hand, it absolutely is a part of his redemption. He’s genuinely trying to do his best with Atsushi, and I do think he cares for him--clearly, he cares enough to let himself be captured by the mafia, even.
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On the other hand, ignoring a kid you hurt for a kid you didn't is not redemption in and of itself when you could still do something about it. It’s not like Akutagawa has given up on Dazai in any way; he’s pretty desperate for Dazai’s acknowledgement even now.
If saving one requires you to abandon the other, are you really a better person for it ? Like, if you wanna save orphans, you kinda have to include the one who's literally begging you to save him and who is only in this bad place because of you.
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If joining the agency would have redeemed Dazai, we wouldn’t have a story, though again I’m not minimizing the importance of this or the resonance of Dazai’s mentoring of Atsushi. But in joining the agency, Dazai left someone behind--more than one someones, actually. Dazai’s redemption is a process that will require him to face the harm he caused in the mafia and as much as possible, fix it. And he can’t fully redeem himself until he integrates with his shadow. Unlike Atsushi whose shadow is directly personified in Akutagawa, though, Dazai’s is in several other people (we could also consider Odasaku and Atsushi part of the anima), including Akutagawa, Chuuya, Dostoyevsky, and Mori.
Even the next time Dazai saves an orphan (Kyouka), we find out that a lot of the cruel ways Akutagawa trained her came from how Dazai trained him.
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It’s a consequence coming back to Dazai that his mentee decides to save a child trapped in the mafia whom everyone wants to give up on, a child whose been through the same training he forced Akutagawa into (which I should remind you includes a canonical mock execution). The difficulties of saving Kyouka are probably exactly why Dazai took so long to make baby steps towards Akutagawa. But to his credit, while he’s not exactly compassionate with Kyouka while she’s imprisoned, Dazai does save her. If mentoring a kid on the verge of turning into a criminal is the first step to reconciling with his mafia self, then Dazai’s helping save Kyouka is the next one.
However, he doesn’t fully understand the cruelties of he did to Akutagawa, as shown in how he mocks him after his capture by repeating Akutagawa’s worst fears to him:
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I know Dazai’s playing a long game with setting up Atsushi and Akutagawa’s partnership in shin soukoku, but the ends don’t always justify the means and that’s a lesson often shown to us in BSD (it’s in part the reason Dazai left the mafia; he couldn’t buy that Oda’s death was justifiable because it got rid of Mimic and got the Port Mafia their black ticket). This type of triggering really isn’t okay. Like I said here, Dazai is in part the cause of Atsushi and Akutagawa’s struggles to get along, and he should be part of reconciling that schism as well.
I know while some people are annoyed that fans call a person two years older than someone else their father figure, but the manga itself draws this comparison and codes Dazai/Atsushi and Dazai/Akutaqawa as a mentor/mentee relationship which is 99% of the time coded as parental in literature (and it definitely is here). Akutagawa literally draws the comparison himself between his relationship with Dazai and Atsushi’s with his abusive orphanage headmaster. Yes, Akutagawa’s making some logical jumps here (refusing to acknowledge that Dazai is just as much Atsushi’s mentor as his), but the manga wants us to make this comparison.
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As Atsushi wasn’t able to reconcile his frustration and hurt towards the orphanage headmaster, he’ll probably do so through Akutagawa and through Dazai, because Atsushi’s view of Dazai is basically that he’s already redeemed and fantastic and justified in his choices--again, I know Atsushi complains about his irresponsibility sometimes, but it’s mostly played as a joke and isn’t a serious critique of just how he treated Akutagawa, despite Atsushi hating Akutagawa for how he treated Kyouka (take that train of thought a little further, Atsushi).
But onto Dazai’s other relationships. It’s telling that Dazai is at his most unrestrained and violent in the mafia when he partners with Chuuya, who despite being very restrained thanks to him being capable of uninhibited destruction that would lead to his own death without said restraint, knows who Dazai is and what he’s capable of from the very beginning (he’s so much as seen Dazai murder the orphans who comprise the Sheep even after promising Chuuya he wouldn't). Kunikida is Chuuya’s foil in that he works most closely with Dazai in the agency and is perpetually ready to strangle him, but Kunikida is also incredibly principled and restrained--yet he is significantly the only member of the agency who, prior to the Guild Arc, did not know Dazai used to be in the mafia.
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Kunikida’s ideals including saving everyone if possible. Both Chuuya and Kunikida represent these two extremes of what Dazai is capable of--and yet notably both of them care about saving children and are in many ways more compassionate people than Dazai.
The one time we see Chuuya talk about killing a kid is with Q, who notably is introduced to us as another child with the soukoku partnership team-up.
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Q, a child with half-dark hair and half-white hair (gee I wonder what that symbolizes) is a child made to curse the world and hate ever being born. Chuuya and Dazai team up to save him but contemplate killing him.
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Dazai’s choice not to kill Q is stated to be to save himself, which is probably is, but it’s also symbolic of how Dazai’s saving other people is saving himself (and also ties back to another quote Odasaku liked to repeat from Natsume: “everyone exists to save themselves”).
But Chuuya’s motivation, as I wrote before, is because he’s grieved over the loss of his comrades. Chuuya really cares about people, including Dazai, and the fact that Dazai is actually going to far as to model Atsushi and Akutagawa’s team-up on his team-up with Chuuya pretty strongly implies Dazai doesn’t hate Chuuya as much as he says he does. To be able to truly leave the mafia, he has to make peace with those relationships there. It’s part of being honest with himself: like Atsushi, acknowledging the darker shadows, and like Akutagawa, acknowledging the better parts of him too.
At present, Dostoyevsky proves a perfect foil for Dazai, as @linkspooky has written here. They’re the same in a lot of ways, but Dostoyevsky has allowed nihilism and a god complex to completely consume him and is not trying to be human, whereas Dazai still tries to save people and was devastated by Oda’s death. Dostoyevsky’s ability, whatever it was, works by touching someone like Dazai’s, but since Dazai’s No Longer Human negates another’s abilities, Dazai is the only person on which Fyodor’s ability will not work, making them the perfect counters for each other.  Dostoyevsky is what Dazai could be if his feelings of alienation from human society (a prominent theme in the real life Dostoyevsky’s works) were taken to their utmost extreme, and so it’d be fitting for him to ultimately defeat Fyodor through the relationships he does have (including Atsushi and Akutagawa). 
To return to Odasaku, Odasaku is also kind of a warning to Dazai as much as he is a man Dazai wants to become like. When Odasaku lost the orphans under his care, he fell into complete despair and knowingly embarked on a suicide mission to do what Mori wanted him to. Still, Dazai tried to save him. He wasn’t able to save his life, but Odasaku’s death saved Dazai. Yet it’s potentially concerning that Mori used Odasaku’s human connections to engineer his downfall, and I wouldn’t be surprised if Mori uses Dazai’s to try to engineer his downfall later on (like, way, way on).
The difference is that Dazai is a good foil to Mori, too, in understanding what makes people tick and always thinking several moves ahead. Mori groomed Dazai from the age of like fourteen (or younger) to be his successor in the mafia, manipulating his suicidal tendencies and hopelessness to get what Mori wanted from him. It’s telling that the earliest we have of Dazai is him with Mori, in that Mori instead of caring for a suicidal patient decided to take him along to murder the mafia’s boss and induct him into the mafia thereby. The thing about Jungian stories is that there are often some Oedipal tendencies to them--like, for example, a character needs to overcome/break away from completely/kill their father.  I can see Dazai at some point having to overcome Mori and his influence to cement his arc, but that’s highly speculative (yet fits with Mori’s build up as a villain), so we’ll see.
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term grade calculator
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