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bemused-writer · 4 years

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VNC Chapter 44 Analysis

Well, I think the main takeaway most people had with this chapter is that Vanitas is a lot less collected than we all thought. And I completely agree. XD Clearly, I've given this fellow too much credit in my fanfic.

Anyhow, it almost goes without saying that we learned a lot about Vanitas in this chapter, but we also learned a surprisingly large amount about Roland, so let's dig in.

The first thing that struck me as noteworthy was Noé's complete and utter overreaction. We already knew that he never really had to do things for himself with Louis and Dominique constantly taking care of him when he was young. For example, Mochizuki pointed out that they always helped him clean his room, and he is now terrible at being tidy. In other words, Noé was a touch spoiled. This is relevant because it explains why he has never had to take care of an ill person once in his life, so if Vanitas says he can't continue on then, by Noé's logic, he really must be dying.

Thus, it's completely fair when Manet and Nox wonder if these two are children; they're both certainly acting like it. XD

Still, Noé is coming from a place of genuine concern; he's never seen Vanitas act like this just like we haven't.

Before I move on, one thing I'd like to point out is the difference between Noé and Luca's reaction to the people they care about acting oddly. Luca immediately goes to someone he knows Jeanne trusts--a friend in other words. Meanwhile, Noé goes to the nearest authority figure he can find: Count Orlok. I think this is telling on both their parts.

Luca is someone who was raised to be the authority figure. While he doesn't like it even remotely, he knows he has to solve things for himself. He probably also knows the value of going to someone you know you can trust; he's surrounded by the aristocracy and he knows you can't trust just anyone with delicate information.

Noé has blind faith in authority figures on the other hand. He obeys Teacher without question, accepts Ruthven's presence in his hotel room as something he has a right to do in chapter 19, and he always listens to Dominique no matter what. Both she and Teacher are the ones that choose what his clothes look like according to the extra in the back of volume 3.

I suppose what I'm getting at is that Noé is very comfortable, accustomed even, to other people making decisions for him. He's not the one who has chosen most anything in his life, and I think this attitude started when he was very young. Certainly being sold as a slave and accepting that whoever bought him would be his "master" was a mindset he probably had to develop to survive and he may not have fully grown out of it. I'm sure it was only compounded by being surrounded by people who doted on him and protected him and made sure he never even had to make a decision for himself. His attitude is born of a very strange mix of neglect and indulgence.

In other words, Noé has a lot of potential problems he needs to sort out, and I'm sure his independence is going to be one of them.

Getting back on track, all of this is to say it's not surprising Noé goes to Count Orlok when he can't find Amelia. In theory, he could have tracked Dante down, someone Vanitas sort-of trusts, but he doesn't. It could because it would have been too hard to find him, but personally I don't think it even crossed his mind. He doesn't know what to do; someone else is supposed to handle these matters.

As for Vanitas, he is a complete wreck in this chapter. XD I think Vanitas is the kind of character that likes to act like he's calm, collected, and definitely knows what he's doing. It's even easy for us, the readers, to think the same because he has the book, he has the powers, he knows all about vampires when even the vampire protagonist doesn't, so it would make sense.

But all of that ignores the fact that Vanitas has also shown some definite signs of being slightly unhinged in awkward social situations from the very start. How does he befriend Noé? He stalks him all across Paris. How does he react when Noé gets closer to understanding him? He draws a dagger at him and tells him to go away. Alternatively, he calls him a slur and tries to make him leave. How does he handle Dominique accusing him of loving VotBM? He goes on a full-blown rant in the middle of a vampiric ball and generally makes a fool of himself.

So, the fact that he's a complete mess when he realizes he has genuine affection for someone is actually a lot less surprising in this context. Vanitas is trying to be someone he isn't. In other words, all that pompous know-how is a complete facade. 8D

So, in line with him making a fool of himself at the ball, he proceeds to make a fool of himself in front of Orlok, Nox, and Manet and, frankly, Noé.

Manet understandably wasn't expecting this information, but what's more interesting is that it confirms the fact that Vanitas really hadn't told Noé a thing after Gévaudan. The fact that he has now snapped and is telling everyone in the whole room shows just how affected he was. But what's also interesting is that he only starts to talk about this when there are other people. He couldn't just tell Noé himself. Perhaps because he thinks Noé won't have any advice?

And this is the definition of oversharing. XD Even Noé looks like he's wondering what on earth Vanitas is saying.

Honestly, this is more the kind of awkward, wildly inappropriate confession I might expect from Noé except that Noé would have the sense to only say something like this to someone he trusts, like when he told Dominique he thought Vanitas's blood smelled good. Still not the most tactful thing, but a whole lot better than describing, in some detail, the torrid affair you're having to a room full of people you barely know. 8D

As a side note, this pretty much confirms what I was saying in my last meta: Vanitas didn't enjoy Jeanne drinking his blood previously, at least not all that much. This time he did, and that definitely shows a shift in their relationship. As for how all of that works, it could be because Jeanne is fonder of him as well. Perhaps a vampire's toxin is in tune with that kind of thing? Unfortunately, we just don't know enough at this point to say.

Regardless, it means that when Vanitas went on that long rant to Jeanne in chapter 12 about how great it felt when she drank his blood and how they were definitely compatible, was yet more lying. It's kind of, possibly, true now though, hence his freakout.

Anyway, Orlok and co. decided Vanitas's "emergency" really wasn't that much of an emergency and they were understandably kicked out. I like that they were apparently very careful with Murr and included some treats for him as well. They really do love that cat. Knowing what we kind of know about Murr now I have to wonder: is this some kind of elaborate manipulation...?

But Noé, apparently still taking Vanitas's malady very seriously despite all that weird stuff about Jeanne, is not content with being kicked out.

I suppose the point here is that, despite knowing what Vanitas said was improper, he still isn't quite catching the gravity of things, and he's still convinced Vanitas is dying rather than having an existential breakdown over love.

Meanwhile, Vanitas is walking around in a haze in Paris, thinking about Jeanne, her smile, and the promise he made her. We get a look at his face, and I think it actually gives some pretty solid insight into what he's thinking:

He clenches his fist, his face is flushed, and he looks worried, distressed. The problem here isn't just that he cares about someone and doesn't know how to deal with it. No, it's actually much worse than that: he cares about someone and he promised he'd kill her if she ever lost herself and Vanitas, cursed with a certain understanding of just how bad things can get, knows he might actually have to keep this promise, a promise he may now regret making.

So, he's flustered because he cares, frightened because he cares, but also terrified because he knows things can only go badly from here. And, more than anything else, he knows he might actually be in love.

It only makes sense he'd think of Noé's original question here. It's not just that Noé is the one who's been trying to figure all this out (not Vanitas), but Vanitas knows Noé is the reason he's gotten into this much "trouble" in the first place. Opening up, caring about people, making promises he might not be able to keep... He is definitely blaming Noé for all of that. I wouldn't be surprised if he finds a way of blaming Noé for his romantic entanglement as well, which may be the actual reason he's avoided talking to Noé: he blames him, but he's also supremely embarrassed.

And in the midst of all this confusion and pain who is added to the picture? None other than our one and only Roland!

I think that might be my favorite image of the whole chapter. XD

Earlier in this meta I mentioned that we almost learn more about Roland in this chapter than anyone else, and it's thanks to Vanitas's exchange with him that we do!

The first thing we learn about Roland is something we've already had inklings of in earlier chapters: he's far more tactful and calculative than he would have people believe. He refers to Vanitas as "Vincent" and says Olivier is his coworker. Immediately, he has established that, for one, he's very good with details. He remembers exactly how Vanitas introduced himself and Noé when they first met. Furthermore, he knows Vanitas likely doesn't want to get further entangled in chasseur affairs, so he lets him know that he isn't with a random friend: this is someone potentially dangerous to Vanitas.

Not that it does much good because Vanitas isn't exactly thinking clearly.

This one, singular statement from Olivier is surprisingly revealing! I'd had a headcanon that Roland has had past relationships and it turns out that is absolutely true. Apparently, Olivier not only knows about them, he doesn't care, provided Roland isn't out and about doing anything else. He doesn't say what, specifically, because Vanitas is there, but we already know he's worried about what Roland is doing with the chasseurs and whether he's going to betray the Church. Not so much because he thinks Roland is wrong, exactly, but because he doesn't want any trouble for himself.

These two have an odd relationship. XD Olivier clearly understands the way Roland is, accepts it even, but he draws the line at Roland dragging everyone else into his schemes, hence why he offered to buy Vanitas the coffee in the first place.

Anyway, Vanitas ignores all that because Olivier brought up the only subject he cares about and wants advice on: women.

This is my other favorite image from this chapter. His face is the perfect encapsulation of "What are you doing? I was just trying to get you out of trouble and now you're sitting down? You're going to stay?!" The fixed grin, the panic. This is a thing of beauty.

Naturally, things only get more awkward because that's just the trajectory Vanitas has set for himself in this chapter.

I also just want to point out that the smoking, the string of relationships, the casual dining, the flying, the actual job, all point to Roland being a fair amount older than Noé and Vanitas. Probably mid-20s about? I'm sure that he and Olivier are the same age, regardless, though potentially from different class backgrounds. Olivier is decked out in aristocratic garb and Roland is dressed for flying. That doesn't necessarily mean he's poorer, but the impression I get from him is that he's probably middle class at most. I think there was an extra that mentioned he supports his siblings? I'm not sure now.

Anyway, after those 15 minutes of awkward rambling, Vanitas finally gets around to the question he's been meaning to ask. Apparently, Roland knows all about it.

There's kind of a lot to cover in those three images. Roland has not only had past relationships, he's had several. Judging by Olivier's remark, they've all been remarkably short. One has to wonder if we're talking one-night-stand kind of short or it-lasted-for-a-week-before-my-preaching-became-too-much kind of short. Maybe Mochizuki will enlighten us someday. XD

But the most interesting thing is how hesitant Roland is to discuss Olivier's relationships and how Olivier doesn't even deign Vanitas's question with an answer. Yes, he's popular, but no, he's not going to talk about who he's with and neither is Roland. When Roland says "I'm one thing, but Olivier...?" it could mean a few things: he thinks it makes sense for himself to be "promiscuous" but the thought of Olivier being the same is impossible. Personally, I find this the most likely for now. Alternatively, it's one thing to casually discuss his own affairs, but gossiping about a friend goes against his code of honor and Vanitas is kind of asking a personal question. There is also a third possibility that Roland can't imagine Olivier with a woman. Olivier's popular, but he's not interested. Naturally, Roland wouldn't announce that to the world and it isn't particularly relevant to Vanitas's question anyway.

Whatever the reason, it subtly demonstrates how well the two know each other.

Vanitas finally gets to the heart of things, and it fits in with what I thought happened:

This really was the first time Vanitas saw Jeanne for who she was, as an actual person, and not just someone he can mess with. Before that particular moment, he truly knew nothing of Jeanne. Now, he's finally had a glimpse of her actual personality and it's incredibly genuine, forthright, and strong. Of course, now that he sees that, how can he not find her at least a little appealing? And how can he not now be forced to reckon with his past behavior? He was horrid, there's no getting around it. Regret isn't something Vanitas handles well along with, apparently, emotions in general. Hence his next dilemma:

And at long last, Noé is finally seeing what the problem actually is. He didn't piece it together at Orlok's, but he's now hearing it from Vanitas directly. It's no wonder Noé surreptitiously sits away so he can listen. This whole time he's been wanting Vanitas to explain things to him, not just about the cold, but about love as well.

Roland is trying to be helpful here but, let's be honest, Vanitas is dropping a lot on him out of the blue, so I think it's understandable that he's a little confused right now.

And we finally get to the heart of the whole thing: Vanitas thinks he's a disgusting person. Someone like Jeanne definitely shouldn't love him because the only kind of person who could love him is someone who is as awful as he is and he's now been confronted with the fact that maybe Jeanne isn't. There relationship has a ton of issues, don't get me wrong, but Vanitas isn't seeing that; he's seeing that Jeanne has been kind to him, seems to care about him, and that definitely isn't the kind of person who would love him. Not genuinely.

The whole thing gets even more confusing if we take into account that his decidedly romantic moment with Jeanne reminded him of VotBM. They weren't having a romantic moment, but the discussion of affection, of hugs, were directly intertwined. Until we know more about VotBM I can't say if she was motherly or if things were decidedly more questionable there, but Vanitas must have gotten his twisted ideas about relationships from someone. Did VotBM have a bad relationship with someone? Did his past trauma simply color everything else in his life?

Olivier and Roland are understandably concerned, but it's Noé here that really stands out. He's pieced something together about Vanitas and now understands him a little bit better. After each arc, he and Vanitas have had a small conversation that brings them closer, but so far they haven't had that in this particular arc. My guess is it will be in the next chapter or the one after (since this one was labeled "part 1") and the arc will be wrapped up for good. There is, genuinely, a lot of stuff they need to cover about Gévaudan, Vanitas's relationship with Jeanne, and what they're doing next. There's also the small matter of Noé's injuries....

So, these two are going to have a lot to cover and Roland knows that right now, what Vanitas needs, is someone to talk to that he properly trusts. I almost wonder if he timed his dramatic God speech just so Noé could chase after him to begin with.

This really reads as "Go to him, Gilbert" and that amuses me.

Roland knew Noé was there the whole time (he's observant as we've mentioned) and he knows he and Vanitas have a powerful bond. He himself was inspired so much by it he changed his views on vampires completely. So, logically, he knows Noé needs to talk to Vanitas.

But Roland's motivations are still a bit harder to describe.

This much makes sense. The fact that he's had a string of lovers and doesn't seem particularly dejected by his constant breakups makes it obvious he wasn't particularly attached to any of them. He speaks about love as if he knows what it is, but he's never been that invested in a person to our knowledge. The only person we've seen him spend any length of time with is Olivier and they have a complicated relationship at best. Are we to assume he at least has an attachment to him? He threatened him before, but he also seems fond of him, and Olivier at least seems comfortable around Roland in turn.

And yet, Roland speaks of attachment as if it's a foreign thing to him. We know he has family, we know he has Olivier, he even has God, but like Olivier said: he believes in himself as a follower of God more than God Himself. Perhaps it's best said that the only thing we really know about Roland is that he's confident in himself, his own morals and beliefs.

And I think that's how Vanitas fits into Roland's worldview to a certain extent. Vanitas is a project of sorts: Roland wants to save him, very much in the religious and physical sense, and he knows Vanitas is in danger every day at least physically. Perhaps he worries for his soul as well, not necessarily that he's going to Hell, but that he has lost himself and could "shatter" at any moment.

Oddly, Noé isn't brought up in this conversation whatsoever even though the person Roland showers with blatant affection is Noé, not Vanitas. This could very likely be because he knows Vanitas isn't receptive to that kind of thing; it's a tactic that works great with Noé, but definitely not with his companion and Roland is above all a calculative person.

And that's all I've got for now! I do like that Roland and Olivier dropped their serious conversation about an actual Vampire Eradication Unit to deal with Vanitas's love life. That's pretty supportive. XD Also, there's a Vampire Eradication Unit that Gano is a part of and if that isn't one of the main plot points of the next arc it will be soon enough.

Anyway, I look forward to seeing how Jeanne handled things. It looks like she's done at least moderately better than Vanitas, but most people would. XD

#vanitas no carte #vnc meta #vnc spoilers #Bemused's post #long post

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bemused-writer · 4 years

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One of the reasons why I adore Jun Mochizuki's works is because her villains create very great conflicts. In Pandora Hearts, I couldn't bring myself to hate Jack because he was such a well-written sociopath. Manipulative and ruthless, but also charming in an odd way. The greatest twist villain I have ever seen in media too. As for you, what do you think of Jun Mochizuki's villains and which are your favorites?

I could never bring myself to hate Jack either. He is … an atrocious person, but I can’t help but pity him to a certain degree. He was charming, mad, and a complete mystery to himself. Everyone else may have wondered why Jack did what he did, but I think the most confused person was Jack himself. Sure, he said it was for Lacie, but I think deep down even he knew that was an excuse.

Anyhoo, I generally like Mochizuki’s villains. Isla Yura was kind of… yeah. I don’t know what I’m supposed to make of that one. I have a feeling he is some kind of stereotype, but words are failing me at the moment. My feelings toward Isla Yura are similar to my feelings for Dr. Moreau, although I have a much more visceral reaction to Moreau. I kind of hate that guy. XD

But hating a villain is sort of the point a lot of times, so let’s talk a bit more about the obvious villains Mochizuki has written (excluding Jack since we just did), starting with Pandora Hearts.

Leo was pretty great because he was sort of more of an antihero and that only happened later in the series after a long list of bad things happened. He was in mourning and he felt he was out of options and he ultimately came around. So, he’s not really a “proper” villain because he never had genuine villainous intentions and he redeemed himself.

A better example of a villain in PH is Vincent and you can still make a solid argument for him being more of an antihero. Everything he did was for his brother, the one person he cared about to the point where you could easily argue his feelings were probably a bit incestuous based off his behavior alone, but he did bucketloads of awful things even ignoring his unhealthy attachment to Gilbert. Sure, it was largely stemming from trauma caused by Miranda (which probably explains some of the misogyny), but still. He somewhat redeems himself later on with both Gilbert and Ada, thus giving him a full arc. Vincent is perfectly balanced between being likeable and absolutely despicable and is therefore a good villain.

Both of these characters have a lot of depth; you can’t quite hate them, but you can’t fully agree with what they’re doing either. I think Mochizuki did a good job in PH.

Now let’s get to VNC. Ruthven is the most obvious villain at the moment, although I wouldn’t be surprised if he becomes something of an antihero…

I’ll be honest, though. I’m not sure I want to see Ruthven be an antihero. He’s committed some genuine atrocities, and I would very much like to see him answer for those crimes. To date, he seems to be attempting to reignite a war, he’s working with Charlatan and the Church, tried to kill Chloé to cover up a conspiracy, he assaulted Noé, and he holds both Noé and Jeanne under his sway (they’re both basically sleeper agents at this point…). We’re only seven volumes in and this guy is wracking up quite an evil count.

Still, he also took Jeanne in when no one else would, he spared Noé when he didn’t have to, and he was the one who stopped the vampire/human war in the first place. He also seems to be under the sway of Charlatan, so he might be a curse bearer that’s had his will stripped away, thus making him a victim like everyone else. None of that excuses the bad he’s done even remotely, but it does add way more nuance.

In short, Ruthven is a good villain.

So, how about Teacher? We don’t know nearly enough about him to make a good assessment, but I’ll give you my current interpretation of the character: Teacher is a chess master, and quite possibly the ultimate big bad in this series. He has no real attachment to anyone; he’s the definitive Yagami Light: he’s doing everything because he’s bored and curious and he wants to see what will happen if he pushes variables just right.

To date, he took Louis in when his family didn’t want him and then proceeded to use him as an experiment for the kid’s entire life to see “how he would react.” He also killed him in front of Noé when the experiment reached its conclusion.

He went to the black market, bought Noé off of it, told him to call him “Teacher” instead of “Master” and then raised him as his own. That almost sounds like a good deed until you then remember he has also kept a great deal of knowledge away from Noé, thus keeping him ignorant of many basic things in society that really would have come in handy. He spent all his time training him to fight and use the world formula, was apparently a difficult trainer, and then sent him off into the world on his own without any really useful knowledge to investigate The Book of Vanitas.

As if all of that wasn’t suspicious enough, he appears to be watching Noé through Murr, so he knows all of the heinous things happening to Noé and has literally done nothing to prevent any of it; he’s just watching.

Noé is Teacher’s puppet and he doesn’t even know it. He’s genuinely fond of him as a mentor and would do anything for him without question. It’s truly insidious.

So, yeah, Teacher is a great villain, but I think we’re all going to be furious with him by the end of the series. The real question is whether we’ll see any redeeming features to the guy. Does he have any good reasons for doing any of this? Who knows! The fact that we can’t see his facial features reminds me of Xai Vessalius, and I don’t think that guy did anything to redeem himself whatsoever, so, you know.

Uh, but as far as who my favorite villains in Mochizuki’s works are? Probably Jack. XD He’s such a scumbag, but a sympathetic one, and the twists surrounding him were both a lot of fun and utterly devastating. Still, VNC isn’t over yet, so there’s plenty of time to see if that opinion changes!

#vanitas no carte #pandora hearts #ph meta #vnc meta #ph spoilers #vnc spoilers #long post #Bemused's post #Anonymous

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