#larry correia
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My Friday night reading.
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MHI as Various Posts.
Because I'm re-reading it and I'll probably be posting a lot about it.
Owen:
Julie:
Trip:
Holly:
Harbinger:
Myers:
Franks:
#I love this series#been working on more memes for them#and posting it here so i dont get caught#though we arent very avtive on here#oh well#mhi#monster hunter international#larry correia#owen z pitt#julie shackleford#earl harbinger#agent franks#agent myers#holly newcastle#trip jones#book series#mhi memes#text posts memes
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Pulptober 23rd: G-Man - Special Agent Franks
More just a plug for the magnificently pulpy Monster Hunter International series, really. Special Agent Franks works for the Monster Control Bureau, sometimes foil and sometimes ally of the titular MHI organization. He’s cold, brutal, and seemingly unkillable.... and that’s about as much as I can say without venturing into primo spoiler territory. If you like big guns, big monsters, and people killing big monsters with big guns, give em a read. I started at the start with ‘Monster Hunter International’, but ‘Monster Hunter Alpha’ is also an extremely solid place to start if you just want a standalone Halloween tale.
(Nemesis cover art by Alan Pollack, who does the art for all the covers I own and is a dab hand at it too)
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The ugly truth the beltway can't grasp, it isn't that regular America doesn't care about Jan6. It's that they hate you for making their lives miserable, so when they saw you cowering, they thought good, now they know how it feels to be afraid.
The gov fucked over regular America with Covid, then let cities burn because democrats were having a tantrum, then left half of them feeling cheated and disenfranchised... and you're shocked none of them give a shit when pols got got temporarily discomforted for one day?
The further you get from the beltway, the more Americans hate and distrust their government. Why shouldn't they? You do nothing but fuck them over while your pet media blatantly lies to their faces.
They hated you a year and a half ago. Now you've fucked the economy, their money is worthless, they can't buy gas or food, and you're shocked that they don't give a shit about your pathetic Soviet show trial, crying about how you felt scared for one day?
Where was the big public trial about the abysmal fuck up in Afghanistan, so many Americans wasted time, money, and lives on?
Where was the big pubic trial for the hundred other Biden fuck ups?
We all know the answer.
Which just further illustrates why we despise you.
Larry Correia
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Larry Correia - Malcontents #1-2
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I just finished inking this coloring page of Chase, my poor put upon elf. I am a fan of Larry Correia’s Monster Hunter book series, which portrays American elves as trailer park hicks. This is not the case for my elves, but Chase has dressed as a human to go unseen a few times. This coloring page is my tribute to Correia’s hilarious elven hicks. Enjoy.
#Larry Correia Monster Hunter International elves#dragon child comic#coloring pages#MHI tribute#trailerparkelves#fantasy#Chase the elf#elves
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My life rn
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1. “Angela Davis: An Autobiography” by Angela Davis
2. “Elite Capture: How the Powerful Took Over Identity Politics (And Everything Else)” by Ol��fẹ́mi O. Táíwò
3. “Digging our own Graves: Coal Miners and the Struggle over Black Lung Disease” by Barbara Ellen Smith
4. “1919” by Eve L. Ewing
5. “Assata Taught Me: State Violence, Racial Capitalism, and the Movement for Black Lives” by Donna Murch
6. “Finding my Voice” by Emerald Garner
7. “From #BlackLivesMatter to Black Liberation” by Keeanga-Yamahtta Taylor
8. “Let This Radicalize You: Organizing and the Revolution of Reciprocal Care” by Kelly E Hayes and Mariame Kaba
9. “An Enemy Such as This: Larry Casuse and the Fight for Native Liberation in One Family on Two Continents Over Three Centuries” by David Correia
10. “101 Changemakers: Rebels and Radicals who Changed US History” by by Michele Bollinger and Dao X Tran
11. “Class War, USA: Dispatches from Workers’ Struggles in American History” by Brandon Weber
12. “#SayHerNameBlack Women’s Stories ofPolice Violence and Public Silence” by Kimberlé Crenshaw and African American Policy Forum
13. “An Asian American A to Z: A Children’s Guide to Our History” by Cathy Linh Che and Kyle Lucia Wu
14. “Repair: Redeeming the Promise of Abolition” by Katherine Franke
15. “Haunted by Slavery: A Memoir of a Southern White Woman in the Freedom Struggle” by Gwendolyn Midlo Hall
x
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Deadline: April 30th, 2024
Prizes: The GRAND PRIZE winner will be published as the featured story on the Baen Books main website and paid at industry-standard rates for professional story submittals. The author will also receive a handsome engraved award and a prize package containing $500 of free Baen Books. SECOND place winner will receive a prize package containing $500 of free Baen Books. THIRD place winner will receive a prize package containing $300 of free Baen Books.
Theme: Any form of fantasy
Baen Books is excited to announce the eleventh annual Baen Fantasy Adventure Award. The award recognizes the best original adventure fantasy short story in the style of fantasy greats like Mercedes Lackey, Larry Correia, Jim Butcher, Charlaine Harris, Elizabeth Moon, Andre Norton, Brandon Sanderson, J.R.R. Tolkien, and David Weber.
Contest Rules
Write and submit a short story of no more than 8,000 words. It must be a work of fantasy, though all fantasy genres are open, e.g. epic fantasy, heroic fantasy, sword and sorcery, contemporary fantasy, etc.
No entry fee. But only one submission per person...we suggest your best one!
No reprints (i.e. the story must be unpublished).
All entries must be original unpublished works in English. Plagiarism, poetry, song lyrics, settings and/or characters from published gaming worlds or another author’s works of fiction will not be considered. Any AI-generated stories will be automatically disqualified.
E-mail submissions only. Send entries as .RTF attachments to:
[email protected]
Please put BFAA SUBMISSION in the subject line when sending a contest entry and BFAA QUESTION in the subject line for questions to the contest administrator.
Please include the following in the body of your email:
the title of the work
the author's name, address, and telephone number
an approximate word-count
The manuscript should be a RTF attachment, in standard manuscript format, and should be titled and numbered on every page, but the author's name MUST BE DELETED to facilitate fair judging. Click here for our standard manuscript format guidelines.
Employees of Baen Books and Staff of Dragon Con are not eligible.
Previous Grand Prize winners are not eligible (previous second and third place winners are eligible).
Contest opens for submissions on January 15th, 2024 at 12:01am EST. (Entries sent before that date will be deleted unread.)
Contest closes for submissions April 30th, 2024 at 11:59pm EDT.
What We Want to See
Adventure fantasy with heroes you want to root for. Warriors either modern or medieval, who solve problems with their wits or with their weapons—and we have nothing against dragons, elves, dwarves, castles under siege, urban fantasy, damsels in distress, or damsels who inflict distress.
What We Don’t Want to See
Political drama with no action, angst-ridden teens pining over vampire lovers, religious allegory, novel segments, your gaming adventure transcript, anything set in any universe not your own, "it was all a dream" endings, or screenplays.
Judges
Entries will be judged by Baen editorial staff.
Prizes
The GRAND PRIZE winner will be published as the featured story on the Baen Books main website and paid at industry-standard rates for professional story submittals. The author will also receive a handsome engraved award and a prize package containing $500 of free Baen Books.
SECOND place winner will receive a prize package containing $500 of free Baen Books.
THIRD place winner will receive a prize package containing $300 of free Baen Books.
Finalists will be announced no later than July 1st, 2024
Winners will be notified no later than July 21st, 2024. (Only the winners will be notified.)
The winners will be officially announced during the Baen Traveling Roadshow at Dragon Con, in Atlanta, Georgia. (We would prefer the winners attend the convention, but it is not required.)
Submission Checklist
All identifying information (author's name, address, email) has been removed from the manuscript and manuscript file name.
Manuscript is an .RTF file and in standard manuscript format with title and page number on every page. Guidelines for manuscript formatting can be found here.
Author’s name, address, email, and phone number are included in the body of the email.
Please note all times for submission deadlines are Eastern Daylight Time (EDT)!
Via: Baen.
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Larry Correia should compete by himself in a pineapple pizza eating contest where the pineapples are hand grenades
"oh no authors not churning out generic product has ruined fiction" fuck off "libertarian"
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so in the sff community i keep seeing mention of 'the Puppies' and i somehow have never found out what they are except that it had a major effect on how things are now. would you mind explaining what happened / why it keeps getting brought up?
it was very very dumb.
it's a right-wing campaign that started in 2013 over the Hugo awards, which are voted for by attendees at Worldcon, an annual scifi convention that takes place in a different city every year. (though despite the name Worldcon, this year is only the fifth time it's been held outside of Europe or North America). the Hugo is old as balls, and it's one of the most prestigious awards for science fiction.
a group of reactionary scifi fans led by an author called Larry Correia (who wanted a Hugo nom for his book lol) wrote some manifesto saying that the subculture had been taken over by all the leftists/gays/cultural marxists, so it was no longer possible for old fashioned sensawunder hard scifi books by white men to win awards. they decided to exploit a limitation of the Hugo nomination system, taking advantage of the low number of noms in certain categories to try and push a slate through, representing the kind of books they claimed were unfairly being dismissed.
this group called themselves the 'Sad Puppies' and set about promoting this agenda on social media, getting in fights with writers they deemed too leftist or whatever, and generally being cunts.
later another group came along called the "Rabid Puppies", organised by some real piece of work called Vox Day. they pushed their own slate. the difference between them and the Sad Puppies was uhh... idk and I don't care tbh.
this all caused a massive online furore, the details of which are not very interesting. the slate voting got their stuff nommed for a handful of categories, but the Worldcon attendees voted for 'No Award' instead, so it all fell rather flat. a couple years later gamergate happened, and kinda eclipsed the whole thing and reframed the narrative as 'precursor to gamergate'.
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End of the Year
This month has been a little dicey, with the last week being particularly rough, so I’m not up to a proper End of Year review. Still, I thought I’d glance over things because I know my perceptions are prone being skewed.
Books: I read 20 books this year, give or take. That includes some I hated and abandoned part way through and doesn’t include some that I started and intend to finish but haven’t yet.
My takeaways from that are:
(1) I read more than I thought, so yay!
(2) I need to go back to taking advantage of audiobooks
(3) With everything else going on and eating up energy, the books that served me best were the well-written escapist ones like Terry Pratchett and Larry Correia
Fic: I spent most of this year struggling with messy, complicated drafts that have yet to make it to a final draft. (SO frustrating! Thank you to everyone who listened to me whine and tried to help me work through the mess. <3 )
The two fics I DID post (Proclivities and Baatir) were fluffier h/c fics I wrote primarily as a break/coping mechanism for my brain when I was extra-despairing about the other projects. That said, I had a couple of what were supposed to be escapist side projects that never came to fruition either so *shrug*.
My takeaways from that are:
(1) The post making the rounds about Terry Pratchett only writing like 400 words a day inspired me to set a 200-words-per-day goal. I started that recently, and it’s helped a little.
(2) Jumping around didn’t necessarily serve me well this year because I have a couple of ‘verses going with a lot of hyper-specific characterizations (Katana, Sedo) that benefit from deep immersion and consistency.
(3) In 2023, I’d like to focus on finishing a couple of things, if only for the closure, so that I can free up mental space to dig into other projects (Sedo, Grim). That’s going to take persistence and diligence, but here’s hoping I can swing it. I don’t expect to post a lot, but I hope that the things I DO post are meaningful.
It also reminded me of how important interaction with the fic community is, even when not posting something new, so set myself a goal to leave 400 comments in 400 days. (Just over a year, because I started around Thanksgiving.) Even if they are short, I want to make more time to leave comments in 2023.
It’s good for me because other people’s great fic reminds me of all the things I love about fic and the characters even when they’re fighting me tooth and nail in my own work. It’s good for the community, too, because I know I’m not the only one struggling lately, and adding a little positivity to the world is always a worthwhile effort.
So if you get a shorter-than-usual comment from me on one of your fics, please know it’s not a sign that I didn’t love it. Just that I’m doing the best I can to show you love while sometimes pouring from a really shallow bucket.
That’s it. Thanks for being my fic community this year, despite the struggle!
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I haven’t fisked anything for a while, but when Mike Kupari showed me this pretentious dreck from GQ it was so awful that I was legally obligated to step in and break down all the goofiness line by line. As usual the original article is in italics and my response is in bold.
EDIT – when I saw how many times I used the word “bullshit” I went ahead and added it to the title, because it is the best way to describe this mess.
https://www.gq-magazine.co.uk/culture/article/men-not-reading-novels
Conversations with friends: why men need to read more novels
I agree with this title. More people need to read novels. That’s how I get paid.
Never mind the so-called demise of the male novelist, where are all the male readers? Ash Sarkar on why we all miss out when half the population turn their back on books
This is actually a really interesting topic (one which I think about a lot, because I am a male novelist!) however the conclusions Ash draws are totally ass backwards, and actually serve as a perfect example of why the same people currently whining about this problem are the ones who caused it.
…
It’s bedtime, and me and my boyfriend are comparing notes on what we’re reading. I flick through the tomes on his e-reader; it’s science fiction, politics, or politics in space.
Uh oh. It sounds like somebody is having wrong fun.
He’s halfway through Kim Stanley Robinson, following hot on the heels of China Mieville, Vincent Bevins, and Ursula K. Le Guin.
Robinson and Mieville are talented, but not my thing. I don’t know Bevins. I’ve enjoyed the Le Guin I’ve read. Luckily her boyfriend wasn’t reading something really trashy, like a Larry Correia novel. She would have dumped him on the spot.
…
He hunkers back down with the expanse of Red Mars and leaves me in the drawing rooms of Mansfield Park.
Because a book from 1814 consisting of a poor girl’s conversations with her richer cousins is inherently superior to a lesser book about pioneers colonizing a planet. Why? Shut up, Ash explained.
It’s not that he’s a protein-powder-where-a-brain-should-be bro.
Because you know, vapid stuff like the challenges of growing crops on an alien planet with different gravity are the kind of topics enjoyed by big dumb idiots. Grog smash. Grog like to ponder orbital mechanics.
Indeed, he bears all the hallmarks of a fully reconstructed man: NTS on the radio, bell hooks on the shelf,
I don’t know what any of those things are, and I am fine with that.
a yoga membership used at least thrice-weekly.
Who the hell unironically uses “thrice”? I won’t, however, knock yoga. After a lifetime of injuries related to manual labor, fighting, and lifting heavy things, Diamond Dallas Page’s yoga for broken down dudes has been AWESOME for me.
But literary fiction, as opposed to non-fiction, history, or sci-fi, just doesn’t interest him.
And? You know it is okay for different people to enjoy different things, right? That’s why genres exist.
…
And he’s not alone. According to Nielsen, despite men famously making up half the population, they only account for 20% of the audience for literary fiction.
Meanwhile, my audience is probably 70-80% male, and I’m rather successful at selling books to them, but we’ll come back to that.
Side note, I like how men “famously” make up approximately half the population. Duh. When I’m editing and I see shit like that it tells me GQ pays by the word and by golly this writer’s gonna get every cent she can.
Part of this may be down to the changing landscape of authors themselves.
This next bit is partially correct, and presents some evidence about the declining number of men in publishing, but she’s getting the cause and effect completely wrong. I’ll explain in a second.
…
Bernardine Evaristo, Paul Beatty, and Anna Burns have been lauded by the Booker committee for their narrative experimentation; meanwhile publishing houses across the country scour the internet for the next Sally Rooney.
I don’t know who any of those people are. I’m from the sci-fi/fantasy ghetto. Comparatively, most literati writers sell zilch, until they show up on some Oprah Book Club level promotion, then they sell a ton. Most of the ones I know in real life still have their day jobs.
Commercially successful writing by women is, mercifully, no longer automatically designated as ‘chick-lit’.
That’s crap. And extra ironic since she cites Le Guin as a bad example at the beginning. There have been respected female authors in most genres forever. Chick-lit was a specific subcategory and the stuff that got “automatically” put there was usually because it fit. This is sort of like complaining about Aliens and then pretending there were no strong female characters in movies until they rebooted Ghostbusters.
…
Celebrity authors and those with big fan bases, like Richard Osman and Lee Child, may shift product, but creatively, straight white men haven’t kept up with those who’ve previously been consigned to the margins.
Lol wut? That’s the stupidest thing I’ve heard today, and I just saw Joe Biden’s press secretary spend 4 minutes babbling inanely because she couldn’t explain how inflation works.
That is one seriously dumb ass take, and the line that caused me to fisk this. How the hell do you cite a bunch of authors most people haven’t heard of working in one particular niche genre, and then use that to pronounce that white men can no longer keep up creatively? How does somebody who sneers at terraforming, but praises navel gazing, define “creative”?
That’s a rhetorical question, because I’m sure the answer is really pretentious.
Also, “shift product”? Lady, Lee Child has sold enough Reacher novels to live in a house made of gold bars. The pretentious snoot literati twaddle novels which sell a handful of copies only exist because guys like Lee Child enable the bookstore to keep the lights on.
…
Don’t get me wrong, this isn’t another article bemoaning the dearth of straight white men in contemporary literature.
Oh yeah. You seem real broke up about it.
Culture changes faster than politics.
They are not separate things. Politics is downstream from culture. The left has known this for a while. Most of the right is just starting to wake up to it. Guys like me have been pointing this out for years.
…
but publishers and editors have seized the identitarian moment – also known as identity politics – with all the zeal of the recently converted. Elite tastemakers can’t deliver social equality, but they are attempting to commission a diverse cultural landscape into existence.
The first bit is true. Publishers and editors are all in on identity politics. They jettisoned all that boring old traditional stuff, like making the audience happy, and instead concentrated on skin deep bullshit and author politics. Rather than entertaining, it became about THE MESSAGE.
That way people like Ash could act baffled when giant swaths of the audience got bored and wandered off. All we do is bore and lecture them, why are they leaving?
And I reckon the literary canon will survive having to hear more from ethnic minorities, women, and queer people, and a bit less from middle-aged uni professors lamenting their employer’s updated guidance on sexual harassment.
How is that working out for Disney and Netflix?
All that box checking nonsense doesn’t matter to the audience. They don’t care about middle-aged professors either (to be fair it appears lefty authors sure do know a lot about sexual harassment though!). The audience just wants to be entertained and not waste their time on garbage products that only got produced because a publisher was more concerned about identity politics than quality.
Watch. As usual some dumbass will get butt hurt at me and claim I’m saying authors from minority groups can’t produced entertaining books. On the contrary, I think any individual from any particular group can produce quality work. So how about we focus on creating quality work instead of your tiresome woke bullshit?
I’d be annoyed and disgusted by fake ass “allies” acting like I owe my success to the magnanimous white saviors in publishing. I know many of these vapid shallow assholes in real life, and they’ll give you a contract, brag about how they picked up Minority of the Week, then when your book doesn’t go gang busters, they dump you in the trash, then pick up a new hotness to brag about.
Unless of course you are an author who is really good at playing identity politics, then the publisher will flog you nonstop trying to make you the next big thing, regardless of how mediocre you are.
Crazy idea, but how about we just let authors write what they want, and then sell books that made the audience happy? Nope. Can’t have that. We need Own Voices and Sensitivity Readers, and better watch out if somebody on Goodreads doesn’t like something you wrote or the “writing community” will throw a tantrum until the book gets cancelled.
I despise this idiotic attitude that writers are only allowed to write certain specific demographics. We’re writers. Our job is to imagine extra hard and put it on paper. I’m not allowed to write a black dude or a French lesbian, but somehow I can write compelling space aliens or a time travelling manatee? Fuck that noise.
…
Who are men when they don’t get to simply claim the status of godlike narrator?
This kind of angsty twaddle is why most people avoid LITERATURE like the plague. She’s saying something really dumb but trying to make it sound profound. What if a writer is like god in that universe? (massive bong rip)… Duuuuuuuuuuuude.
Plus, 3rd person omniscient sucks anyway.
Aside from some notable exceptions – Sean Thor Conroe’s Fuccboi being one – male writers who aren’t otherwise talking from a marginalised perspective have largely abandoned the novel as a means to make sense of cultural change.
So publishers, who she admits are obsessed with identity politics, have quit buying/promoting books from one particular demographic, so that means writers have “abandoned” it. Uh huh. Whenever they swim toward the lifeboat you bonked them over the head with an oar, so clearly they have abandoned lifeboats and prefer to drown or be eaten by sharks.
Also, notice that everything Ash says is cloaked in this aura of ponderous importance? You can’t just write books. Oh no. They are tools to MAKE SENSE OF CULTURAL CHANGE HURUMPH HURUMPH.
That shit is why people come over to the genre fiction bad neighborhood where I hang out and buy fun books about zeppelin fights and giant robots.
…
Rather than bemoan the loss of the male novelist, as other commentators have done, it might be useful to ask where exactly the male reader of novels has gone
He ran away to escape from people like you.
– if he even ever existed.
Trust me, you sanctimonious shrew, male readers exist. I know because I’ve made millions of dollars providing entertainment products to them. Funny how that works.
Even the male literary titans still clinging on, such as Booker winners Julian Barnes and Yann Martel, have audiences which are 60% female.
I don’t know why it offends Ash so much that different kinds of people enjoy different kinds of things. I write action-oriented fantasy and sci-fi, yet I’ve still got a lot of female readers. It’s almost like everybody is a unique individual who doesn’t neatly fit in a box or something.
…
You guys ever notice it is always the caring liberal who barks about cultural diversity, who then assumes all cultures are the same? There are plenty of cultures where reading is promoted and respected by men. There are others (like the one I personally come from) where reading was seen as a sissified activity, and I should have been doing something manlier, like cow punching or teenage alcoholism, yet I kicked the snot out of anybody who gave me shit about my “stupid elf books” and went on to write 25 novels, because nobody has to be held prisoner by the culture they were born into. So I’m gonna say her thesis here is dreck. But just watch how she twists it so all cultures fit her stupid worldview.
…
Women sit around and feel things, but men go out and do stuff: the idea of being confined inside, processing text and leading a sedentary lifestyle, has been traditionally disparaged as being unmanly.
Lady, I was the bestselling author in Baghdad and Baghram. I know how to weld, drive heavy equipment, punch cows, and literally spent the last four days at gun school. It’ll be a cold day in hell before I take advice about the true nature of manhood from some chick writing for a magazine that features articles ranking the best metrosexual footie jammies.
I can’t possibly imagine why male readers are fleeing a genre dominated by people like you.
But today, that’s the way most people live and work. Even before the pandemic made offices of our homes, the shift to an information and services-based economy collapsed the indoors/outdoors distinction between men and women.
Yeah… That’s the primary differentiation between men and women. Working indoors or not.
Holy fucking shit. There’s nothing more annoying that a wannabe writer switching gears and pretending to be a sociologist. Stay in your fucking lane.
It’s no wonder that male curiosity is being directed towards narrative podcasts, non-fiction, sci-fi and fantasy. These things take you out of the home, and into the world.
Which illustrates just how sheltered and ignorant you are. I have readers who jump out of airplanes and blow shit up for a living. Cowboys and lumberjacks. Truckers and farmers. I’m talking the manliest stuff you can imagine. Yet they still read books, because even Navy SEALs don’t get to go to Mars or sword fight dragons. That’s the magic of what guys like me do.
I pity sad, unimaginative little rutabagas like you.
Don’t worry though. Your kind are actively trying to suck all the fun out of sci-fi and fantasy too.
…
Yeah, I can’t imagine why men who get constantly told they’re useless shit failures by society and the Screaming Harpies of Tolerance might feel aggrieved. What a mystery.
Maybe the problem isn’t that women have come to dominate the fields traditionally occupied by men, but that men don’t really want to think about how economic conditions and changing cultural values have made them more like women.
Yep. A total mystery. It’s unknowable really.
Holy shit, this woman is like the living avatar of that pink haired wojack meme.
But the thing is, women don’t just read novels to understand ourselves: we read them to understand each other.
If this tripe is an example of your level of “understanding” others, you fucking suck at it.
Literary fiction is how we can study human frailty, making the world of feelings, friendship, love, personal dilemma, rivalry, money and psychology rich terrain for exploration.
Pro tip. When you’re getting paid by the word, try not to be so obvious you’re milking it.
Seriously though, get over yourself. Writers are just people. I say this as a writer. No matter how fucking profound you think somebody is, they are still only human. It isn’t a “study”. It’s one person telling a story from their imagination, which may or may not actually reflect some reality of the human condition.
…
So to recap… after kicking male authors out of publishing, and then telling male readers they have sucked throughout history, and suck even more now, they should come back to you… because reasons. Okay then. That was persuasive!
Take a break from Mars, and explore the cosmos of emotional minutiae.
And here is my counteroffer. Fuck off.
If you want more readers, you need to provide a product that they actually want. Readers don’t owe you shit.
We could all do with a lot more of your chitter-chatter.
Well here you go then, Ash. Have some chitter-chatter and a voyeuristic glimpse behind the curtain of male authorhood. Enjoy.
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If you like Jim Butcher's Dresden series, you might like Larry Correia's Monster Hunter series.
I'll put it on the list. Thanks
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Torgersen v Sanderson
A battle on the scale of Bambi’s younger sibling versus Godzilla but Brad has a righteous cause and God on his side[citation needed].
All the former Puppies have had their own political arcs since 2015. Larry Correia is saying pretty much the same things he’s always said but Sarah Hoyt went more MAGA, John C Wright went even more Trad Cath and Vox Day has become increasingly a spokesperson for…
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I want to say like I feel like I’m moving up in the world now that Larry Correia has yelled at me personally by name, but he yells at everybody like the old man yells at cloud
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