Tumgik
#laila boonyasak
nojillnolife · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
77 notes · View notes
speakingparts · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
LAST LIFE IN THE UNIVERSE
[Pen-ek Ratanaruang, 2013]
37 notes · View notes
maggiecheungs · 1 year
Text
Tumblr media Tumblr media
PLOY CHERMARN in REYA (2021) - EP. 27 PAT CHAYANIT in P.S. I HATE YOU (2022) - EP. 18
31 notes · View notes
spookyfoxdreamer · 6 months
Text
Tumblr media
0 notes
dear-indies · 11 months
Note
Hi, I hope your weekend is going well! Do you have any suggestions for a female older cousin for Davika Hoorne? Thank you!
Cris Horwang (1980) Thai.
Cherry Khemapsorn Sirisukha (1980) Thai.
Ploy Laila Boonyasak (1982) Thai.
Noon Siraphan Wattanajinda (1982) Thai.
Bee Namthip Jongrachatawiboon (1982) Thai.
Alisa Allapach (1983) Thai.
Tak Bongkot Kongmalai (1985) Thai.
Rodmay Kaneungnij Jaksamittanon (1986) Thai.
Poyd Treechada Petcharat (1986) Thai - is trans.
Aerin Yuktadatta (1989) Thai.
Pooklook Fonthip Watcharatrakul (1990) Thai.
Namtarn Pichukkana Wongsarattanasin (1991) Thai.
Wawwa Nicha Chokprajakchat (1991) Thai.
Prang Kannarun Wongkajornklai (1991) Thai.
Here you go!
2 notes · View notes
kellymagovern · 4 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Last Life in the Universe (2003) dir. Pen-Ek Ratanaruang
73 notes · View notes
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Samui Song dir. Pen-ek Ratanaruang, Thailand 2017.
658 notes · View notes
cloudnine-stuffs · 6 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
38 notes · View notes
lakorns · 6 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
22 notes · View notes
gioitre24h-blog · 5 years
Text
Chuyện 3 mỹ nhân hot nhất "Chiếc lá bay" không sốc bằng cặp chênh 14 tuổi!
Chuyện 3 mỹ nhân hot nhất “Chiếc lá bay” không sốc bằng cặp chênh 14 tuổi!
Tumblr media
Giống như nhiều làng giải trí khác ở châu Á, showbiz Thái cũng là nơi se duyên của nhiều cặp tiên đồng ngọc nữ, có thể kể đến như Nadech – Yaya, Mark – Kim hay Bella – Weir. Tuy vậy, không phải cặp đôi Tbiz nào cũng bên nhau lâu dài và giữ vững được tình cảm như lúc mới ngỏ lời yêu. Trong đó, nhiều cặp đã chia tay nhau trong sự tiếc nuối của người hâm mộ nhưng cũng có một số trường hợp khiến fan…
View On WordPress
0 notes
speakingparts · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
LAST LIFE IN THE UNIVERSE
[Pen-ek Ratanaruang, 2013]
49 notes · View notes
maggiecheungs · 2 years
Text
Tumblr media Tumblr media
Ploy Chermarn x Kitty Chicha
24 notes · View notes
spookyfoxdreamer · 9 months
Text
Tumblr media
0 notes
falkenscreen · 6 years
Text
SAMUI SONG
Tumblr media
You probably saw that coming, but it won’t matter.
Thai filmmaker Pen-Ek Ratanaruang’s latest could laxly be described as Dial M for Murder railroaded by a comedy of errors, but that wouldn’t ascribe much to the surrealist upheavals that are really Samui Song’s backbone.
Soap star Viyada (Laila Boonyasak), married to feckless millionaire (Stephane Sednaoui), wants out. The appearance of hitman Guy (David Asavanond) offers a solution to her ever again having to contend with her husband, or his obsession with a mysterious cult lead by a charismatic figure (Vithaya Pansingram).
Deftly establishing our small cast of players with something as simple as one asking another for cigarettes or the smallest of initial interactions between wife and husband, Samui Song really hits its stride in the second act when the ill-concealed antecedents of our hitman become all to readily known. With Asavanond emerging as the most memorable addition and largely carrying the comedic bent, the film errs to a great degree when it departs in tone and narrative at the commencement of the third act, save an incidentally hilarious encounter with a laundry delivery.
Boonyasaki, alternately couched in her television persona and her real-life travails traverses an uncommonly creative, nuanced style of storytelling. Situating us in fictively enveloping worlds, it’s a pleasant surprise to discover, or surmise, what is real and what is not. The ‘gotcha’ moments, which thankfully are never overplayed at these crucial instances, are nonetheless only a few of Samui Song’s most intriguing aspects on which the film does not wholly rest its impact.
And then there’s that ending. You may have (and likely did) see it coming but it is of little consequence. A thought-provoking turn which duly invites repeat viewings and reflections on several newly-relevant sequences, Samui Song is an altogether engaging thriller with some traditional and very non-traditional innovations.
Samui Song screened as part of the Sydney Film Festival
0 notes