Therangertea did it again 🤣🙌🏽 PR actors in a horror/thriller movie 🧵:

The movie was hilarious in a good way 🤣 everyone should go watch it, it's like a black mirror episode with a dark comedy tone.

And yes, I was rooting for Zayto's mom lol

W ⋀ T C H I N G

(Unrated Edition)

Bad movie I have Megan 2022

Horror Movie Review: M3GAN (2022)

When Gemma becomes the unexpected caretaker of her 8-year-old niece, she decides to give the girl an AI prototype, a decision that leads to unimaginable consequences.

M3GAN is a 2022 American science fiction horror film directed by Gerard Johnstone, written by Akela Cooper from a story by Cooper and James Wan (who also produced with Jason Blum), and starring Allison Williams and Violet McGraw, with Amie Donald physically portraying M3GAN and Jenna Davis voicing the character. A young girl named Cady and her parents are involved in a car accident in the snow,…

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M3gan (2023) Review

Gemma a robotics engineer at a leading toy company builds a life like doll and uses it on her niece Cady who’s parents died in a car crash, at first M3gan seems to be perfect but she is evolving quickly. ⭐️⭐️⭐️⭐️ Continue reading Untitled

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So Kira Josephson (who plays Jane) is in M3gan

Friendship Evolves: M3GAN Review

Pictured above is the “M3GAN” poster.

Image credit: Universal Pictures, BlumHouse Studios, Atomic Monster Productions

This review is going to be a little different because I usually review the theatrical version of the movies I cover, but for todays review I’m going to be reviewing the Unrated version of M3GAN as that was the version that was going to go to theaters before it got toned down to a PG-13 rating. I’m so excited that they released this version of M3GAN so soon after making $171.2 million in the global box office. So, lets get straight to the spoiler-free review.

M3GAN is a 2023 science fiction horror film directed by Gerard Johnstone, Written by Akela Cooper (Malignant (2021)), Produced by James Wan (who also directed Malignant (2021),and Jason Blum. The soundtrack is done by Anthony Willis. The cast involves Allison Williams as Gemma, Violet McGraw as Cady, Ronny Chieng as David, Amie Donald as M3GAN, Jenna Davis as the voice of M3GAN, Brian Jordan Alvarez as Cole, Jen Van Epps as Tess, Stephane Garneau-Monten as Kurt, Lori Dungey as Celia, Amy Usherwood as Lydia, Jack Cassidy as Brandon, Michael Saccente as Greg, Samson Chan-Boon as Officer Carter, Kira Josephson as Ava, Renee Lyons as Holly, and Arlo Green as Ryan.

The Plot:

M3GAN is a marvel of artificial intelligence, a lifelike doll that’s programmed to be a child’s greatest companion and a parent’s greatest ally. Designed by Gemma, a brilliant roboticist, M3GAN can listen, watch and learn as it plays the role of friend and teacher, playmate, and protector. When Gemma becomes the unexpected caretaker of her 8-year-old niece, she decides to give the girl an M3GAN prototype, a decision that leads to unimaginable consequences.

Positives:

One positive I have about the movie was the cast and the use of the character of M3GAN. An example of the use of M3GAN was the descent from a protective friend to an obsessive, psychotic, and cold-blooded killer…. who dances which had me laughing. I really liked the relationship of Cady and Gemma as they bond over time and how the bond they built pays off in the third act of the movie.

Pictured above is the M3GAN dance scene (which is already a meme)

Image Credit: Universal Pictures, BlumHouse Studios, and Atomic Monster Productions

The second positive I have about the movie is how they nailed the tone; it is campy but at the same time it is scary as hell considering the technology we have now. It also discusses the dangers of technology while not being too preachy.

 The third and final positive I have about the movie is the kills as it is bloody in the unrated version while kills in the PG-13 version happened offscreen and bloodless. The kills are pretty creative whether its with a power washer or a paper cutter, the movie (Unrated version) doesn’t hold back on the blood. While it’s not as bloody as “Terrifer 2” or the “Saw” franchise, some of the scenes are horrific.

    Negatives:

The first negative I have about this movie is that I wish we spent a little bit more time with evil M3GAN. Evil M3GAN shows up at the halfway point of the movie, but that’s alright as it pays off. The second negative I have is some of the acting was questionable at some points, however it’s okay as it matches the campiness of the movie.

My overall thoughts:

After watching the unrated version of M3GAN, I believe releasing the unrated version a month after the PG-13 was released was a smart move considering the success of the PG-13 version. In saying that however, I believe this is the version that should have been released in theaters. If you are into killer doll movies or movies that deals with the dangers of artificial intelligence, then this is the movie for you. I found the movie to be really entertaining, darkly funny, and has rewatch value. I can’t wait until 2025 to see M3GAN 2.0

Where to watch M3GAN?

M3GAN can be watched on Peacock, Digital retailers, Blu-Ray, and DVD coming out March 21st, 2023.

What did you think about M3GAN?

Feel free to comment on this post and please keep the comments respectful.

Thank You

CALIFICACIÓN PERSONAL: 6 / 10

Título Original: M3GAN  

Año: 2022

Duración: 104 min.

País: Estados Unidos  

Dirección: Gerard Johnstone

Guion: Akela Cooper. Historia: Akela Cooper, James Wan

Música: Anthony Willis

Fotografía: Peter McCaffrey, Simon Raby

Reparto: Allison Williams, Violet McGraw, Ronny Chieng, Brian Jordan Alvarez, Jen Van Epps, Arlo Green, Michael Saccente, Amie Donald, Stephane Garneau-Monten, Kira Josephson, Lori Dungey

Productora: Universal Pictures, Blumhouse Productions, Atomic Monster, Divide/Conquer. Productor: James Wan. Distribuidora: Universal Pictures

Género: Horror; Sci-Fi; Thriller

https://www.imdb.com/title/tt8760708/

TRAILER:

M3GAN (2023)

Starring Allison Williams, Violet McGraw, Amie Donald, Jen Van Epps, Brian Jordan Alvarez, Jack Cassidy, Ronny Chieng, Stephane Garneau-Monten, Arlo Green, Lori Dungey, Kira Josephson, Michael Saccente and the voices of Jenna Davis and Natasha Kojic.

Screenplay by  Akela Cooper.

Directed by Gerard Johnstone.

Distributed by Universal Pictures. 102 minutes. Rated PG-13.

There are two kinds of horror fans in this world. There are the ones who see a spooky looking doll and hide their eyes in terror. Then there are those who see a little killer moppet with its chubby cheeks and little rubber hands and think this is kind of ridiculous.

I tend to be in the second camp.

M3GAN has been getting comparisons to the Child’s Play movies. And it is sort of like Child’s Play, except mostly it’s like the 2019 reboot of that franchise (you know, the one that everyone – particularly fans of the series – hated).

The title character in M3GAN is not a doll, exactly. Not like traditional spooky doll films like Annabelle, Trilogy of Terror and the original Child’s Play movies. M3GAN is more of a robot which is being marketed as a toy, just like Chucky in the Child’s Play reboot (M3GAN stands for “Model 3 Generative ANdroid – they can’t even do initials right, that should be M3GA.)

And while M3GAN is better than the Chucky reboot, it’s not really very good. However, it is stupid, but fun, which is all that many horror films aim for.

The thing is, though, M3GAN seems to be trying to aim higher. It makes some half-hearted explorations of grief, absentee parenting, and the dangers of AI, but mostly it’s about a little killer robot gone rogue. It’s a storyline variation which has been done hundreds of times now and M3GAN adds little to the canon.

There have been films about computers (and a robot is basically a variation of a computer) advancing beyond the programming that was intended even farther back than 2001: A Space Odyssey over 50 years ago. At least that movie, as weird as it sometimes got, had some deep ideas on the subject. Granted, it’s probably not fair to compare a silly horror film with a serious science fiction classic, but you get the point.

At least M3GAN, at like 4 feet tall is not quite as ridiculous a killer as a foot-tall Chucky, but still seeing this robot who weighs less than 100 pounds pummeling people twice her size seems a little silly.

I’m also not sure I totally buy that M3GAN could come to be every girl’s favorite new toy. Yes, it’s a technological marvel, but honestly, it’s kind of spooky, and not even when it is killing people, just in general. I could see little girls waking up under M3GAN’s glassy gaze and getting the crap scared out of them.

But okay, grading M3GAN on the level that it is made on, it’s not bad. It’s sometimes funny, sometimes intelligent, and sometimes a bit scary. So how you react to the film will probably pretty much depend on your feelings about homicidal dolls.

Jay S. Jacobs

Copyright ©2023 PopEntertainment.com. All rights reserved. Posted: January 6, 2023.

Apparently Kira Josephson (Jane from Dino Fury) is going to be in M3Gan

Channel name: Kira Josephson

Content: Theatre

Adult?: no

I went to college with Kira. She is beautiful, kind, and a talented performer. I recommend toy check out her stuff (especially if you're in casting).

HITACHI · “Duality” Short Film (2020) Director’s Cut · Score by Gramatik & Luxas from Joe Sill on Vimeo.

Written & Directed by: Joe Sill Starring: Matteo Aluisi, Dante Spencer, Shahanna Jaffer, Naiya Singh Padilla, Mona Sishodia, Iyad Hajjaj, Zoya Yaseka, Meghan Alexander, Jon Komp Shim, Darren Kendrick Client: HITACHI

Two A.I.’s — one older generation and one newer — wander through a looking-glass of a limbo world, gazing at humanity’s past and present in search of humans who might carry the torch into humanity’s future -- and give what knowledge they can, in hopes that we may one day solve the problems we'll face in the future.

This is a branded short film for the Japanese technologies company, HITACHI, where the company was seeking to find a way to tell an emotional story about the many crises we face as a human race, and our relationship to artificial intelligence. It was a unique situation where a technologies company sought to craft an abstract, art-driven and hypothetical film as a vessel to spread an important message to anybody developing artificial intelligence: that we must do so quickly and with a moral compass, in hopes that one day AI will be advanced enough and driven by empathy to help human beings solve potential crises together... as AI, being one of our greatest creations, may be the essential factor in ensuring the survival of the human race.

Original music was done by electronic music producer Gramatik & Luxas.

Production Company: SIOUXX Executive Producers: Andreas Neumann, Khadija Donatelli Creative Directors: Ken Hanada, Andreas Neumann Producer: Michael Rodriguez Dueñas Copywriter: Benjamin McAllister Futurist: Julian Scaff Production Supervisor: Jake Brown Production Coordinator: Pure Brisbon First Assistant Director: Adam Zimmer Second Assistant Director: Luther Sartor

Director of Photography: Nico Aguilar First Assistant Camera: Connor Lambert Second Assistant Camera: Nick Vannatta DIT: John Goodner

Key Grip: Eduardo Barraza BB Grip: Jason Webster Grip: Mike Wong Grip: Mike Fujimoto Grip Driver: Ivan Garcia

Production Designer: Olivia McManus Art Director: Mary Brown Set Decorator: Karli Watland Set Dresser: Kelsey Carson Set Dresser: Logan Blue

Wardrobe Stylist: Joanna David Wardrobe Assistant: Cara Seo Hair / Makeup: Anny Kim Hair / Makeup: Jenna Keller H/MU Assistant: Paige Padgett

Location Manager: Vincent Lopez Set Medic: Samson Ghaffari Craft Services: Danny Tilbury Office PA: Angie Arroyo PA Truck Driver: Robert Byrd PA Camera Driver: Greg Summers PA Van Driver: Mikey Allen PA Van Driver: Montse Osorio PA Van Driver: Leah Rice Set PA: Juan Sanchez Set / Statebed: McKensay Savell Welfare Teacher: Tom Porter Moho Driver: Jack Lodle

· · ·

Post Production: Ethos Studio Executive Producer: James Drew Executive Producer: Jerad Anderson Producer: Sahir Champion Composers: Gramatik & Luxas Visual Effects Supervisor: Joe Sill Editor: Chad Sarahina Colorist: Kaitlin Battistelli Voiceover Artist: Christina Regler CG Generalist: Andrew Finch CG Generalist: Joe Sill

Visual Effects by Frame 48 Executive Director: Tom Teller Executive Producer: Julian Conner Creative Producer: Seth Josephson CG Generalist: Ben Jannasch

Visual Effects by Chapeau Studios Creative Directors: Lauren Mayer-Beug, Jesse Hoy Managing Director: Karuna Venter Producer: Marie de Leon

Sound Design by One Thousand Birds Sound Designer: Jackie Zhou Executive Producer: Kira MacKnight Producer: KT Pipal

Nohoper Light and Michael for the ship meme, and also BLight but they're both trans men

Light Yagami (Death Note) andMichael Suzuki (Knitwear Club) - send me a Ship and I’ll break it down

After some thought and that, I’vegone with doing this for Light Yagami from Death Note canon; or rather, fromDeath Note canon, but he’s trans (as per NoHoper and because I want to). I’mgoing to post and reblog this a few questions at a time because, dude, this isa big one and it is late. :)

How did they they meet?

-- Inthis eventuality, Light is a rising star of the NPA, in his late-twenties andsolving crimes left and right while acting as both Kira and L (criminals moreor less always meet convenient accidents), having ‘solved’ the Kira case bysetting up an unsuspecting Teru Mikami as a fall guy during the showdown at theYellow Box warehouse and killed Near in the process.

-- Essentially,Light and Michael (living under a different name, but referred to here asMichael for ease) met during a case in Toronto that Light was running as L,concerning a human trafficking ring that an assumed Japanese suspect wasoperating in the city. Michael was working as an optometrist at a Josephsonopticians in the York Mills shopping centre when, while waiting for his nextappointment, he spots a woman with a young teenage girl. He would’ve thoughtnothing of it if he hadn’t picked out the woman’s body language, the unusuallytimid, fearful demeanour of the girl, the state of her hair and clothes.Picking up on a hunch, he takes off his id badge, leaves the opticians and goesup to the woman to ask her for directions, using his strong British accent topretend to be a tourist. She tries to shun him, but when he puts his hand onher shoulder and tells her that he suspects her of human trafficking and ismaking a citizen’s arrest on those grounds, she realises he’s on to her andruns off. He chases her down to a women’s bathroom, where he stands by thesinks, informs the other women in bathroom what’s going on, and calls mallsecurity and the police. He meets Light when he’s summoned to give a witnesstestimony, believing him to be the NPA detective L asked to assist with legworkon this particular case. Thanks to his testimony, ‘L’ caught the culprits andgained leads to other human trafficking rings. The girl, as well as the othervictims, were delivered back safely to their families and, with Michael’sappeals to Light, given access to support and treatment paid for by L. Once theculprits’ usefulness ran out, they were shipped off to prison where they later ‘contracteda disease’ and died.

-- (WhileMichael was late for his next appointment, his boss understood the severity ofthe situation enough that he wasn’t fired. She did however ask him not to pullany risky stunts again).

"School House Rock Tour - Day #1" - Kira Josephson

School House Rock Live! Jr. Tour from The Little Theatre on the Square in Sullivan, IL. Directed by Shawn Pryby. Choreographed by Zach Gray. 

"A New World" - Kira Josephson

The opening number of "Bombs Away!", a review of great songs from Broadway flops.  Kira directed the show, with musical direction and accompaniment by Michael J. Richardson.

"Film Reel" - Kira Josephson

Scene - Short Film "Running Up That Hill" Commercial copy - Bran Muffin Crisp