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#just dumping my thoughts here cuz no one in my circle is as obsessed with dune as me
theartbishop324 · 25 days
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I get the marriage to Irulan is a political thing and she might even be glad that Paul leaves her alone but I kinda feel bad for her. Irulan has be deprived of a lot of parental love and it even states clearly in the books that she's had to guard herself from her father's schemes and plots at times and avoid assassination from her own family members.
Now she expects to be Paul's wife in their political marriage and as such, the mother to his children only to be let down to understand that Chani is his true love and she'll be his exclusive partner. She might have even expected to finally find the love she's been deprived of all her life.
It just seems cruel to me that Irulan has been, in some ways, alone emotionally all her life and now is trapped in a marriage to a man who won't show her an ounce of love and perhaps hostile to her at times.
Now, since she's empress she'll have her own freedom and do whatever she wants within her power but I just feel bad for her for her loss of affection from the man she's bound to in marriage. I feel like Paul could at least be kind to her and idk, give her gifts and do something to make her a bit happy.
Who knows how Denis(the director of Dune) will write her in Dune: Messiah and I'm very curious to see how her story line goes along with Chani's change from the books as she isn't just another fanatical follower anymore but that's just what's been on my mind after three trips to the cinema.
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milk-ducts · 5 months
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I'm so glad to have encountered a fellow Cecil stan. I freaking love coming up with headcanons for Cecil, platonic or romantic, because he's such an interesting character. For real though feel free to dump any Cecil headcanons (platonic or romantic) on me anytime.
AWAAAA!! YES HAII OTHER CECIL AFICIONADO !!! im so glad theres more of us sprouting out here. my wife is so underappreciated, you have no idea how much he means to me. i'd love to req n swap headcanons anytime !! I have so many thoughts on that morally ambiguous gilf.
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[messy, disorganized surface level autism rambling ahead. this will be just random scenes and characteristics i like of him]
BUT YES .. cecil's character is just so interesting to analyze. he does unethical, necessary things. But he doesn't subscribe to idealistic notions of "the greater good" or justifying his actions to make himself sleep better at night. He knows the harsh reality that someone has to make the difficult decisions, no matter how unethical. The psychological toll it takes to calculate how many civilian lives can be spared, and how many are inevitably lost in order to achieve the optimal outcome. He doesn't celebrate after victories like the other heroes do. After the dust settles, his mind is already racing - calculating, strategizing how to prevent future catastrophes. How to minimize casualties next time.
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his methods are...questionable,, as ive said,, but there's a hint of nobility to it that just makes you respect him, A SHADY GOVERNMENT CHAR that does the dirty work and takes in all the heat for it so no one else has to? SIGN ME TF UP! i love exploring his character and all the little glimpses of humanity we get to see from him,, especially with debbie, SO SOFT FOR HER, there's so much depth there. that old fuck would MOVE mountains for her if he could,, TRUST. EVEN though he doesnt deserve her .. <<
LETS CONTINUE TO CIRCLE BACK TO S1 with his confrontation w Nolan in the desert, the way he entrusted his survival to the skills of his team operating that teleporter watch (I'm aware he can control it himself, I think this was just my interpretation of it since the employees seemed directly involved here). The margin for error was nonexistent. One miscalculation, one millisecond too slow, and Cecil would have been reduced to a red smear across miles of sand. MY WIFE HAS BALLS ON HIM. (also love walton goggins breathy lil giggles here .. hwaghffhh)
All this, All the whilst Nolan could have ended him with a casual backhand, as easily as swatting a fly. And for what? For humanity's (mostly his) right to know the truth. For Debbie's right to understand what she had truly married because Cecil respects her that fucking much for her to have a part in all of this, and what fate may lay in store for her son.
AND what I particularly liked about that scene is that unlike most SHADY GOV CHARS ™.. Cecil isn't afraid to regularly place himself in life-threatening situations, and for that im just.. FKING obsessed. finally. a hyper competent gov char that gets shit done and occasionally by his own hands instead of always puppeteering in the shadows. Love u .. love u honey snooch, please stop putting yourself in danger for your crazy alien side-hoes .
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but ahem ... back to s2.. and some flaws of his that i'm not afraid to point out. the way he's been treating mark is killing me. manipulating my son by comparing him to his dad then keeping him on lock by saying he's not like him??? The breadcrumming definitely didn't work out at all, cuz Mark is too damn stubborn to continue to be swindled by fear tactics he does not give a shit for anymore (homegirl DEBBIE taught him better) hes not gonna listen to a cranky skullet-having side bitch of nolans who clearly has been tryna manipulate him since s1. i HATED how he went "ur broke tyrannical bitch father felt the same way" in the last minute when mark tried to leave earth and yet i still lobve ceci cause ough,,.. my bastard wife knew something was probably up.
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Him wanting to keep a short leash on MARKY could be summed up after all that has happened in s1. i'm not going to justify his scummy manipulations or paranoia,, especially after all the shit mark has done and endured to prove himself over and over again that he's not like his father BUT its somewhat understandable for cecil 2 be wary if you look from it in his perspective.
moving on from that, lets dive back into ep 2 ..
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Debbie was semi-right in her deduction in s2 ep2, that this is what it's really all about for Cecil - being in control. Not of any situation, but of Mark. To ensure history does not repeat itself in the form of Mark becoming another Nolan. imo He likely doesn’t actually view Mark as his father, Not saying the possibility of it being a part of Cecil's subconsciousness is out of the equation but the way I see it? He was just exploiting that one weakness, that one insecurity Mark has - the fear of becoming like Nolan. And it’s a fear Cecil seemed to prey upon to keep Mark under his thumb and in the fucking GAME.
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awaaaa :3 !!!! psychologically damaging teens by comparing them to their abhorrently shitty fathers !! FUCK YOJ STEDMAN (love you snookums..)
,,,,I'd also like to think in my warped deluded perception (aka hcs) that he sees Debbie in Mark, so he can't help but care for the kid too. IVE ALWAYS seen a lot of comparisons between Mark and his dad, plus the whole motif of this new season hasn't helped it allay. But Debbie and Mark share so many similar characteristics as well and i wish that was talked a bit more often &lt; 3 (I will go in depth about it at a later post.)
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n umm like ...,,, bck to cici in gen. I guess the safety of earth is one of Cecil's redeeming qualities along with his compassion for side characters like Debbie. His pragmatism and utilitarianism define him. He lacks normal morals but has his own code that cultivates to his character. this ramble could not do justice to him ughfglg..,, what a compelling jezebel.. how can u captivate me so !!
My inbox is always open to discuss this multi-faceted rat man. here's to more cecil content in s2..,... hopefully with more of his dynamic with Debbie because I LIVE for that shit. though its unlikely their interactions could range to anything positive now since they may be hinting to cecil becoming an antagonist and/or taking extreme measures w/ mark. soo.. i dont think debbie's scolding was enough for that slut 2 take in ..
in the mean time i'll be catching up on the comics/re-reading them, look up more of his backstory and hopefully create 10 novels worth of google docs of analysis' of his character < 3 cuz .. he means .. that much 2 me.. and i want to prod at every crevice n brain matter he has inside that megamind head of his .
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((hwaghhhhhh << hoping that one day the discord moots ive been keeping in my basement and most invincible fans fall victim to cecil stedman propoganda.. no one should be immune to my girlboss and his awful skullet.))
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koganphrancis · 6 years
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WE ARE FINALLY, TRULY CAMLESS!
Season 9 Episode 6 Recap
First and foremost, I want to single out Noel Fisher for being a truly class act and returning to this demon show to give fans what happiness he could-the ONLY happiness a lot of fans have found here, myself included, in a very long time.
Next a serious piece of appreciation to Cameron Monaghan.  I know he worked hard on what little they gave him to do in the past few years, and I’m thankful he had Gotham to work on to actually use his talent while mired down in the stinky swamp this show has become.  In another actor’s hands, I don’t know that Gallavich would’ve been as captivating as it was-without Noel I know it wouldn’t have been, but Cam does deserve credit for bringing the other half of the couple to life-when they were on screen together, they had an undeniable magic happening.
Finally to any of the “fans” that are thinking or posting that we got this actually pretty shitty prison endgame because people pestered the show producers, writers, and actors too much to “bring Mickey back” may I please direct you to watch the early episode (I believe it was in Season 1, but certainly no later than S2) where Lip tells Ian prison must be a gay man’s dream with all the tattoos and unlimited sex partners.  THAT is John Wells’ perception of gay men and it has been since long before he even thought of breaking Ian and Mickey up, let alone bringing Mickey back.  
Personally I’m supremely disappointed this gay couple, like so many others, did not get a free and truly happy ending in canon, even though my friends know I predicted this could very well be all we got in the end.  FFS it’s the year twenty gayteen-couldn’t ONE iconic gay couple be given a nice, normal happy ending?  John Wells is a fucking dinosaur.  He needs to go to a sensitivity training camp run by Dan Levy, Emily Andras, and Ryan Murphy.  
Anyway-my last recap (baring a miracle) of this shit show is under the cut
(screen cap credit: justmikhailothings)
This episode was brought to us by White Castle.  I’d like to think they gave every dime they got from them to pay Noel, but I’m sure it went to the other “big name” guest stars.
Also the show was (disappointingly) written by Nancy “Ratfucker” Pimental, so you know it’s gonna be bad.
The show begins with Ian putting his stuff away up in the attic and claiming he wants to eat a shitload of White Castle.  Sure, whatever.  Everyone is trying to offer ideas of what they should all do on his last day of freedom, but suddenly THIS Ian is talking and making decisions for himself.  WHERE HAS HE BEEN THE PAST 4 SEASONS?  He only appears when Mickey’s about...
Debbie offers to bring him to a gay bar to “get laid” (flashing back to Monica in S3, ugh-it was a bad idea then, it’s a bad idea now), Ian says, “Pretty sure I’ll get laid a lot in prison.”  He says it with a grim expression, but considering how they end the show/who his cellmate is, he should be so lucky.  
Frank pretty much ignores Ian in the scene, and they certainly don’t interact.  Frank recommends Ian should read James Joyce’s Ulysses in prison, but other than the fact that it’s by an Irish writer and it’s extremely long and dense to get through (aka it’ll take Ian some time to do it), I don’t know if there’s any significance to his suggesting it.  
This scene with just a throwaway send off from Macy seems to be in line with John Wells’ vision to have the series fade away with the characters going about their daily lives rather than end, but I really think both Cam and WHM were screwed out of not having a final scene together with just the two of them.  Their comedy timing was always the best out of Macy and all the Gallagher kids.  The lack of respect is just astounding-especially since the show wasted so much time on rando actors/characters we’re never going to see again.
The rest of Frank’s story this week takes place with Liam in tow again and it’s just dumb and boring.
The next scene shows Fiona and Bored looking at an apartment-they’re going to move in together (why?  And when was this decided?  Not that I care, but they could’ve cut a scene of them bickering to show a scene where they arrived at a decision together for once).  It makes absolutely no sense-they have Fiona’s whole place to themselves, why waste $3000 a month living in some other apartment all to themselves?  Just because it has two bathrooms?  Do they shit that much?
And then, ooh, bad news for Fiona-her business partners require her to kick in another 25 grand or their investment will be dead in the water.  I still don’t know how she went from having $50K to invest to $100K, so this new twist is just more bullshit that I can’t care about.  
Then there’s a scene where we have to see Carl’s new girlfriend’s head in Ian’s lap.  WTF.  We need to see Mickey’s head there-or better yet, Ian using Mickey’s perfect thighs as a pillow.  
There’s a couple of boring, unfunny bits of the nun and then the priest (is it supposed to be hilarious that the dad from Full House is spewing out sex scenario names Nancy must’ve googled?) from Kev and Vee’s kids’ preschool with a dildo.  Seriously, Nance, not even close to funny, probably time to put yourself out to pasture, old girl.  This show has used dildos as a sight gag so many times at this point there’s just nothing more to do with them except maybe shove them up the writers’ asses.
Lip’s storyline this week is something out of very, very bad fan fiction: A movie star comes to their house!  Cuz, that happens, okay?  I’m sure studios and billion dollar make up companies don’t run any kind of background check on people they hire to babysit their clients-why would they?  It’s not like a crazed fan would rape/maim/kill the object of their obsession or anything.  ANYONE can be a star minder for one day, surely.  
BORING ALERT: Lip has a couple more running scenes this week, because no one got enough of that last episode.  This week the least they could’ve done was play the Friends theme song over the endless footage where he’s chasing Courtney Cox around on location in Chicago.  
While watching, I was wondering if Courtney’s role was written for her or they just settled for her when Roseanne Barr was suddenly unavailable-the stuff they had her say and do (except for the sprinting) seemed like it was written for a more jaded motherly type-but I’m jumping ahead.  Since we DID get CC, here’s a couple of stray observations.  1. She looks like a rich man’s Emmy Rossum, and 2. was part of the purpose of her storyline to throw shade at Jennifer Aniston?  Her character is named Jen Wagner, and there’s this whole dumb thing where Nancy’s trying to make, “Face it, you’re gorgeous” happen as her make up commercials’ tag line-which was reminiscent of Aniston’s ads for L’Oreal that stated “I’m/you’re worth it”.  
Meanwhile, after Fi gets the devastating news that she needs to come up with more money she tries to get out of taking the new apartment with Bored by lying to him and telling him she smelled mold there-HE RESTORES OLD HOUSES/BUILDINGS FOR A LIVING why does Nancy think that was a clever lie for Fiona to come up with?  How stupid is Fi supposed to be?
Back at the Gallaghers, Ian is practicing self defense moves with Carl and Kelly to prevent someone from raping him at knife point.  Everyone’s flipping each other in these scenes and it just felt like they wanted to give their stunt coordinator (and Cam’s double) a lot of (boring) shit to do this week...Ian’s final scenes being played out with this meaningless newbie (who Carl will probably wind up killing or dumping or both) made me very sad.  I guess maybe it was to build dramatic tension for when Ian’s in his cell later and the door slides open before he turns around.  But it’s lame because the scenes play like he’s JUST realizing prison’s rapey.  
Someone knocks at the door-my heart started racing but it wasn’t Mickey.  A guy who wasn’t in the jail scenes tells Ian Joselito sent him.  Ian starts asking him about the guys he was in county lock up with-WHO CARES.  The guy tells him the couple he’s asking about broke up when one of them got out and Nancy throws in a line about long distance relationships not working.  Joselito sent this Antonio guy to give Ian an “in-depth safety orientation about Beckman Correctional” before they send him up.   
Antonio draws Ian a map of the facility and tells him the areas to avoid, then draws a big circle with Mickey Mouse ears on it and tells him that’s “Disneyland” and he can get all good things there-smooth blowies, weed, Snickers...I’m sure ol’ Nancy thought she was being clever, but it just took me out of the scene hearing Antonio say “Disney” at least three times-reminded me of Cam’s publicity stunt “coming out date” there last year.  
Fi comes in and asks if anyone has any money (shades of S4 when Ian gave her his Fairy Tail tips) and that she needs 25 grand.  She’s so stupid.  And she’s honestly that out of touch with the family that she thinks maybe one of them has thousands of dollars they could give her?  (although, if she had only gotten to Lip before he tried to buy Xan...)
Fiona tells Ian, “Don’t forget, I’m driving you to prison tomorrow.”  And that’s the last time they see each other.  So much for family, eh, Nance?
A huge time waster of a scene where Kev and Vee pack up all their sex toys and then another drawn out scene of them throwing the stuff off a bridge happen.  Seriously, these are Cameron’s final moments on this shit show-they couldn’t think of anything for him to do?  This was all screen time Cam and Noel could have had, SHOULD have had!
I have to recap this next bit because it was beyond belief unrealistic-Frank steals a bicycle and goes following Katey Sagal and her ex-husband when they leave the hospital in an Audi-and Frank manages to keep up with them all the way to their nice neighborhood that must be some distance away since it was daylight when they left and dark when they get to their door.  Frank.  On a bicycle.  Kept up.  YOU’RE SUCH A DUMB FUCK, NANCY.
Then there’s more White Castle with the money shot of the food and packaging all over the Gallagher kitchen table.  Courtney gets to make a bulimia joke Nancy wrote into the scene.  Hope you weren’t looking for a Guest Starring Emmy, CC.  
Ian tells a “Carl story” about him puncturing his scrotum (on purpose) with a screwdriver when he was a kid.  Carl must have the most mangled dick and scrotum on the planet between his several botched circumcisions and now this.  Kelly asks him if that’s why he has “that scar”.  You know what, Nance?  While some people do in fact find scars sexy, self inflicted ones on scrotums don’t make that list.  
Debbie comes in, recognizes “the chick from the make up ads” having dinner with them.  I’m sorry-having WHITE CASTLE with them.  Now everyone else sees it too, and Kelly insists that CC says “the” line that Nancy made up to make happen-why do they keep trying to make meaningless things A Thing?  
After dinner, Jen is giving Ian advice about prison: “Find a hobby, it makes time go so much faster.”  Ian asks, “Did you learn that from one of your movies?” and she says she did 48 hours for DUI (hey, just like Ethan, Nancy!).  Jen really needed to get into making TP paper mache to get through 2 days?  
Debbie, desperate to make shit about her says, “Maybe I should go to prison too.  It seems like the only way I’ll find a real relationship.”  WHY are they acting like Ian’s going away on a single’s cruise?
Jen says to Debs that’s not true and Debbie says it is, that she’s unlucky in love (when the fuck has she ever been “in love”?)...”men, women...”  
Jen tells her she’s a special woman (how the fuck does she know?) and that she doesn’t want just anyone, she wants somebody “who gets you” and then for the second time in two weeks an older woman, without determining if Debbie is of age, pulls her into a kiss and the others (Ian, Lip, Carl, Kelly) stare like, “WTF?”  The kiss ends and Debbie looks all amazed like she did after the Mel kiss, but then Jen looks at everyone and says, “I played a lesbian once in a movie.”  And that’s what your research into that role led you to believe lesbians do?  Kiss random teens when they’re whining?  Lip starts the “Face it” line and everyone else chips in with “you’re gorgeous” and everyone laughs and I don’t get why it’s funny or even why it’s supposed to be funny.  Seemed like they were trying to drive home the point that ACTORS only PLAY gay characters, but no matter how convincing they seem, they are in reality the much more “preferable” heterosexuals we can feel safe with and really want them to be.  Fuck you, Shameless.
Also, Courtney/Jen is three times older than Debbie-CC is 54 irl and Debs is forever 17 now, so more Kash vibes for anyone who was missing those.  Also perpetuates the writer room’s fantasy that hot young actors would find middle and past middle age folks suitable sex partners.
Fi goes to Patsy’s Pies and there’s another hysterically lame scene where she opens the office safe and is counting out money-I don’t know how much a place like Patsy’s rakes in (or keeps in their safe) but I would think it would take a long time to accumulate 25K in CASH in this day and age of debit and credit cards.  She abandons that bad idea and winds up going down to the docks and drinking with a Patsy’s employee and reciting all her “mo money” problems while he counters with the facts that his car’s been repossessed and that he and his moms are being evicted from the projects.  Then the guy kisses drunk Fi but she tells him she has a boyfriend and that she has to apologize for lying to him (although, really, the underlying implication is she has to apologizing for never seeing that he’s always right about her being a dumb woman who has no head for business decisions).  
Lip and Ian have their last one on one scene.  After the movie star mom for a day leaves, Ian’s fake smoking on the front steps and Lip joins him.  Lip gives him money for his commissary account and Ian says, “I’ll pay you back,” (but not thank you) and Lip says, “No you won’t,” and I’m at home saying, “Lip, why are you being such a dick?”  Ian goes to hand him the lit cigarette, but pulls it away when Lip reaches for it, but then gives it to him and rubs his shoulder.  I guess this is supposed to signal to us that they’ve said everything that’s needed to be said?  Except we’ve been watching and we know Lip is supposed to be a mouthy motherfucker and in the old days they would’ve had actual conversations that they DID NOT have at all-all their conversations this season have been short and awkward.  Ian’s been made into a fucking mute now, even in these final moments.
Their last scene should’ve been in their room, in their beds-Ian can’t sleep and they talk things out in the dark like the brothers they used to be, but no.  Can’t have that.  
The Fiona drama finding out Bored has a wife, kid, and house and then drunkenly smashing up her leased vehicle is so “bad soap opera” I can’t believe this show is still on the air.  If we were supposed to cry for Fiona as her make up  and fake blood ran down her face after her millionth time of being let down by a guy everyone else could see was an ass from the start-well, we just didn’t.  
Next day the Gallaghers are waiting in the living room for Fiona to take Ian to prison.  Kev steps up to drive them all in his truck.
They get there, get out, and Ian looks around, then says to his family, “All right.  I thought Geneva and some of the others would be here but...”  Thank christ they weren’t!!!  The show/Ian wasted too much time on those randos as it was.  However, credit where credit is due-the show got us all the way through this swan song arc without bringing up Terror once!  But I digress, back to our scene.  Carl says, “You can only count on family, dude.”  I scream BULLSHIT at my TV screen.  
Debbie says, “I’m gonna miss you.” 
Group hug.  Kev says, “Don’t get too raped in there, aight?”  Everybody breaks apart, the moment ruined.  Kev says he doesn’t know what to say in these situations (and clearly no one can improvise but Noel).  Vee says, “How about goodbye and I love you?”  
Kev says, “Goodbye, man. I love you.”  
Ian says, “I love you guys too.”  Wasting it on the wrong fucking people!  All of them-except Kev and Vee who never voiced an opinion-didn’t care if went to prison!  
Ian looks at Lip, walks over to him.  “Hey, uh, thanks for being my brother.”
Lip, still a dick, says, “Never had a choice.”  That’s right, bitch-you didn’t get to choose to play the interesting gay brother, you got cast as the dick know-it-all who never cared about anyone but himself.  
During this entire farewell scene I was sitting at home, strangely unmoved.  I felt nothing watching it, probably because everyone was such an asshole about Ian going to prison all season, plus never caring about what he was doing all last season, plus the fact that none of these characters are the characters we first got to know.  It hasn’t been a case of character growth and development, it’s been character assassination and retconning.  
Ian breaks the hug.  “All right.  See you guys.”  He goes to the gate, shows his papers, gets let in through the gate, waves to his family as he walks past the fence, walks into the prison, slaps his phone (wouldn’t he just give that to Lip to hold on to?  Battery’s gonna be dead by the time he gets out) and watch (probably ditto on the watch battery) onto a counter, strips down so we see one last quick shot of his naked ass (what, no cavity search?  And just how long has it been since we’ve seen his unclothed ass anyway?), and a glimpse of the boob tattoo.  
Next we see him in his yellow “I Love You, Philip Morris” jumpsuit, carrying his bedding through the GP.  He’s attracting “fresh meat” attention and Cam actually does a really good job of looking a bit scared while trying to look tough and “don’t fuck with me”-there’s a vulnerability there, but he’s not overplaying it, and he’s certainly not overplaying the fronting.  His acting was really powerful in that scene.  
They put him in his cell and slam the door and he winces a little at the sound, then he sadly looks at his 6X8 foot (or whatever the dimensions are) room, puts his bedding pile on the top bunk and leaves his hands up there and lets his head hang down.  He hears the door slide open behind him again and gets this, “Ugh, here we go,” expression on his face and turns around to see it’s Mickey standing there.
Me at home: Not what I wanted for end game but I’m still thrilled to see the man, the myth, the legend again anyway.  He’s all beefy still from when he was shooting Fonzo and looking good.  
Ian’s looking at him like he’s not sure he’s really there.
Mickey mildly says, “I rolled on the cartel I was working for and in exchange guess who gets to pick where he gets locked up?”  
Ian’s got tears in his eyes now and says, “Holy fuck.”
“Oh hey-I got bottom,” Mickey says as he points to the lower bunk.  Then he walks past Ian and says, “So...you’re on top,” in a bit of a sing-songy voice. 
He flops down onto the bunk, puts his hand behind his head-and check out the gifs closely, especially on Twitter-in the jumpsuit you can see the outline of his dick and it “twitches in interest” as the fan fics say (don’t know if Noel did it by adjusting his thigh, don’t know if it was intentional or what-but it was a sight to see whatever the case).  He does a lip lick/bite combination, Ian’s face lights up a bit and he gives a smile, he crawls onto the bunk on top of Mickey, pinning his hand down while Mickey smiles softly, they gaze at each other a beat, Ian gently strokes Mickey’s cheek, Mickey wraps his free hand behind Ian’s neck, their noses boop, and Ian sort of gently thrusts into a kiss (it was good-definitely had a bit of a sexual vibe to it), which Mickey expertly returns.  It was a very good kiss, tender and loving, but that scene needed words, needed Ian to say SOMETHING to Mickey-needed an “I’m sorry” and a “thank you for always being here for me” and exchanged I love yous.  Neither of these boys are ever told they’re loved!  JFC, nine seasons and the show couldn’t manage to work mutual ILYs in ONCE?  Fuck you, Shameless.  They didn’t even say each other’s NAMES!  
Mickey (and Noel) looked so fucking good lying there-relaxed and happy, finally back with his love where he’s always belonged.  Even when his eyes are closed, they’re perfect.  The angle the scene was shot at, we see more of Mickey’s microexpressions than Ian’s.  
An after the credits began scene of them lying in an afterglow embrace would’ve been nice.  Mickey could’ve mocked Ian’s hair (give us one last “Fire Crotch” you cowards!) and boob tattoo (or offered to fix that for him while they’re in the joint).  
Mickey’s got new ink on his forearm we never see clearly.  Until and unless we’re told otherwise, I’m saying it’s a big ginger root ;)  Bam.  
On a personal note, and not to rain on anybody’s parade, while I believe 100% in Drunk Crew Guy and what he said, I really don’t see us getting another scene in the finale.  This show’s attention span is down to nothing now, and I can’t see them dragging these guys back out now that they’ve given us (shitty) endgame. I don’t think enough time will have passed to let them out of prison by then, I think those final episodes are going to be about Fiona leaving and not Ian and Mickey getting to Mexico-and I can’t really see Mickey being able to go back there now that he’s crossed a cartel.  My feeling is the show filmed 2 possible endings using Noel to choose from-one ending with them in Mexico and the other being the one we got.  They probably ripped off The Shawshank Redemption too much with a Mexico ending and decided to go with this “original” idea instead.  I’d love nothing more than to be wrong, and to get one more scene of these two free and happy.  Cam’s question mark at the end of his farewell post and the fact that I do trust everything DCG said leaves a spark of hope burning in my heart, but hopefully I can back away from endless online speculation and theories about it over the next 5 months.  If it happens, beautiful.  If it doesn’t, at least we got one last look at Mickey and he’s getting dicked down and the love he’s always deserved, even if I hate the fact they’re locked up and will be in danger whenever they’re not in their cell-not to mention this is the shitty way gay love stories get handled in general, but I must not go down that path again in this recap.  
I want to add that Mickey didn’t sound all that “Mickey” in his scene, but maybe he didn’t need his swagger and was being more “real” to let Ian know he had a choice (as always, Mickey didn’t force himself on Ian-he let him come to him).  And kudos to Cam for not doing his hideous Chicago accent for most of the episode.  
There WAS love and chemistry in that final scene.  Just sucks that we don’t get it anywhere else in the show and they wasted so much time last night that could’ve been given to Cameron and Noel.  
But hey, I’m finally free of recapping ;)  While I’m sorry the Gallavich parts are now over, I’m not sorry I can finally quit missing what we used to get while watching what the show now does.  Mickey and Ian are back together now, so, fuck you, Shameless.  
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angelatattum-blog · 7 years
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logbook 14
Wednesday 24th may 2017
Today we started of with a warm up but people seemed. A little agitated because of the heat. Megan did a warm up. Then got Megan's solos piece up on its feet.
Megan's piece - I start in freeze frame next to megan. Then when megan says - when I walked in -  we go slow motion into the shot scene and crowd around megan- semi-circle. I make a drink for megan and go and give it to her at the end of the scene. Then when megan finishes her scene we shout - salt, shot, lemon! Then a song comes in. - salt shot lemon.
Worked on my solo scene. Did an exercise where we created anger through our bodies from out character then made it as just anger moving around. Thought about having - red and black twisted lights on the 'monster' we created as a physical theatre piece. - using masks.
We made the idea of me to the right of the stage and everyone else clumped together on the far left at the back. People wake up one by one. Everyone starts saying kill and coming towards me when everyone is up. Lights come on phones as their walking towards me, then I notice them and I'm afraid. Once they get to me and shine the light on my face they turn to the audience. Eerie music. Playing
Did toms solo scene with the rope and the text which was split up but it was very hard to read and understand as the table he wrote it on wasn't very clear. Pulling on the rope in the direction of our characters with the for and against and on the fence.
We then moved onto mesha's solo scene. Tried ideas of putting the vomiting onto the audience, reenacting mesha's words on the audience. Post-it notes with the words written vomit/more vomit stuck to the person. Dress the person up and then they think we're going to drop things on them but then we just stick green/yellow/multicoloured post-it notes on them. We run around the audience members doing noises as a soundscape. Getting honey, glue, yoghurts, vomit bucket etc. But we don't dump it on them etc. Then maybe at the end we dump fish-fingers or silly string (when mesha says and then I was sick again)
We then worked on gabis solo Possible ideas - stand alone with video.
We heard work from Gabi that could be the outro that hayden will say.
Me megan and Gabi worked on a song for salt shot lemon. Got rhyming words together and made it fir together. Showed it to the group - needed to reduce it and found words we wanted to use that went most with our message.
Salt shot lemon! Listen while we give you a lesson Salt shot lemon Watch that bitterness change your expression Salt shot lemon I'm singing it loud so you'll deafen Salt shot lemon I'm tired of living in this suppression Salt shot lemon! It lets me release my aggression Salt shot lemon! Now listen here I've got a confession Salt shot lemon! I'm using tequila as my weapon Da da dada tequila! Your words are affecting me like venom Salt shot lemon I hope this gives you a gooood impression Salt shot lemon Having fun is my obsession Salt shot lemon This should be my real profession Salt shot lemon Your heart might stop, oh shit palpitation Salt shot lemon Keep working hard you'll have a revelation Salt shot lemon Fucking hell look at Evan!
Come on guys lets practise this!!! I need you to join in! 1,2,3 Ok you guys got it now? You ready for this?! Hit it!! 1,2,3 go Salt shot lemon! Watch that bitterness change your expression Salt shot lemon I'm singing it loud so you'll deafen Salt shot lemon I'm tired of living in this suppression Salt shot lemon! It lets me release my aggression Salt shot lemon! I'm using tequila as my weapon Salt shot lemon Your words are affecting me like venom Salt shot lemon Having fun is my obsession Salt shot lemon Your heart might stop, oh shit palpitation Salt shot lemon Fucking hell look at Evan
In the beginning monologue - when my name is said I say 'whooooo! Hubbys got the kid tonight!' - (upbeat)
In the game of dares the guys had me eat a piece of poo I know your laughing cuz I was too But trust me when I say it stunk like... well like poo I couldn't back down now the dare was set (Chorus?) The piece of cat poop was going in! (She asked herself why oh why) I now ask myself why oh why Cuz that was so grim! But never the less I proved my worth and I got eating to that turd The guys were chanting get it down, Get it down, My mind was all over the place I didn't know whether these were my friends or some other predator My sisters would be so ashamed of me And trust me when I say that I am too. I still can't believe that I once ate cat poo!
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