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brave-clarice · 3 years

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“Clarice” Liveblog: Episode 1

Here are my extremely unfashionably late takes! They’re long, so strap in if you want.

okay, I genuinely thought the scenes in Gumb’s basement were ripped from the film for a second. extremely well done.

I both appreciate that they’re acknowledging the Bureau-mandated psych eval Clarice would have to go through (not sure she’d have to have another one a year later?)...

...but I sure wish they hadn’t chosen to open this show in a therapy-like session. it’s going to be subject to enough NBC comparisons as it is.

gosh, Rebecca Breeds is so pretty, and in the same almost, idk, elfin kind of way Jodie Foster is.

“Bride of Frankenstein”! a novel reference! and a Hannibal Lecter reference even though they can’t use his name! I’m excited

I was afraid of this part, though--everyone’s going to call her “Clarice” aren’t they?

it’s very significant that in the books, Hannibal is virtually alone in using her first name to address her; even Ardelia calls her “Starling.” but of course this series chose “Clarice” as its title, so...

“the checkout lady at the Safeway asked me to autograph a melon” omg

so Clarice has supposedly been “mandated” to see an FBI therapist for an entire year? hmm.

tbh, this feels kind of like a proxy for Hannibal’s scenes in the movie, especially with the therapist calling her “Clarice.” not sure if I dig it.

“...given that your last therapist was an inmate” Hannibal reference #2!

they’re explicitly talking about Hannibal without being able to name him and it’s hilarious, frustrating, and immensely satisfying all at once.

there’s no way to avoid talking about him altogether without being disingenuous to Clarice’s eventual character arc, so I’m glad they’re ripping off the band-aid early

“you let that relationship be intimate” Yeah, Clarice and Hannibal’s relationship IS intimate and YOU! SHOULD! SAY IT!!!

it’s kind of ridiculous for this guy/the show not to acknowledge that little trainee Clarice was sent to see Hannibal by someone who should’ve known better. That Crawford was doing it with the intention to save lives doesn’t mean he didn’t use the shit out of Clarice.

that’s not to take away her agency or minimize the choices she made after she met Hannibal. She wouldn’t have been in a position to make those choices if Crawford hadn’t arranged it, though.

even if they don’t have the rights to Crawford’s name, either (I have to assume that’s the case) couldn’t they at least mention this??

“hasn’t seen her own family in years” Are they actually going to address Clarice’s maybe-dead-maybe-not mother (depending on the canon they adopt, book or film) and possible siblings??? Please tell me they are!

Clarice’s “egregious” PTSD doesn’t have much to do with Buffalo Bill ofc, and this therapist seems to be making excuses to be the first in a long line of men getting in the way of Clarice’s career goals...

...which she recognizes and confronts him about. Call him out!!!

*Anthony Hopkins voice* That’s my girl.

the way she’s been written in this scene gives me a lot of hope going forward! she’s funny, she doesn’t take any sexist bullshit, she’s calm and polite but you get a glimpse of the rage underneath.

wow, they promoted Senator Martin to Attorney General!

the opening credits (if you can even call them that) are a let-down, though

she has her beads!

can anyone who’s not Hannibal please stop calling her Clarice

wonder if they’re going to touch on any of the extreme tension that existed between Senator Martin and Clarice in the novel? they didn’t interact in the movie, but in the book, Martin is under intense stress, and it doesn’t go smoothly.

of course in “Hannibal,” Martin invites her to “ride horses,” so they obviously reconciled after Catherine’s rescue and kept in some kind of touch.

and speak of the devil: horses! (and Catherine)

“I can’t have a reputation, I’ve only done it once” Thank you for being the voice of reason, Clarice.

“Paul Krendler” *ugly screaming commences*

“you don’t have any people, Clarice” Aaand that’s the plot of the Hannibal novel!

looks like they even gave her the ring Jodie’s Clarice wears!

oh yeah, this Krendler looks like a sumbitch if I ever saw one. No one will ever be as perfectly cast as the dude in Silence imo, but a much better fit than Ray Liotta.

“small carat, but it’s a sweet ring” A very in-character observation probably directly informed by her comments about nail polish in Silence.

she mentions this victim’s nail polish (!) being “tasteful,” and I shrieked a little again.

I understand it’s necessary for Krendler to be a douche, but there’s not even going to be any payoff for the audience (or Clarice) when Hannibal eats him, so boo.

wait...wait, why aren’t Clarice and Ardelia in their Alexandria duplex? They’re not just best friends, they’re roommates! For the entire seven-year story! GIVE ME THE DUPLEX!!!

BUT points for Ardelia bringing Clarice a treat, since she was always leaving her candy bars in the Silence book!

Clarice interacting with the washer/dryer is a nice nod to the books, too.

speaking of... “What did we learn in the laundry room back at Quantico?” For some reason this line made me actually cry, I guess because this whole episode has been such a love letter to something I love so dearly, and it’s making me emotional.

FIRST PRINCIPLES!

DESPERATELY RANDOM!!!

wow, the men in Clarice’s new office giving her lotion as a hazing “welcome” gift is awful, and now I’m just mad (which is the point of the scene ofc).

so this ex-military OC is the John Brigham stand-in, I take it?

if that means John Brigham won’t be here, No Thanks.

Clarice telling him she’ll drive...a tribute to Dana “Why Do You Always Have to Drive?” Scully, perhaps (who was herself inspired by Clarice) as well as a nod to Clarice’s love of cars?

“Why do they call you the bride of Frankenstein?” Sorry, I don’t have the legal rights to tell you about my last intimate relationship.

“Already on my way to West Virginia Granny Witch” Look, this show could crash and burn from this scene on, and it would still have been worth it just for these first 25 minutes.

I like that Clarice is shown wanting to help people, and the scene of her with the baby is a nice call-back to the eventual shoot-out at the beginning of “Hannibal”...but I hope they don’t try to domesticate her too much. Clarice needs her hard edges. To be tough (reasonably so)--a cub growing into its big cat’s claws.

also, somehow I doubt that Miss Valedictorian spent her six years in the Lutheran home “changing a lot of diapers,” but sure, okay. If her siblings are alive in this, she might have changed their diapers!

even though Krendler’s a real dickwad so far, he’s not slimy enough for me. Needs more grease.

“I got a call from your therapist who’s concerned that you might genuinely flip out” I really do not like this subplot Sam-I-Am. Aren’t the huge glass ceiling/Boys’ Club obstacles enough?

seriously, though, I know Hannibal tells her that the metaphorical lambs will come back--at the end of Silence, though, she’s at some kind of temporary peace, not in danger of “flipping out” any time soon.

if Esquivel really is our Brigham stand-in, I’ve got...problems with that. He was Clarice’s teacher and became her friend, not some Krendler double-agent. (Also worried they’re setting him up as a love interest for her which...eesh, no thanks.)

and sorry, I actually hate that Catherine kept Precious the dog in this.

I have no problem with Catherine being a character, or with her interacting with Clarice...that said, I don’t know if her being shown as severely traumatized and reaching out to Clarice as a form of emotional lifeline is...a good idea?

I understand the symbolism of Catherine’s smashed mirror, but...smashed mirrors are already a Thing in this series (albeit not Clarice’s chapter in it), and that’s all I can think of here.

Catherine’s a victim of unthinkable trauma. Nevertheless...she’s talking to the woman who saved her life. Who risked death to do it. I just don’t like the way this scene is written. Apparently, in this show’s canon, Catherine hasn’t gotten the help she needs. But Clarice isn’t her therapist, and it’s upsetting to have Catherine being all “I’ll never be safe and neither will you.”

how does Catherine remember “the mannequins, the autopsy table”?? And why is she throwing them in Clarice’s face?

I’m going to stop talking about this scene now because it’s making me angry and a little upset, which is maybe the point? I just don’t think it’s written well. If Catherine’s going to be a recurring character, I hope she’s shown getting professional, medical help.

Clarice finding the victim’s papers in the box of pads is a direct callback to her finding the photos in the jewelry box in Silence. Nice.

let’s agree that Hannibal and Crawford are both in Ardelia’s (too-cutesy-for-me) book

another nice little X-Files homage?

I have some qualms about that big climax, but...meh. It was capital-F Fine.

Yikes, this is a full week late. Thanks for reading this entirely-too-long post through to the end, if you’re still here!

To sum up my thoughts...

The Good:

the visual connections to the Silence film (that green coat/blue knit scarf combo in particular)

Rebecca Breeds’ performance overall so far

Clarice’s strong writing/characterization

her sense of humor and her inclination to call out bullshit

maybe it was just me, but I also got a sense of Hannibal’s influence on her in some of her dialogue--her blunt observations--and I love it

Ardelia Mapp

the repeated in-your-face references to Hannibal Lecter

the respectful, non-exploitative way the victims were treated by the narrative.

let’s just say, not all Harris-inspired shows managed to do this. :)

the many, many allusions to the novel

“you let that relationship be INTIMATE” !!!

The Bad:

the near-constant implication that all Clarice’s trauma stems from her experiences in Gumb’s basement

I just don’t understand this one...it’s not supported by the text imo

the “Clarice-is-a-psychological-loose-canon” subplot

almost everyone calling her “Clarice”

NO DUPLEX IN ALEXANDRIA! Boo!

Esquivel maybe replacing Brigham

the narrative choices they’ve made surrounding Catherine so far.

Seriously: please let Catherine seek/get help instead of screaming “HELP ME” at Clarice, who after all risked her own life to save Catherine’s, over the phone.

The Ugly: Paul Krendler, lol. Confession time: I also don’t care for the way they’ve styled her hair. Not sure why it bugs me, it just...does.

Overall, I’m thrilled to death with this. I was so afraid it would be disappointing, so even if it’s not a five-star episode (and pilots rarely are), it’s a great beginning! It’s beyond amazing to see our girl on the screen again. Just this hour-long episode did her character way more justice than the entire Hannibal film. Despite its shortcomings, it’s such a loving homage to characters and a story that mean a lot to me, and I love it just for that.

Going forward, I’d like to see more of Clarice as a person. Her hobbies and interests--cars, sharpshooting, running, fashion magazines stuffed under her bed, horseback riding, her total inability to cook...anything would do. I of course want to see more of her with Ardelia. I want to hear more about her backstory and find out which version of it (truly orphaned when her father dies or sent away by her mother) they’ll choose to explore. And while we all agree that this show is about Clarice and she don’t need no man, I won’t lie: I’d gobble up more sly references to Hannibal. He’s her endgame, after all.

I’d also like to really see the warrior underneath. There are flashes of her in the last twenty minutes of this episode. But Clarice Starling is a big cat, she’s a warrior, she’s between iron and silver. I’d hate for her to spend most of this show doe-eyed and traumatized. I want her to be ferocious, to see the woman who’s a match for the monster.

Krendler needs to get nastier. He should make us feel like we need to shower. In the novels, he wants to use Clarice--only for her body. And when she won’t allow him to, he takes his revenge. That’s what makes him so particularly awful. Let’s amp him up here.

And finally...maybe I’ll appreciate Catherine’s scene more on a second watch. Maybe I’m not being sensitive enough to her trauma, her struggles. But I didn’t like the way that scene was staged or scripted, and I didn’t like the suggestion that she just hasn’t gotten help after a year and is subsequently taking her pain out on Clarice on some level. I hope future episodes handle this subplot, and her character, a bit better.

Please let me know if you guys would like me to do another of these monstrosities for the next episode. (I promise it won’t take me an entire week this time!) And thank you again for reading!!!

#Clarice Starling #clarice #cbs clarice #rebecca breeds #media [cbs show]#char [clarice starling]#I'm sorry again about how amazingly late this is heh #you've probably all watched and processed by now and have moved on to Episode 2 but I am slow

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fandompitfalls · 3 years

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Fandom, Misogyny, and the Struggle for "Clarice"

Originally posted 2/24/21

There’s a quote that, summarized, says, in order for a woman to be seen as an equal to men, she has to work twice as hard. And never more what that brought to light outside real life than Valentine’s Day weekend when CBS aired the premiere of Clarice.

In 1991, Silence of the Lambs, a runaway hit thriller staring Jodie Foster and Anthony Hopkins came onto public consumption and introduced the world to the phrase “quid pro quo” and the name Hannibal Lecter became a well-known name.

In 2013, a series by the name of Hannibal staring Mads Mikkelsen and Hugh Dancy premiered on television and was immediately embraced by the fandom community. Dating long before Silence of the Lambs, the show features a BSU consultant by the name of Will Graham who is called into service because of his unique ability to profile serial killers. He develops a professional and later, a personal relationship with Dr. Hannibal Lecter.

In the beginning the question of Will’s mental state was brought up, the reason Lecter was introduced into the series, he was hired on assess Will Graham after cases to make sure his fragile mental state was not deteriorating. It allowed Hannibal to get close to Will and manipulate him in an attempt to turn Will into a killer like himself. The show ended after three seasons and during those seasons, the show’s creator, Brian Fuller, made cinematography magic with his sets and scenes, a lot of them gruesome yet exquisite.

Hannibal became fandom’s gory darling, the relationship between Will and Hannibal being the main fodder. This was furthered by the support of Bryan Fuller’s comment in Collider stating that he saw Hannibal as being in love with Will Graham. https://collider.com/bryan-fuller-hannibal-silence-of-the-lambs-interview/

Just this past week, a new twist on the Silence of the Lambs timeline premiered with Clarice. Clarice takes place a year after Silence of the Lambs and the Buffalo Bill murders. She is pulled from the BAU and sent to a task force run by Ruth Martin, the mother of Buffalo Bill’s only surviving member, Catherine. Created by Alex Kurtzman and Jenny Lumet, Clarice is not affiliated with Hannibal, the Series, in any way, rather, it is a telling of Clarice Starling’s story after the events of Silence of the Lambs.

Here’s where it differs. And remember, this is only the first episode. By the time I post this, there will be two episodes out.

In the opening scene, Clarice Starling is sitting in a therapist’s office. The therapist, a man with no name as of yet, is trying to get her to tell him about her feelings regarding the one-year anniversary of the Buffalo Bill murders. He even has a copy of a magazine that features her on the cover with the title “Bride of Frankenstein.” The more he pushes the more she holds back, telling him the rots answers that most FBI therapists want to here. Finally, she mentions the magazine was bought by him as a trigger to see if she would break and he tells her that he thinks she’s not stable enough to go back in the field because she refuses to use to the “survivor” in relation to her encounter with Buffalo Bill. She is not a survivor, she was never kidnapped, she was an FBI agent doing a job. He also cites her relationship with Hannibal Lecter, insinuating that it was more personal in nature than he thought necessary.

Before he can put her at a desk, she is called back into the field by Ruth Martin and put under the team led by Paul Krendler, a man who Clarice “upped” in the movie when she was a trainee. He doesn’t want her there, insists on a profile after seeing the first two bodies and when she can’t give an accurate one because she doesn’t have all the evidence, he tells her she had to tell the press it’s a serial killer.

It’s already shown that Clarice has a bit of trauma with press conferences and this is something that keeps coming back. The press want Clarice and Paul Krendler just wants her to be the face of his team and tells her that she will say what he tells her to say. Clarice is not taken seriously by Krindler, by anyone else in the office, (there’s a scene where men from the other unit that share an office, coat her desk drawer with lotion and leave that lotion and a basket in the drawer and then laugh about it). Clarice is blocked at every turn by men, even her therapist calls Krindler and tells him to bench her because he’s worried about her mental state.

The first time we meet Will Graham, his mental state is mentioned as tenuous, yet the FBI have no problem throwing him right out into the field. Clarice was a trainee who managed to catch a serial killer, and somehow she’s considered too “fragile” to be put on any cases other than desk jobs. In fact, throughout the entire first episode, the only person on her new team to take an interest and believe what she says is Thomas Esquivel, an ex-special forces soldier turned agent who believes in what she says.

From the first moment of this show the misogyny was right out on view, there is no hiding that all of the men in this show do not like Clarice because she’s young, she’s a woman and they are intimidated by her talent. Her only support comes from Agent Esquivel and her friend and former trainee Ardelia Mapp.

I mention the misogyny because it’s not all on the show. It’s from the fans as well. The first time I was reminded the show was on was when I noticed Hannibal was trending on Twitter. The day and time frame Clarice aired its premiere, Twitter was lamenting that they wanted a season four of Hannibal. While researching for this blog, I used IMDB to get names and plot points. And came across this comment about the premiere:

“Can we bring back Hannibal, please?

12 February 2021 | by [redacted]

And by that I am of course referring to the excellent series featuring Mads Mikkelsen's amazing portrayal of Dr. Hannibal Lecter. That series had great style, fantastic atmosphere, and stellar directing, editing, and acting. They planned to tell the ultimate Hannibal Lecter story but only were able to make three seasons out of a seven season plan. So, here we have a Clarice Starling series that had been in the works for years but didn't get the train running till now. So the premiere - Meh. Rebecca Breeds makes a very good Clarice but nothing else is up to her level. The cinematography isn't bad but the atmosphere is lacking, the characters are none too memorable, and the storyline isn't attention grabbing enough. I give it about a season at least.”

I don’t know the time when this posted, but I’m not surprised by the comment at all. Comment and review bombing seems to be the way that fans express their “disappointment” about their old shows not getting anything…or rather, their favorite male characters not getting more screen time.

On the same page, the below link was posted. This was one day after the first episode of Clarice premiered:

Clarice: Season Two? Has the CBS TV Series Been Cancelled or Renewed Yet? 13 February 2021 | TVSeriesFinale

A freshman series about a female criminal profiler who is pushed down, ignored, harassed because of her sex. It’s almost a case of life imitating art.

I was going to leave this post as it was and post it today but last week the second episode aired which showed Clarice pushing past childhood trauma to face down a cult leader and a corrupt government system thereby earning Krendler’s respect and her position on the team. And while Thomas Esquivel told her that a team is only good if each of its members understand that they can trust and support one another, thereby hopefully foreshadowing that this team will eventually accept Clarice as one of their own and in turn she will do the same, it took her risking her life by going back inside the compound, disregarding orders and singlehandedly getting the information needed to put both the cult leader and head of the County Sheriff down for the count for Krendler to finally see her worth and decide to keep her on the team.

I liked Clarice. It was hard to watch at times, not only because of the trauma she is dealing with as well as the survivor, Catherine, calling her and harassing her, but because of the anger I felt watching Clarice get stepped on time and time again by the men in this show, only to get up and do her job. Her final speech she makes at the end of episode one about her grandmother is inspiring and gives the viewer a bit of a “in your face” to the men behind her, especially Krendler…even though we all know he’s going to make her life a living hell when they get back to the office because she didn’t follow his rules. That said, this show is very much a procedural, much like CSI or Criminal Minds. The series follows the format of the movie. This is not Hannibal. It’s not trying to be Hannibal, It is trying to be Clarice. And, as the quote goes, it’s going to have to work twice as hard to even get one half of the respect it deserves.

#FPBlog #Clarice #misogyny #fandom #televison #blog post #toxic fandom

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